In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

Osher Gunsberg, one of Australia's most loved celebrities, opens up in a powerful, dark, funny and heartwrenching memoir about life, love and living with mental illness. It's hard to remember a time when Osher Gunsberg (or Andrew G as he was then) wasn't on TV - he's just always been there, looking at ease in the spotlight, beaming a big smile, with a questionable haircut. He was there hanging out with The Offspring backstage at the Warped Tour on Channel V; announcing to a national audience of three million people that Guy Sebastian was our first Australian Idol; and later capturing the heart of the nation by hosting every season of The Bachelor, The Bachelorette and now Bachelor in Paradise. But while everything looks great from the outside, the real picture has not always been quite so rosy. Osher has always known he's different to most people. Struggling with anxiety, panic attacks and weight issues since he was young, he tried for years to drink away the anxiety and depression. He ended up unemployed, divorced, suicidal and certifiable on the other side of the world, yet somehow he managed to put the broken pieces of his mind back together and make a life for himself again. He lives with a mental illness - and he's come to terms with it to live an authentic, rich and fulfilling life. A revealing, raw, funny and heartfelt memoir from one of Australia's most well-known and well-liked celebrities.

Product Description From the melting pot that was Iraqi society comes a tale, recounted by a grand old man of Canadian letters, of growing up as a Jewish boy in Baghdad in the 1940s. Naim Kattan was born into an intellectual Jewish family in Baghdad in 1928. He, his brother, and his friend Nessim were the only Jews in a group of young men who met every evening in a cafe to talk passionately abut creating a national Iraqi literature in their newly independent country. They had good reason, for although the Jewish community in Iraq dated back 2500 years, and Jews were abmong the best Arabic scholars in the country, they were never considered equals by the Muslim majority. In 1941, after British forces defeated the German-backed Iraqi insurgents, angry Bedouins entered Baghdad before it could be secured and began the Farhoud, the massacre of Jews in the city. The violence stopped just short of the Kattans' house, but the family immediately began the long application process for visas. Kattan began selling stories to literary magazines and speculating about the role of women in a country where even Jewish women wore veils. He eventually won a scholarship to the Sorbonne and left his family, not to be reunited with them until five years later, when he found them in a settlement camp in Israel This is a memoir of identity, of growing up in a tumultuous polyglot society, of change both personal and societal, of finding one's place in life. Here is a fascinating portrait of a people, a city, a state, and a culture that are as troubled today as Kattan found them sixty years ago. Review A fine portrait of a particular place and time that is no more. --Library Journal In all respects, a most moving and haunting work. --Montreal Star In all respects, a most moving and haunting work. --Montreal Star About the Author Naim Kattan has lived in Montreal since 1954. He has written more than thirty books of poetry, essays and fiction, which have been translated into many different languages. He has received many honors including the France-Canada Prize and France's prestigious Legion d'Honneur.

Memoir of an Australian woman writer and poet. Nancy Keesing collaborated with Douglas Stewart in compiling collection of bush songs and ballads.___

Irish artist and activist, Margaretta D’Arcy’s account of being jailed in the North of Ireland in 1980 for showing peaceful solidarity with the marginalised Republican women prisoners in Armagh jail and her courage in joining them on the no-wash protest against the removal of political status by the British government. When the book was first published, there was a regime of censorship both in Ireland and the UK around the war in the North and very few people wanted to be associated with it. But slowly, the ideas in the book, that the struggle of Republican women was aligned to the struggle of women everywhere for equality, filtered through, encouraging Sinn Fein to put its women members on a more equal footing. Today Sinn Fein in the Six-Counties is led by a woman. Tell Them Everything is a sharp observation of how the state deals with difficult women prisoners and how women adapt, resist and survive the horrendous experience of jail and of being separated from their children and families. But it is also an insightful and funny account of a privileged outsider thrust into a terrifying nightmare because of principle. This second edition of the classic feminist prison memoir comes with a preface by noted criminologist and Hillsborough campaigner, Professor Phil Scraton.

The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others. As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo ) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

A memoir rich in reflections and reminiscences by the war correspondent and editor of the New Masses. (1904-1945).

