Paperback.

Book by Codrescu, Andrei

Review "There is a lovely and unexpected alchemy in these verses that veer from the stars to suburbia, from the sublime to sweaty reality, and leave traces of each in the other. Roberts has a powerful range: equally adept at ferocity and fragility, and a host of other apparent opposites, she is a borderless writer and an absolute joy to read." - June Sylvester Saraceno"Suzanne Roberts' poems in Plotting Temporality are songs of the body, the erotic imperative of flesh, the brutal finality of bone. Roberts' poems forcefully invoke "our night, our moon, but never, / never our dawn," their language striving to shape and illuminate our haunted movements--a caress, a spouse's hand pushed away, a figure approaching from the shadows, embraced with fateful longing." --Gaylord Brewer Product Description Suzanne Roberts is the author of three previous books of poetry, Shameless (2007), Nothing to You (2008), and Three Hours to Burn a Body: Poems on Travel (2011). She is also the author of a memoir, Almost Somewhere: 28 Days on the John Muir Trail (University of Nebraska Press, 2012). She holds a doctorate in literature and the environment from the University of Nevada-Reno and currently teaches at Lake Tahoe Community College in South Lake Tahoe, California. For more information, please visit her website at www.suzanneroberts.org From the Back Cover The poems in Plotting Temporality are songs of the body, the erotic imperative of flesh, the brutal finality of bone. These poems flicker with shadow and light, sometimes igniting into bold vision, sometimes mapping what is missing, drawing new shapes from the natural world, giving the familiar a new dimension, a mystery that compels us to follow. About the Author Suzanne Roberts is the author of the memoir Almost Somewhere: Twenty-Eight Days on the John Muir Trail, as well as three previous collections of poetry: Shameless, Nothing to You, and Three Hours to Burn a Body: Poems on Travel. She teaches at Lake Tahoe Community College and for the low residency MFA in creative writing at Sierra Nevada College.

In this collection of philosophical writings, Stanley Rosen addresses a wide range of topics - from eros, poetry, and freedom to problems like negation and the epistemological status of sense perception. Though diverse in subject, Rosen's essays share two unifying principles: there can be no legitimate separation of textual hermeneutics from philosophical analysis, and philosophical investigation must be oriented in terms of everyday language and experience, although it cannot simply remain within these confines. Ordinary experience provides a minimal criterion for the assessment of extraordinary discourses, Rosen argues, and without such a criterion we would have no basis for evaluating conflicting discourses: philosophy would give way to poetry.

By studying the diction of Romeo and Juliet , Robert O. Evans examines this, the most rhetorical of Shakespeare's plays, in terms of an Aristotelian critical category, which has been neglected in modern times. Inherent in his methodology is the assumption that Romeo and Juliet is best regarded as drama, not as pure poetry, though essentially it is the rhetorical brilliance of the poetry that is considered. Evans begins with an analysis of the important speeches of Romeo and Juliet and defines the controlling devices Shakespeare wove into them, especially oxymoron. He then follows with a discussion of the role of Friar Laurence, whom the author finds is a catalyst between the warring houses and between the lovers and the outer world of Verona. Evans concludes with an examination of Mercutio's famous Queen Mab speech, which, he points out, has an integral relationship to the structure of the tragedy as a whole. An analysis of the rhetorical devices of the play, Evans believes, demonstrates the thesis that the tragic effect of Romeo and Juliet is one of fulfillment, with the tragedy arising from the character of the protagonists rather than from circumstance.

Poetry. "In these beautifully crafted poems Paul Pines takes us on a dizzying ride through mythological and religious thinkers, through science and philosophy. It is the quest of a man trying to hear the 'music / beneath the music' that he hopes, doubts, believes is there DIVINE MADNESS. Pines asks what it means to face death and despair, what it means to doubt meaning while believing in meaning, what it has meant through the centuries." Susan Sherman "With extraordinary daring and inspiration, Paul Pines has dedicated the art he has exquisitely crafted for a lifetime to the service of the divine madness that has always distinguished poetry from mere writing. In relentless pursuit of the unity we instinctively crave, he captures the universal analogy anew by 'connecting us to the consciousness of the gods in men' through dazzling poem after poem in this stunning book." George Economou"

