Koning, Hans

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The story of modern Orthodox Judaism is usually told only from the perspective of Rabbi Samson Raphael Hirsch. Ellenson’s work, a thorough examination of the life and work of one of Hirsch’s contemporaries, Rabbi Esriel Hildesheimer, reveals another important contributor to the creation of a modern Jewish Orthodoxy during the late 1800s. like Hirsch, Hildesheirmer felt the need to continue certain traditions while at the same time introducing certain innovations to meet the demands of a modern society. This original study of an Orthodox rabbinic leader shows how Hildesheirmer’s flexible and pragmatic approach to these problems continues to be relevant to modern Judaism. The way in which this book draws upon response literature for its comprehension of Hildesheimer makes it a distinctive work in modern Jewish historiography and sociology.

Aram Saroyan's The Street: An Autobiographical Novel tells what it was like to come of age in New York City in the turbulent period of Vietnam and L.S.D., of racial unrest and rock-and-roll. Saroyan's free-wheeling, poignant and funny autobiographical novel deals with near stardom in Hollywood (Mike Nichols wanted him for the title role in "The Graduate"), his father, William Saroyan, his step-father, Walter Matthau, and a fascinating cast of characters from the world famous to the drop-outs of the psychedelic revolution. A screen adaptation of The Street, written and directed by Noam J. Christopher, can be viewed at ubu.com/film/saroyan.html. "Here is a novel that pins down an era." -Bookpeople Aram Saroyan's Complete Minimal Poems received the William Carlos Williams Award from the Poetry Society of America. His many prose books include Genesis Angels: The Saga of Lew Welch and the Beat Generation, Artists in Trouble: New Stories, and Door to the River: Essays and Reviews from the 1960s into the Digital Age. "A writer who looks deeply into himself and his own experience, confronts what he finds there with real courage and reports what he has experienced with a measure of candor that is both breathtaking and, at moments, heartbreaking." -Jonathan Kirsch, Los Angeles Times

This volume comprises papers presented at a conference marking the 50th anniversary of Joachim Wach's death, and the centennial of Mircea Eliade's birth. Its purpose is to reconsider both the problematic, separate legacies of these two major twentieth-century historians of religions, and the bearing of these two legacies upon each other. Shortly after Wach's death in 1955, Eliade succeeded him as the premiere historian of religions at the University of Chicago. As a result, the two have been associated with each other in many people's minds as the successive leaders of the so-called "Chicago School" in the history of religions. In fact, as this volume makes clear, there never was a monolithic Chicago School. Although Wach reportedly referred to Eliade as the most astute historian of religions of the day; the two never met, and their approaches to the study of religions differed significantly. Several dominant issues run through the essays collected here: the relationship between the two men's writings and their lives, and in Eliade's case, the relationship between his political commitments and his writings in fiction, history of religions, and autobiography. Both men's contributions to the field continue to provoke controversy and debate, and this volume sheds new light on these controversies and what they reveal about these two `scholars' legacies.

The Last Laugh is, as its title suggests, the very last of S. J. Perelman's twenty books. It contains seventeen pieces never before collected, in addition to the opening chapters of the author's uncompleted autobiography, The Hindsight Saga. The Last Laugh shows the master humorist at his very best, displaying his incomparable gift for ridicule, dazzling verbal effects, polished style, and keen observation. (6 X 9, 192 pages)

Tertis's autobiography includes chapters on the beauty of tone in string playing and the Tertis model viola.

Transformation in the Writing, A Case of Surrender-and-Catch further develops the concepts first presented in Surrender and Catch (1976) and applied to sociology and its history in Survival and Sociology (1991) and autobiography in O Loma! (1989). This idea involves the recognition of the unprecedented nature of the present time in the history of humankind and the planet, a time when we ourselves, rather than Nature or the Deity, can annihilate both ourselves and our planet. Surrender' is nonlinguistic (or prelinguistic), prepredicative', prephenomenal', and involves suspending or bracketing' the world, calling it into question. This is the best any individual can do, in view of the point of crisis at which we are now. In Transformation in the Writing Wolff explores how his hypothesis of Surrender(-and-Catch) bears on aspects of autobiography (emigre status, field work), sociology of knowledge, poetry, phenomenology, hermeneutics, critical theory, and on attitudes to our time.

Ernst Toller’s Justice: Experiences builds upon and supplements his personal experiences in prison, and the arbitrariness and favoritism to certain parties of the Weimar Justice system that were described in his autobiography, A Youth in Germany, and his Letters from Prison. It includes personal stories of his treatment by the justice system and the prison authorities, as well as stories the harsh and unfair treatment of his fellow prisoner’s that are still experienced by inmates even today, a hundred years later. Ernst Toller (December 1, 1893 – May 22, 1939) was a German author, playwright, left-wing politician and revolutionary, known for his Expressionist plays. He served in 1919 for six days as President of the short-lived Bavarian Soviet Republic, after which he became the head of its army. He was imprisoned for five years for his part in the armed resistance by the Bavarian Soviet Republic to the central government in Berlin. While in prison, Toller wrote several plays that gained him international renown. They were performed in London and New York City as well as in Berlin and other places. In 1933, Toller was exiled from Germany after the Nazis came to power. He did a lecture tour in 1936–1937 in the United States and Canada, settling in California for a while before going to New York. He joined other exiles there. He died by suicide in May 1939.

This is the autobiography of Kevin M. McCarthy from the time when he was born (1940), through his years in a monastery and college and the Peace Corps, until 2015.

Frank Horvat (*1928 in Abbazia, today Opatija, Croatia), a pioneering fashion photographer and one of the first professional photographers to use Photoshop, can meanwhile look back at around seventy years of activity and a dazzling career. The grand seigneur now allows us very personal insight into his private life: the autobiography in pictures reveals personal moments from all phases of his life. We encounter the great themes of humankind, such as birth and death, are witness to his ability to play, and to handle animals, we see his family, his friends. They are everyday images like anyone could have assembled in an album. However, there is one slight difference: a master was clearly at work here early on, the quality of the photographs speaks for itself. In the appendix, Horvat comments, in most cases at length, on each of the chronologically ordered pictures.

Analogies play a fundamental role in science. To understand how and why, at a given moment, a certain analogy was used, one has to know the specific, historical circumstances under which the new idea was developed. This historical background is never presented in scientific articles and quite rarely in books. For the general reader, the undergraduate or graduate student who learns the subject for the first time, but also for the practitioner who looks for inspiration or who wants to understand what his colleague working in another field does, these historical circumstances can be fascinating and useful. This book discusses a series of analogy effects in subatomic physics, the prediction and theory of which the author has contributed to in the last 50 years. These phenomena are presented at a level accessible to the non-specialist, without formulae but with emphasis on the personal and historical background: memoirs of meetings, discussions and correspondence with collaborators and colleagues. As such, besides its scientific aspects, the book constitutes an absorbing witness account of a holocaust survivor who subsequently illegally crossed the Iron Curtain to escape communist persecution.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Lesser Child recounts the childhood of distinguished poet Karen Gershon, who grew up in Germany under Hitler's regime. Karen was the granddaughter of a wealthy member of the local Jewish community, and her family was close-knit. She was academically gifted and a natural poet, with striking good looks. Yet none of her good fortune could dispel her sense of inferiority. In Hitler's Germany, a conventional adolescence was impossible, and Karen cowered behind an unrelieved bewilderment. Karen's story, however, is more than an account of her childhood. It is a vivid and moving re-creation of the period leading up to the Holocaust, with all its tension and uncertainty.