John Byner is a man of many voices and characters, from impersonating the slow, rolling gait and speech of John Wayne, to lending his voice to The Ant and the Aardvark cartoons. His dead-on impersonations, as well as his unique talents as a character actor, have put him on the small screen in peoples' homes, the big screen in theaters, and no screen on Broadway. Growing up in a big family on Long Island, John discovered his uncanny ability to mimic voices as a child when he returned home from a Bing Crosby movie and repeated Bing's performance for his family in their living room. He discovered his talent made him the focus of everyone's attention, and allowed him to make friends wherever he went, from elementary school to the U.S. Navy. John started his career in nightclubs in New York, but soon found himself getting national acclaim on The Ed Sullivan Show. With that he was on his way. This memoir is the best and funniest moments of his life, career, and relationships with some of the biggest names in entertainment, both on and off the screen.

Memoir from stage, screen and daytime TV actor Jed Allan.

This sweeping, eighty-year memoir is the last work of veteran journalist Israel Epstein (1915-2005), one of the very few Western writers to experience the Chinese Communist Revolution firsthand. Born in Poland and raised in China, Epstein served as a war correspondent from the front lines of the Chinese War of Resistance against Japan, as well as during the Communist-Nationalist struggle. Inspired by the immense social revolution taking place, Epstein took Chinese citizenship, only to be imprisoned during the Cultural Revolution. During this dark period, Epstein found his ideals challenged in ways he never imagined, yet his lifelong struggle for social equality has never wavered. This powerful memoir resonates with some of the twentieth century's most turbulent years and is a fascinating read for anyone interested in Chinese history.

"For more than four decades, Hugh Segal has been one of the leading voices of progressive conservatism in Canada. A self-described Red Tory warrior who disdained "boot strap" approaches to poverty, he has always promoted policies, especially a basic annual income, to help the most economically vulnerable. Why would a life-long Tory support something so radical? In this revealing memoir, Segal shares how his life and experiences brought him to this most unlikely of places, beginning with his childhood in a poor immigrant family in Montreal to his time as a chief of staff for Prime Minister Mulroney and to his more recent work as an advisor on basic income for the Ontario Liberal government. This book is a passionate argument for why a basic annual income makes economic sense - and for why it is the right thing to do."

OUT-OF-PRINT. "'Sacha, by her death, seemed to have taken my life with her as well. Because of the strange circumstances of our existence - she had been the only witness to all the important events of my life. Now, with that witness gone, it was as though the past had begun to grow dim and dissolve. Until that moment I had not realised the importance of witnesses. And the importance of stories. When Sacha told me stories about her childhood and youth she was doing so in part because she herself had never had any parents. When she told me stories about my childhood it was because I had no brothers and sisters, no grandparents, aunts and uncles who had known me from my earliest years. Now she is gone and I have tried to tell her story I find a kind of calm descending on me and I have begun to reconstitute my own.' Part memoir, part biography, part autobiography, this remarkable book is also an exploration of the role of memory and story-telling in our lives. At the same time it is an account of the life of an immensely strong, resourceful, yet vulnerable woman, who was born into the comfortable world of wealthy Egyptian Jewry before the First World War, who, with her infant son survived the Second World War in France, and who ended her days in the peace and quiet of the English countryside; and of an extraordinary relationship between mother and son which spanned more than fifty years. " (Publisher)

Ethel Hofman grew up in the only Jewish family on Shetland. This is the story of her family and childhood, and of the meeting of two diverse cultures in a unique landscape. Fleeing Russia a century ago, Ethel's father, Harry Greenwald, found a safe haven in Lerwick, Shetland. Liking the place, he brought over Jean after an arranged marriage and they set up a shop, Greenvald's, soon popular with the locals as a gathering place. Despite the hardships of living on a remote island, good food and good company were always available, and the recipes for the Jewish and island dishes prepared by Jean are woven throughout the touching, affectionate narrative. As a unique blend of memoir and cookbook, Mackerel at Midnight shows how food can strengthen family and cultural bonds, and celebrates the tolerance and warmth of one Jewish family and the community that embraced them.

