Essays in feminist criticism look at the fiction of Katherine Mansfield, Virginia Woolf, Jane Austen, George Sand, George Meredith, Thomas Hardy, and others

Author Caroline Lawrence shares plot advice from Hollywood movies, character ideas from Greek mythology and her own revelations about how the brain can help of hinder the writing process. She also takes you through her writing process step by step and shares over a hundred bite-sized storytelling tips.

Princess Lenora sets out to conquer a giant causing problems in the northern countries and soon realizes that her real battle is actually going to be trying to keep the Balance, the source that keeps the alternative worlds in their place, from falling apart. Reprint. SLJ.

"Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new-indebted to the very culture of the Roman overlords-even as it also sought to preserve what little it could of the old Israelite religion. The Greco-Roman culture in which rabbinic Judaism grew in the first five centuries of the Common Era nurtured the development of Judaism as we still know and celebrate it today. Arguing that its transformation from a Jerusalem-centered cult to a world religion was made possible by the Roman Empire, Rabbi Burton Visotzky presents Judaism as a distinctly Roman religion. Full of fascinating detail from the daily life and culture of Jewish communities across the Hellenistic world, Aphrodite and the Rabbis will appeal to anyone interested in the development of Judaism, religion, history, art and architecture. "--

Thomas Penman is the acclaimed autobiographical debut novel by Oscar-winning screenwriter Bruce Robinson, the author of "Withnail and I". This is the story of a dysfunctional family. It is about a boy and his grandpa, life and death, sex and hate, dog's meat and cancer. It is also about pornography, enemas, Morse codes, puberty, secrets, God and loathing. It is also about love.

A dazzling, postmodern debut collection of pulp and surreal fictions: a writer of alternate histories defends his patron's zeppelin against assassins and pirates; a woman transforms into hundreds of gumballs; an emancipated children's collective goes house hunting.

"1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha'ayin, Yaqub, a shy young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren't supposed to; Saida is married and has a child, and a married woman has no place befriending another man. 1995. Thirty-something Zohara, Saida's daughter, has been living in New York City-a city that feels much less complicated than Israel, where she grew up wishing her skin were lighter, her illiterate mother's Yemeni music quieter, and that the father who always favored her was alive. She hasn't looked back since leaving home, rarely in touch with her mother or sister, Lizzie, and missing out on her nephew Yoni's childhood. But when Lizzie calls to tell her their mother has died, she gets on a plane to Israel with no return ticket. Soon Zohara finds herself on an unexpected path that leads to shocking truths about her family-including dangers that lurk for impressionable young men and secrets that force her to question everything she thought she knew about her parents, her heritage, and her own future"--

The acclaimed biographer offers a fresh, insightful view of Balzac’s life, time, and works through the lens of food. “Tell me where you eat, what you eat, and at what time you eat, and I will tell you who you are.” This is the motto of Anka Muhlstein’s erudite and witty book about the ways food and the art of the table feature in Honoré de Balzac’s The Human Comedy . Balzac uses them as a connecting thread in his novels, showing how food can evoke character, atmosphere, class, and social climbing more suggestively than money, appearances, and other more conventional trappings. Full of surprises and insights, Balzac’s Omelette invites you to taste anew Balzac’s genius as a writer and his deep understanding of the human condition, its ambitions, its flaws, and its cravings.

Atlit is a holding camp for "illegal" immigrants in Israel in 1945. There, about 270 men and women await their future and try to recover from their past. Diamant, with infinite compassion and understanding, tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch, a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear, these young women, along with a stunning cast of supporting characters who work in or pass through Atlit, begin to find salvation in the bonds of friendship and shared experience, as they confront the challenge of re-creating themselves and discovering a way to live again.

Two middle aged men were brought as children out of Nazi Germany and parted from their parents forever. One forgets all memories while the other is a damaged person, a man of sorrows.

Maurois ends the enormous, sprawling life of Balzac with the question, ""But who would wish to be Balzac?"" A man's query perhaps. A woman might write to him admiringly, at first anonymously, as so many did then. What Maurois evokes here so strongly is the writer and the lover and the always hungry dreamer of fame, greatness and happiness. Balzac's feats were prodigious. Hounded by creditors throughout his life, he bought antiques and jewelled walking sticks, and indulged in one ruinous financial deal after another. He worked for months at a frenzied pace. With a passion for unity, he tried to make a comprehensive world from his many works-- ""La Comedie Humaine."" He was lover to many women but he loved only two-Madame de Berny, his mistress in youth and twenty years his senior, and Madame Hanska, whom he married just before his death. Most of the time the narrative is just shy of the many quotations. Maurois is a little like the wise ""friend of the family"" who tells the story with all the intimate speculations, small reproaches and loving (sometimes sentimental) praise one might expect. Names, places and figures abound, and while many of these particulars are only scantily examined, one doesn't mind. Such a French abundance of ""givens"" is in keeping with the rush and energy of Balzac's life. There are good but simple summaries of Balzac's thought but for the most part this close biography draws one headlong into a fantastic life. KIRKUS REVIEW

