"[A] swiftly written debut memoir...[Segal] vividly describes his firsthand experience as a teenager inside the Stonewall bar during the historic riots, his participation with the Gay Liberation Front, and amusing encounters with Elton John and Patti LaBelle . . . A jovial yet passionately delivered self-portrait inspiring awareness about LGBT history from one of the movement's true pioneers." --Kirkus Reviews "With great verve and spirit, Segal has rendered a lively and dramatic memoir of the early days of the gay rights struggle; the infighting over strategies and objectives; the long, hard road of progress; and a look at the challenges still ahead." --Booklist On December 11, 1973, Mark Segal disrupted a live broadcast of the CBS Evening News when he sat on the desk directly between the camera and news anchor Walter Cronkite, yelling, "Gays protest CBS prejudice!" He was wrestled to the studio floor by the stagehands on live national television, thus ending LGBT invisibility. But this one victory left many more battles to fight, and creativity was required to find a way to challenge stereotypes surrounding the LGBT community. Mark Segal's job, as he saw it, was to show the nation who gay people are: our sons, daughters, fathers, and mothers. Because of activists like Mark Segal, whose life work is dramatically detailed in this poignant and important memoir, today there are openly LGBT people working in the White House and throughout corporate America. An entire community of gay world citizens is now finding the voice that they need to become visible.

The glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.

The world since September 11th - War and peace; quagmires and root causes; Afghanistan and Iraq; Europe and America, new realities and indestructible myths.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

A collection of favorite poems. One of them is by Stephen Crane, who wrote: "I saw a man pursuing the horizon; / Round and round they sped. / I was disturbed at this; / I accosted the man. It's futile, I said, / You can never ̓/ You lie, he cried, / And ran on."

Art in the age of digital communication Artists have always been early adopters of emerging media technologies, from Albrecht D'rer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. In 1994, the advent of the Internet as a popular medium catalyzed a global art movement that began to explore the cultural, social, and aesthetic possibilities of such new communication technologies as the Web, video surveillance cameras, wireless phones, hand-held computers, and GPS devices. This book addresses New Media art as a specific art historical movement, focusing not only on technologies and forms but also on thematic content and conceptual strategies. New Media art often involves appropriation, collaboration, and the free sharing of ideas and expressions, and frequently addresses the political ramifications of technology around issues of identity, commercialization, privacy, and the public domain. Many New Media artists are profoundly aware of their art historical antecedents, making reference to Dada, Pop Art, Conceptual art, Performance art, and Fluxus. Artists featured: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTMark, and John F. Simon Jr.

Examines the initial years of the Roberts Court, covering the legal philosophies that have informed decisions on such major cases as the Affordable Care Act, the political structures behind appointments, and the struggle for dominance of the Court.

"The first paperback edition of a classic of American constitutional theory. The book is divided into two parts. In Part I Professor Tushnet appraises the five major competing "grand theories" of constitutional law and interpretation, and, argues that none of them satisfy their own requirements for coherence and judicial constraint. In Part II the author offers a descriptive sociology of constitutional doctrine and raises critical questions as to whether a grand theory is necessary, is it possible to construct a coherent, useful grand theory, and is construction of an uncontroversial grand theory possible? Professor Tushnet's new Afterword is organized in parallel fashion to the original text. Part I offers a new survey of the contemporary terrain of constitutional interpretation. Part II provides an extended discussion of the most prominent of contemporary efforts to provide an external analysis of constitutional law, the idea of regime politics. This includes discussion of major court decisions, including Bush v. Gore and Citizens United"--

