"Blues for America is a scholar's deft survey of everything that happened between the 1920s and the 1990s-depressions, repressions, segregation, and wars-and the resistance that arose to each in turn, related with surprising wit and an amazingly gracious turn of phrase. And by weaving in bits of autobiography, Dowd has given us much more." --Barbara Ehrenreich

A collection of columns and articles written between 1978 and 2012 by well-known journalist Allen Young about people, places, and phenomena of the area North of Quabbin Reservoir in Massachusetts.

Book by Young, Alfred Fabian

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Shadow-Eater, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature

""By dint of names, dates, and figures, of classified ads, of sundry facts, of statistics, of the confessions of great writers and of anonymous passersby, of quotations from small-town newspapers and from official discourses, Vladimir Pozner reconstructs, vibrantly, so terribly vibrantly and magnificently, the American civilization." --Les Lettres Françaises Vladimir Pozner--influential French novelist, screenwriter, pioneer in literary genre and Oscar nominee, came to the United States in the 1930's. He found the nation and its people in a state of profound material and spiritual crisis, and took it upon himself to chronicle the life of the worker, the striker, the politician, the starlet, the gangster, the everyman; to document the bitter, violent racism tearing its society asunder, the overwhelming despair permeating everyday life, and the unyielding human struggle against it all. In the spirit of Tocqueville's Democracy in America, Pozner writes about America and Americans with the searing criticism and deep compassion of an outsider who loved the country and its people far too much to render anything less than a brutally honest portrayal. Recalling Agee's Let Us Now Praise Famous Men, he shatters the rules of reportage to create a complete portrait of America, enduring and profound"--

This book is a biography of one of the most famous and influential living mathematicians, Peter Lax. He is virtually unique as a preeminent leader in both pure and applied mathematics, fields which are often seen as competing and incompatible. Although he has been an academic for all of his adult life, his biography is not without drama and tragedy. Lax and his family barely escaped to the U.S. from Budapest before the Holocaust descended. He was one of the youngest scientists to work on the Manhattan Project. He played a leading role in coping with the infamous "kidnapping" of the NYU mathematics department's computer, in 1970. The list of topics in which Lax made fundamental and long-lasting contributions is remarkable: scattering theory, solitons, shock waves, and even classical analysis, to name a few. His work has been honored many times, including the Abel Prize in 2005. The book concludes with an account of his most important mathematical contributions, made accessible without heavy prerequisites. Reuben Hersh has written extensively on mathematics. His book with Philip Davis, The Mathematical Experience, won the National Book Award in science. Hersh is emeritus professor of mathematics at the University of New Mexico.

William Kunstler, the most celebrated defense lawyer of his time, reflects on five famous cases in which ordinary citizens were targeted for their political views or the color of their skin, including Sacco and Vanzetti (Italian immigrants accused of murder), and Julius and Ethel Rosenberg (communists executed for espionage). Kunstler also considers legal challenges to compulsory prayers in schools and the ban on teaching evolution. The Introduction by Michael Ratner highlights current threats to political rights. -------------- "As long as someone controls your history, the truth shall remain just a mystery."--Ben Harper Radical History is a new series from Ocean Press seeking to restore our collective memory of events, struggles and people erased from conventional (and conservative) histories and media. These mini-anthologies include eyewitness accounts and historic, forgotten or ignored documents as well as new essays, chronologies and further reading suggestions. This series is designed to appeal to a new generation of political activists.

"Hotel Theory" is two books in one: a meditation on the meaning of hotels, and a dime novel ("Hotel Women") featuring Lana Turner and Liberace. Typical of Wayne Koestenbaum' s invigoratingly inventive style, the two books - one fiction, one nonfiction - run concurrently, in twin columns, and the articles " a, " " an, " and " the" never appear. The nonfiction ruminations on hotels are divided into eight dossiers, composed of short takes on the presence of hotels in the author' s dreams as well as in literature, film, and history. Guest stars include everyone from Oscar Wilde to Marilyn Monroe. "Hotel Theory" gives (divided) voice to an aesthetic of hyperaesthesia, of yearning. It is an oblique manifesto, the place where writing disappears. A new mode of theorizing - in fiction, in fragment, through quotation and palimpsest - arises in this dazzling work.

