Ayya Khema (1923-1997) was the first Western woman to become a Theravadan Buddhist nun. As such, she has served as a model and inspiration for women from all the Buddhist traditions who have sought to revive the practice of women's monasticism in modern times. Though her renown as a teacher is widespread, few know the truly amazing details of her life before her monastic ordination at the age of fifty-eight. And what a life it was. Born Ilse Kussel in Berlin, Germany, she grew up in a prosperous Jewish family that was broken up by Nazi terror in 1938. The story of her escape alone to Scotland, and her journey to rejoin her family in China, would be enough for a thrilling adventure novel in itself—but it is only the beginning of the story. Her later adventures included—but were not limited to—surviving the Japanese invasion of China; living the life of a suburban housewife in Los Angeles, California; journeying up the Amazon; studying in a Bolivian university; building a power plant in Pakistan; and establishing the first organic farm in Australia. Her Buddhist practice was a result of a pursuit of the spiritual life that began in her forties when she encountered spiritual teachers in India. She eventually founded a monastery in Sri Lanka, from where, through her books and her teaching travels, she became one of the most widely respected of contemporary teachers, particularly skilled in interpreting the Buddhist teachings for her fellow Westerners.

"Although the wombat is real and the dragon is not, nobody knows what a wombat looks like and everyone knows what a dragon looks like."Not a novel, not a book of short stories, Adventures in Unhistory is a book of the fantastic-a compendium of magisterial examinations of Mermaids, Mandrakes, and Mammoths; Dragons, Werewolves, and Unicorns; the Phoenix and the Roc; about places such as Sicily, Siberia, and the Moon; about heroic, sinister, and legendary persons such as Sindbad, and Aleister Crowley, and Prester John; and-revealed at last-the Secret of Hyperborea.

"Trophy House" is an extraordinary and complex novel, at one level a romantic thriller, at another a deeply satisfying story about the disintegration of a marriage and the consequences for all concerned -- that rare piece of fiction that is at once thrilling, grown-up and completely believable. It begins with the construction of a totally inappropriate and enormous house -- a "trophy house" -- which unexpectedly comes to threaten the tranquillity of what appears to be one woman's perfect life and marriage. Dannie Faber has lots of reasons to feel blessed. A children's book illustrator, she shares a loving marriage with Tom, an M.I.T. professor, with whom she divides her time between one of Boston's finest suburbs and a beloved beach house in Truro, on Cape Cod. And then, for reasons she could not possibly have foreseen, Dannie's life begins to unravel. With "Trophy House," Anne Bernays -- author of "Professor Romeo" and "Growing Up Rich --" delivers a poignant, funny, and ultimately wrenching story of adults in peril and the unlikely hope for romance that, in the end, becomes the key to surviving events that are beyond their control. It is a brilliant and moving portrait of a marriage.

Since emigrating to the U.S. from his native Romania in 1966, Andrei Codrescu has blazed a rocket-bright trail across the cultural landscape of his adopted country, gaining a national audience as public radio commentator, television personality and editor of the radical literary journal Exquisite Corpse. He has also commanded considerable critical recognition for his poetry (Alien Candor, Black Sparrow, 1996), and fiction (most notably, his novel about his Transylvanian homeland, The Blood Countess, 1995).

"A story is a living thing." So begins Way of the Screenwriter, a book with a novel, refreshing approach to the long-practiced art of screenwriting. Amnon Buchbinder brilliantly reinterprets screenwriting as a way for writers to capture a storyÕs essence, thus giving it greater meaning and fascination for the audience. Full of practical examples and exercises to enhance the skills of both beginning and experienced screenwriters, the guide is far more than a how-to book. It is a comprehensive work that covers screenwriting from virtually every conceivable angle, while also offering a different, compelling approach. It is a book that illuminates the why behind the how and points the way toward a deeper understanding of how stories work on the screen. Perhaps most importantly, Way of the Screenwriter treats screenwriting not as some disreputable task, but rather as the fine art it is: the convergence of storytelling, writing, and filmmaking.

