These articles, written over a period of time from the end of World War II to the American invasion of Vietnam, expose the deception propagated by various administrations and their apologists. That deception was the claim that the United States Government was fighting for "freedom and democracy".

Ten years after their graduation from Palisades High School, authors Medved and Wallechinsky find out what has become of their former classmates. CLASS OF '65 has tremendous human interest and recounts the incredible changes in U.S. society from 1965 - 1975.

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From the beginning, myths have told of women who lived apart from men -- the Sirens who sang on the Aegean rocks, the Amazons of the Brazilian jungle, the self-reproducing women on islands in Polynesia, to mention only a few. As this theme emerged in her own fiction, Batya Weinbaum became intrigued by its persistence across time and cultures and began tracing it in literature and mythology, as well as in actual locales that are or were said to be islands of women. In this fascinating, interdisciplinary book, she explores how the myth of Amazons has served varying psychological needs in different cultures over time. Weinbaum first analyzes various historical interpretations and uses of the Amazon archetype, some designed to empower women, others created by men to disempower them. She next turns to the original Greek context, in Homer's epics and other aspects of Greek culture, and then traces how Amazons eventually evolved into negative representations of paganism. Moving from Rodriguez de Montalvo's fifteenth-century Sergas de Esplandian, which imagined an island of women in the New World, Weinbaum concludes with revealing fieldwork she conducted on Isla Mujeres (Island of Women) off the Yucatan Peninsula, which included giving birth with the participation of a native Maya midwife. Batya Weinbaum is Assistant Professor of English at Cleveland State University. She founded and edits the journal Femspec.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"This is a book of extraordinary quality and importance. In tracing the encounter of Jews (the chosen people) and America (the chosen nation) . . Eisen has given the American Jewish community a new understanding of itself." —American Jewish Archives ". . . one of the most significant books on American Jewish thought written in recent years." —Choice What does it mean to be a Jew in America? What opportunities and what threats does the great melting pot represent for a group that has traditionally defined itself as "a people that must dwell alone"? Although for centuries the notion of "The Chosen People" sustained Jewish identity, America, by offering Jewish immigrants an unprecedented degree of participation in the larger society, threatened to erode their Jewish identity and sense of separateness. Arnold M. Eisen charts the attempts of American Jewish thinkers to adapt the notion of chosenness to an American context. Through an examination of sermons, essays, debates, prayer-book revisions, and theological literature, Eisen traces the ways in which American rabbis and theologians—Reconstructionist, Conservative, and Orthodox thinkers—effected a compromise between exclusivity and participation that allowed Jews to adapt to American life while simultaneously enhancing Jewish tradition and identity.

1974 first edition The Bucks County Historical Society.Text by William Morgan. Hardcover. 4to., 112pp., monochrome photo illustrations by Siskind, cloth. VG plus with light bumping at head of spine and slight discoloration of end papers in VG DJ, light wear.

E. Howard Hunt, who sued this author for writing about his involvement in the JFK assassination or "The Big Event" confessed to being part of the crew and named Frank Fiorini Sturgis as one of principals; Coup D'Etat in America was the book that inspired Congressman Henry Gonzalez to introduce a bill in Congress that led to the formation of House Select Committee on Assassinations. This is a longer updated version. It is based on the theory that the three tramps who were picked up about an hour after the Kennedy Assassination (not to be confused with the three real bums who were picked up right after the big event - Oliver Buck Revell of FBI Dallas FO floated this story to discredit the tramp theory) were E. Howard Hunt, CIA official who was instrumental in the overthrow of Arbenz of Guatemala and was deeply involved in the Bay of Pigs fiasco, Frank Fiorini Sturgis, a leader of Operation 40 which involved assassinating all the Communists and their families in Cuba after Castro was deposed, and David Lemar Christ, who was locked up and tortured by Castro for bugging the ChiCom wire service and released in April 1963 in a prisoner exchange. It also documents the part that James Angleton played in Oswald's defection to the Soviet Union and Oswald's role in sabotaging an upcoming USSR USA Summit conference. Coup is based on years and years of research at NARA, Federal Court houses, personal interviews and the information I bought from Gerry Patrick Hemming, the man who brought Oswald into the mix and had him believing that he was running a counter-intelligence operation against the Cubans by trying to visit Cuba, by forming the Fair Play for Cuba Committee and other of Oswald's shenanigans. Hemming offered Oswald twice the cost of his rifle and told him to bring it to the TSBD on November 22, 1963. Oswald didn't have a clue that the big event was going down. Hemming tried to set me up for a fall to work off a beef. He said he knew of a lab where the Yippies could construct an atomic IED. Just taking a step in that direction is conspiracy. I told him my name was no Oswald. Coup also documents Jack Ruby's part in the conspiracy as the CIA and the Mafia had worked together to assassinate Fidel Castro. But Jack's flunkie Tippet messed up because Oswald had realized he was a patsy in the big event by this time and took Tippet out before Tippet could take him out as Ruby had ordered. Oswald had heard Hemming talk about scenarios where patsy's get blown away and suddenly realize that his old Marine buddy had set him up. This book in constantly being updated.