CONTRAPPASSO is an independent biannual magazine of international writing published in Sydney, Australia.Issue 2 contains Anthony May's never-before-published 65-page interview with the legendary Elmore Leonard; 'STR82ANL', a new novella by British writer Clive Sinclair (accompanied by a career-spanning interview by editor Matthew Asprey); a narrative by film writer David Thomson; fiction by Mimi Lipson and John Salazar; a memoir by Paul Pax Andrews; an essay by Peter Doyle; and poetry by Antigone Kefala, Chris Andrews, Tessa Lunney, Erin Martine Sessions, Mark Tredinnick, Daniel East, Mark O'Connor, Paolo Totaro, Chris Oakey, Elias Greig, Luke Whitington, Paolo Fabrizio Iacuzzi, and Floyd Salas.

Adolf Loos--A Private Portrait is an unusual, literary biography featuring lively, often humorous, "snapshots" of Viennese-Czechoslovak architect Adolf Loos. "A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative." --Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture "Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes .... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.." --Judy Pollan, Modernism Magazine An intimate collection of vignettes reveals Loos' personality, temperament and philosophy during the last years of his life (1929-1933) and the ways in which he helped shape Modern architecture. This translation, by Constance C. Pontasch and Nicholas Saunders, is the first English edition, the book having enjoyed several reprints in German. The author, Claire Beck Loos, was a photographer and Adolf Loos' last wife. She was born in 1904 in Czechoslovakia; her family were Jewish industrialists and important early clients of Loos, commissioning several apartments in Pilsen and works by the architect's friend Oskar Kokoschka. In addition to being a biography of her husband, Adolf Loos--A Private Portrait also serves as a self-portrait of Claire, a vibrant young artist who died a tragic and untimely death at Riga, a Nazi concentration camp, in 1942. The book includes supplemental texts by Claire's niece Janet Beck Wilson, biographical materials and previously unpublished artistic photographs by the author.

El Norte Grande of Chile is the world's driest desert, a vast, barren expanse where a person can live an entire lifetime without ever feeling a single drop of rain, where rivers vanish into the sands and trees are all but unknown. But this forbidding landscape has many stories to tell an observant, inquisitive traveler. Someone like Ariel Dorfman. Renowned as a poet, essayist, novelist, and playwright, he combines eloquence, passion, and personal experience with a sure sense of place and a keen eye for the telling detail that brings history to life -- for this account of his journey through the desert is also a chronicle of modern Chile. Like an archaeologist, he sifts through shards of memory to recreate a world that no longer exists but still casts a long shadow over his native land. Ghosts are at the heart of his tale, from the ruined boomtowns where great nitrate fortunes were built to the seaside prison where Dorfman's old friend Freddy Taberna spent his last night before being executed in 1973 after the overthrow of Salvador Allende's government. In these pages, long-abandoned mining communities are summoned up in their glory days, when the mansions of mineral millionaires were built on the punishing labor of workers forever in hock to the company store. Nor are these the only ghosts. In this sweeping book, Dorfman also examines the oldest mummies in the world, visits an observatory at the top of the world that scans the light from long-dead stars, and sifts through the remains of indigenous villages buried under tons of sand. Skillfully interweaving present and past, memoir and meditation, fascinating history and colorful family lore, Desert Memories gazes across the seeming emptiness of el Norte Grande, finds a complete and compelling world, and conjures it up with the kind of elegant simplicity that only the most sophisticated of travelers can achieve.

Allan Spear had a long and distinguished career as a historian and as a Minnesota state senator. Perhaps best known for coming out as openly gay during his first term in the Minnesota Senate-becoming one of the first elected officials in the nation to do so-Spear was also a leader of Eugene McCarthy's run for the presidency, an organizer against the war in Vietnam, and a key proponent for the establishment of the African-American studies department at the University of Minnesota. Spear's memoirs are fascinating and moving: in early chapters on his childhood and college years, he writes with great introspection about his growing self-awareness of being gay. Later he writes about his development as an intellectual, particularly as a white man fighting to win legitimacy for the study of African-American history and culture. During his time at the University of Minnesota, Spear became deeply involved with the Minnesota Democratic-Farmer-Labor Party (DFL) and the antiwar movement. At the same time, Spear became increasingly active in the emerging gay rights movement and began the process of coming out to his friends and colleagues. After a failed run for the Minnesota House in 1968, Spear was elected to the Minnesota Senate in 1972 and served as Senate president from 1993-2000. In 1993, he was instrumental in the passage of the Minnesota Human Rights Act, which protected LGBT people from discrimination in housing, education, and employment-an achievement he considered one of the finest of his career. A skilled parliamentarian, he remained a progressive leader in the legislature until his retirement in 2000. Spear passed away on October 11, 2008, leaving his memoir slightly incomplete. A stirring afterword by John Milton completes the story of Spear's life, chronicling the recognition of his accomplishments as a politician and activist during his final years.

