What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially — the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

Little Labors is a slanted, enchanted literary miscellany. Varying in length from just a sentence or paragraph to a several-page story or essay, Galchen's puzzle pieces assemble into a shining, unpredictable, mordant picture of the ordinary-extraordinary nature of babies and literature. Anecdotal or analytic, each part opens up an odd and tender world of wonder.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Paul Cantor provides a new and clearly structured introduction to Shakespeare's most famous tragedy. Hamlet's status as tragic hero and the central enigma of the delayed revenge are seen in the light of the play's historical place in the Renaissance at the crossroads of the Christian and the classical traditions. The dramatic and poetic techniques used in the play are discussed, and a final chapter deals with the uniquely varied reception of Hamlet on the stage and in literature generally, from the seventeenth century to the present day.

In this book, the world's foremost scholar of Kabbalah explores the understanding of erotic love in Jewish mystical thought. Encompassing Jewish mystical literatures from those of late antiquity to works of Polish Hasidism, Moshe Idel highlights the diversity of Kabbalistic views on eros and distinguishes between the major forms of eroticism. The author traces the main developments of a religious formula that reflects the union between a masculine divine attribute and a feminine divine attribute, and he asks why such an "erotic formula" was incorporated into the Jewish prayer book. Idel shows how Kabbalistic literature was influenced not only by rabbinic literature but also by Greek thought that helped introduce a wider understanding of eros. Addressing topics ranging from cosmic eros and androgyneity to the affinity between C. J. Jung and Kabbalah to feminist thought, Idel's deeply learned study will be of consuming interest to scholars of religion, Judaism, and feminism.

A Nick Hoffman / Academic Mystery, Book 8 -Successful professor Nick Hoffman finds his secure, happy, college-town life changed forever after a nightmarish encounter with police. The idea that someone can accuse you of a crime, and a SWAT team shows up at your door and drags you away? But even when that horrible night is over, tension and paranoia build in ways that are far too plausible. Someone is clearly out to destroy him. Nick and his partner Stefan Borowski face an escalating series of threats that lead to a brutal and stunning confrontation. A novel of suspense, Assault with a Deadly Lie probes the disturbing psychological impact of slander, harassment, stalking, police brutality, and the loss of personal safety within the academic world. In this eighth novel in the series, Lev Raphael, Lambda Award winner, takes us on an especially topical voyage into politics and college freedoms. Included in this new edition, a foreword by Carole B. Shmurak (Susan Lombardi mysteries) as well as a new introduction by the author. "A riveting great read for mystery/suspense fans, Lev Raphael once again documents his impressive gifts, holding the reader's rapt attention from beginning to end with unexpected plot twists and surprise twists." - Midwest Book Review "In Assault with a Deadly Lie, the ivory tower topples under a barrage of guns and violence. Nick Hoffman and his partner find that literature and an idyllic domestic life are no match for a deranged character's revenge conspiracy." - Lynn C. Miller "A splendidly written story of innocence, intrigue, and invisible enemies, Assault with a Deadly Lie waltzes beautifully between poignancy and terror. But better still is the question that will haunt readers long after the book is put down: Could this happen to me?" - P.J. Parrish

The Saga Of The Jomsvikings is a book written by Lee Milton Hollander, which tells the story of the legendary Jomsvikings, a group of Viking warriors who lived in the 10th century. The book is a translation of the original Icelandic saga, which is one of the most famous and important sagas of the Viking Age.The Jomsvikings were a group of elite warriors who lived in a fortress on the island of Jomsborg, located in modern-day Poland. They were known for their bravery, skill in battle, and strict code of honor, which included loyalty to their leader and fellow warriors.The book follows the story of the Jomsvikings, from their origins as a group of mercenaries to their rise as one of the most feared and respected warrior groups in the Viking world. It also explores the relationships between the Jomsvikings and their allies and enemies, including the Danish king Harald Bluetooth and the Norwegian king Olaf Tryggvason.Throughout the book, the reader is taken on a journey through the Viking Age, with vivid descriptions of battles, raids, and political intrigue. The Saga Of The Jomsvikings is a fascinating and exciting read for anyone interested in Viking history and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""The Face of Violence"" is a thought-provoking essay by the renowned scientist and philosopher Jacob Bronowski, exploring the nature of violence and its impact on society. The essay is accompanied by a play, also written by Bronowski, that delves deeper into the themes discussed in the essay. The play tells the story of a man who becomes increasingly violent as he struggles to cope with the pressures of modern life. Through the essay and the play, Bronowski challenges readers to consider the root causes of violence and to reflect on how we can work towards a more peaceful and just society. This book is a must-read for anyone interested in the complex issues surrounding violence and its effects on individuals and society as a whole.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This book is the first to systematically examine the representation of women by mainstream Hebrew authors from the Palmah Generation to the New Wave. Fuchs’ unique analytical method exposes the male-centered bias which often inspires the works of such prominent and widely translated authors as S. Yizhar, Moshe Shamir, A. B. Yehoshua and Amos Oz. She exposes both the continuities and the transformations in the literary representations of women and explains them in innovative ways, grounded in aesthetic, social, political, and cultural conditions and ideologies. The bold and unexpected discoveries offered by this book illuminate the complex ways in which Israel’s political predicaments, for example, affect the representation of women, as well as the various ways in which Israeli literature uses female images to express the anxiety and frustration arising from these predicaments. This pioneering study will be invaluable to feminist literary critics, scholars, and teachers and students of modern Hebrew literature.