MANY PASTS: Readings in American Social History, 1600-1876, Volume I, edited by Herbert G. Gutman and Gregory S. Kealey, consists of four broad sections: The Colonial World, 1600-1763; Independence and the New Nation, 1763-1815; The Beginnings of a New Society, 1815-1843; The New Society and the Changing Old Society, 1843-1876. Among the contributors to Volume I: Edmund S. Morgan, Nancy Oestreich Lurie, Richard B. Morris, Pauline Maier, Sidney W. Mintz, Allan Kulikoff, San Bass Warner, Alfred Young, Gerald Mullin, Norman Ware, Edward Pessen, Caroline Ware, Carroll Smith-Rosenberg, John F. C. Harrison, Alice H. Bauer, Charles Hirschfeld, Avery Craven, Gunter Barth, David Montgomery, W. E. B. Dubois, Joel Williamson. This collection of readings focuses on these objectives: to acquaint the reader with historians whose writings in American social history directly or indirectly explore critical intersections of culture and society; to supplement in basic ways the traditional political emphasis in American history courses; to illustrate how different methods of historical inquiry have been used by historians to spotlight important but often neglected aspects of the American past. It also focuses on ALL the ethnic and racial groups in America as well as on the varied social classes. The editors emphasize the structure of American Society, how it has changed, and how those changes were experienced and interpreted by Americans of varied social classes.

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The Jewish Encyclopedia was the first comprehensive collection of all the available material pertaining to the Jews their history, literature, philosophy, ritual, sociology, and biography. Published by Funk & Wagnalls from 1901 to 1906, its successful completion was due to the pluck and determination of its managing editor, Isidore Singer, and to the dedication of its other editors and collaborators, many of whom were world-renowned scholars. Today, the JE has been largely superseded as a reference work, but as a repository of information about Jews and Judaism in the late nineteenth century, it remains a gold mine. Part One of Schwartzs book recounts the lively story of the JEs publication the nascence of the idea, the negotiations with Funk & Wagnalls, the assembling of the board of editors, and the tensions, rivalries, and financial problems that constantly plagued the project. She introduces those who played leading roles in the numerous reviews and announcements that accompanied its publication, and evaluates its significance as the premier cultural event in American Jewish life at the dawn of the twentieth century. In Part Two, an analysis of the JEs contents reveals both the nature and extent of Jewish scholarship at the time and the goals and concerns of those who produced it. As Schwartz demonstrates, the JE marshaled its facts to combat both racial anti-Semitic arguments and Christian polemics. The work summarized, preserved, and expanded upon the results of Wissenschaft des Judentums. It provided the beginnings of a Jewish cultural response to the intellectual challenges of Darwinism and higher biblical criticism. And it presented the unique Reform and modern traditionalist perspectives on Jewish practice and belief. Throughout this fascinating study, Schwartz explores the complex and frequently strong relationships among Jewish leaders. Most importantly, she demonstrates that through its content as well as through the very fact of its publication in the United States and in English, the Jewish Encyclopedia signified the transfer of the center, language, and leadership of Jewish scholarship from the Old World to the New, thus becoming a primary catalyst for the emergence of Jewish scholarship in America.

The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

In the heady days of the Cold War, when the Bomb loomed large in the ruminations of Washington's wise men, policy intellectuals flocked to the home of Albert and Roberta Wohlstetter to discuss deterrence and doomsday. The Cold World They Made takes a fresh look at the original power couple of strategic studies. Seeking to unravel the complex tapestry of the Wohlstetters' world and worldview, Ron Robin reveals fascinating insights into an unlikely husband-and-wife pair who, at the height of the most dangerous military standoff in history, gained access to the deepest corridors of American power. The author of such classic Cold War treatises as "The Delicate Balance of Terror," Albert Wohlstetter is remembered for advocating an aggressive brinksmanship that stood in stark contrast with what he saw as weak and indecisive policies of Soviet containment. Yet Albert's ideas built crucially on insights gleaned from his wife. Robin makes a strong case for the Wohlstetters as a team of intellectual equals, showing how Roberta's scholarship was foundational to what became known as the Wohlstetter Doctrine. Together at RAND Corporation, Albert and Roberta crafted a mesmerizing vision of the Soviet threat, theorizing ways for the United States to emerge victorious in a thermonuclear exchange. Far from dwindling into irrelevance after the Cold War, the torch of the Wohlstetters' intellectual legacy was kept alive by well-placed disciples in George W. Bush's administration. Through their ideological heirs, the Wohlstetters' signature combination of brilliance and hubris continues to shape American policies.--

