"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." ―Passion"Russ’ essays are witty and insightful. An excellent book for any writer or reader." ―Feminist Bookstore News"In her new book of essays... Russ continues to debunk and demand, edify and entertain.... Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." ―Paul Di Filippo, The Washington Post Book World"... 20 years of the author’s feisty reports from the front lines of literature." ―The San Francisco Review of Books"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." ―The Women’s Review of Books"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." ―Feminist Bookstore News"... a super book....This is a book that, for once, really will appeal to readers of all kinds." ―Utopian Studies"If you enjoy science fiction, this is definitely a book that you’ll want to talk about. I found myself sneaking a few pages at times when I really didn’t have time to read." ―Jan Catano, AtlantisClassic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.

Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performanc

Brief essays discuss incidents in American history, offer profiles of prominent individuals, and look at the labor and civil rights movements.

Adding to the acclaimed first four volumes of his exciting, in-the-cockpit series, The American Aces Speak, leading combat historian Eric Hammel comes through with yet another engrossing collection of first-person accounts by American fighter aces serving in World War II and the Korean War. As are the four earlier volumes, Aces In Combat is a highly charged excursion into life and death in the air, told by men who excelled at piston-engine and jet-engine aerial combat and lived to tell about it. It is an emotional rendering of what brave airmen felt and how they fought in the now-dim days of America's living national history. View the Battle of Midway through Lieutenant Jim Gray's eyes as he must balance the needs of fellow pilots against the needs of his nation. Share the fear with Captain Charlie Sullivan as would-be rescuers deep in the New Guinea jungle attempt to turn him into a blood sacrifice. Crew a Canadian Mosquito night fighter as Lieutenant Lou Luma stalks the wily Hun-and bags an ace-over an airfield deep in Germany. Share Lieutenant Bud Fortier's and Major George Loving's grief when, on missions nearly eight years apart, they look on helplessly as trusted wingmen dive to their deaths in treacherous ground-attack runs. And watch anxiously as Captain Tom Maloney hovers between life and death for ten lonely days after stepping on a mine on an enemy-held beach. These are America's eagles, and the stories they tell are their own, in their very own words. Eric Hammel is an acclaimed military historian and author of more than thirty other combat histories, including Pacifica Military History's Guadalcanal: Starvation Island, Guadalcanal: Decision at Sea, Six Days in June, The Root: The Marines in Beirut, Ambush Valley, Fire in the Streets, Khe Sanh: Siege in the Clouds, and four other volumes in the American Aces Speak series. He lives with his wife in northern California.

Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis―qualities that have made Martin Jay's previous books so distinctive and so successful―Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history. As he explores the manifold contexts for understanding experience―epistemological, religious, aesthetic, political, and historical―Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of "experience" in modern cultures.

Picking up where he left off in his acclaimed Aces Against Japan and Aces Against Germany, leading combat historian Eric Hammel comes through again with an engrossing new collection of thirty-eight first-person accounts by American World War Il fighter aces. Coupled with a clear overview of America's far-flung air war against Japan and a clear appreciation of the burgeoning industrial might backing the American war effort, Hammel's detailed interviews bring forth the most thrilling in-the-cockpit experiences that World War II's fabled Army, Navy, Marine, and Flying Tiger aces have chosen to tell. Ride with 2d Lieutenant Jack Donalson as he downs three Zeros-over Luzon on the second desperate day of World War II in the Philippines. Share three lonely air battles over Burma and China with Flying Tiger aces RT Smith, Dick Rossi, and Joe Rosbert. Hear the cry of victory as 2d Lieutenant Don McGee survives yet another encounter with Zeros over embattled Port Moresby, New Guinea, in his substandard P-39 Airacobra. Feel your heart beat with anxiety as an injured Ensign Ed Wendorf races against time to land his damaged Helicat aboard the USS Lexington before he bleeds to death. And thrill to the hunt as Pearl Harbor veteran 1st Lieutenant Frank Holmes seeks personal revenge against Admiral Isoroku Yamamoto on one of history's most important and most thrilling fighter missions. Aces Against Japan II is a highly charged excursion into life and death in the air, told by men who excelled at piston-engine aerial combat and lived to tell about it. In sum, it is an emotional rendering of what brave airmen felt and how they fought in the now-dim days of America's living national history.