Henrik Ibsen's "The Lady From The Sea" is a powerful exploration of family dynamics and the allure of the unknown. This classic work of Norwegian drama delves into the complexities of marriage and the human spirit's connection to the sea. Ibsen masterfully crafts a narrative that resonates with timeless themes of duty, desire, and the search for personal fulfillment. A cornerstone of European drama, "The Lady From The Sea" showcases Ibsen's signature blend of realism and symbolism. This meticulously prepared print edition invites readers to experience the profound emotional depth and insightful social commentary that have made Ibsen a literary icon. Discover the enduring power of this compelling drama, a testament to the human condition and the enduring strength of the ties that bind us. A must-read for enthusiasts of classic literature and translated works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Illuminates the wealth, themes, and character of Japanese literature from the fifteenth century to 1912 by introducing Western readers to the life, work, and literary style of twenty-one Japanese poets and writers.

One of the five Confucian classics, The Book of Songs (Shijing) is the oldest collection of poetry in world literature and the finest treasure of traditional songs left from antiquity. Where the other Confucian classics treat outward things: deeds, moral precepts, the way the world works,” as Stephen Owen tells us in his foreword, The Book of Songs is the classic of the human heart and the human mind.”

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century-gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorusof post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensionsthat produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of "postmemory"; the intergenerational and ongoingtransmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocationand anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation. --Back cover.

Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

Where does perversion begin? Who is perverse? Ever since the word first appeared in the Middle Ages, anyone who delights in evil and in the destruction of the self or others has been described as 'perverse'. But while the experience of perversion is universal, every era has seen it and dealt with it in its own way. The history of perversion in the West is told here through a study of great emblematic figures of the perverse - Gilles de Rais, the mystical saints and the flagellants in the middle ages, the Marquis de Sade in the eighteenth century, the masturbating child, the male homosexual and the hysterical woman nineteenth century, Nazism in the twentieth century, and the complementary figures of the paedophile and the terrorist in the twenty-first. The perverse are rarely talked about and when they are it is usually only to be condemned. They are commonly viewed as monstrous and cruel, as something alien to the very nature of being human. And yet, perversion can also attest to creativity and self-transcendence, to the refusal of individuals to submit to the rules and prohibitions that govern human life. Perversion fascinates us precisely because it can be both abject and sublime. Whether they are sublime because they turn to art or mysticism, or abject because they surrender to their murderous impulses, the perverse are part of us because they exhibit something that we always conceal: our own negativity and our dark side. -- Back cover.

The description for this book, Linguistics and Literary History: Essays in Stylistics, will be forthcoming.

More than most novelists, Virginia Woolf benefits by an introducer. She is never, either by intention or equipment, the expected novelist. She chose the novel to adapt it deliberately and progressively to be the vehicle of her own subtle perception. Behind this study of the novels is an intense interest in the person revealed in the novelist. The criticism is warm as well as acute and the whole study is felt to be a tribute reasoned and justified - to a woman sensitive, compassionate, passionately honest and eager only for truth; to an artist quite unsparing of her own labour, finely gifted, self-effacing, serious and humourous. Mrs Bennett added two chapters on A Writer's Diary and on Virginia Woolf's critical essays for the second edition. Both can help our understanding of Virginia Woolf the novelist; the Diary by the insight it gives into her creative process and the fuller understanding we can gain of technical problems, the essays because they are about novels and novelists.

Benjamin Disraeli was a British politician who twice served as the Prime Minister and also became the Earl of Beaconsfield. Disraeli is noted for being influential as a politician and as a novelist.

"For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory"--OCLC

When the young Ian Wharton first meets Mr Broadhurst, he is completely unaware of the influence he will come to exert over his life as 'The Fat Controller' - a constant companion and confidant and also the obese, erudite manifestation of Ian's mental illness. As Ian's idea of fun becomes increasingly extreme, the reader is taken to a place where morality is eroded by the dull grind of modernity and everything becomes admissable.