Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas Elsner shows how an understanding of Roman viewing practices greatly deepens our insight into this fundamental transformation. The sophisticated arts of the early empire, such as Pompeian painting, sculpted reliefs and silverware, entertain the potential for irony, parody, and deconstruction. By contrast, the symbolic arts of the Christian empire, notably the mosaics of Ravenna, eschew irony, while complexity remains, indeed intensifies, as multiple meanings compete to enrich a fundamentally sacred truth. By addressing the subtleties inherent in ancient viewing, this study embarks on a quest to enrich our understanding of an era of profound artistic change.

In the last seventy years of its long and distinguished existence, the Habsburg monarchy was plagued by the forces of rising nationalism. Still, it preserved domestic peace and provided the conditions for social, economic, and cultural progress in a vast area inhabited by eleven major nationalities and almost as many confessional groups. This study investigates the social origin, education, training, code of honor, lifestyle, and political role of the Habsburg officers. Simultaneously conservative and liberal, the officer corps, originally composed mainly of noblemen, willingly coopted thousands of commoners--among them an extraordinary number of Jews. Even during World War I, the army and its officers endured, surviving the dissolution of the state in October 1918, if only by a few days. The end of the multinational Habsburg army also marked the end of confessional and ethnic tolerance in Central and East Central Europe.

On antisemitism see ch. 8 (pp. 159-181), "The Brutalization of German Politics", an expanded version of the article which appeared in German in "Demokratie und Diktatur: Geist und Gestalt politischer Herrschaft in Deutschland und Europa" (Düsseldorf: Droste, 1987).

Pp. 75-87 describe the first Vichy and Nazi anti-Jewish administrative measures in Paris and the establishment of the first institutions which dealt with the "Jewish question". Ch. 8 (pp. 136-147), "Pitchipoi", relates the Nazi and Vichy anti-Jewish policies: introduction of the "Jewish star", the roundup of 16-17 July 1942, the deportation of Jews to camps, as well as antisemitic propaganda in Paris.

"David Stein brought right-wing congressmen, celebrities, writers and entertainment industry figures together for shindigs, closed to outsiders. . . . There was just one problem. Stein was not who he claimed."-- The Guardian "I disagreed with lots of the book and found the depiction of some people to be cruel, but no denying it was also funny, intriguing and eye-opening." --Rory Carroll Author Comandante: Hugo Chavez's Venezuela , reporter for The Guardian In 2013, Republican "hero" David Stein made international headlines when he was unmasked as David Cole, the notorious Jewish Holocaust denier who made an entirely different set of headlines in the 1990s with his videos from within the gates of Auschwitz and his appearances on shows like 60 Minutes and Donahue . After a $25,000 bounty was put on his head by a violent extremist group, Cole left behind the bizarre world of Holocaust revisionism, a landscape populated by Hitler fetishists who Cole himself detested. Then, David Stein the Republican organizer was born. Stein soon became a major force in the closed-door world of Hollywood right-wingers--people who felt as alienated from the mainstream of their profession as Cole had felt as the lone Jewish Holocaust revisionist. Soon enough, Stein was working with major GOP power players and far-right Hollywood A-listers, creating huge private events for the West Coast GOP elite . . . until it all came crashing down when a vengeful former girlfriend outed him publicly. Condemned by those who had previously lauded him, Cole was left with nothing but his story. And here he tells it, warts and all, including the first-ever exposé of the secretive Hollywood far-right underground, "Friends of Abe."

Memoirs of a Jew who was born in 1926 in the village of Bikoly and grew up in the town of Pápa, west of Budapest. Pp. 99-221 deal with the Holocaust period. At first, Hungary's anti-Jewish policies did not affect the family much, but the situation changed drastically with the German occupation in March 1944. A ghetto was established in Pápa, and in June 1944 Laszlo was drafted into a military labor service unit. While he was working at Kőszeg, his parents were deported. After his labor unit was destroyed by the Soviets in Jibou, northwestern Romania, Laszlo fled to Budapest, then under the control of the Arrow Cross. In October 1944 Laszlo was deported to Bergen-Belsen, and then to Theresienstadt. There he met his father, who died shortly after the liberation; the rest of his family had perished earlier. After the war he settled in the USA.

Deepens and enriches our understanding of the Jewish literary tradition and the implications of the Shoah. Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.

A general introduction to the main currents and movements in modern philosophy.

This book, first published in 1977, continues the author's study of the Palestinian National Movement from the first volume, The Emergence of the Palestinian-Arab National Movement, 1918-1929 . Based on Arab, Jewish and British archival and secondary sources, it examines in exhaustive detail the events in the crucial decade leading up to the Second World War.

