"The struggle over Israel/Palestine is not just another contest by competing nationalisms or an instance of geopolitical competition. It is also about control of sacred territory that involves local Jews, Muslims, and Christians as well as worldwide faith communities, each with their own interests and stake in what transpires. This balanced introduction to a complex subject presents the multiple positions within the great monotheistic traditions. It demonstrates that the secular discourses in the public square concerning ownership privileges, historical precedence, political rights, and justice that have allegedly replaced religious claims actually coexist with, and often complement, the theological. It explores the century-long tangle of secular and theological debates about Israel's legitimacy. Whether readers support a Jewish state or are resolutely opposed, the serious and substantial scholarship of this well-reasoned and innovative book will contribute to a nuanced and better-informed understanding of this persistent issue that has entered its second century on the international agenda."--

Professor Pinchas Polonsky has written an important study of the Religious Zionist thought of Rabbi Abraham Isaac Kook, one of the great Jewish thinkers of the 20th century. The book explores Rav Kook's religious revolution, the religious significance of the State of Israel, the national dialogue with God, contemporary problems in Judaism, the modernization of Judaism. Rav Kook was deeply steeped in rabbinic literature, including kabbala, and has offered unique insights into the current spiritual life of the Jewish people.

A native of Crimea, the Soviet Jewish poet Ilya Selvinskii (1899-1968), in 1942-43, bore witness to Nazi atrocities in and near the city of Kerch (in eastern Crimea) and in the south of Russia. This included the massacre at the "Bagerovo ditch", an anti-tank ditch west of the city, where the Nazis murdered ca. 7,000 Jews of Kerch in November 1941. What he saw impressed Selvinskii for the rest of his life. He was the first Soviet poet to publish extensively on the Holocaust, most notably his two poems "I Saw It" (1942) and "Kerch" (1945). In general, he somewhat downplayed the fact that the victims were Jews, as did Ehrenburg and other contemporary poets who wrote on the Nazi mass murders. Selvinskii's shock of viewing the Bagerovo ditch was also reflected in his postwar poems, in particular in "Kandava", the first version of which was published in 1946. Selvinskii influenced many other poets who wrote on the Nazi genocide, among them Iosif Utkin and Lev Ozerov. After the war Selvinskii was accused of "cosmopolitanism" and holding an "anti-party line"; he was partially blacklisted. Pp. 263-277 contain the Russian originals and English translations of "I Saw It" and "Kerch".

Historical background : Anatoliy V. Lunacharsky, the cultured commissar -- Valdimir I. Rebikov : the inventor of whole-tone music -- The diatonic Webern : Aleksei V. Stanchinskiy -- Nikolai A. Roslavets : the Russian Shcenberg -- Aleksandr V. Mosolov : the man of steel -- Arthur V. Louri(c)♭ : the decadent out of place -- Leonid A. Polovinkin : the partial avant-gardist -- Vladimir V. Shcherbachev : old wine in new vessels -- Lev K. Knipper : wind from the West -- Boris N. Liatoshinski : the passionate Slav -- Vladimir M. Deshevov : the man of the theater -- Samuil E. Feinberg : the post-Scriabin pianist -- Anatoliy N. Aleksandrov : the post-Rachmaninovian -- Boris A. Aleksandrov : son of the composer of the Soviet anthem -- Aleksandr A. Krein : voice in the wilderness -- Grigoriy A. Krein : toward assimilation -- Yulian G. Krein : precocious cosmopolitan -- Aleksandr M. Veprik : the Ukrainian Bart(c)đk and Bloch -- Mikhail F. Gnessin : the Jewish Glinka -- Ivan A. Vyshnegradsky : microtones -- Nikolai Obukhov : mystic beyond Scriabin -- Iosif M. Schillinger : Gershwin's teacher -- Aleksandr N. Tcherepnine : suave internationalist -- Sergei V. Protopopov : the post-Scriabin composer -- Leonid L. Sabaneev : would-be scientist becomes critic -- Dmitriy M. Melkikh : rhapsodist -- Gavrill N. Popov : contrapuntalist -- Aleksei S. Zhivotov : notorious for one piece -- Efim Golyshchev : the first serialist? -- Georgi M. Rimsky-Korsakov : microtonist

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

In the years between 1929 and 1939, when Itzik Manger wrote most of the poetry and fiction that made him famous, his name among Yiddish readers was a household word. Called the Shelley of Yiddish, he was characterized as being "drunk with talent." This book -- the first full-length anthology of Manger's work -- displays the full range of his genius in poetry, fiction, and criticism. The book begins with an extensive historical, biographical, and literary-critical introduction to Manger's work. There are then excerpts from a novel, The Book of Paradise, three short stories, autobiographical essays, critical essays, and finally, Manger's magnificent poetry -- ballads, bible poems, personal lyrics, and the Megilla Songs. These works, which have the patina of myths acquired ages ago, also offer modern psychological insight and irrepressible humor. With Manger we make the leap into the Jewish twentieth century, as he recreates the past in all its layered expressiveness and interprets it with modernist sensibilities.

Describes the Jewish community in Victoria, Australia. The stereotype of the Jew as moneylender or old clothes peddler pursued him from Britain to Australia, and to it was added the role of bookmaker as a result of local success in this field. Antisemitic attacks in the local newspaper, the "Melbourne Punch, " were common after 1856. Relates how these attacks multiplied following the pogroms in Russia in the late 19th century, when the press aroused fears of an invasion of bloodsucking Russian Jewish paupers. Gives examples of antisemitic caricatures.