A report on the administration of deviant desire in specialized clinics that documents the way our postmodern society exposes sexuality to the point of overexposure. Do you ever get aroused by your patient's fantasies? Do you discover through them something about your own sexuality? –About my sexuality? You are exposed to a lot of fantasies. –Oh yes. Quite frankly, I think it has a satiation effect on me. I've been a sex researcher for ten years, and sometimes I get fed up with it, you know. I talk to people about sex all day long, and it does get to be a drag. –from Overexposed The most perverse perversions are not always those one would expect. Originally conceived as an American update to Foucault's History of Sexuality, Overexposed is even more outrageous and thought-provoking today than it was twenty years ago when first published by a commercial publisher. By a strange reversal, rather than being punished, deviant desire now is administrated in specialized clinics under medical supervision. Sexual excess is being turned into a "boredom therapy" claiming to rid patients of their own desires by forcing them to indulge them past the point of satiety. But are perversions still perverse when they are vindicated unconditionally? At once clinical, bewildering, and deeply poignant, Overexposed shows how science can pervert itself by identifying too closely with its object. This insider's exposition of controversial cognitive behavioral methods (carried out with instruments straight out of A Clockwork Orange–penile transducer? pupillometer?) is a hallucinatory document on the manner in which our postmodern society exposes sexuality to the point of overexposure–in order to exterminate it.

Two creative centres of Jewish life rose to prominence in the twentieth century, one in Israel and the other in the United States. Although Israeli and American Jews share kinship and history drawn from their Eastern European roots, they have developed divergent cultures from their common origins, often seeming more like distant cousins than close relatives. This book explores why this is so, examining how two communities that constitute eighty percent of the world's Jewish population have created separate identities and cultures. Using examples from literature, art, history, and politics, leading Israeli and American scholars focus on the political, social, and memory cultures of their two communities, considering in particular the American-Jewish challenge to diaspora consciousness and the Israeli struggle to forge a secular, national Jewish identity. At the same time, they seek to understand how a sense of mutual responsibility and fate animates American and Israeli Jews who reside in distant places, speak different languages, and live within different political and social worlds.

This collection of interviews provides a revealing self-portrait of Martin Ritt (1914-1990), America's preeminent maker of social films and one of the most sensitive portraitists of the rural South. Ritt's Hollywood career began in 1958 with Edge of the City and ended in 1990 with the release of Stanley and Iris. In all, he directed twenty-six movies, including some of Hollywood's most enduring films--Hud, Hombre, The Spy Who Came in from the Cold, The Brotherhood, The Molly Maguires, The Front, and Norma Rae. Although he gave mostly boilerplate interviews to the press when promoting a movie, Ritt provided more revealing interviews for seminars, oral histories, and documentary filmmakers. The most significant of these, published here for the first time, create a close-up portrait of this distinguished director of plays and films. Ritt speaks eloquently about his years with the Group Theatre and recreates the passion of the director Harold Clurman. He tells how the Group shaped his ideas about art and the communal nature of the theatrical enterprise, which he extended into his work in film. He speaks of his relationship with Clifford Odets and Elia Kazan, and he talks in detail about his experiences with the blacklist, directing and acting in TV during its Golden Age, his career as a theater director, and his experiences working with such actors as Paul Newman, Sally Field, Sophia Loren, Orson Welles, and Robert De Niro. Ritt discusses his philosophy of directing, the place of film in the history of art, his quarrels with ""auteur theory,"" and the influence of his politics on his work. Gabriel Miller, a professor of English at Rutgers University, is the author of The Films of Martin Ritt: Fanfare for the Common Man (University Press of Mississippi). Articles by him have appeared in the Los Angeles Times, American Book Review, and Literature/Film Quarterly, among other publications.

Muckraking and progressivism have always marched arm-in-arm, cutting a wide path through modern American history. Originally published as Appointment at Armageddon , Filler's book is a vital contribution in understanding the intrinsic dynamic of reform in American life. It extracts from the issues that fostered progressivism and muckraking an essence that illuminates contemporary debate. Filler points out that early twentieth-century progressivism was essentially middle class, seeking common denominators for social interests. It was also a modernizing force in such areas as child labor, poverty, farm problems, and race relations. In his new introduction, Filler reviews various instances of progressivism throughout history. Filler maintains that progressivism died out when pride in its achievements turned to bitterness. Rather than celebrating the progress made by outstanding Americans, such as W.E.B. DuBois and Susan B. Anthony, various groups began focusing only on the oppressed and the oppressors. By concentrating on the negative instead of the positive, Americans abandoned the forward-looking tenets of turn of the century progressivism. Muckraking and Progressivism in the American Tradition is a timely book. It is needed to inspire Americans to find a new way to solve current dilemmas. This significant work will be of interest to sociologists, historians, and political theorists.

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell