The Saga Of The Jomsvikings is a book written by Lee Milton Hollander, which tells the story of the legendary Jomsvikings, a group of Viking warriors who lived in the 10th century. The book is a translation of the original Icelandic saga, which is one of the most famous and important sagas of the Viking Age.The Jomsvikings were a group of elite warriors who lived in a fortress on the island of Jomsborg, located in modern-day Poland. They were known for their bravery, skill in battle, and strict code of honor, which included loyalty to their leader and fellow warriors.The book follows the story of the Jomsvikings, from their origins as a group of mercenaries to their rise as one of the most feared and respected warrior groups in the Viking world. It also explores the relationships between the Jomsvikings and their allies and enemies, including the Danish king Harald Bluetooth and the Norwegian king Olaf Tryggvason.Throughout the book, the reader is taken on a journey through the Viking Age, with vivid descriptions of battles, raids, and political intrigue. The Saga Of The Jomsvikings is a fascinating and exciting read for anyone interested in Viking history and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Ethics described Judith Shklar as "a towering presence" at Harvard for decades, an "influential teacher and mentor to many of the best known political theorists working today in the United States." One of this century's most important liberal scholars, she is remembered for her "sharp intellect, forceful personality, and passionate intellectual honesty and curiosity." Political Thought and Political Thinkers makes startlingly clear her role in the reinvigoration of liberal theory that has been taking place over the last two decades. This second volume of Shklar's work—which follows the 1997 publication of Redeeming American Political Thought —brings together heretofore uncollected (and several unpublished) essays on a number of themes, including the place of the intellect in the modern political world and the dangers of identity politics. While many of these essays have been previously published, they remain far from accessible. In collecting the work scattered over the past forty years in journals and other publications, noted political theorist Stanley Hoffmann provides an essential guide to Shklar's thought, complemented by George Kateb's comprehensive introduction to her work. Hoffmann's selection, which includes Shklar's classic essay "The Liberalism of Fear," showcases her distinctive defense of liberalism and follows her explorations in this history of moral and political thought as she engages with Bergson, Arendt, and Rousseau. Political Thought and Political Thinkers displays one of the century's most compelling and flexible intellects in action and is the definitive collection of her work on European history and thinkers. "Shklar's legacy is an inspiring example of liberal thought at its arresting best, unflinchingly courageous and unmoved by the dreary and unmeaning harmonies conjured up by theories of justice and rights."—John Gray, Times Literary Supplement Judith N. Shklar (1928-1992) was Cowles Professor of Government at Harvard University and the author of nine books in political theory.

Hours after the USSR collapsed in 1991, the U.S. Congress began making plans to establish the official memory of the Cold War. Conservatives dominated the proceedings, spending millions of dollars to portray the conflict as a clash of good vs. evil, ending in a defeat of totalitarianism equal in significance to the outcome of World War II. In this book, the author visits Cold War monuments, museums, and memorials across the United States to find out how the era is remembered today. His journey provides a history of the Cold War that turns many conventional notions on their heads

Insightful, prescient and often funny, The Border explores what it means to be Canadian and what Canada means to the giant to our south. If good fences make good neighbours, do we have the sort of fence that will allow us to maintain neighbourly relations with the world’s only superpower? In The Border , well-known political scientist and journalist James Laxer explores this question by taking the reader on a compelling 5000-mile journey into culture, politics, history, and the future of Canadian sovereignty. Long ignored (or celebrated) as “the world’s longest undefended border,” the line between us and the US is now a stress point. The attacks on the World Trade Center announced to the world that North America is no longer a quiet neighbourhood and made our relationship with the US one of the most pressing questions facing Canadians. The porousness of the border is sure to be more problematic as the world becomes more troubled. Canadian officials complain of American pornography, drugs, untaxed cigarettes and, especially, guns moving northwards. For their part, the FBI and US Customs Service blame Canada for the infiltration of Chinese gangs smuggling immigrants and, more urgently, third-world terrorist cells based north of the border. Drawing deeply from history and anecdote, Laxer shows that for all our neighbourly good will, the Canada-US border has been contentious since the American War of Independence. In the mid-1800s the Americans tried to seize the west coast up to the 54th parallel. On the other hand, until 1931 the Canadian Army’s “Defence Scheme Number One” was to launch a surprise attack on the US with Mexico and Japan as allies. But beyond the fraught politics of the border, Laxer discovers another legacy as well. Travelling the country from Campobello island in the east to Richmond BC in the west all the way up to the Alaska panhandle in the north, Laxer meets people who live within a stone’s throw of the foreigners on the other side, and who share with him tales of friendship and rivalry, smuggling and trade that have shaped the character of their communities.