In the mid-fifties Paul Celan suggested that he had a mind for writing that "would be a bit more sober & more spacious" than his poems. And yet, in his life-time Celan published very little of such "more spacious" work -- i.e. prose -- except for two essays that were public award-acceptance speeches, and a few occasional bits and pieces often published, or better, hidden away in obscure places. It is only with this volume, edited by Barbara Wiedemann and Bertrand Badiou, that Celan's multifaceted achievements as a prose writer can be discovered. For example, in the early language games of surrealist inspiration. In the biting, bitter aphorisms, "counterlights" thrown on those concrete dates from and toward which his poems are written -- since the early sixties we are dealing with texts that explicitly exhibit their contemporaneity. Or in the poetological critique of the prejudices with which the volumes of his poetry were read. Among the most surprising and appealing of these prose writings are the narratives, the "stories" and dialogues with the background of his Jewish fate. This English version of Microliths follows the first German edition of 2005. The sole difference is in the final section, the commentaries, which is a shortened version of Wiedemann & Badiou's original commentary, with some additional material by Pierre Joris. The translator, who this year concludes a 52-year involvement with bringing Celan's oeuvre into English, & the publisher are honored to release this book -- the only major collection of Paul Celan's prose -- in 2020, his 100th birth- & 50th death-year.

Title: The geisha : Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Jones, Sidney; Hall, Owen; Greenbank, Harry; 1897. 31 p. ; 22 cm. X26/4868

Product Description From the melting pot that was Iraqi society comes a tale, recounted by a grand old man of Canadian letters, of growing up as a Jewish boy in Baghdad in the 1940s. Naim Kattan was born into an intellectual Jewish family in Baghdad in 1928. He, his brother, and his friend Nessim were the only Jews in a group of young men who met every evening in a cafe to talk passionately abut creating a national Iraqi literature in their newly independent country. They had good reason, for although the Jewish community in Iraq dated back 2500 years, and Jews were abmong the best Arabic scholars in the country, they were never considered equals by the Muslim majority. In 1941, after British forces defeated the German-backed Iraqi insurgents, angry Bedouins entered Baghdad before it could be secured and began the Farhoud, the massacre of Jews in the city. The violence stopped just short of the Kattans' house, but the family immediately began the long application process for visas. Kattan began selling stories to literary magazines and speculating about the role of women in a country where even Jewish women wore veils. He eventually won a scholarship to the Sorbonne and left his family, not to be reunited with them until five years later, when he found them in a settlement camp in Israel This is a memoir of identity, of growing up in a tumultuous polyglot society, of change both personal and societal, of finding one's place in life. Here is a fascinating portrait of a people, a city, a state, and a culture that are as troubled today as Kattan found them sixty years ago. Review A fine portrait of a particular place and time that is no more. --Library Journal In all respects, a most moving and haunting work. --Montreal Star In all respects, a most moving and haunting work. --Montreal Star About the Author Naim Kattan has lived in Montreal since 1954. He has written more than thirty books of poetry, essays and fiction, which have been translated into many different languages. He has received many honors including the France-Canada Prize and France's prestigious Legion d'Honneur.

Review "For sheer scope and clarity there's nothing like Favorite Songs, the poems range from a fantasy for the American Surfer to an elegy for an extinct sparrow. In these poems there's a fine interlinking of autobiographical perceptions with accurate imagery and, at the same time, the author is engaged sending his rhizomes into the broad world of thought and travel." -- Michael McClure"Michael Rothenberg has one of those genius takes on language. A lot of this is the relish with which he lays out lines of poems like a master chef might produce an intricate, fine meal. But there's a restraint too, that of the practical botanist (he's that-- I have no idea how or if he cooks), so that: the poems are exciting and physical but also slow. Michael has wit and wordlove, enough to move mountains, chip by chip. (They're not too slow-- the mountain's there before you know it.) -- Jack Collom Product Description "From the Heart is where Michael tests his sincerity, indeed where else? This thoughtful, heartful, plant lover and naturalist expresses himself with `no pretense to divine', just women and a hundred thousand sea birds in the pages of this poetry, `finding time to consult the better part' of himself." Joanne Kyger About the Author Michael Rothenberg lives in Pacifica, CA. He is a poet, songwriter and publisher of Big Bridge Press and Big Bridge, a webzine of poetry and everything else. His poems have appeared in Berkeley Poetry Review, Exquisite Corpse, Jacket, Sycamore Review, Zyzzyva and many other publications. Most recently he is editor of Overtime, Selected Poems by Philip Whalen. His book of poems "The Paris Journals" will be published (Fish Drum Press) in the year 2000. His novel Punk Rockwell (Tropical Press) will be on the shelves in March 2000.

