Reproduces and translates from the Russian two booklets in which the 20-year-old later known in the US as Ayn Rand records her admiration for Hollywood movies and stars. Pola Negri, about her favorite actress, was published without byline in 1925. Hollywood: American City of Movies, her description of early Hollywood, was pirated by a Soviet publisher. They were rediscovered separately during the middle 1990s. Accompanying them is a detailed log of the films she watched and a ranking of her favorite actors. There is no index. Annotation c. Book News, Inc., Portland, OR (booknews.com)

As chairman of the Federal Reserve Board in the seventies, Arthur Burns had a unique view of the Nixon administration. Burns first joined the Nixon administration as an advisor in 1969 and was privy to the dynamics of the president's coterie over the course of six tumultuous years. Now the recently released secret diary of this top-level economist offers a surprisingly candid inside look at Richard Nixon's fall. The diary tracks Burns's growing awareness of Nixon's behind-the-scenes maneuverings and worrisome behavior (such as "insane shouting") and reveals how such things undermined his respect and enthusiasm for the president. Perhaps even more telling, Burns's evaluations of his colleagues provide piercing insights into the president's inner circle, including Henry Kissinger ("a brilliant political analyst, but admittedly ignorant of economics"), George Schultz ("a no less confused amateur economist"), John Connally ("a thoroughly confused politician"), and the "vulgarians" H. R. Haldeman and John Ehrlichman-the only people he thought Nixon felt relaxed around. The Burns diary also offers rare and telling glimpses into the era's economy--particularly an account of how Nixon exerted political pressure to shape monetary policies that helped to fuel the stagflation of the 1970s. The administration sought to close the so-called gold window, an approximate valuation of dollars with gold bullion, by floating the dollar, and the consensus over many years has been that Nixon himself arranged this-speculation now confirmed by Burns's diary. It also underscores the growing pressure Burns felt to serve the needs of Nixon's reelection bid rather than the economic welfare of the nation. Sequestered for decades and unavailable until 2008, this document reveals an honest and relatively apolitical man surrounded by partisans in top administrative positions who were dishonest, inept-or both. "The President has many shortcomings," wrote Burns. "He has few convictions, but now and then he gets into a euphoric mood where he wants to persuade himself that he's a statesman. But his sycophantic advisers cannot even recognize that." Deftly annotated by distinguished historian Robert Ferrell, who provides effective historical context and perspective, the Burns diary is a potent-and poignant-testament to the Machiavellian and often Byzantine world of American presidential politics.

In twenty-six essays, Codrescu turns his skeptical, amused gaze to such topics as Plato's effect on American sex, the cultural meaning of Ed McMahon, baseball's literary underpinnings, his own conception in a Romanian darkroom, an cuisine under the Ceausescu dictatorship, as well as to larger subjects, including the suicide of communism, American culture and politics, and his adopted city of New Orleans.

In the winter of 1963-'64, American psychologist Abraham H. Maslow taught "Experiential Approaches to Personality" at Brandeis University. An exercise in experiential learning, the course explored ways to recover neglected and often repressed aspects of personality and become aware of the unconscious and preconscious operating within the psyche. In practice, Maslow's unconventional class became a remarkably stimulating blend of lectures and far-reaching discussions that often reflected the conflicting viewpoints and tumultuous events of an America on the cusp of major social changes. Maslow encouraged students to think for themselves, to engage with and challenge his views and their own, and to accept the mantle of responsibility that life thrusts upon us all. Now, for the first time, readers can take their own front-row seat in this groundbreaking course. Personality & Growth: A Humanistic Psychologist in the Classroom contains the transcribed recordings of Maslow's remarkable work with his students. With a contextualizing introduction by Maslow's graduate student assistant, annotations, and an extensive bibliography of the works discussed in class, Personality & Growth is a rich resource for psychologists, students, and anyone interested in the "farther reaches of human nature." What shines throughout these compelling transcripts is a unique picture of "Abe" Maslow: teacher, psychologist, scientist and human being--a creative and compassionate thinker possessing a unique and lively genius.

A guide to the art of personal writing, by the author of" Fierce Attachments "and "The End of the Novel of Love"All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question "The Situation and the Story" asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith. In doing so, she examines a century of novels of love-in-the-Western-world and comes to see that, for most writers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation.

MARCUS, S.: REPRESENTATIONS. ESSAYS ON LITERATURE AND SOCIETY. NEW YORK, NY, 1990, xvii 331 p. Encuadernacion original. Nuevo.

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.