Few documents have had more of an impact on the course of history as has the Communist Manifesto. From its famous opening lines--"A specter is haunting Europe: the specter of Communism"--to its final rallying cry--"Workers of the world unite!"--the words of Marx and Engels have moved millions to join in the struggle against capitalism. But they have also inspired a legion of critics, detractors, and even a few despots to intentionally distort their meanings so as to sow confusion and justify untold horrors. According to Hal Draper, these mis-readings have, in part, been made possible by the enduring prevalence of translations from the original German that fail to accurately capture the intended meaning of certain key phrases. In this magisterial volume, Draper assembles the original German text, the first English translation, the officially authorized English translation--providing enlightening commentary throughout--as well as his own new translation of the pamphlet.

The story of Israel and Zionism has been hijacked, disfigured, and trampled upon. It has been deliberately replaced by a story about sinister ideologies and evil motivations. When this tale of evil becomes the reigning story, peace becomes ever less possible, since evil is not to be negotiated with, but defeated. If peace is ever to be made, the story of Israel and Zionism is to be told anew. In this book, Dr. Einat Wilf does just that, demonstrating in the process how the true telling of the story of Israel and Zionism opens the path to peace with the Palestinians and the entire Arab and Muslim world. In the book's opening chapter, "Telling Our Story," Wilf provides a context, telling the story of the Jewish people's right to self-determination in their homeland and how through deliberate Jewish action - not foreign hand-outs or Holocaust-motivated guilt - the State of Israel was born. This story of the Zionist movement remains among the most inspiring dramas in human history: although dealt some of the worst cards in history, through force of vision, desire and work, the Jewish people returned to history as active agents and shaped a future in which they are not the victims of others. This story is crucial to understanding the importance of the Jewish state to the Jewish people, as well as in its broader ability to inspire people throughout the world. In chapter two, "On Why There Is No Peace," Wilf examines why decades after the establishment of the State of Israel conflict continues to persist with no end in sight. The core of her argument is that the requisite condition for any solution - whether it be a one-state or two-state solution - is for both sides of the conflict to recognize the equal rights of the other as collectives and individuals to all of the land, and the acceptance that neither can have the land in its entirety. As this requisite is absent - specifically on the Arab side - compromise, and thereby peace, has not been viable. In chapter three, "On What Israel Should Do," Wilf explores the steps Israel should take towards peace. Wilf argues that although peace may not be viable now, Israel should prepare for the hopeful eventuality of the creation of two states for two peoples between the Mediterranean Sea and Jordan River. Israel should do this by specifically delineating its eastern border - including the annexation of the large Jewish settlement blocks that are contiguous to the Green Line - and renouncing is territorial claims beyond that eastern border. Given the very real security issues that Israel faces, however, she should implement a policy of continued military occupation until she feels there is a partner for peace on the Palestinian side. This policy is one of "yes to the occupation, no to the settlements," east of that border. Regarding Jerusalem, Wilf clarifies that the only place where controversy persists is in regard to the Old City. The status of the Old City will be determined through a final peace agreement, but the status of the overwhelming majority of Jerusalem can already be specified; and that final peace agreement, Wilf explains, would be in a much better position if the ambiguity regarding the Old City did not spill over into the issue of Jerusalem as a whole. In the concluding chapter, "On What the International Community Should Do," Wilf explores what roles and policies might be pursued by the international community. Foremost, however, Wilf posits that it is critical for the international community to understand that the conflict between Israelis and Palestinians, between Jews and Arabs in the Middle East, rests on serious issues that go to the core of matters of each other's sense of justice, history, and identity. Additionally, it is most important to bear in mind that Israelis, Palestinians, and Arabs are sovereign agents who need to determine their future for themselves and by themselves.