A collection in English of the poetry of the late Yiddish-American poet (1896-1987), selected from her six books of verse and from a last unpublished manuscript. Translated, edited, and introduced by Marcia Falk. Annotation copyright Book News, Inc. Portland, Or.

This is a long awaited for selection of poetry reflecting Ira's many years of travel and living in the mystic lands of India and Nepal, the burning chaos of Beirut, the controlled city of Amsterdam, and the images of New York. Catharsis and prophesy are combined through incisive and penetrating imagery of man as he is, in contrast with the poet's vision of man as he might be. Ira Cohen is a magician with words and is able to create a new kind of experience in the reader.

Zusammenfassung: "A member of the Gruppe 47 writers’ group which sought to renew German-language literature after World War II, Ilse Aichinger (1921–2016) achieved great acclaim as a writer of fiction, poetry, prose, and radio drama. The vignettes in At No Time each begin in recognizable situations, often set in Vienna or other Austrian cities, but immediately swerve into bizarre encounters, supernatural or fantastical situations. Precisely drawn yet disturbingly skewed, they are both naturalistic and disjointed, like the finest surrealist paintings. Created to be experienced on the page or on the radio rather than the stage, they echo the magic realism of her short stories. Even though they frequently take a dark turn, they remain full of humor, agility, and poetic freedom." -- From the publisher's website.

2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.

Most writers today are more familiar with printers and modems than with typewriter ribbons. Personal computers and the Internet are changing the way writers create and communicate. With twenty-four-hour information and instant memory, these modern conveniences are radically altering the face of the literary community. In "writers.net, veteran Internet trainer and best-selling author Gary Gach gives writers of every medium valuable insight into using the Net in many aspects of their writing. From poetry and romance to technical writing and science fiction, Gach directs writers to appropriate forums, magazines, publishers, home pages, and many other resources that will help writers stay on top of developments in their field of specialty. "Writers.net also covers the most common uses of the Internet for writers including finding writing assignments, conducting research, improving one's writing, and carrying on discussions with other writers.For those new to the Internet, Gach provides an Internet Primer for Writers that includes basic terminology, a guided tour, and an essay that puts the Net in perspective for beginners. He also discusses the new worlds of electronic publishing, interactive and collaboratory writing, Net censorship, and cyberjournalism. "Getting information from the Internet can be like trying to get a glass of water off an open fire hydrant," warns Gach, but with "writers.net, writers now have a handbook to help them control the unlimited resources that make up the Internet.About the Author Veteran Internet instructor and widely published writer Gary Gach is the author of the recent bestseller "The Pocket Guide to the Internet.Join other readers of"writers.net for an unmoderated online forum. E-mail [email protected]. In the message body put "subscribe writersnet." Prepublished and published writers are equally welcome. Discussion topics will span the subjects covered in the book and beyond. This is a free service to the writing community. Visit the author's web site for //updates to the book The title of this book is not intended to suggest any affiliation or sponsorship of any particular web site. It should be noted, however, that Writers.Net is a trademark of Internet Concepts, an internet hosting and content provider. This book is not affiliated with, sponsored or licensed by Internet Concepts.

Gabriel Preil s poetry has been recognized in Israel, in the United States, and worldwide in many anthologies and through a host of literary awards and honors. Included in this volume are eighty poems printed in English and Hebrew on facing pages. The poems are translated by the noted poet and critic Robert Friend."

Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

CONTRAPPASSO is an independent biannual magazine of international writing published in Sydney, Australia.Issue 2 contains Anthony May's never-before-published 65-page interview with the legendary Elmore Leonard; 'STR82ANL', a new novella by British writer Clive Sinclair (accompanied by a career-spanning interview by editor Matthew Asprey); a narrative by film writer David Thomson; fiction by Mimi Lipson and John Salazar; a memoir by Paul Pax Andrews; an essay by Peter Doyle; and poetry by Antigone Kefala, Chris Andrews, Tessa Lunney, Erin Martine Sessions, Mark Tredinnick, Daniel East, Mark O'Connor, Paolo Totaro, Chris Oakey, Elias Greig, Luke Whitington, Paolo Fabrizio Iacuzzi, and Floyd Salas.