Eugene Myers is working on a novel about the end of the world. Meanwhile, he discovers his daughter doing porn online and his marriage is coming to an end. When he begins dreaming about people who turn out to be real, he wonders if his novel is real as well. Eugene Myers may just be the one to stop the apocalypse. This history of the future covers every conspiracy imaginable: UFOs, secret societies, and World War III, as well as theories on life after death and human evolution by a writer whose last novel was called by Dogmatika, A page-turner and an example of an effective piece of storytelling that should be envied. In the tradition of Philip K. Dick and Robert Anton Wilson, The American Book of the Dead explores the nature of reality and the human race's potential to either disintegrate or evolve.

Medical Progress and Social Reality is an anthology of nineteenth-century literature on medicine and medical practice. Situated at the interdisciplinary juncture of medicine, history, and literature, it includes mostly fictional but also some nonfictional works by British, French, American, and Russian writers that describe the day-to-day social realities of medicine during a period of momentous change. Issues addressed in these works include the hierarchy in the profession, the use of new instruments such as the stethoscope, the advent of women doctors, the function of the hospital, and the shifting balance of power between physicians and patients. The volume provides an introductory overview of the most important aspects of medical progress in the nineteenth century, and it includes an annotated bibliography of further readings in medical history and literature. Selections from Anthony Trollope, George Eliot, Gustave Flaubert, Sarah Orne Jewett, Sinclair Lewis, Mikhail Bulgakov, and others are included, as well as the American Medical Association's 1847 Code of Ethics.

"The Transformational Decade shows the transformation that took place in American life from the attack on the World Trade Center to the emergence of the Obama presidency. It is not a strict history, but rather snapshots of a decade that has fundamentally altered perceptions of the United States. In some respects, this book is modeled after Frederick Lewis Allen's Only Yesterday and Since Yesterday, acclaimed books that sought to capture the spirit of the 1920s and '30s. London sees the period from 2001 to 2008 as "post yesterday," a period that broke with the past, challenged the essence of the free market, and contested America's role on the world stage. In an effort to limn these snapshots from recent history, London has written several "decade" books: The Overheated Decade, The Counterfeit Decade, and The Decade of Denial. This book, The Transformational Decade, differs in that it represents a separation from the past. London illuminates a decade that he considers to be a new and more frightful period than any in recent American history."--Publisher's website.

The Supreme Court appointments process is broken, and the timing couldn't be worse--for liberals or conservatives. The Court is just one more solid conservative justice away from an ideological sea change--a hard-right turn on an array of issues that affect every American, from abortion to environmental protection. But neither those who look at this prospect with pleasure nor those who view it with horror will be able to make informed judgments about the next nominee to the Court--unless the appointments process is fixed now. In The Next Justice , Christopher Eisgruber boldly proposes a way to do just that. He describes a new and better manner of deliberating about who should serve on the Court--an approach that puts the burden on nominees to show that their judicial philosophies and politics are acceptable to senators and citizens alike. And he makes a new case for the virtue of judicial moderates. Long on partisan rancor and short on serious discussion, today's appointments process reveals little about what kind of judge a nominee might make. Eisgruber argues that the solution is to investigate how nominees would answer a basic question about the Court's role: When and why is it beneficial for judges to trump the decisions of elected officials? Through an examination of the politics and history of the Court, Eisgruber demonstrates that pursuing this question would reveal far more about nominees than do other tactics, such as investigating their views of specific precedents or the framers' intentions. Written with great clarity and energy, The Next Justice provides a welcome exit from the uninformative political theater of the current appointments process.

