David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

For more than forty years, the American government has struggled with the challenge of maintaining useful relations with a special breed of regime: one whose rulers profess a community of interests with the United States while they rule through authoritarian means. Relationships with such "friendly tyrants" almost invariably generate tensions between the need for prudent security strategies and the ideal of promoting liberty and human rights worldwide. The Devil and Uncle Sam: A User's Guide to the Friendly Tyrants Dilemma distills the policy lessons of over four decades and offers practical approaches to negotiating these obstinate ambiguities of contemporary political life.This User's Guide brings together a team of eminent authors with diverse talents and experience to present a comparative study of the Friendly Tyrants phenomenon in recent history and to devise a systematic set of guidelines for dealing with it. The book is organized around ten essential maxims (Beware Dependence, Be Nimble, Promote Democracy, Chastise with Care, Define Goals, Know the Country, Think It Through, Coordinate Policy, Hedge Bets, Plan for Crises) and a larger number of specific Do's and Don'ts.The Devil and Uncle Sam draws richly upon historical examples to illustrate general principles that will prove invaluable to policymakers and political analysts. The Persian Gulf*War has shown that the Friendly Tyrants problem is still with us, even in the post-Cold War environment. The authors' understanding of past patterns yields insights that should help to prevent the preventable. While new situations will create possibilities for new mistakes, old ones must not be repeated. Contributors to The Devil and Uncle Sam include, in addition to Adam Garfinkle, Daniel Pipes, Kenneth Adelman, Patrick Clawson, Mark Falcoff, and Douglas J. Feith.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

In the years following World War II, the United States suffered its most severe military and diplomatic reverses in Asia while Mao Zedong laid the foundation for the emergence of China as a major economic and military world power. As a correspondent for the International News Service, the Associated Press, and later for the New York Times, Seymour Topping documented on the ground the tumultuous events during the Chinese Civil War, the French Indochina War, and the American retreat from Vietnam, Cambodia, and Laos. In this riveting narrative, Topping chronicles his extraordinary experiences covering the East-West struggle in Asia and Eastern Europe from 1946 into the 1980s, taking us beyond conventional historical accounts to provide a fresh, first-hand perspective on American triumphs and defeats during the Cold War era. At the close of World War II, Topping—who had served as an infantry officer in the Pacific—reported for the International News Service from Beijing and Mao’s Yenan stronghold before joining the Associated Press in Nanking, Chiang Kai-shek’s capital. He covered the Chinese Civil War for the next three years, often interviewing Nationalist and Communist commanders in combat zones. Crossing Nationalist lines, Topping was captured by Communist guerrillas and tramped for days over battlefields to reach the People’s Liberation Army as it advanced on Nanking. The sole correspondent on the battlefield during the decisive Battle of the Huai-Hai, which sealed Mao’s victory, Topping later scored a world-wide exclusive as the first journalist to report the fall of the capital. In 1950, Topping opened the Associated Press bureau in Saigon, becoming the first American correspondent in Vietnam. In 1951, John F. Kennedy, then a young congressman on a fact-finding visit to Saigon, sought out Topping for a briefing. Assignments in London and West Berlin followed, then Moscow and Hong Kong for the New York Times. During those years Topping reported on the Chinese intervention in the Korean conflict, Mao’s Cultural Revolution and its preceding internal power struggle, the Chinese leader’s monumental ideological split with Nikita Khrushchev, the French Indochina War, America’s Vietnam War, and the genocides in Cambodia and Indonesia. He stood in the Kremlin with a vodka-tilting Khrushchev on the night the Cuban missile crisis ended and interviewed Fidel Castro in Havana on its aftermath. Throughout this captivating chronicle, Topping also relates the story of his marriage to Audrey Ronning, a world-renowned photojournalist and writer and daughter of the Canadian ambassador to China. As the couple traveled from post to post reporting on some of the biggest stories of the century in Asia and Eastern Europe, they raised five daughters. In an epilogue, Topping cites lessons to be learned from the Asia wars which could serve as useful guides for American policymakers in dealing with present-day conflicts in Afghanistan and Iraq. From China to Indochina, Burma to Korea and beyond, Topping did more than report the news; he became involved in international diplomacy, enabling him to gain extraordinary insights. In On the Front Lines of the Cold War, Topping shares these insights, providing an invaluable eyewitness account of some of the pivotal moments in modern history.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