A modern psychological novel of human beings caught in the indulgences and inhibitions of our times - another literary triumph for Italy's great contemporary writer.

Furst s third novel, a standalone crime thriller.

Mr. Mani is a deeply affecting six-generation family saga, extending from nineteenth century Greece and Poland to British-occupied Palestine to German-occupied Crete and ultimately to modern Israel. The narrative moves through time and is told in five conversations about the Mani family. It ends in Athens in 1848 with Avraham Mani's powerful tale about the death of his young son in Jerusalem. A profoundly human novel, rich in drama, irony, and wit.

"Although originally published separately, Modiano's three novellas form a single ... whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers--each appears in this three-part love song to a Paris that no longer exists"--OCLC

"Israeli writer Shaham explores the beams and pilings of a special mode of Zionist life--that of the kibbutz--and, especially in the first and third novellas here, lays out the psychologies of some of the pioneers with almost case-file (if undramatic) precision. In "S/S Cairo City," a delegate to a 1939 Geneva Zionist convention writes a series of letters to a lover, another delegate, who has left (disastrously) to return to Poland. As Hitler throws shadows which many of the Zionists are not yet ready to accept, they are nevertheless grateful to jam aboard a Palestine-bound Egyptian ship out of Marseilles; on the ship, Shaham probes the skepticisms of men-ideologues being turned into plain victims by what they're fleeing. ("Kuperberg spoke about the congress. He was not at all impressed with certain speeches that I found deeply moving. He said Zionism tends to be like manna. It gives the Western Jew a taste of Yiddishkeit, while to the Eastern Jew it holds forth a promise of Europe.") The last novella--"The Salt of the Earth"--is about an old kibbutznik's first trip to America--and seems like an ironic variation on the opening story; New York literally kills, the old man, hostile to every vision of social life for which he's striven back at home (and knows he's losing there, too). And the central, title novella is where Shaham shows his hand at deeper narrative: a bookish young kibbutz woman becomes erotic guardian over her married neighbor's clandestine love life--as the situation of universal daily sharing builds up such an edifice of public virtue that private weakness becomes downfall, destruction. Like Amos Oz, whose subject matter is similar, Shaham is delicate, historical, unillusioned, undogmatic; Oz's poetry is lacking here, but Shaham may have the edge in social perspicacity."-- Kirkus

“[Blending] cool lyricism and fiery emotion, alternately prickly and welcoming, funny and stern, Gellhorn is one of the most extraordinary women of our era.”— Chicago Sun-Times Spanning more than 40 years and settings that range from Depression-era America to the smartest London dinner parties to the highlands of East Africa, the novellas of Martha Gellhorn display the same qualities that have made her one of the most famous journalists of the twentieth century: an indelible sense of place, prose of breathtaking swiftness and precision, and an unerring fix on the hidden motives of her characters. Above all, Martha Gellhorn explores the ways men and women live privately—and often passionately—amid the rush of history. “Reading Martha Gellhorn for the first time is a staggering experience. She is not a travel writer or a journalist or a novelist: she is all of these, and one of the most eloquent witnesses of the twentieth century.”—Bill Buford, Granta “Martha Gellhorn is one of our very best writers. To the swift and vibrant medium of the [novella], she brings a richness of experience, a tenderness and depth of feeling.”— The Atlantic “Peerless and hilarious . . . Martha Gellhorn is a wittily astringent writer.”— Vogue

Through an exploration of the work of the great masters of detective stories and spy novels - G.K. Chesterton, Arthur Conan Doyle, John Le Carre and Graham Greene among others - Boltanski shows that these works of fiction and imagination tell us something fundamental about the nature of modern societies and the modern state.--Provided by publisher

A collection of stories on lesbians. The title novella is on a romantic triangle, another story deals with the break-up of a lesbian couple who are parents to a boy, and in a third a woman celebrates her menopause. By the author of Heather Has Two Mommies.

