Seven essays on science fiction: Introduction Robert Silverberg: sounding brass, tinkling cymbal Alfred Bester: my affair with science fiction Harry Harrison: the beginning of the affair Damon Knight: Knight piece Frederick Pohl: ragged claws Brian Aldiss: magic & bare boards Appendices: how we work, selected bibliographies

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City College of New York is perhaps the longest-running, radical social experiment in American history. For one hundred and fifty years, City has been the bellwether of this nation's effort to bring the urban poor into the middle class. And as generations of immigrant children passed beneath its arched gateway and emerged as scientists, scholars, and teachers, City more than justified America's liberal faith in the transformative power of education. But over the last few generations the dynamics and the demographics of urban poverty have changed; the barriers to assimilation have grown. City on a Hill spans these eras, telling the story of the college's difficult present against the backdrop of its fabled past. The juxtaposition forces a fundamental question: How much power do America's institutions have in the face of the cultural and economic forces that now perpetuate inner-city poverty?

Hc with dj,exlibrary,very good interior text,Pulitzer prize historians portrayal of men and events during a critical moment in American History.

Jean Baudrillard meets Cookie Mueller in this gathering of French theory and new American fiction. Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.

This volume recasts and reintroduces Riesman by presenting newly discovered and unpublished manuscripts of his work, including excerpts from a previously unpublished critical biography of Freud that Riesman began with this assistant at the time, Philip Rieff, an interview in which Riesman describes in detail his early biography and his route into the social sciences, and other research notes and memoranda. With additional chapters analyzing the unpublished works, as well as discussions of Riesman as a public intellectual, his multi-disciplinary method of understanding society and his connections with figures such as Goffman and Fromm, this book will appeal to scholars of sociology, social theory and the history of American social science.

Explore the foundations of modern thought with Charles S. Peirce's "Chance, Love, and Logic: Philosophical Essays." This collection showcases Peirce's groundbreaking contributions to philosophy, logic, and metaphysics, revealing the roots of pragmatism and semiotics. Peirce, a pivotal figure in American intellectual history, delves into the nature of scientific inquiry, the role of chance in the universe, and the power of love as a cosmic principle. These essays offer a window into Peirce's complex and influential ideas, demonstrating his commitment to rigorous reasoning and his innovative approach to understanding the world. Spanning a range of topics central to philosophical discourse, "Chance, Love, and Logic" presents Peirce's enduring insights in a clear and accessible manner. Perfect for anyone interested in the history of philosophy, the development of logic, or the intersection of science and metaphysics, this volume is a valuable resource for both students and seasoned scholars. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

She Took A Village tears the lid off the secrets of Hillary Rodham Clinton in a probing investigation of America's power-grabbing First Lady. This unauthorized biography reveals a life-time of ruthless determination, skillful manipulation and artful denial unmatched in the long history of American presidential wives. She Took A Village puts it all together in a fast-paced, absorbing story you won't want to miss. With his latest book, Alan Gottlieb lobs another political grenade into the fray over public policy. Long recognized as a leading gun rights advocate and successful direct mail fund raiser for conservative causes, he has emerged as a media mogul through his chairmanship of the Talk America Radio Networks, which boast over 500 affiliate stations from coast to coast. Alan Gottlieb has achieved that most enviable position among writers, the insider status that lets him see the whole picture from the top of the pyramid. You get the advantage of his many years behind the Washington scenes and the crisp, informative, right-to-the-point style that made his earlier books best-sellers.

This is Volume I. Oral History Testimonies of American Liberators from the Archives of the Center for Holocaust Studies.

The first novel written and published in English by an American Jewish woman Published serially in the spiritualist journal Banner of Light in 1860, Cosella Wayne: Or, Will and Destiny is the first coming-of-age novel, written and published in English by an American Jewish woman, to depict Jews in the United States and transforms what we know about the history of early American Jewish literature. The novel never appeared in book form, went unmentioned in Jewish newspapers of the day, and studies of nineteenth-century American Jewish literature ignore it completely. Yet the novel anticipates many central themes of American Jewish writing: intermarriage, generational tension, family dysfunction, Jewish-Christian relations, immigration, poverty, the place of women in Jewish life, the nature of romantic love, and the tension between destiny and free will. The narrative recounts a relationship between an abusive Jewish father and the rebellious daughter he molested as well as that daughter’s struggle to find a place in the complex social fabric of nineteenth-century America. It is also unique in portraying such themes as an unmarried Jewish woman’s descent into poverty, her forlorn years as a starving orphaned seamstress, her apostasy and return to Judaism, and her quest to be both Jewish and a spiritualist at one and the same time. Jonathan Sarna, who introduces the volume, discovered Cosella Wayne while pursuing research at the Israel Institute for Advanced Studies in Jerusalem. This edition is supplemented with selections from Cora Wilburn’s recently rediscovered diary, which are reprinted in the appendix. Together, these materials help to situate Cosella Wayne within the life and times of one of nineteenth-century American Jewry’s least known and yet most prolific female authors.

"In 1944, at the height of World War II, 982 European refugees found a temporary haven at Fort Ontario in Oswego, New York. They were men, women, and children who had spent frightening years one step ahead of Nazi pursuers and death. They spoke nineteen different languages, and, while most of the refugees were Jewish, a number were Catholic, Greek Orthodox, and Protestant Christians. From the time they arrived at the Fort Ontario Emergency Refugee Shelter on August 5 they began re-creating their lives and embarked on the road to becoming American citizens. In the history of World War II and the Holocaust, this "token" save by President Franklin D. Roosevelt and the War Refugee Board was too little and too late for millions. But for those few who reached Oswego it was life changing. The Shelter and the Fence tells their stories"--

Looks at the journeys of Roy Chapman Andrews who, in the early twentieth-century, led countless expeditions for the American Museum of Natural History in search of dinosaur fossils, facing dangers such as pythons, wild dogs, marauding bandits, sandstorms, and corrupt officials. Original.