This report details the operations and activities of the Hebrew Orphan Asylum in New York City, providing insight into the care and education of Jewish orphans during the early 20th century. It includes financial statements, descriptions of special events and programs, and testimonials from former residents. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Contrary to the Christians, the Muslims did not consider the Bible as a holy text, therefore their polemics against the Jews took the form of Bible criticism. The main arguments used by Muslim thinkers against Judaism was that the Jews falsified God's word, or failed to transmit it properly, or misinterpreted the Bible, or that the Bible had been abrogated by God. The most prominent Muslim writers who developed these themes in the medieval period were Ibn Hazm and the Jewish apostate Samau'al al-Maghribi in the West of the Arab world, and Ibn Qayyim al-Djawziyya in the East. The first two considered, in particular, that it was Ezra ('Uzayr) who deliberately distorted the text of the Bible. Contends that the Muslim critics of the Bible based their arguments greatly on pre-Islamic sources (such as pagan, gnostic, Christian, and anti-Christian writings), and that they, in turn, were the source of early modern European Bible criticism.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Die Ethik Des Maimonides; Jahresb., Jüd.-theol. Sem; Jahresbericht; Germany). Jüdisch-Theologisches Seminar (Breslau David Rosin F. W. Jungfer's buchdruckerei, 1876 Religion; Judaism; General; Ethics, Jewish; Jewish ethics; Religion / Ethics; Religion / Judaism / General; Religion / Judaism / Theology

Teacher, artist, trade unionist, Jewish South African socialist and anti-Zionist in Palestine, partner of Tony Cliff and founding member of the International Socialist tradition: now in her nineties, Chanie Rosenberg remains an active, committed revolutionary. Rosenberg's memoir also includes her illustrated pamphlet on the great Russian modernist artist, 'Malevich & Revolution', first published by Redwords in 2008. With ten colour illustrations.

The Worst It Can Be is a Disaster is the autobiography of Braham Murray, founding director of the Royal Exchange Manchester which in 2006 celebrated its thirtieth anniversary. With a foreword by Sir Tom Courtenay. Born into a Jewish family, Braham Murray struggled against his parents' expectations that he should follow them into the world of commerce; instead he became at twenty-two the youngest artistic director in the country when he took over Century Theatre, a theatre company based in Manchester. Detailing his relationships and the theatrical successes and flops along the way, the narrative takes us through his early years with Century Theatre, with the 69 Theatre Company, and the birth of the Royal Exchange Manchester in the heart of Manchester in 1976. Twenty years later, the theatre rose from the ashes of the IRA bomb brilliantly opening a new production on time just ten days after the bomb had destroyed the city centre. The role and influence of the author's Jewish heritage and of his key collaborators - including Caspar Wrede and Michael Elliott - are explored in this illuminating and inspiring account of one of English theatre's great directors. 'Braham's passion is sometimes overwhelming, sometimes annoying but completely inspirational. It's his passion that the Royal Exchange has thrived on, and this book is full of his passion for the theatre.' Robert Lindsay

In this pathbreaking study of responses to the Holocaust in wartime and postwar Polish literature, Rachel Feldhay Brenner explores seven writers' compulsive need to share their traumatic experience of witness with the world. The Holocaust put the ideological convictions of Kornel Filipowicz, Józef Mackiewicz, Tadeusz Borowski, Zofia Kossak, Leopold Buczkowski, Jerzy Andrzejewski, and Stefan Otwinowski to the ultimate test. Tragically, witnessing the horror of the Holocaust implied complicity with the perpetrator and produced an existential crisis that these writers, who were all exempted from the genocide thanks to their non-Jewish identities, struggled to resolve in literary form. Polish Literature and the Holocaust: Eyewitness Testimonies,1942-1947 is a particularly timely book in view of the continuing debates about the attitudes of Poles toward the Jews during the war. The literary voices from the past that Brenner examines posit questions that are as pertinent now as they were then. And so, while this book speaks to readers who are interested in literary responses to the Holocaust, it also illuminates the universal issue of the responsibility of witnesses toward the victims of any atrocity--Provided by publisher.

Viewed as ideal types, the Halakhah defines the norm, setting forth what is obligatory, the Aggadah, specifies what exceeds the norm and goes beyond the measure of the law. The striking differences of style and substance that differentiate the two categories of discourse present the question of how they intersect in a single coherent statement, a system that holds together its two distinct media of thought and expression. When we have in hand systematic data on how Aggadah contributes to the Halakhah, and where Halakhah serves the purposes of the Aggadah, we find possible the logical next step: where do the two intersect, and at what points do the respective complexes of category-formations stand autonomous of one another, and that leads to the question: how do Aggadah and Halakhah constitute a coherent religious structure and make in common a single systemic statement? Where, within the formative literature of Normative Judaism, they join together, what affect the one exercises upon the other, and how the whole - Rabbinic Judaism - exceeds and transcends the sum of the parts - the Halakhah, the Aggadah - is spelled out.

2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.

Excerpt from Modern Jewish History From the Renaissance to the World War This volume completes the author's history of the Jews. The series was commenced in 1897 with a Biblical history styled People of the Book in three volumes. The first covered the patriarchal-period and the Mosaic Law (the Pentateuch) the second, the Israelitish Mon archy the third, the Epoch of the Prophets, closing with the Restoration of Judah after the Exile. This was followed by A Thousand Years of Jewish History - from the close of the Persian era to the eu trance of the Mohammedans into Europe. Next in the series was the History of the Mediaeval Jews cover ing the Middle Ages, the entire Spanish era and closing with the discovery of America. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue.In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization - both internally driven and supported by Israeli-and American-based Jewish organizations - which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar.These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue. In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization—both internally driven and supported by Israeli-and American-based Jewish organizations—which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar. These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.