Flying Saucers and Science is a comprehensive look at the scientific data on the flying saucer phenomenon. Nuclear physicist and lecturer Stanton T. Friedman has distilled more than 40 years of research on UFOs, and shares his work on a wide variety of classified advanced nuclear and space systems. He answers a number of physics questions in layman's terms, and establishes that travel to nearby stars is within reach, without violating the laws of physics. This book presents intriguing data from a number of large-scale scientific UFO studies that almost no one has discussed in detail. It deals with ''why'' questions, such as reasons for a cover-up, reasons for aliens to come to Earth, and reasons for them not landing on the White House lawn. Friedman unveils the SETI program and details the antipathy of science-fiction writers to UFOs. He also reviews false notions about those who believe in alien visitors and the adequacy of coverage by media and the scientific community. After reading Flying Saucers and Science, you will never think the same way about UFOs again.

According to the myth of the Wandering Jew, Ahasverus denied Christ a resting place while Christ was traveling to Golgotha. In turn, Ahasverus was cursed to roam the earth until the Second Coming. Stefan Heym's novel re-creates and expands this myth to propose that the right synthesis of love and rebellion can bring humankind to the Kingdom of Heaven. Heym introduces both Ahasverus and Lucifer as angels cast out of heaven for their opinions on God's order. Their respective oppositions continue throughout the rest of time: Ahasverus remains defiant through protest rooted in love and a faith in progress, while Lucifer is rebellious by means of his old, familiar methods. In a funny eternity of run-ins, debates, and meddling with characters such as Christ, a disciple of Luther, and a Marxist professor in East Germany, Ahasverus and Lucifer struggle on, awaiting the Second Coming.

A disciple of Konstantin Stanislavski and a member of the Group Theatre in the 1930s, the noted actress and teacher offers advice on acting preparations, the demands of characterization, and dramatic exercises, as well as personal memories

In Influence and Autonomy in Psychoanalysis, Mitchell provides a critical, comparative framework for exploring the broad array of concepts newly developed for understanding interactive processes between analysand and analyst. Drawing on the broad traditions of Kleinian theory and interpersonal psychoanalysis, as well as object relations and progressive Freudian thought, he considers in depth the therapeutic action of psychoanalysis, anachronistic ideals like anonymity and neutrality, the nature of analytic knowledge and authority, and the problems of gender and sexual orientation in the age of postmodernism. The problem of influence guides his discussion of these and other topics. How, Mitchell asks, can analytic clinicians best protect the patient's autonomy and integrity in the context of our growing appreciation of the enormous personal impact of the analyst on the process?

Failed Crusade reveals what really happened in Russia after the end of the Soviet Union, and the complicity of U.S. policy in a great human tragedy. Drawing on his many years of studying and living in Russia, Stephen Cohen shows that what US officials and other experts call "reform" has for most Russians been a catastrophic development--namely the unprecedented demodernization of a twentieth-century country--and for the United States the worst foreign policy disaster since Vietnam. What emerges is an alarming analysis of nuclear-laden Russia during the corrupted Yeltsin era, as well as an indictment of American policy-makers who failed to see or report the truth about Russian developments in the 1990s. Failed Crusade is also a deeply informed and passionate call for a new policy toward Russia in the next millennium. Arguing that the US crusade of the early 1990s to transform post-Communist Russia into a replica of America was ill-conceived and bound to be counterproductive, and that developments in Russia today represent a greater threat to our national security than existed even during the Cold War, Cohen sets forth a bold plan for a fundamentally different American-Russian relationship in the post-Yeltsin era. Even readers who disagree with this important book cannot afford to ignore it.

This grand old (1938) musical was revived in London in 1984 and came to New York in 1986. The late Viscount Hareford had a youthful, unfortunate marriage – and kept discreetly out of sight was a son and heir. The Hareford Hall set are despondent when the family solicitor finds the legitimate heir in the less than desirable Lambeth area of London. When Bill is brought to Hampshire, he is forced to decide if he should fit in with high society and lose his Cockney roots and his girlfriend.