The transformation of the human sciences into the social sciences in the third part of the 19th century was closely related to attempts to develop and implement methods for dealing with social tensions and the rationalization of society. This book studies the connections between academic disciplines and notions of Jewish assimilation and integration and demonstrates that the quest for Jewish assimilation is linked to and built into the conceptual foundations of modern social science disciplines. Focusing on two influential "assimilated" Jewish authors—anthropologist Franz Boas and sociologist Georg Simmel—this study shows that epistemological considerations underlie the authors' respective evaluations of the Jews' assimilation in German and American societies as a form of "group extinction" or as a form of "social identity." This conceptual model gives a new "key" to understanding pivotal issues in recent Jewish history and in the history of the social sciences.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

These strikingly lucid and accessible essays, ranging over nearly a century of Jewish communal life, examine the ways in which immigrant Jews grappled with issues of group survival in an open and accepting American society. Ten case studies focus on Jewish strategies for maintaining a collective identity while participating fully in American society and public life. Readers will find that these essays provide a fresh, provocative, and compelling look at the fundamental question facing American Jewry at the end of the 20th century, as at its start: how to assure Jewish survival in the benign conditions of American freedom.

"Jacob Neusner (born 1932) is one of the most important figures in the shaping of modern American Judaism. He was pivotal in transforming the study of Judaism from an insular project only conducted by--and of interest to--religious adherents to one which now flourishes in the secular setting of the university. He is also one of the most colorful, creative, and difficult figures in the American academy. But even those who disagree with Neusner's academic approach to ancient rabbinic texts have to engage with his pioneering methods. In this comprehensive biography, Aaron Hughes shows Neusner to be much more than a scholar of rabbinics. He is a social commentator, a post-Holocaust theologian, and was an outspoken political figure during the height of the cultural wars of the 1980s. Neusner's life reflects the story of what happened as Jews migrated to the suburbs in the late 1940s, daring to imagine new lives for themselves as they successfully integrated into the fabric of American society. It is also the story of how American Jews tried to make sense of the world in the aftermath of the extermination of European Jewry and the subsequent creation of the State of Israel in 1948, and how they sought to define what it meant to be an American Jew. Unlike other great American Jewish thinkers, Neusner was born in the U.S., and his Judaism was informed by an American ethos. His Judaism is open, informed by and informing the world. It is an American Judaism, one that has enabled American Jews--the freest in history--to be fully American and fully Jewish."--Publisher's description

The story of "an idealistic young American who freely cast his lot with the Chinese revolution only to be struck down by that revolution at the floodtide of its success."--Leonard Woodcock, first American Ambassador to China

Mention 1492 and most people conjure up images of three stout ships making their way west. But 1492 was the year in which the vibrant Jewish community of Spain came to an abrupt and tragic end. This book details the expulsion of the Jews from Spain and Portugal and their early immigration to the New World. European anti-Semitism followed the Jews but the newcomers persevered and made a home for themselves in the New World. Starred Review and Editor’s Choice, Booklist, NCCS/CBC Notable Children’s Trade Book and American Bookseller Pick of the Lists, 1990.

Originally published in 1942, The Unvanquished is the story of the Continental Army and George Washington in the desperate early months when the American Revolution faced defeat and disintegration. The book begins with the retreat across Manhattan's East River that saved the Continental Army after the Battle of Long Island. It ends with Washington's recrossing of the Delaware in the daring 1776 Christmas Eve raid on the Hessian camp at Trenton.

A collection of new California Indian poems. The flavor is provided in "We Exist," by Janice Gould: "Our writers try to counteract the history/ that says we are a conquered People."

Bernstein, a leading voice in American literary theory, writes an irreverent guide to modernist and contemporary poetics

Must poetic form be, as Yeats demanded, "full, sphere-like, single", or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the visual arts of his day. The second group deals with the more technical aspects of verse and prose. In the last four essays, Perloff takes up broader issues, including the current pessimism about the state of poetry, and the work of experimental poets and conceptual poets.