Both before and after 1948, Marxists advocated a two-state solution to Arab-Israeli conflict. This book examines how this proposal, endorsed by international consensus in 1947-49, had ceased to figure on the political agenda by the 1960s.

Jacqueline Mesnil-Amar (1909-87), the daughter of Jules Perquel, a financier and newspaper editor, and Ellen Allatini, was brought up in the Paris suburb of Passy. In 1928 she went to the Sorbonne and in 1930 married André Amar (1908-90), who was at the École Normale Supérieure; he was the son of a banker who had come to Paris from Salonika. The Amars' daughter Sylvie was born in 1934; meanwhile Jacqueline wrote magazine articles. When war broke out the family lived in Bordeaux, Marseille, Nice and nine different places in Paris, often separately because André was first in the French army and then joined a Jewish resistance network. After 1945 the Amars largely devoted their lives to Jewish causes. In 1957 Jacqueline's diary for 18th July-25th August 1944, together with some of her post-war articles, was published as Ceux qui ne dormaient pas, translated by Persephone Books as Maman, What Are We Called Now?

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

Originally issued in two volumes, the findings in this study of pre-dynastic Egypt are based on excavated antiquities.

Thirteen essays by acknowledged economic experts explore the rapid changes in the transition economies of Eastern Europe, with discussions on political and economic freedom, monetary control and privatization, labor markets and social safety nets, and taxation and crime.

When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.

Debate over the authenticity of "On the Jews" has persisted for nearly 1,900 years. Bezalel Bar-Kochva attempts to overcome this stalemate in his finely detailed and convincingly argued study that proves the forgery of the book and suggests not only a source for the text, but also a social, political, and cultural setting that explains its conception. Bar-Kochva argues that the author of this treatise belonged to the moderate conservative Jews of Alexandria, whose practices were contrary to the contemporary trends of Hellenistic Judaism. They rejected the application of Greek philosophy and allegorical interpretations of the Holy scriptures and advocated the use of Pentateuch Hebrew as the language for educating and for religious services. They showed a keen interest in Judea and identified themselves with the Jews of the Holy Land. "On the Jews," then, was the manifesto of this group and was written at the peak period of the Hasmonean kingdom. Its main purpose was to legitimize Jewish residence in Egypt, despite being explicitly prohibited in the Pentateuch, and to justify the continued residence of Jews there in a time of prosperity and expansion of the Jewish independent state.

No detailed description available for "Massachusetts Shipping, 1697-1714".

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This book elaborates the author's views on Russia's political tradition, a subject which he continued to believe holds the key to the understanding of the present and future of a country which plays so large a role in the destiny of the modern world.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Why should advertising only serve the interests of those with money and power?" Since its inception, advertising has remained one of the most powerful commercial tools ever created. Advertising has deeply and thoroughly infiltrated the consumer psyche, shaping views on what to buy, find attractive, and deem valuable, for better or worse. 70 Ads to Save the World offers us a detailed, entertaining, and authoritative account regarding both the virtues and pitfalls of modern advertising through the personal journey of advertising specialist Jerry Mander. With the help of 70+ real-world ads, this illustrated memoir chronicles Mander's experiences in the world of commercial advertising, where he worked with some of the most talented and successful designers of his time and went on to establish two of the first non-profit ad agencies in the world. In 70 Ads, we learn how this service looked and felt in the latter half of the 20th century, and how it might look and feel in a future where we harness advertising to create a more just, regenerative, and creative society"--