"Marking the centennial of the 1916 establishment of a professional program, Pedagogy and Place is the definitive text on the history of the Yale School of Architecture. Robert A.M. Stern, current dean of the school, and Jimmy Stamp examine its growth and change over the years, and they trace the impact of those who taught or studied there, as well as the architecturally significant buildings that housed the program, on the evolution of architecture education at Yale. Owing to the impressive number of notable practitioners who have attended or been affiliated with the school, this book also contributes a history, beyond Yale, of the architecture profession in the twentieth century. Featuring extensive archival research and illuminating firsthand accounts from alumni, faculty, and administrators, this well-rounded and engaging narrative is richly illustrated with historic photos of the school and its studios, images of student work, and important architectural achievements on and off campus."

Is war necessary? In Peace and War prominent anthropologists and other social scientists explore the cultural and social factors leading to war. They analyze the covert causes of war from a cross-cultural perspective: ideologies that dispose people to war; underlying patterns of social relationships that help institutionalize war; and the cultural systems of military establishments. Overt causes of war--environmental factors like the control of scarce resources, advantageous territories, and technologies, or promoting the wel-fare of people "like" oneself--are also considered. The authors examine anthropologists' role in policy formation--how their theories on the nature of culture and society help those who deal with global problems on a day-to-day basis. They argue that both covert and overt mechanisms are pushing the world closer to a devastating war and offer strategies to weaken the effects of these mechanisms. This anthropological and historical analysis of the causes of war is a valuable resource for those studying war and those trying to understand the place of social science in framing pacific options.

The international community increasingly responds to civil wars, humanitarian crises, and other intrastate conflicts through the instrument of UN peacekeeping. Nearly all of these interventions take place in non-Western areas and involve interactions among militaries and nongovernmental organizations from all around the globe. In this wide-ranging book, Rubinstein draws on decades of his own research on peacekeeping, and on other current and historical cases, to develop a broad understanding of the roles that culture plays in peacekeeping's success or failure. Peacekeeping under Fire shows that cultural considerations are key elements at all levels of peacekeeping operations. Culture influences what happens between peacekeepers and local populations, how military and nongovernmental organizations interact, and even how missions are planned and authorized. Peacekeeping under Fire analyzes how political symbolism and ritual are critical to peacekeeping and demonstrates how questions of power, identity, and political perception emerge from the cultural context of peacekeeping.

"Celebrating Yale's first new residential colleges in fifty years, The New Residential Colleges at Yale examines the role of the residential college system and the evolution of Yale's urban campus, presenting an important new chapter in the history of Yale and New Haven."

"Amos Oz (1939-2018) was one of Israel's most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz's relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family's right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer. In examining Oz's life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.--Dust jacket.

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

Book by Alter, Robert

The Harvard political economist argues that Americans must rethink some important cultural myths and self-definitions if the U.S. is to retain its dominant role within the emerging global economy.

"Robert B. Sherman has forged a phenomenal career as a songwriter, screenwriter and painter. Along with his brother, Richard, he is responsible for the iconic scores of Mary Poppins, Jungle Book, The Many Adventures of Winnie the Pooh, Chitty Chitty Bang Bang, Charlotte's Web and The Tigger Movie, to name just a few. But to fully appreciate the impact of his songs, one has to get to know the man behind them first. Finally, in his own words and inimitable writing style, comes his long awaited, definitive autobiography: Moose, the delightful and unconventional story of a creative giant, who changed the fabric of the Family Musical forever"--Page 4 of cover.

Volume 1 will be included for free.

Fourteen terror-filled tales by the author of PSYCHO. A clean, unmarked and unclipped copy in a Brodart jacket cover.

Second Edition Revised and Expanded The classic collection augmented by three stories, with an afterword and certain textual revisions by the author Contents: Introduction to the Second Edition essay by Robert M. Price The Secret in the Tomb (1935) The Suicide in the Study(1935) The Shambler from the Stars(1935) The Faceless God (1936) The Grinning Ghoul(1936) The Dark Demon(1936) The Mannikin(1937) The Brood of Bubastis(1937) The Creeper in the Crypt(1937) The Secret of Sebek(1937) Fane of the Black Pharaoh(1937) The Sorcerer's Jewel(1939) The Unspeakable Betrothal(1949) The Shadow from the Steeple(1950) Notebook Found in a Deserted House (1951) Terror in Cut-Throat Cove (1958) Afterword (1981) essay by Robert Bloch Demon-Dreaded Lore(1981) essay by Lin Carter

Robert Bloch, the creator of Psycho, takes you into the inner recesses of the mind of a madman. A man bent on revenge that comes out of the night, grabbing its victims by the throat and giving no quarter. — From the moment Karen Raymond entered the sanatorium, she knew something was terribly wrong. The doctors had been brutally murdered, the patients had escaped. Was she to be the killers next victim?