"This future history of the next thirty years, imagined by bestselling author Thomas Harding, is surprising, compelling and disturbingly believable. In 2020, a researcher is shocked to find a set of notebooks detailing the history of the next thirty years. Is this a hoax? Or could it be real? The notebooks, written in the year 2050, contain interview transcripts between teenage Billy and Gran Nancy. We learn about the great climate SHOCK, when global temperatures rise much faster than anticipated, resulting in catastrophic consequences for humanity. We learn about a shift away from democracy, toward unelected "ethnarchs" -- heads of corporations who use their access to our personal data to competently run the world. We learn about the giant city towers where most people live, work and play inside -- where it's safe from natural disasters and viral outbreaks. And between these interviews, we learn more about Billy, whose interest in the history that has been erased from the official record is causing trouble in 2050. Is it too late to change the past to save the future?"--Publisher's description.

It's the summer of 1822 and Edinburgh is abuzz with rumours of King George IV's impending visit. In botanical circles, however, a different kind of excitement has gripped the city. In the newly-installed Botanic Garden, the Agave Americana plant looks set to flower, an event that only occurs once every few decades. When newly widowed Elizabeth arrives in Edinburgh to live with her late husband's aunt Clementina, she's determined to put her unhappy past in London behind her. As she settles into her new home, she becomes fascinated by the beautiful Botanic Garden which borders the grand house and offers her services as an artist to record the rare plant's impending bloom. In this pursuit, she meets Belle Brodie, a vivacious young woman with a passion for botany and the lucrative, dark art of perfume creation. Belle is determined to keep both her real identity and the reason for her interest the Garden secret from her new friend. But as Elizabeth and Belle are about to discover, secrets don't last long in this Enlightenment city.

Joe Messenger is an award-winning specialist in artificial intelligence. The son of a cryonics pioneer, he believes that people can be made to live forever. But he also knows that merely freezing the body is not enough; without one's brain - one's consciousness - a cryonically preserved person will be incomplete. Joe, a computer genius, devises a way to download the human brain into a supercomputer called ARCHIVE. Joe's wife, Karen, finds his cutting-edge research increasingly disturbing, particularly his obsessive work on ARCHIVE, which is developing signs of a distinct and sinister personality. Karen's complaint that ARCHIVE is beginning to dominate their lives is not idle paranoia - it is truer than even she realizes. Karen and Joe's marriage is further threatened when he falls for Juliet Spring, a gifted young scientist whose loveliness is matched by her keen insight into Joe's work. But just as the pair are on the brink of a scientific breakthrough, a series of macabre accidents befall Joe, Karen, and their son, Jack - clearly the work of some malevolent force. It becomes increasingly evident that the obsessions that have shaped Joe's life are about to blow his family apart.

Conversations with Nadine Gordimer edited by Nancy Topping Bazin and Marilyn Dallman Seymour Nadine Gordimer is one of the contemporary world's most admired writers of novels and short stories. This volume collects three decades of her interviews. In them she presents her attitudes toward her art and its interconnection with the oppressive, volatile politics in her native land. She has traveled extensively to other countries only to discover that no matter how white her skin she is indeed African and the only country she can call home is South Africa. If you write honestly about life in South Africa, apartheid damns itself, she says. She is ruthlessly honest, and her fiction has played the vital role of communicating in detail to the rest of the world the effects of apartheid upon the daily lives of the South African people. To maintain her integrity, she writes as though she were dead, without any thought of how anyone will react to what she has written. She remains heroically undaunted both by the banning of three of her novels by the white government and by the protests of radical blacks who assert that whites cannot write convincingly about blacks.She is concerned neither with the image of blacks nor with the image of whites, only with revealing the complexity, the full truth. This truth condemns the racism upon which apartheid is built. In her nine novels and eight volumes of short stories, Gordimer digs deeper and deeper until she has thematic layers. These include betrayal-political, sexual, every form and power, the way human beings use power in their relationships. Her accounts in these interviews of how she works and of which writers she admires will fascinate readers, scholars, teachers, and students alike. Co-editors Nancy Topping Bazin retired from the faculty of the English and women's studies departments at Old Dominion University, and Marilyn Dallman Seymour retired from the staff of the Government Publications Department of the Old Dominion University Library.

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.