"Emotion lies at the heart of all national movements, and Zionism is no exception. For those who identify as a Zionist, the word connotates liberation and redemption, uniqueness and vulnerability. Yet for many, Zionism is a source of distaste if not disgust, and those who reject it are no less passionate than those who embrace it. The power of such emotions helps explain why a word originally associated with territorial aspiration has survived for so many years after the establishment of the Israeli State. Zionism: An Emotional State expertly demonstrates how the energy propelling the Zionist project originates from bundles of feelings whose elements have varied in volume, intensity, and durability across space and time. Beginning with an original typology of Zionism and a new take on its relationship to colonialism, Penslar then examines the emotions that have shaped Zionist sensibilities and practices over the course of the movement's history. The resulting portrait of Zionism reconfigures how we understand Jewish Identity amidst continuing debates on the role of nationalism in the modern world"--

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

The history of Jews in cosmopolitan maritime trading centres is a field of research that is reshaping our understanding of how Jews entered the modern world. These studies show that the utility of Jewish merchants in an era of European expansion was vital to their acculturation and assimilation.

This volume incorporates Darko Suvin's thinking on utopian horizons in fiction and on eutopian and dystopian readings of historical reality since the 1970s. While the focus is on the United States and the United Kingdom, the essays also draw on French, German and Russian sources. The book is composed of eighteen chapters, including four sets of poems. The chapters include heretic reflections on utopian fiction, science fiction and utopian studies, explorations of dystopias, and epistemological examinations of political standpoint. Throughout, plebeian history is the stance from which all the author's value judgements are made. The essays and poems engage with the empirical world and identify areas of hope. In a dark dystopian time, they reaffirm eutopia, the radically better place to be striven for in every here and now.

"Now in its fifth edition, The Italian City Republics illustrates how, from the eleventh century onwards, many Italian towns achieved independence as political entities, unhindered by any centralising power. Until the fourteenth century, when the regimes of individual 'tyrants' took over in most towns, these communes were the scene of a precocious, and very well-documented, experiment in republican self-government. In this new edition, Trevor Dean has expanded the book's treatment of women and gender, the early history of the communes and the lives of non-élites. Focusing on the typical medium-sized towns rather than the better-known cities, the authors draw on a rich variety of contemporary material, both documentary and literary, to portray the world of the communes, illustrating the patriotism and public spirit as well as the equally characteristic factional strife which was to tear them apart. Discussion of the artistic and social lives of the inhabitants shows how these towns were the seedbed of the cultural achievements of the early Renaissance. The bibliography has been updated with the latest scholarship for students to continue their studies. Both students and the general reader interested in Italian history, literature and art will find this accessible book a rewarding and fascinating read"--

Throughout history, numerous famous and infamous men and women have contributed in their sometimes perverted but always intriguing ways to the world of gastronomy. The stories of those people--their culinary habits and the dishes created by them, named after them or cherished by them--are the subject of this book. Kings and queens, dukes and duchesses, chefs and restaurateurs, novelists and composers, generals and courtesans--all have had dishes named after them. Follow the fortunes and discover the recipes of almost seventy rogues, writers, and whores, from Apicius to Zola, or if you prefer chronologically, Lucullus through Hemingway.

October 15, 1951 marks the birthday of one of the key episodes in 20th century social history: the first synthesis of a steroid oral contraceptive in a small laboratory in Mexico City - an event that triggered the development of the Pill. Carl Djerassi has been honoured worldwide for that accomplishment, which ultimately changed the life of women and the nature of human reproduction in ways that were not foreseeable. On the 50th anniversary of this pivotal event, Djerassi weaves a compelling personal narrative full of self-reflection and occasional humour on the impact this invention has had on the world at large and on him personally. He credits the Pill with radically altering his academic career at Stanford University to become one of the few American chemists writing novels and plays. This Man's Pill presents a forcefully revisionist account of the early history of the Pill, debunking many of the journalistic and romantic accounts of its scientific origin. Djerassi does not shrink from exploring why we have no Pill for men or why Japan only approved the Pill in 1999 (together with Viagra). Emphasizing that development of the Pill occurred during the post-War period of technological euphoria, he believes that it could not be repeated in today's climate. Would the sexual revolution of the 1960s or the impending separation of sex ("in bed") and fertilization ("under the microscope") still have happened? This Man's Pill answers such questions while providing a uniquely authoritative account of a discovery that changed the world.

This important book explores the relationship between the Third Reich and animals -- as symbols, as myths, and as living creatures. From a review in Choice: "Rarely does a book contribute to two fields so significantly as this one. Sax, an independent scholar and consultant to various human rights organizations, has written the first book to explore thoroughly the Nazi cult of animals. In a way, this book reads like a mystery novel, as it uncovers some of the chief paradoxes of Nazi ideology. The Nazis promoted vegetarianism and passed the most progressive anti-cruelty laws the world has ever known. Yet they also developed a mystical technocracy that reduced morality to the crudest version of a biological struggle for survival...This book is a must for all collections in German history and in animal rights. It is a deep and profound reflection on the complex and perplexing ways that animals can shape human culture and politics." (S.H. Webb). This second, expanded edition includes a new essay on "Nazi Totemism."