This collection of stories and memories, suitable for adolescents, offers a perspective on both traditional and contemporary ways of California Indians. Some stories are from old reports and books, and some are from people of today. The introduction ties the wide variety of Indians that live in California to the variety of landscape and climate. Before the arrival of outsiders, over 100 languages were spoken in California. Subjects range from descriptive and informational topics, such as how marriages were arranged and how acorns were cooked, to larger concepts, such as the importance of family compared to the insignificance of the individual. The Indian belief that all things are alive in the same way that humans are alive explains why all things are viewed as sacred and why religion is very much a part of everyday life. Leaders were chosen because they were respected, and ruled by getting everyone to agree rather than by strength. Wars were small because winners had to give gifts for the people they had killed. A chapter on growing up Indian discusses family, nonformal learning, childhood games, reminiscences of childhood, toys, teaching-stories, learning to hunt, becoming a woman or man, and getting married. An index, a map of Native California, over 80 photographs, and a list of California Indian resources are included. (TD)

Zum Zeitpunkt seines Todes im Jahr 1820 war Benjamin West der berühmteste Künstler der englischsprachigen Welt und wurde in ganz Europa gefeiert. Aus bescheidenen Verhältnissen in Pennsylvania stammend, hatte er als erster amerikanischer Künstler in Italien studiert und war innerhalb weniger Jahre nach seiner Ankunft in London maßgeblich an der Gründung der Royal Academy of Arts beteiligt und zum Historienmaler von König Georg III. ernannt worden. Wie der Autor in diesem Buch feststellt, gehörte West jedoch zur Avantgarde, die den Neoklassizismus und die Romantik schuf und zu den ersten Malern, die die inspirierenden Qualitäten zeitgenössischer Ereignisse darstellten. Vor allem sein bekanntestes Gemälde, Der Tod des General Wolfe, war ein revolutionäres Werk, das die Kunst nachhaltig veränderte. Es ist das erste Buch, das den Beitrag von West zu den Ideen der Moderne und der Erneuerung der Historienmalerei bewertet und es bietet spannende neue Einblicke in Wests berühmtestes Gemälde.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

Praised by President Richard Nixon as his favorite read for 1987, The Search for Historical Meaning presents the postwar American conservative movement against a background of ideas with which it has only rarely been identified. This important book--updated with a new preface--examines the influence of Hegelian concepts on the historical attitudes and cultural judgments of prominent postwar conservatives who, because of their concern with personal freedom as a political and ontological value, denounced Hegel while ascribing their own Hegelian ideas to less offensive sources. Gottfried argues that the lack of a true historical perspective was a serious defect in the postwar American conservative movement, and it grew worse in the years that followed. Essential reading for conservative thinkers, political philosophers, and American political historians, The Search for Historical Meaning concludes with an incisive examination of the American conservative movement that has implications for today.

This book is A thoughtful meditation on the values of Judaism and the ideals of the Declaration of Independence. As he makes clear, there is such a thing as the American-Hebraic idea, which is manifested in the ideals of human dignity, the Rule of Law, the democratic ideal, the rights of conscience, and the pursuit of happiness. It is certain to appeal to American Jews who are seeking identity as Americans and as Jews, and to any reader interesting in understanding why Jews feel rooted in modern America -- from AbeBooks website.

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Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

This fiftieth anniversary edition of W. Gunther Plaut's classic volume on the beginnings of the Jewish Reform Movement is updated with a new introduction by Howard A. Berman. The Rise of Reform Judaism covers the first one hundred years of the movement, from the time of the eighteenth-century Jewish Enlightenment leader Moses Mendelssohn to the conclusion of the Augsburg synod in 1871.In these pages the founders who established liberal Judaism speak for themselves through their journals and pamphlets, books and sermons, petitions and resolutions, and public arguments and disputations. Each selection includes Plaut's brief introduction and sketch of the reformer. Important topics within Judaism are addressed in these writings: philosophy and theology, religious practice, synagogue services, and personal life, as well as controversies on the permissibility of organ music, the introduction of the sermon, the nature of circumcision, the observance of the Sabbath, the rights of women, and the authenticity of the Bible.

Beyond the Cold War represents the first-ever attempt by media scholars and journalists to dissect the Cold War by examining mutual media images in the United States and the former Soviet Union. The result of a bilateral conference in Moscow in 1989, this volume offers an original journalistic assessment of the Cold War and its aftermath as a communications phenomenon. Discussions include the past and present state of Cold War rhetoric, the portrayal of Russians and Americans on television in the two countries, and images of self and other as portrayed by the two media.

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