Alfred Schutz was born in Vienna on April 13, 1899, and died in New York City on May 20, 1959. The year 1969, then, marks the seventieth anniversary of his birth and the tenth year of his death. The essays which follow are offered not only as a tribute to an irreplaceable friend, colleague, and teacher, but as evidence of the contributors' conviction of the eminence of his work. No special pleading is needed here to support that claim, for it is widely acknowledged that his ideas have had a significant impact on present-day philosophy and phenomenology of the social sciences. In place of either argument or evaluation, I choose to restrict myself to some bi~ graphical information and a fragmentary memoir. * The only child of Johanna and Otto Schutz (an executive in a private bank in Vienna), Alfred attended the Esterhazy Gymnasium in Vienna, an academic high school whose curriculum included eight years of Latin and Greek. He graduated at seventeen - in time to spend one year of service in the Austrian army in the First World War. For bravery at the front on the battlefield in Italy, he was decorated by his country. After the war ended, he entered the University of Vienna, completing a four year curriculum in only two and one half years and receiving his doctorate in Law.

The works of Aba Bayefsky hang in all the major galleries of Canada and the United States. For decades Aba has been a keen observer of the changing scenes of Kensington Market, a landmark in Toronto. This book is a collection of Bayefsky's work on the Market. It contains drawings and colour plates, with an introduction by the art critic Paul Duval and a memoir on Kensington Market by Ben Lappin.

Peter Morley's memoirs span a remarkable career, in which he has garnered twelve international programme awards and an OBE for services to television, and offer a unique insight into the changing face of television. With over 200 credits to his name, he started, aged sixteen, as a rewind-boy in the projection box of London's Dominion Theatre - having left Hitler's Germany in 1933. Wartime service in a tank, which took him from France to Belgium, Holland, and finally Berlin, was followed by a steady rise from film editing to writing and directing documentary films. In 1955, as ITV was about to go on the air, Morley took the plunge and joined Associated-Rediffusion as a freelance television director/producer, responsible for a wide-ranging mix of programmes. By 1959, with fifty programmes to his name, he embarked on ITV's first opera, a live studio production of The Turn of the Screw. Sir Kenneth Clark, Chairman of the Arts Council, wrote: 'As a work of art I think it is the best thing the medium has ever produced.' Morley's sixty-minute documentaries for ITV soon became a regular feature. They included Tyranny - The Years of Adolf Hitler, which contained interviews with Hitler's sister, his adjutant, pilot and chauffeur. In 1960 he produced This Week, ITV's long running weekly current affairs programme, winning his first BAFTA. The controversial documentary Black Marries White - The Last Barrier marked a new impressionistic style of programme-making, the documentary LSO - The Music Men similarly dispensed with narration, and his live five-hour broadcast of The State Funeral of Sir Winston Churchill was awarded the Cannes Grand Prix. Peter Morley's fascination for historical subjects yielded a host of different programmes - including his twelve-part The Life and Times of Lord Mountbatten, for the BBC the thirteen-part The Mighty Continent - A History of Europe in the 20th Century, and for Yorkshire Television the four-part Women of Courage, featuring remarkable women who shared an instinctive compulsion to fight the Nazis. Peter Morley's memorable Kitty - Return to Auschwitz is described by many as 'a television classic', and received five international awards. A founding trustee of BAFTA, Peter Morley is renowned as a film-maker par excellence - and a key figure in the history of television. Bank House Books is proud to publish his memoirs.