A boy that merges with his partner and gives there life to save the world

Once a cult-status rarity, Capa's classic, impassioned Spanish Civil War photobook is available again with new, high-quality image scans and supplementary research Robert Capa's Death in the Making was published in 1938 as a poignant tribute to the men and women, civilians and soldiers alike, fighting in Spain against Franco's fascist insurrection. The book included only one year of images from the Republican position, but covered the spectrum of emotions of a civil war, from the initial excitement to the more harrowing realities of modern warfare. But over time, after World War II and rising anti-communist paranoia in the United States, association with the Spanish Civil War was a liability and the book became obscured. Today, however, Death in the Making has reached cult status, not least because copies are hard to find (particularly ones with Capa's famous Falling Soldier image on the dust jacket). With new scans of all the images, this facsimile of the original edition reproduces the original layout by photographer André Kertész, the original caption text by Capa and preface by writer Jay Allen. The muddy 1938 publication is entirely transformed by high-quality printing to reflect the beauty and pathos of the original intention. This edition also includes a new essay with new research on the making and the reception of the original book, and a complete checklist identifying the author, location and date of each image. The most important new information is that Robert Capa and Gerda Taro are not the only photographers in the book, but also included was work by their good friend and colleague Chim, later known as David Seymour. Born Endre Erno Friedmann in Budapest, Robert Capa (1913-54) spent his early years moving from Hungary to Germany to France and Spain, first to dodge political strife and then to actively follow and document it. From 1936 to 1945 Capa photographed the Spanish Civil War, the Second Sino-Japanese War and World War II. In 1947, he founded the Magnum Photos agency with fellow photographers Henri Cartier-Bresson and David "Chim" Seymour, among others. Several years later, while documenting the First Indochina War, Capa died when he stepped on a landmine

Robert Clary (born Robert Max Widerman in Paris in 1926) is best known for his portrayal of the spirited Corporal Louis Lebeau on the popular television series Hogan's Heroes (on the air from 1965 to 1971 and widely syndicated around the globe). But it is Clary's experiences as a Jew during the Holocaust that infuse his compelling memoir with an honest recognition of life's often horrific reality, a recognition that counters his glittering five-decade career as an actor, singer, and artist and distinguishes this book from those by other entertainers. Clary describes his childhood in Paris, the German occupation in 1940, and his deportation in 1942 at the age of sixteen to the infamous transit camp Drancy. He recounts his nightmarish, two-and-a-half-year incarceration in Nazi concentration camps like Ottmuth, Blechhammer, Gross-Rosen, and Buchenwald. In April 1945, the Allies liberated Clary and other inmates. But the news that his parents, two sisters, two half-sisters, and two nephews had not survived the Nazis' genocidal campaign against the Jews reduced his joy to grief. After the war, Clary made his way to the United States and, against great odds, achieved fame on Broadway and in Hollywood. From the Holocaust to Hogan's Heroes is Robert Clary's extraordinary account of his remarkable life both as a survivor and as an entertainer. Once read, it will not be forgotten.

Famine in the Horn is both a tool and an aspect of ethnic conflict, with the Ethiopian Amharas of the central highlands pitted against the Eritreans and Tigreans of the north. The overwhelming majority of U.S. journalists have reported on Ethiopia from one side only-that of the Amharas in Addis Ababa. The author wants to show the story from the other side, in order to redress a grievous imbalance in news coverage. To get people excited, you sometimes have to light a fire, and that was the author's intention. This book covers the period from late 1984 to the early part of 1987. In late 1987, the famine returned, mainly for the very reasons cited inside.

Famine in the Horn is both a tool and an aspect of ethnic conflict, with the Ethiopian Amharas of the central highlands pitted against the Eritreans and Tigreans of the north. The overwhelming majority of U.S. journalists have reported on Ethiopia from one side only-that of the Amharas in Addis Ababa. The author wants to show the story from the other side, in order to redress a grievous imbalance in news coverage. To get people excited, you sometimes have to light a fire, and that was the author's intention. This book covers the period from late 1984 to the early part of 1987. In late 1987, the famine returned, mainly for the very reasons cited inside.