Mark Tushnet presents the story of the NAACP's legal campaign against segregated schools as a case study in public interest law, which in fact began in the United States with that very campaign.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One country's sacrament is another's illicit drug, as officials in South America and the United States are well aware. For centuries, a hallucinogenic tea made from a giant vine native to the Amazonian rainforest has been taken as a religious sacrament across several cultures in South America. Many spiritual leaders, shamans, and their followers consider the tea and its main component - ayahuasca - to be both enlightening and healing. In fact, ayahuasca (pronounced a-ja-was-ka) loosely translated means spirit vine. In this book, de Rios and Rumrrill take us inside the history and realm of, as well as the raging arguments about, the substance that seems a sacrament to some and a scourge to others. Their book includes text from the United Nations Convention on Psychotropic Substances and interviews with shamans in the Amazon. One country's sacrament is another's illicit drug, as officials in South America and the United States are well aware. For centuries, a hallucinogenic tea made from a giant vine native to the Amazonian rainforest has been taken as a religious sacrament across several cultures in South America. Many spiritual leaders, shamans, and their followers consider the tea and its main component - ayahuasca - to be both enlightening and healing. In fact, ayahuasca (pronounced a-ja-was-ka) loosely translated means spirit vine. Ayahuasca has moved into the United States, causing legal battles in the Supreme Court and rulings from the United Nations. Some U.S. church groups are using the hallucinogen in their ceremonies and have fought for government approval to do so. The sacrament has also drawn American drug tourists to South America to partake, say authors de Rios and Rumrrill. But they warn that these tourists are being put at risk by charlatans who are not true shamans or religious figures, just profiteers. In this book, de Rios and Rumrrill take us inside the history and realm of, as well as the raging arguments about, the substance that seems a sacrament to some and a scourge to others. Opponents fight its use even as U.S. scientists and psychologists continue investigations of whether ayahuasca has healing properties that might be put to conventional use for physical and mental health. This book includes text from the United Nations Convention on Psychotropic Substances and interviews with shamans in the Amazon.

The tenets of Nonviolent Communication are applied to a variety of settings, including the classroom and the home, in these booklets on how to resolve conflict peacefully. Illustrative exercises, sample stories, and role-playing activities offer the opportunity for self-evaluation, discovery, and application. Applying the Nonviolent Communication (NVC) process to conflict resolution inspires peaceful collaboration by focusing on the unmet needs that lie at the root of any given conflict. Practical techniques help mediators and participants to find the heart of the conflict and use genuine cooperation to reach resolutions that meet everyone's needs.

"Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical '60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman's intellectual autobiography, tracing his career as a thinker through the way he read the "signs in the street.""--

In 1991, a small group of Russians emerged from the collapse of the Soviet Union and enjoyed one of the greatest transfers of wealth ever seen, claiming ownership of some of the most valuable petroleum, natural gas and metal deposits in the world. By 1997, five of those individuals were on Forbes Magazine's list of the world's richest billionaires. These self-styled oligarchs were accused of using guile, intimidation and occasionally violence to reap these rewards. Marshall I. Goldman argues against the line that the course adopted by President Yeltsin was the only one open to Russ

Essays that span the career of a prominent anthropologist and address the fundamental questions of the field. Culture in Practice collects the academic and political writings from the 1960s through the 1990s of anthropologist Marshall Sahlins. More than a compilation, Culture in Practice unfolds as an intellectual autobiography. The book opens with Sahlins's early general studies of culture, economy, and human nature. It then moves to his reportage and reflections on the war in Vietnam and the antiwar movement, the event that most strongly affected his thinking about cultural specificity. Finally, it offers his more historical and globally aware works on indigenous peoples, especially those of the Pacific islands. Sahlins exposes the cultural specificity of the West, developing a critical account of the distinctive ways that we act in and understand the world. The book includes a play/review of Robert Ardrey's sociobiology, essays on "native" consumption patterns of food and clothes in America and the West, explorations of how two thousand years of Western cosmology affect our understanding of others, and ethnohistorical accounts of how cultural orders of Europeans and Pacific islanders structured the historical experiences of both. Throughout, Sahlins offers his own way of thinking about the anthropological project. To transcend critically our native categories in order to understand how other peoples have historically constructed their modes of existence--even now, in the era of globalization--is the great challenge of contemporary anthropology.

Reflecting the decline in college courses on Western Civilization, Marshall Sahlins aims to accelerate the trend by reducing "Western Civ" to about two hours. He cites Nietzsche to the effect that deep issues are like cold baths; one should get into and out of them as quickly as possible. The deep issue here is the ancient Western specter of a presocial and antisocial human nature: a supposedly innate self-interest that is represented in our native folklore as the basis or nemesis of cultural order. Yet these Western notions of nature and culture ignore the one truly universal character of human sociality: namely, symbolically constructed kinship relations. Kinsmen are members of one another: they live each other's lives and die each other's deaths. But where the existence of the other is thus incorporated in the being of the self, neither interest, nor agency or even experience is an individual fact, let alone an egoistic disposition. -- Description from http://www.press.uchicago.edu (Oct. 24, 2011).

In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, her novel follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, and Gellhorn's most powerful work of fiction