"Hotel Theory" is two books in one: a meditation on the meaning of hotels, and a dime novel ("Hotel Women") featuring Lana Turner and Liberace. Typical of Wayne Koestenbaum' s invigoratingly inventive style, the two books - one fiction, one nonfiction - run concurrently, in twin columns, and the articles " a, " " an, " and " the" never appear. The nonfiction ruminations on hotels are divided into eight dossiers, composed of short takes on the presence of hotels in the author' s dreams as well as in literature, film, and history. Guest stars include everyone from Oscar Wilde to Marilyn Monroe. "Hotel Theory" gives (divided) voice to an aesthetic of hyperaesthesia, of yearning. It is an oblique manifesto, the place where writing disappears. A new mode of theorizing - in fiction, in fragment, through quotation and palimpsest - arises in this dazzling work.

Discusses medieval poetry in Hebrew (plus one example in Old French) dealing with martyrdom in the face of forced conversion. Deals with the ideal of Jewish resistance to persecution, but notes also the influence of Christian culture on Jewish literature. Focuses on Jewish martyrs in Blois, Troyes, and Paris. Notes how Talmud burnings impacted on the literature, reflected in the idea of the immortality of both the Jews and their books. Elucidates how the literature, often directed at the educated Jewish elite (the Tosafists and their pupils), reflected ideals of Jewish life as well as death. Suggests the latter ideal may have led most Ashkenazi Jews to prefer "Kiddush Hashem" or exile to conversion, when faced with that choice.

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The biblical prohibition of images sets Judaism apart, together with Islam, from all other religious systems. This book attempts to explain the reasons for the prohibition - as well as its limits - and then shows how influential it has been in determining aspects of Jewish thinking in relation to such key concepts as holiness, symbolism, mediation between man and God, aesthetics and the role of memory in religion. Why is music the one art to which Judaism is hospitable? Is Judaism a religion of the ear rather than the eye? What is the real issue at stake in the age-old debate between Jerusalem and Athens? How do these issues relate to the iconoclastic movements in Byzantine Christianity and the Reformation? Lionel Kochan makes clear that to the prohibition of the graven image there is more than meets the eye.

Neusner, Jacob

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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First published in 1982.

NY 1961 Crown. Foreword by Daniel Mayer. 8vo., 374pp., index, hardcover. Fine in VG DJ.

This study is largely based on 93 interviews conducted in the 1990s with current or ex-New Zealand Jews of widely differing backgrounds. Ch. 5 (pp. 85-99) discusses antisemitism (as do pp. 15-18, 28-30 in ch. 1). Jews in New Zealand (who in 1991 numbered 3,048 or 0.1% of the total population) generally have kept a low profile. Most of the interviewees view present-day antisemitism as slight, despite some anti-Jewish Christian attitudes. Four types of antisemitism are noted: ignorant, petty (e.g. jokes), political (including anti-Zionist and anti-Israel), and malicious (including vandalism and Holocaust denial). Local Jews have been cautious in responding to antisemitism, though there has been some effort to speak out. While the identities of survivors and their descendants have been strongly affected by the Holocaust, those of other new Zealand Jews have not. Commemoration of the Holocaust has been much more modest than in Australia or in Israel. Some Jews continue to feel that "'it' could happen again, even in New Zealand".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Text: English, Portugese (translation)