Offering a glimpse inside the high-stakes world of real estate development, from finding a property to securing financing to hiring an architect to constructing the building to seeing it profitably occupied, this is a history of New York in the 1970s and 1980s, from one of the people most responsible for its changing cityscape. In 1986, the New York Times called William Zeckendorf Jr. Manhattan's most active real-estate developer, a judgement borne out by Zeckendorf's fascinating memoir. The second generation of a legendary family of developers, Bill Zeckendorf was a developer with a social conscience, not only putting up buildings but opening neglected parts of the city and transforming whole communities. Among the projects Zeckendorf chronicles in detail - and with rich documentary illustrations - are the Columbia, which set off a building boom on the Upper West Side; the four-acre Worldwide Plaza, a landmark in West Midtown; Queens West, the first residential project on the waterfront in Queens; the enormous Ronald Reagan Office Building and International Trade Center in Washington, D.C.; and numerous projects in Santa Fe, his beloved second home.

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata , Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Full of what you might call conversation starters: tricky propositions about morality... politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not)...It's a treat to hear him speak his curious mind."--O Magazine In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the "unobtrusives," the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand--and change it. Praise for Wallace Shawn and Essays: "Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously."--Toni Morrison "Wallace Shawn writes in a style that is deceptively simple, profoundly thoughtful, fiercely honest. His vocabulary is pungent, his wit delightful, his ideas provocative."--Howard Zinn, author, A People's History of the United States "Wally Shawn's essays are both powerful and riveting. How rare to encounter someone willing to question the assumptions of class and the disparity of wealth that grows wider every year in this country. To have such a gentle and incisive soul willing to say what others may be afraid to is considerably refreshing."--Michael Moore, film-maker Shawn's language, his unmistakable, original voice, felicitous, is unadorned, elegant, immediate, true. He's also a brilliant interviewer, as everyone who's seen My Dinner With Andre (which is just about everyone) knows. And, of course, he's very funny."--Tony Kushner, playwright, Angels in America "Wallace Shawn is a bracing antidote to the op-ed dreariness of political and artistic journalism in the West. He takes you back to the days when intellectuals had the wit and concentration to formulate great questions - and to make the reader want to answer them."--David Hare, playwright Wallace Shawn Wallace Shawn is an Obie Award-winning playwright and a noted stage and screen actor (Star Trek, Gossip Girl, The Princess Bride, Toy Story). His plays The Designated Mourner and Marie and Bruce have recently been produced as films. He is co-author of the movie My Dinner with Andre and author of the plays The Fever, The Designated Mourner, Aunt Dan and Lemon, and Grasses of a Thousand Colours.

Stephanie Cohen is crushed by college boredom. But her life becomes epic when she realizes she's a reincarnated stellar warrior tasked with guarding reality! Can she uncover her secret history and find her cosmic sisters in time to save a world where evil has already won? Starting college at the end of the summer is stressful enough for Stephanie Cohen, since she's giving up her love of classics to please her parents in Pre-Med. But classics crashes into her life when she realizes she's the reincarnation of a stellar warrior tasked with guarding the cosmic door to chaos! Is Stephanie strong enough to follow her heart, accept her secret history, and look starward in time to save humanity... when she realizes chaos has already won?

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it. Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.

Porn is more mainstream than ever witness recent bestsellers by Jenna Jameson, Traci Lords, The Vivid Girls, and Pamela Anderson. Continuing this fine tradition is The Big Book of Porn a friendly, funny celebration of adult movies. Chapters include: - Know Your Classics: The 25 most important adult films. - Great Moments in Porn History: From the first stag movie to the invention of the VCR. - The Pantheon of Porn: These mini-bios of mega-stars like Seka and Ron Jeremy are filled with surprising trivia. - It's a Porn World, After All: Adult movies from Canada, Japan, even Afghanistan. - Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ("Tell a story," "Start with a bang," "Parody a real film title"). Best of all, The Big Book of Porn is illustrated with classic posters, stills, and production shots from the smutty '70s to the present day. Provocative, authoritative, and laugh-out-loud funny, The Big Book of Porn is a proud celebration of history's most scandalous art form.