Examines the problems and possibilities facing the United States in the 1980s and 1990s, from the threat of nuclear war and the military's strategic thinking, to the interplay of politics, personality, and history

This enthralling book begins in the vast forests of Cyprus, whose wood fuelled the ancient Mediterranean, and extends through the Elizabethan era, in which the Hostmen guild of Newcastle exerted political influence by monopolizing the British coal supply. The central thread of this well-researched book, which draws upon a vast array of archival sources and an extensive list of secondary texts, picks up centuries later with the competition in the American automotive market between electric power and oil-fuelled internal combustion. The definitive blow in favour of oil comes with WWI, which prompted increased demand for gas-powered vehicles at the very moment Thomas Edison and Henry Ford aborted plans to develop an affordable electric car. The decades-long "General Motors conspiracy" solidifies the demise of electrically powered mass transit in American cities. Through it all, the author manages to keep this complex history compelling. By the time the author makes his final, impassioned plea for a bold new solution to the world's energy crisis, he has already made his case with devastating clarity.

"Anna Akhmatova began writing in the years before World War I, a time when, according to Akhmatova herself, "to think of a woman as a poet was absurd." Her genius would rise above categorization, but this biography makes clear how heavily she paid for the political and personal passions that informed it. A fierce poise, forged by Anna's lonely childhood, carried her through her father's resistance to her writing - which prompted her to change her name from Gorenko to Akhmatova, a name taken from a Tartar ancestor - and her flawed but passionate love affairs. We see Akhmatova's work banned from 1925 until 1940, and banned again following World War II, when the Union of Soviet Writers labeled her "half nun, half harlot." We see her steadfast resistance to Stalin during her hopeful but unsuccessful attempt to win her son's release from prison. We see her abiding loyalty to such friends as Mandelstam, Shostakovich and Pasternak as they faced Stalinist oppression.

Beyond the Pale -- winner of the Lambda Literary Award -- tells the stories of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.

When his Uncle Hizkel is arrested, Kabi and his family face an uncertain future as do all Jews living in Baghdad. It is 1950 and each member of Kabi's circle has a different dream: his mother wants to return to the Moslem quarter where she felt safer; his father wants to emigrate to Israel and grow rice there; Salim, his headmaster, wants Arabs and Jews to be equal, and Abu Edouard just wants to care for his adored doves.

A plane en route from New York to Tel Aviv is forced down by bad weather. A nearby house provides refuge for five of its passengers. Once they are locked in, their enigmatic host tells them he is their judge, and they must reveal their lives to him. Shockingly, he announces the least worthy of them will be sentenced to death. Who should live, and who should die? Which crash survivor has the weakest claim on life?

Raphael Lipkin is a man obsessed. He hears voices. He talks to ghosts. He is spending the summer at the Mountain Clinic, a psychiatric hospital in upstate New York--not as a patient, but as a visiting professional with a secret, personal quest.A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin's Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him?

This book provides a standard reference of the major medieval Jewish philosophers, as well as an eminently readable narrative of the course of medieval Jewish philosophical thought, presented as a response to the spiritual-intellectual challenges facing Judaism in that period.The accounts of Saadia, Bahya, Halevi, Maimonides, and Crescas are among the fullest available in English. Other thinkers discussed in depth include Israeli, Ibn Gabirol, Gersonides, and Albo; the work also includes capsule summaries of Bar Hiyya, Falaquera, Albalag, Duran, Abravanel and others. All of the summaries place the philosophical thought of these important thinkers in the context of the historical challenges and religious concerns of their age.

"Midlife is a moving and empathetic portrait of a photographer at the point in her life when inexorable change is more apparent than ever. Elinor Carucci, whose work has been collected in the previous acclaimed volumes Closer (2002, 2009) and Mother (2013), continues her immersive and close-up examination of her own life in this volume, portraying this moment in vibrant detail"--

NEWSFLASH: Your mom and dad weren't always parents. They used to be people--and they were awesome They bathed you. They fed you. They raised you to become the person you are today. Your parents are an integral part of your story. But guess what? They have a story too--one that started long before you entered the picture. Before embarrassing fanny packs and Lite FM, there was a time when Mom and Dad were young and carefree--just like you. They were also fun and flirty, full of hope and desire and effortlessly cool. Based on the wildly popular website, My Parents Were Awesome shares heartwarming and hilarious essays by sons and daughters--including Jamie Deen, Christian Lander, Dave Itzkoff, Katherine Center, Laurie Notaro, and Holly Peterson--who' tell tales of their folks before babies, mortgages, and receding hairlines: the mom and dad who traveled by VW bus to see Led Zeppelin for $1, the grandmother whose halter top and shorts belied her perfect demeanor, the father whose wanderlust passed down to his equally nomadic daughter. Accompanied by treasured vintage photographs, these stories will make you laugh, melt your heart, and spark your own reflections of Mom and Dad. "Jimmy and Paula" by Jamie Deen "Eleanor and Johnny" by Jennifer Mascia "Steve and Teena" by Mike Adamick "Tony and Leeka" by Aaron Khefeits "Bruno and Elena" by Elia Bazan Garcia "Richard and Jennifer" by Christian Lander "Bob and Kitty" by Mindy Raf "Elaine and Jerry" by Mike Sacks "Josephine and Jim" by Salena Landon Reese "Lil and Jon" by Sara Benincasa "Seymour" by David Kamp "Christy and Teddy" by Kambri Crews "Joe and Patricia" by Tom McAllister "Ron and Sherry" by Rebecca Serle "Chuck and Debra" by Alex Blagg "Bob and Leslie" by Bex Schwartz "Gerry and Maddy" by Dave Itzkoff "David" by Jackie Mancini "Seymour" by Philip Glist "Patricia and Jerry" by Mandy Stadtmiller "Deborah" by Katherine Center "Carol and Jimmy" by Laurie Notaro "Heather and Ian" by Gabrielle Nancarrow "Phil and Karen" by Mollie Glick "Marty and Aveva" by Rachel Shukert "Azra and Ilarion" by Veronica Lara "David and Maria" by Anita Serwacki "Wayne and Margaret" by Hanna Brown Gordon "Martha and Jim" by Kate Spencer "Roger and Terry" by Kyle Beachy "Diane and Michael" by Leigh Newman "Kevin and Moira" by Ben Craw "Pete" by Holly Peterson "Martin" by Bradley H. Gendell "Addie and James" by Meg Federico "Dolores" by Durga Chew-Bose "Terry and Kathy" by Brandy Barber "Jim and Kathy" by Jennifer E. Smith "Hazel" by Rachel Fershleiser "Andrei" by Alexandra Stieber "Jud and Claudia" by Ryan Doherty "Kathryn and Phillipe" by Kathryn Borel "Astrid" by Ophira Eisenberg "Don and Corinne" by Rachel Sklar "Panfilo and Leonina" by Giulia Rozzi

Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of encounter, the romance. Grounding her readings of Dickinson, Frost, Moore, and Williams in foundational texts by Edwards, Jefferson, Audubon, and Thoreau, New shows how varieties of attentiveness and solicitude cultivated in the early literature are realized in later poetry. She then discloses how these ideas infuse the philosophical notions about pragmatic experience codified by Emerson, James, and Dewey. As these philosophers insisted, and as New's readings prove, art is where the experience of experience can be had: to read, as to write, a poem is to let the line guide one's way.

Wurtzel pub. her groundbreaking memoir of depression, Prozac Nation, at the age of 26. It was a worldwide success, but no success could staunch her continuous battle with depression. The absence of fulfillment in the wake of success became yet another seemingly insurmountable hurdle. Her doctor prescribed Ritalin to boost the effects of her anti-depression medication, and it worked. But she reached the point where she couldn t go more than 5 minutes without a fix of Ritalin, then cocaine, & then more Ritalin. In this harrowing account, she contemplates what it means to be in love within something in your blood that takes over your body, becomes the life force within you -- & could kill you. Recounts a courageous fight back to a life worth living.

Winner of the 2013 National Book Prize from Grub Street, the Towson Prize for Literature, and the 2013 Prakhin International Literary Foundation Award. Ellen Cassedy's longing to recover the Yiddish she'd lost with her mother's death eventually led her to Lithuania, once the "Jerusalem of the North." As she prepared for her journey, her uncle, sixty years after he'd left Lithuania in a boxcar, made a shocking disclosure about his wartime experience, and an elderly man from her ancestral town made an unsettling request. Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation--how do successor generations, moral beings--overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman's exploration of Lithuania's Jewish history combined with a personal exploration of her own family's place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to "speak to a Jew" before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation--Cassedy finds that it's not just the facts of history that matter, but what we choose to do with them.

This collection of the Pulitzer Prize-winning syndicated columnist's finest essays from 1981 to the present includes observations on everything from love in the work place to military defense

Ellery returned to Wrightsville to solve the mystery of: A rich man (believed poor) who died of "old age." A poor man (believed rich) who committed suicide. A scholarly drunk who disappeared. And shortly it occurred to Queen that the puzzle had a pattern. A twisted mind was committing murder according to an old nursery rhyme! Doctor, lawyer, merchant, chief...and to at least one person in town, the chief was Ellery Queen!

Twenty-three chilling mystery tales by authors including Antonia Fraser, Celia Fremlin, Cornell Woolrich, Baroness Orczy, John Galsworthy, etc.

At the tail end of the Roaring Twenties, a birthday bash for publishing heir John Sebastian, Jr., perfectly coincides with the twelve days of Christmas. Among the twelve invited guests is Ellery Queen, a newly published mystery writer planning to enjoy every last minute. But when an uninvited Santa Claus shows up on Christmas Eve and then mysteriously goes missing, the party takes a disturbing turn. Threatening clues masked as gifts begin to appear under the tree, and Queen - a novice crime fighter on his first solo case - must try to solve the killer's puzzle before someone gets murdered. After a dead body turns up, Queen is no closer to stopping the killer. If he can't anticipate the next clue before it shows up, John Sebastian's birthday will end up his funeral. From his first appearance in print in 1929, Ellery Queen became one of America's most famous and beloved fictional detectives. Over the course of nearly half a century, Frederic Dannay and Manfred B. Lee, the duo writing team known as Ellery Queen, won the prestigious Edgar Award multiple times, and their contributions to the mystery genre were recognized with a Grand Master Award, the highest honor bestowed by the Mystery Writers of America. Their fair-play mysteries won over fans due to their intricate puzzles that challenged the reader to solve the mystery alongside the brilliant detective. Queen's stories were among the first to dominate the earliest days of radio, film, and television. Ellery Queen's Mystery Magazine , which the writers founded and edited, became the world's most influential and acclaimed crime fiction magazine.

"Like father, like son ... killers! Davey Fox returned to his hometown a war hero. But inside he was a shattered man, convinced he was a killer just like his father. The war proved it; his past proved it. All signs pointed to it. His wife would soon die! unless ... Ellery Queen could show that Davey's father was innocent, and free him for his obsession with the past. But it was a cut-and-dried case. Just as the father had murdered the mother 12 years ago, there was no doubt not that ... THE MURDERER IS A FOX."--BOOK COVER

Part of the 'Photofile' series, aiming to bring together the best work of some of the world's greatest photographers. This work contains about 60 full-page reproductions printed in duotone, together with a critical introduction and a bibliography.