Time in Africa: Flying and Fun from 1963 to 1983 covers 20 amazing years of David Price’s life as a pilot, working primarily in Africa. Although filled with personal adventures and humorous anecdotes, Time in Africa is much more than an autobiography. It is also an amazing glimpse of a time in aviation before computerized flight controls and when some older planes were still made of plywood and canvas. Having flown planes such as a DC3, Dove, Comet 4, Viscount, B737 and B707, the author shares stories of near disaster, having to make mechanical repairs and adjustments while flying—including once with a fire ax, and landing and taking off in the desert without a runway. Adding further interest to these stories is the setting: Libya, Kenya, Tanzania, Uganda, Cameroon, Zambia, Guinea, and Nigeria in their early days of independence post colonization. A natural storyteller, David portrays what life was like in Africa—both for the privileged Whites and the native Blacks—along with providing insight into the politics and attitudes of the time. From starting an airplane with car batteries strapped to a baggage trolley to having to put out a charcoal fire started in the aisle of a plane to brew a cup of tea, it is clear that there were few dull moments during David’s time as a pilot in Africa. It is also evident that he enjoyed every minute there, as will his readers as he takes them back to an amazing place in an interesting time.

The text of the 1994 Obie award winning solo by writer/performer Danny Hoch.

Cover has very minimal wear. This is copy 151 of 450 copies on Hahnemuhle mould-made paper, numbered 1-450, of which numbers 1-50 are not for sale. Pages are pristine. Ships fast from Northern California.

Susskind, C.

The Canadian ambassador to the United States during the Reagan administration recounts his experiences and shares insights

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin . On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly

Simone Veil has spoken on very different stages and subjects, and before extremely diverse audiences. The speeches collected here represent only a fraction of her public dialogues: those given over the last six years in her capacity as president of the Fondation pour la Mémoire de la Shoah. Having written those last words, I must immediately correct myself: when our president discusses the Shoah, she is firstly and always Madame Veil, the Auschwitz survivor, matured and enriched by her French and international political experience, who speaks from the heart about her own memory and her own thoughts. Alone, the typed pages of these speeches doubtless lack her gaze, her gravitas, and the singular tone of her stories, which always pierce her listeners. (Anne-Marie Revcolevschi).

In 1987 a young Jewish man, the central figure in this captivating book, leaves Moscow for good with his parents. They celebrate their freedom in opulent Vienna and spend two months in Rome and the coastal resort of Ladispoli. While waiting in Europe for a U.S. refugee visa, the book’s twenty-year-old poet quenches his thirst for sexual and cultural discovery. Through his colorful Austrian and Italian misadventures, he experiences the shock, thrill, and anonymity of encountering Western democracies, running into European roadblocks while shedding Soviet social taboos. As he anticipates entering a new life in America, he movingly describes the baggage that exiles bring with them, from the inescapable family traps and ties to the sweet cargo of memory. An emigration story, Waiting for America explores the rapid expansion of identity at the cusp of a new, American life. Told in a revelatory first-person narrative, Waiting for America is also a vibrant love story in which the romantic main character is torn between Russian and Western women. Filled with poignant humor and reinforced by hope and idealism, the author’s confessional voice carries the reader in the same way one is carried through literary memoirs like Tolstoy’s Childhood, Boyhood, Youth, Hemingway’s A Moveable Feast, or Nabokov’s Speak, Memory. Babel, Sebald, and Singer—all transcultural masters of identity writing—are the coordinates that help to locate Waiting for America on the greater map of literature.

The memoirs of 25 years of political activism, albeit minor and mostly unsuccessful! Deciding to dedicated his life to eradicating injustice Mark Steel tried to persuade his mates to change their sexist attitudes - only to be called a poof; innocently wandered into the heat of battle during the Brixton riots in 1981 - to be wrongfully arrested for stealing shoes; hidden striking steel workers to defeat Thatcher's union laws; and in the GLA elections of May 2000 he received 1823 votes for the London Socialist Alliance.

Mapping Canada's Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922-2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann's pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.

When Ellis Douek was nine, his mother insisted that he take up embroidery, in case he became a surgeon when he grew up. Of course she was right, for he became Consultant ENT Surgeon at Guy's Hospital in London. The Douek parents had the unerring quality of belonging in whichever country they lived - Egypt, the Sudan, Columbia and, finally, England. Ellis Douek's memoirs describe the hedonism of life in Egypt, the Suez Crisis which uprooted them, 1950s Bradford, and Paris. He began his medical training in Paris where he, his sister Claudia (Claudia Roden, the cookery writer), and brother Zaki lived free of adult supervision. His training continued in London during a time of smog, digs and landladies. Ellis's days as an army medic provide hilarious accounts of whisky-sodden soldiers, circumcisions and bureaucratic procedures.

For three decades, Earl Strom ruled the courts as pro basketball's best, most respected referee. In Calling the Shots, he tells stories he could not tell until his retirement. "Charming, humorous, and often bitingly critical, Strom's memoirs should win both friends and enemies alike".--Kirkus Reviews. 8 pages of photographs.

A fresh account of the medieval mystic, traveling pilgrim, and pioneering memoirist Margery Kempe. This is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

Ivan T. Berend is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973–79), and President of the Hungarian Academy of Sciences (1985–90). He was President of the International Committee of Historical Sciences (1995–2000), and Vice-President of the International Economic History Association (1986–1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th–20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published and 26 books and more than 120 studies. Before he became a professor at UCLA, Ivan Berend had survived five regime changes and two revolutions in Hungary, had been in prison and German concentration camp in 1944–45. His memoir offers an interesting case study, a subjective addition to the "objective" historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within. Berend’s book raises basic historical questions and debates, compares East European and American higher education systems, and presents an eyewitness’ insights on life in the United States.

"This work takes the reader from Rubens's birth through an impoverished upbringing, three short-lived marriages, and her career in pictures for Triangle Film, Cosmopolitan, Fox and other production companies"--Provided by publisher.

Thrown Among the Bones -- My Life in Fiction is a candid account of Patricia Schonstein's creative, deeply lived life as a novelist. Annotated with extracts from her writings, this generous memoir welcomes you behind the scenes, into her Workshop and Costumery. She shows how her own life configures with the scaffolding of her fictions; how characters take up roles both archetypal and simple to tackle existential questions; and how urban landscapes and wilderness serve as the neon-spangled theatres of her story telling."--

'When I go down...I shall begin reading English literature. This occupation will take up the rest of my time until I am dead' - Letter of 23 October, 1942, from Larkin to Hamburger. Michael Hamburger's 'precarious relationship' with Philip Larkin lasted from their Oxford days - through a ten-year silence - to brief encounters before Larkin's death in 1985. In this moving memoir, Hamburger charts their troubled friendship through detailed commentaries on Larkin's correspondence. Insistent on leaving the letters 'to speak for themselves', Hamburger writes with poignant honesty about the poets' differences, such as quibbles over foreign poetry and taste in music.Previously unpublished, the letters reveal echoes of many of the persistent themes of Larkin's poetry - his work, obsession with death, loneliness, reluctance to travel and 'self-punishing austerity'. The memoir also includes a 1955 "TLS" review of "The Less Deceived", which Hamburger claims 'may have helped in a small way to make amends for the neglect that Larkin's work had suffered until that time'. In highlighting contradictions between Larkin's 'inmost nature' and his public persona, and in providing literary criticism of his poems and novels, this is an invaluable addition to our understanding of both poets.