Dr. Neruda is a man of success, talent, and a harrowing past. The son of a charismatic Spanish journalist and the fragile, black sheep of a Jewish American family, his personal history is one of incest, violence, lust, manipulation, and betrayal. But as a grown man, Dr. Neruda has learned to channel the agonies of his youth into the discipline of Freudian psychotherapy, brilliantly rescuing the wounded from the throes of their tormented psyches. Now one of his cases - one of his greatest successes - has violently unraveled. And Dr. Neruda is obsessed with finding out why. Interviewing the people who affected his patient's life and death, Dr. Neruda finds a den of darkly entwined and opposing psyches in a corporate American setting. Bosses and employees are fathers and sons; co-workers become lovers, sisters, and brothers; and evil, in the guise of society's most well-paid and seemingly happy people, is running rampant. Dr. Neruda, calm, rational master of his discipline, is going to cure this evil. He will do it by crossing the line between therapist and inquisitor, between confidant and lover. He will do it by playing out an erotic fantasy game with a beautiful, narcissistic woman and by humiliating her sadistic father. He will do it by venturing dangerously close to his own demons: the ghosts of his living father, his dying friend, and his dead mother. Obsessed with his cure for evil, will the man of reason see its cost?

In 1981, after several years of disappointment and reconceptualization, an exhibit called "Volumen I" featuring eleven young Cuban artists opened at the Centro de Arte Internacional in Havana. It was to be the symbolic and much mythologized birth of the new art in Cuba - although critics, not realizing that this was the first generation of artists shaped completely by the Cuban revolution, complained that the artists had abandoned their national identity and had been seduced by cosmopolitan ideals. Luis Camnitzer begins with this event in the first comprehensive look at the work of forty young Cuban artists, all working and educated after the 1959 revolution. He also examines the relationship among Cuban artists, the art world at large, and the Cuban government. Surprisingly, he finds that rather than being controlled by their relationship with the government, these artists produce works that both criticize and praise Castro and the revolution and provoke fierce social debate. Enriched by some 200 black-and-white illustrations of works never before seen in the United States, New Art of Cuba is a must for students of modern art, art history, and Cuban and Latin American studies.

6. Review of M. Pohlenz, Hippokrates und die Begründung der wissenschaftlichen Medizin. American Journal of Philosophy 61 (1940). -- 7. ""The Function of the Myth in Plato's Philosophy."" Journal of the History of Ideas 10 (1949). -- 8. ""Platonic Anonymity."" American Journal of Philology 83 (1962). -- 9. ""The Role of Eryximachus in Plato's Symposium."" Transactions of the American Philological Association 76 (1945). -- 10. ""Randall on Aristotle, a Review."" Journal of Philosophy 59 (1962). -- 11. ""Aristotle and the Concept of Evolution."" Classical Weekly (now Classical World) 37 (1944)

Published in 1895, this is the history of Jews who served in the military, including the American Revolution, Civil War, both Union and Confederate, Latin America and Europe. Includes lists of soldiers and what military organizations they served in.

First Published in 1940, The American Presidency is the first full length study of the presidency in action in America to be written by an Englishman. It explains the working of the complicated system over which the President presides and particularly the vexed question of the dual control of foreign relations in the United States. Professor Laski offers a new theory of the place of the presidency in American life and, incidentally, throws light on the inner nature of the other great Anglo-Saxon democracy. His Book is more than a formal description. It is essentially a novel interpretation of the greatest elective office in the democratic world. This is a must-read historical reference work for students of politics, American politics, and American history.

This subtle, unusual book explores the many, often overlapping ways in which the Russian Jewish past has been remembered in history, in literature, and in popular culture. Drawing on a wide range of sources?including novels, plays, and archival material? Imagining Russian Jewry is a reflection on reading, collective memory, and the often uneasy, and also uncomfortably intimate, relationships that exist between seemingly incompatible ways of seeing the past. The book also explores what it means to produce scholarship on topics that are deeply personal: its anxieties, its evasions, and its pleasures. Zipperstein, a leading expert in modern Jewish history, explores the imprint left by the Russian Jewish past on American Jews starting from the turn of the twentieth century, considering literature ranging from immigrant novels to Fiddler on the Roof . In Russia, he finds nostalgia in turn-of-the-century East European Jewry itself, in novels contrasting Jewish life in acculturated Odessa with the more traditional shtetls. The book closes with a provocative call for a greater awareness regarding how the Holocaust has influenced scholarship produced since the Shoah.

Hailed as a classic in music studies when it was first published in 1977, Early Downhome Blues is a detailed look at traditional country blues artists and their work. Combining musical analysis and cultural history approaches, Titon examines the origins of downhome blues in African American society. He also explores what happened to the art form when the blues were commercially recorded and became part of the larger American culture. From forty-seven musical transcriptions, Titon derives a grammar of early downhome blues melody. His book is enriched with the recollections of blues performers, audience members, and those working in the recording industry. In a new afterword, Titon reflects on the genesis of this book in the blues revival of the 1960s and the politics of tourism in the current revival under way.