Hafftka began writing Conscious/Unconscious in 1973 and completed it in 2006. Conscious/Unconscious is a book of short stories narrated in the first person, weaving an inner life made real by paradoxes and conflicting drives. The 27 drawings created for this book add another dimension to the written words. Hafftka is a visual artist represented in the permanent collections of The Metropolitan Museum, The NY MoMA, The Carnegie Museum of Art, The San Francisco Museum of Modern Art, The Brooklyn Museum, and other museums. He has had one-man shows at numerous galleries in the U.S and abroad.

A son's personal exploration of one of the most influential--and troubled--artistic couples of the twentieth century Stephen Spender's life, with all its secrets, successes, and contradictions, is a vivid prism through which to view the twentieth century. He made friends with W. H. Auden and Christopher Isherwood while at Oxford, and together the three had wild adventures in Europe, where they became early critics of Hitler and the rise of fascism. Like his friends, Stephen was drawn to other men, yet he eventually married Natasha Litvin, an ambitious young concert pianist, and they started a family. Matthew Spender grew up in postwar England as the child of two celebrated artists deeply immersed in the political and cultural life of their times. Taught how to use adjectives by Auden and raised among an influential elite, Matthew led what might have been a charmed existence were it not for the tensions within his own household. His father, always susceptible to the allure of young men, was unable either to stop himself for the sake of his family or to reveal his secret; and his mother's suffering led her on a strange introspective quest of her own. Drawing on a wide range of unpublished letters and diaries, secret documents, and youthful memories, A House in St John's Wood is Matthew's remarkably clear-eyed attempt to make sense of the many conflicting messages of his unconventional youth and a deeply felt portrait of his magnetic father and guarded mother.

In Peter Maurin: Prophet in the Twentieth Century , Marc H. Ellis traces Maurin's life from his early years--as peasant, brother, and Catholic activist--through his meeting with Dorothy Day. Ellis' Chronicle focuses on the consequences of that meeting: the founding of the Catholic Worker movement and newspaper, the founding of hospitality, the farming communes. Peter Maurin: Prophet in the Twentieth Century is the first biography to really examine Maurin's thought. A commitment to non-violent reform and to a life of poverty were chief tenets of Maurin's philosophy; it was Maurin's notion that farmers and scholars would labor and learn together in the ideal world. Ellis discusses these and other ideas of Maurin, their development and their particular importance today.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

Joel Shatsky and his wife Dorothy, who has multiple sclerosis, provide an accurate expression of the impact that this illness has upon its sufferers and their caregivers.

Memoir from stage, screen and daytime TV actor Jed Allan.

W L Mackenzie King is published by Fitzhenry and Whiteside.

2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Faithwalking In Our Time is a candid autobiographical account of my battle with human injustice. My book begins with an old friend, now known as Deacon Jim, meeting me in an unlikely location--Grafton Correctional--during the summer of l993. From there I provide my account of the events that brought me unjustly into prison. I recount the difficulties with an adopted son, including his eventual accusation of sexual abuse. I attempt to take the reader through the maze of social work froth with racial prejudice, and mental stereotyping. Also included is a background of my life leading up to the criminal charges, along with my courtship and marriage to Diane and the birth of our children. Faithwalking In Our Time seeks to raise awareness of the injustices I encountered which permeate both the social justice system and religious minded individuals. Utilization of detailed descriptions and characterizations enhance the presentation of those themes. The primary theme is, through this desert walk full of horrible experiences and overwhelming odds, I gradually discovered I was traveling this road with God at my side.

Introduction I was born in the fifties and Life Began idyllic. I was young and happy my parents were kind and loving. I was raised in a Christian school and have no regrets about that it was a good way to live. But as I got older I began to rebel against everything and everyone who ever tried to tell me what to do and my path begins to change to one of danger, excitement, sometimes fun and sometimes very injurious to myself and to those around me. As you read in this book, you will see details of what happened during this period of time. Completely destroyed my life and alienated everyone around me. I was moving from city-to-city, lover to lover, bar to bar, job to job. About the author I was blessed with good schooling and became a certified court reporter at the age of 21 and worked hard all my life. Also helping to develop real-time closed captioning equipment for the hearing impaired and working on the many high-profile jobs. During this period of time my drinking took me to places that took away any promise of a good life or a marriage or children which I have never had to this day. Thankfully, on April 10th 1997 a new chapter in my life begin a journey which changed my life 100% where I began to live with some Integrity, clean and sober and respectful. I was able to build a new life with the help of so many others for whom I will be grateful for as long as I live. I was able to heal with my parents and sister. My gratitude extends to friends all over the globe. If reading this book helps one person it has been worthwhile to publish it. I hope the details revealed in this book are not too distasteful and that you enjoy the read of the good, the bad, the ugly and the miraculous. Blessings and peace to all

Dead End: Be Careful How You Live is a suspenseful crime thriller novel written by Ed Lacy. The story revolves around a young man named Johnny Dolan, who is wrongly accused of murdering his girlfriend. Despite his innocence, the police and the media are convinced of his guilt, and Johnny is forced to go on the run to clear his name.As Johnny tries to evade the law and find the real killer, he becomes embroiled in a dangerous world of organized crime and corruption. Along the way, he meets a cast of colorful characters, including a tough-talking private detective, a seductive nightclub singer, and a ruthless gangster who will stop at nothing to protect his interests.As the plot thickens, Johnny must use all his wits and resources to stay one step ahead of his pursuers and uncover the truth behind his girlfriend's murder. With plenty of twists and turns, Dead End: Be Careful How You Live is a gripping page-turner that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A comprehensive study of the social philosophy of Gerrard Winstanley. Chapters include The Background of the Civil War, The Development of Radical Political Thought During the Civil War, The Digger Movement, The Political & Social Philosophy of the Digger Movement, Winstanley's Utopia.

David Winters has produced and directed over 80 feature films and over 200 television shows and TV movies, and is recognized as nothing short of an icon in the entertainment industry. In Tough Guys Do Dance, David shares many fascinating and, at times, jaw-dropping behind-the-scenes stories regarding his associations with some of the biggest names in show business--names like Frank Sinatra, Elvis Presley, Barbra Streisand, and Michael Jackson, to name a few. It is filled with personal stories of David's life that at times may seem hard to imagine and is told with David's personal voice and real-life humility in a way that only he could tell. David's work in the legendary Broadway show and film West Side Story inspired millions of boys and men alike to embrace the art of dance and truly showed them that "tough guys do dance" Whether you are a student of dancing or an aspiring actor or producer, this book will prove to be one of the most entertaining reads you will ever experience.

Book by Woolf, Bob

The biography of a precocious and little-known Basque composer, Juan Crisóstomo Jacobo Antonio Arriaga y Balzola (1806-1826). Born in 1806, Arriaga wrote an octet at age 11, composed his first opera when he was 13, entered the Paris Conservatory at age 15, and published his String Quartets Nos. 1, 2, & 3 when he was 18. He died in 1826 at age 20.