Sustained by a deep religious faith, Jason Harrow has built a stable family and become a pillar of principle and patriotism in the Midwest. Then the phone rings, and his past is on the other end of the line. A woman with whom he once shared a life of violence and desire claims her daughter is missing—and Jason is the one man who can find her. Returning to New York City, Jason finds himself entangled in a murderous conspiracy only he can see and only he can stop—a plot that bizarrely links his private passions to the turmoil of a world at war. Hunted by terrorists and by the police, Jason has only hours to unravel an ex-lover’s lies and face the unbearable truth: In order to prevent a savage attack on his country, he’s going to have to risk his decency, his sanity, and his life.

Humorist Amy Krouse Rosenthal's hilarious and nail-on-the-head writing has struck again. Her latest book, The Same Phrase Describes My Marriage and My Breasts, spotlights the lighter side of parenting with a sharp wit reminiscent of the late Erma Bombeck, but with a modern twist. Rosenthal reassures parents that the insanity that comes with raising a child is perfectly normal. It is a delightful book for any parent who has realized that stain-free baby clothes and perfectly behaved children only exist on commercials for Kodak and Downy. Rosenthal's endearing collection of humorous anecdotes and reflections is drawn from her illuminating first years as a mother of three. Being a pregnant working mom means occasionally having a urine specimen hidden in your briefcase for your mid-day checkup. No matter how anal you get, no matter how methodically you put away the toys, the Candyland cards end up in the Lego bin, and Lion King puzzle pieces turn up in your shoes. Daylight savings means that on one Sunday, when it's 7:30 A.M., you still have something like 80 more hours until they go to bed. Forget the instructions of Dr. Spock and open your heart to a woman who proudly survives life with three kids-granted not a single glass from her bridal registry remains intact-and relishes being a mom. At times touching, at other times hysterical, The Same Phrase Describes My Marriage and My Breasts is a must for parents who long ago realized that parenting is just like The Brady Bunch if you eliminate the neatly-wrapped solutions and toss in complete unpredictability and random vomiting.

Americo Paredes, in a distinguished career spanning the last forty years, has often set the pace and the standard in the two fields with which he is most strongly identified: folklore and Chicano studies. In folklore, he has been instrumental in establishing a new theoretical and methodological framework; in Chicano studies, he has exerted a seminal influence, inspiring an entire generation of scholars. For this book, the noted folklorist Richard Bauman has selected eleven of Americo Paredes's most significant scholarly articles. The selected articles, first published during the years 1958-1987, faithfully reflect the depth and breadth of Paredes's scholarship, as well as the rigor and eloquence of his writing. They represent scholarly discourse at its best: at once erudite and clear, demanding yet accessible, rich in both substance and style. Throughout his career, Paredes has centered his work on the folklore and culture of the Lower Rio Grande Border of South Texas and northeastern Mexico. His studies have always been contextualized, though, by a deep knowledge of Greater Mexico, and by the comparative scope of the folklorist. The essays collected here illustrate the transdisciplinary richness of Paredes's perspective - a synthesis of folkloric, anthropological, literary, and historical theory and method. They also demonstrate the revisionist power of his analysis, which challenges traditionalist conceptions and constructions of Texas-Mexican culture, the social base of folklore, and folklore genres. Paredes is best known for his studies of the corrido, and several articles on this ballad form are included in the collection. Other essays focus variously on decimas, jokes, legends, and the "neighborly names" of ethnic slurs. More general subjects are also addressed, including the nature of the ethnographic encounter, machismo in the United States and Mexico, and the clash of cultures along the Lower Rio Grande Border. What emerges is perhaps the most well wrought and subtle portrait to date of the life and culture of the Mexican American people. An introduction by Richard Bauman discusses the principal themes and focuses of Paredes's work, and his substantive, theoretical, and methodological contributions to scholarship. In addition, the volume includes a complete bibliography of Paredes's scholarly writings, compiled by Linda Adams.

Vintage paperback

A modern psychological novel of human beings caught in the indulgences and inhibitions of our times - another literary triumph for Italy's great contemporary writer.