"We are merely the stars' tennis balls, struck and --bandied/Which way please them." ----The Duchess of Malfi --by John Webster Everything about Stephen Fry's new novel, including the title, will be a surprise, perhaps even a shock. The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon. This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls. For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness? But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever. A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college. A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

"The day after Martin Luther King, Jr.'s assassination, Jane Elliott, a third-grade schoolteacher in rural Iowa, tried out a shocking experiment to show the scorching impact of racism on children. Elliott separated her students according to the color of their. Those with brown eyes would lord over those with blue eyes. The brown-eyed students were given permission to heckle and berate the blue-eyed students, even to start fights with them. The Blue-Eyed, Brown-Eyed Experiment would become world famous. Elliott would go on to appear on Johnny Carson's Tonight Show, followed by a stormy White House conference, and tens of thousands of media events and diversity training sessions around the world. Elliott taught "Black Lives Matter" fifty years before the phrase was ever uttered. Yet the small town where Elliott began the incendiary experiment never forgot or forgave her. She paid a price for her hard-fought fame. But was Elliott the benign and enlightened mother of diversity she claimed to be? The damage she caused still reverberates. An indelible, confounding portrait of a woman driven to succeed, set against the backdrop of a proud and upright farming community"--

THE VIVID, SCANDAL-FILLED STORY OF A SHREWD, RAGS-TO-RICHES MILLIONAIRESS AND THE RUTHLESS POLITICIAN WHO PURSUED HER, TOLD AGAINST THE EFFERVESCENT BACKDROP OF AMERICA’S GOLDEN CITY—SAN FRANCISCO. San Francisco, until the mid-1940s, was a city that lived by its own rules, fast and loose. Formed by the gold rush and destroyed by the 1906 earthquake, it served as a pleasure palace for the legions of men who sought their fortunes in the California foothills. For the women who followed, their only choice was to support, serve, or submit. Inez Burns was different. She put everyone to shame with her dazzling, calculated, stone-cold ambition. Born in the slums of San Francisco to a cigar-rolling alcoholic, Inez transformed herself into one of California’s richest women, becoming a notorious powerbroker, grand dame, and iconoclast. A stunning beauty with perfumed charm, she rose from manicurist to murderess to millionaire, seducing one man after another, bearing children out of wedlock, and bribing politicians and cops along the way to secure her place in the San Francisco firmament. Inez ruled with incandescent flair. She owned five hundred hats and a closet full of furs, had two small toes surgically removed to fit into stylish high heels, and had two ribs excised to accentuate her hourglass figure. Her presence was defined by couture dresses from Paris, red-carpet strutting at the San Francisco Opera, and a black Pierce-Arrow that delivered her everywhere. She threw outrageous parties on her sprawling, eight-hundred-acre horse ranch, a compound with servants, cooks, horse groomers, and trainers, where politicians, judges, attorneys, Hollywood moguls, and entertainers gamboled over silver fizzes. Inez was adored by the desperate women who sought her out—and loathed by the power-hungry men who plotted to destroy her. During a time when women risked their lives with predatory practitioners lurking in back alleys, Inez and her team of women, clad in crisp, white nurse’s uniforms, worked night and day in her elegantly appointed clinic, performing fifty thousand of the safest, most hygienic abortions available during a time when even the richest wives, Hollywood stars, and mistresses had few options when they found themselves with an unwanted pregnancy. Inez’s illegal business bestowed upon her power and influence—until a determined politician by the name of Edmund G. (Pat) Brown—the father of current California Governor Jerry Brown—used Inez to catapult his nascent career to national prominence. In The Audacity of Inez Burns , Stephen G. Bloom, the author of the bestselling Postville, reveals a jagged slice of lost American history. From Inez’s riveting tale of glamour and tragedy, he has created a brilliant, compulsively readable portrait of an unforgettable woman during a moment when America’s pendulum swung from compassion to criminality by punishing those who permitted women to control their own destinies.

"Casebook designed for courses in administrative law"--

"In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler's son from Canterbury with a daring desire to be known--and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism. What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare. Dark Renaissance illuminates both Marlowe's times and the origins and significance of his work--from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge. Introducing us to Marlowe's transgressive genius in the form of a thrilling page-turner, Stephen Greenblatt brings a penetrating understanding of the literary work to reveal the inner world of the author, bringing to life a homosexual atheist who was tormented by his own compromises, who refused to toe the party line, and who was murdered just when he had found love. Meanwhile, he explores how the people Marlowe knew, and the transformations they wrought, gave birth to the economic, scientific, and cultural power of the modern world including Faustian bargains with which we reckon still." --

A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind , Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?

A powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud.

Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World , shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers. Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure . Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained. A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.

For Humphrey Bogart's son, making sense of and peace with the father he lost at an early age has led him down a path of understanding that he now reveals. Along the way, he came up with surprising anecdotes involving Frank Sinatra, Bette Davis, John Houston, Audrey Hepburn, and Stephen Bogart's stepfather, Jason Robards, that make the real Humphrey Bogart come vividly to life. photos.