Born in Clinton, Mississippi, Barry Hannah has been a major force in southern literature since the 1970 publication of his first novel, Geronimo Rex, which won the Bellman Foundation Award in fiction. It was followed by his first collection of stories, Airships (1978), winner of the prestigious Arnold Gringrich Short Fiction Award, and the acclaimed novel Ray (1980). The honesty of Hannah's vision and his varied narrative voices have won him comparison to Walker Percy, William Faulkner, Eudora Welty, and Flannery O'Connor. One of the South's most original writers, Hannah explores the human psyche; he may write primarily about his experiences in the South, but his experiments with prose are not restricted to region. In this first full-length critical study of Hannah's works--six novels and two volumes of short stories--Mark Jay Charney deftly explores Hannah's connections with southern writers like Faulkner and Welty by examining both his progression as a fiction writer and his experiments with language, voice, and form. Expertly combining biographical information with critical analysis, Charney correlates Hannah's literary themes and techniques with the influences shaping his life. The book is organized chronologically to illustrate Hannah's growing preoccupation with unconventional narrative form and to delineate the thematic shift from violence and isolation to peaceful alternatives and community acceptance. This book is a most welcome introduction to the works of a writer who promises to remain one of South's most startling and iconoclastic voices.

This is the only book on the topic of geometric configurations of points and lines. It presents in detail the history of the topic, with its surges and declines since its beginning in 1876. It covers all the advances in the field since the revival of interest in geometric configurations some 20 years ago. The author's contributions are central to this revival. In particular, he initiated the study of 4-configurations (that is, those that contain four points on each line, and four lines through each point); the results are fully described in the text. The main novelty in the approach to all geometric configurations is the concentration on their symmetries, which make it possible to deal with configurations of rather large sizes. The book brings the readers to the limits of present knowledge in a leisurely way, enabling them to enjoy the material as well as entice them to try their hand at expanding it.

"A major reinterpretation of the nature and uses of power and its institutions in the twentieth century, with a new epilogue"--Cover.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

One of the most complex periods in American history is illuminated by the love stories of three couples and their fights for freedom from slavery.

"Allan J. Lichtman investigates the foundations and history of conservative thought to identify and reveal the central crisis that lies at the heart of conservative principles and today's politics. He explores a century of American conservative politics to demonstrate that professed conservative principles-free enterprise, limited government, fiscal responsibility, states' rights, law and order, personal morality, and American sovereignty-are dispensable notions for public appeal only. Instead, conservatives have only consistently advanced their version of traditional Christian values and support for private (not free) enterprise. Lichtman provides a sweeping history of the American conservative movement from the end of World War I to the present day. He draws on leaders like Calvin Coolidge, Herbert Hoover, Richard Nixon, Ronald Reagan, George W. Bush, Donald J. Trump, and the conservative Democrats responsible for Jim Crow discrimination in the South. Contrary to those who have described Trump as a deviation from professed core principles, Conservative at the Core ultimately argues that Trump and his allies represents the culmination of the American conservative tradition, consistently upholding and fulfilling conservative nationalist values"-- Provided by publisher.

In this now-classic work in legal and constitutional theory, Stanley I. Kutler examines one of the Supreme Court's most celebrated decisions. In 1837, the Court rules that the state of Massachusetts had the right to erect a free bridge over the Charles River even though it had previously chartered a privately owned toll bridge at the same location. The Court's decision fostered the idea of "creative destruction," a process that encourages new forms of property at the expense of older ones. Exploring the origins, context, and impact of this decision, Kutler integrates traditional American constitutional history with the "new legal history: that emphasizes the social and economic bases of legal change.

What started out as a mutual affinity for kitschy Jewish album covers-think Neil Diamond baring his chest hair on the cover of "Hot August Night "or Barbra Streisand in hot pants on the cover of "Streisand Superman"-soon became a quest for identity, history, and culture between the grooves of LPs. Together, Roger Bennett and Josh Kun embarked on a thrilling journey, scouring the world to collect thousands of vinyl LPs from attics, garage sales, and dusty archives. Pieced together, these scratched, once-loved and now-forgotten audio gems tell a vibrant tale: the story of Jews in America. "And You Shall Know Us by the Trail of Our Vinyl" spans the history of Jewish recorded music from the 1940s to the 1980s, weaving an account that begins with sacred songs and ends with the holy trinity of Neil, Barbra, and Barry. The LPs found here are also a love letter to forgotten moments in Jewish American pop history, celebrating well-dressed cantors singing Christmas tunes, Long Island suburbanites dancing the mambo, and Chassidic prog-rockers. The music, much of which is no longer available in any format, is brought to life through commentary from writers Aimee Bender, Etgar Keret, Michael Wex, and Shalom Auslander; performers Sandra Bernhard and Motown legend Lamont Dozier; music critics Oliver Wang and Anne Powers; and TV pioneer Norman Lear. A gateway to a forgotten kingdom of sound, the good, the bad, and the ugly of Jewish vinyl gives this aspect of Jewish culture the attention it so richly deserves.

A history of American involvement in the Vietnam War, including a discussion of the antiwar movement in the United States.

A visual history of the American presidency as reflected by diplomatic entertaining events traces the early days of provincial dining in the capital through today's sumptuous White House state banquets.