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

The Los Angeles Times once called investigative lawyer Terry Lenzner “one of the most powerful and dreaded private investigators in the world.” In his fifty-year career, Lenzner has worked with politicians, celebrities, governments, and corporations worldwide; with a steadfast commitment to the truth, he has uncovered facts that have shaped policy and influenced major legal battles. In this captivating memoir, Lenzner speaks about his varied career and high-profile cases for the first time. At the Justice Department in 1964, he investigated the murder of three civil rights workers—an infamous event that inspired the film Mississippi Burning . He led the national Legal Services Program for the poor, prosecuted organized crime in New York, defended peace activist Philip Berrigan, and represented CIA operative Sid Gottlieb. As a counsel to the Senate Watergate Committee, Lenzner investigated Nixon’s dirty tricks and followed the money trail that led to the Watergate burglary and cover-up. He was the first person to deliver a congressional subpoena to a sitting U.S. president. He uncovered cost overruns of the Alaska oil pipeline, helped identify the Unabomber, investigated the circumstances of Princess Diana’s death, and cleared Hugo Chavez of false corruption charges. Lenzner also worked with President Clinton’s defense team during the impeachment hearings. The Investigator is a riveting personal account: Lenzner astounds with anecdotes of scandal and intrigue, offers lessons in investigative methods, and provides an eye-opening look behind some of the most talked-about media stories and world events of our time.

Providing an annotated commentary on two unpublished manuscripts written by international law and genocide scholar Raphael Lemkin, Steven L. Jacobs offers a critical introduction to the father of genocide studies. Lemkin coined the term "genocide" and was the motivating force behind the 1948 United Nations Convention on the Punishment and Prevention of the Crime of Genocide. The materials collected here give readers further insight into this singularly courageous man and the issue which consumed him in the aftermath of the Second World War. It is a welcome addition to the library of genocide and Holocaust Studies scholars and students alike.

"In this remarkable, historically significant book, Mordecai Paldiel recounts in vivid detail the many ways in which, at great risk to their own lives, Jews rescued other Jews during the Holocaust. In so doing he puts to rest the widely held belief that all Jews in Nazi-dominated Europe wore blinders and allowed themselves to be led like 'lambs to the slaughter.' Paldiel documents how brave Jewish men and women saved thousands of their fellow Jews through efforts unprecedented in Jewish history. Encyclopedic in scope and organized by country, Saving One's Own tells the stories of hundreds of Jewish activists who created rescue networks, escape routes, safe havens, and partisan fighting groups to save beleaguered Jewish men, women, and children from the Nazis. The rescuers' dramatic stories are often shared in their own words, and Paldiel provides extensive historical background and documentation. The untold story of these Jewish heroes, who displayed inventiveness and courage in outwitting the enemy - and in saving literally thousands of Jews - is finally revealed"--front jacket flap.

"Includes chapters on what today's activists must know about the threats posed by federal law enforcement agents and their tactics, as well as the actual text of the recently released FBI Domestic Investigations and Operations Guide in which the FBI spells out its approach to policing dissent. Hell No also includes information on several key security practices that offer the best protection from government surveillance and interference. With an introduction on What's Happened to Dissent Today looking at the protests at the Republican National Convention by CCR board chair Michael Ratner and constitutional rights expert Margaret Ratner Kunstler Hell Nois an indispensable tool in the effort to give free speech true meaning in a post-9/11 world"--

The image of Hollywood often translates as some otherworldly dreamscape filled with fantastic lives and fantasy fulfillment. The real deal was carved from the Southern California desert as an outpost northwest of Los Angeles. The movie industry arrived when tumbleweeds were not simply props and actual horsepower pulled the loads. Everyday workers, civic management, and Main Street conventionalities nurtured Hollywood's growth, as did a balmy climate that facilitated outdoor photography and shooting schedules for filmmakers. Splendid vintage photographs from the renowned collections of the Hollywood Heritage Museum and Bison Archives illustrate Hollywood's businesses, homes, and residents during the silent-film era and immediately after, as the Great Depression led up to World War II. These images celebrate Hollywood before and after its annexation into the city of Los Angeles in 1910 and its subsequent ascension as the world's greatest filmmaking center.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lev Shestov's By Faith Alone confronts Eastern and Western European conceptions of faith through Russian literature, ancient and medieval philosophy, and Christian theology. Written from 1910-1914, this first English-language translation brings together important early writings on the medieval church and Martin Luther. Shestov reconciles the Greek notion of rational truth with Biblical revelation by drawing on a wide range of ancient, medieval, philosophical and theological sources from Plato to Hegel, Tertullian to Saint Augustine , and Saint Bernard of Clairvaux to William of Ockam. He argues that rational truth has skewed Christian belief by determining knowledge and truth in ways that prize the mind over the world. This approach marks a turning point in the evolution of Shestov's existential thought. It establishes a basic division that became central to Shestov's later work, between Athens as reason and Jerusalem as faith. By Faith Alone provides a crucial piece of the puzzle in the genesis of Shestov's later and better-known writings on medieval philosophy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Surveys Holocaust denial activities and publications around the world, with a separate chapter on the United States (pp. 10-24), referring to the penetration of Holocaust denial propaganda in American universities and in the media. Focuses on concrete ways of refuting specific claims made by the deniers. The four appendices (pp. 100-152) include propagandistic material published by Bradley R. Smith (from the Institute for Historical Review), a transcript of a TV talk show on Holocaust denial (30 April 1992), a list of Holocaust-denying books and pamphlets (only author and title given), and articles from the "Journal of Historical Review."