“The rhythm of the body moving through space has been the motivating source of most of my work.”—Richard Serra Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist’s work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration—from Donatello and Brancusi to Japanese gardens and Machu Picchu—revealing a history of sculpture across time and culture through the eyes of one of the medium’s most brilliant figures. Introduced with an insightful preface by Foster, this probing dialogue is beautifully illustrated with duotone images that bring to life both Serra's work and his key commitments.

“The sly courage, the deft intelligence, and the fierceness of vision that we, his fans, have come to expect from a Rafael Yglesias novel all blaze brightly forth--and cast very dark shadows--inThe Wisdom of Perversity.” —Michael Chabon, author of Telegraph Avenue Brian and Jeff were best friends, growing up together in New York City in the late 1960s. Then something unspeakable happened that ended both their friendship and their childhoods. For forty years, their shared secret lay buried, but new circumstances have forced them to face the consequences of their silence. The predator who sexually abused them, as well as Jeff’s cousin, Julie, and countless others, has been exposed by more recent victims, but his wealth and privilege may protect him from punishment. Brian, Jeff, and Julie must weigh devastating choices: to tell all and risk their carefully constructed lives or face the likelihood that others will be victimized. Rafael Yglesias, critically acclaimed bestselling novelist and screenwriter, unmasks the headlines, giving voice to what has been left unsaid and light to what has been hidden.The Wisdom of Perversity is a startling, engrossing, unsettling, and moving story of surviving an insidious evil and of a triumphant struggle to heal its wounds. “Here is the antithesis of Nabokov’s Lolita . . . Set beside the grim literalness ofThe Wisdom of Perversity, as beside any case history of sexual abuse, Lolita is a lark, an extravagance, a phantasm of romance, a tour de force, a jubilant metaphor. Yglesias has known the real thing, and has chosen not to refashion it into anything other than itself.” —Joyce Carol Oates, The New York Times Book Review “An affecting novel that is big-screen lurid without being superficial or too slick . . . [with] a touch of Agatha Christie-like mystery.”—Kirkus Reviews “Yglesias delivers a powerful message about victimization, healing, and empowerment in a novel that is as timely as it is poignant.”—Booklist

A gripping exploration of the legal and ethical dilemmas in neonatal intensive care—a truly original work. Chosen as an Outstanding Academic Titles in 2003 by Choice Magazine In this new, startlingly original book, John D. Lantos weaves a compelling story that captures the dilemmas of modern medical practice. The Lazarus Case: Life-and-Death Issues in Neonatal Intensive Care begins with a fictional malpractice case—an amalgam of typical cases in which Lantos appeared as an expert witness—and uses it as the framework for addressing the ethical issues surrounding neonatal intensive care. Lantos draws on his experience in neonatal medicine, pediatrics, and medical ethics to explore multiple ethical dilemmas through one poignant representative situation. In Lantos's model case, a doctor decides to stop resuscitation of a premature infant, a tiny "preemie" who seems past reasonable care. The baby survives with severe neurological defects and the parents sue the doctor, alleging that stopping treatment was negligent. From this case, Lantos considers our moral obligations to critically ill babies, the meaning of negligence, and the sorts of social structures that shape the moral consciences of doctors. Each chapter begins with Lantos deposing in the conference room of the plaintiffs' lawyers. The questions put to Lantos throughout the deposition spark an engrossing retelling of his personal experiences with premature babies, as well as his thoughtful discussions of ethics, morality, history, and medical statistics. Sprinkled throughout the book are references to fictional works by Camus, Dostoevsky, Shakespeare, Twain, and others. Lantos uses these literary examples to further illustrate the ambiguities, misunderstandings, responsibilities, and evasions that plague our decisions regarding life and death, medical care and medical education, and ultimately the cost and value of preserving the lives of the most vulnerable among us.