"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

A Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet.Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.

A peanut farmer from Georgia, Jimmy Carter rose to national power through mastering the strategy of the maverick politician. As the face of the "New South", Carter's strongest support came from his ability to communicate directly to voters who were disaffected by corruption in politics. But running as an outsider was easier than governing as one, as Princeton historian Julian E. Zelizer shows in this examination of Carter's presidency.

The last quarter century has been an extraordinary and turbulent period in the art world. It was a time of creative intensity during which a handful of artists, like Julian Schnabel, Jeff Koons, Keith Haring, and Jean-Michel Basquiat, managed, in their different ways, to cross over from the rarefied world of high art into popular culture. It was also a time when other promising careers and even whole movements, like Graffiti, spurted to life and then just as suddenly disappeared. During the astonishing boom years of the 1980s, the newly vigorous art market transformed the role of dealers and collectors to give them unprecedented power as tastemakers and the dangerous glamour of Hollywood power agents. And then came the bust. Writer Anthony Haden-Guest has moved within the art world, known the players, and reported on the scene for this entire span of time. True Colors draws on two decades of reporting to deliver an authoritative and deliciously inside account of the contemporary art world that will be the most talked-about book on art since The Shock of the New. Haden-Guest gives vivid portraits of the art world's key players and dramatizes the pivotal moments in the always evolving scene. Skillfully conveying a sense of the intricate geography of the art world, he tells of its clashes of ambition, its intrigues, its power plays. This is how artists survive, or don't survive. True Colors is filled with telling anecdotes and expertly told stories that cohere to give a sense of how the art world works, its current state, and where it may be going.

Also includes material on W.E.B. DuBois, Charles Waddell Chesnutt, James Weldon Johnson, Paul Laurence Dunbar, Langston Hughes, Jean Toomer, Claude McKay, and Countee Cullen.

This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess.

In Witness to Nuremberg , the chief interpreter for the American prosecution at the Nuremberg trials after World War II offers his insights into dealing directly with Hermann Goering, a leading member of the Nazi Party, as well as the story of his own colorful, eventful life before and after the trials. At age twenty-two, Richard Sonnenfeldt was appointed chief interpreter for the American prosecution of Nazi war criminals at Nuremberg. His pretrial time spent with Hermann Goering reveals much about not only Goering, but Hitler, Goebbels, Himmler, and other high-ranking Nazis. Sonnenfeldt was the only American who talked with all the defendants. Here is his inimitable life in wonderful detail.

A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

Mosaic: Memoirs, Lincoln Kirstein's long-awaited autobiography, is a compelling, often highly subjective evocation of his astonishing youth. The book's scenes move from the old mansions of Brahmin Boston to the waterfront bars of Brooklyn, George Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau, and the brothels of Marrakesh. It culminates with thrilling suspense in 1933, when Kirstein visits Paris, hoping to lure George Balanchine to the United States. Kirstein shapes his numinous memories into the story of a young man's quest to fuse his various roles into a unified self. Mosaic is the epic history of his ultimately triumphant search for a vocation. As a chapter in the growth of modernism, and as a contribution to cultural history - and the history of assimilation - this superbly written, humorous, and candid book is unique and invaluable.

Rainbow Jews looks at the intersection of gay and Jewish identity in American and Israeli film and theater from the 1960s to the present. Through a close reading of the texts of numerous American and Israeli plays and films, Friedman evaluates some of the key conventions that have been employed to construct, critique, and reflect the connection between Jewishness and gay identity in the United States and Israel. Friedman also explores ways in which gay-Jewish playwrights and filmmakers have progressed the reevaluation of sexual norms within Judaism over the past three decades, inspiring and integrating Jewish members of the GLBT community into the overall Jewish historical narrative.

For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.

Using thousands of hours of previously concealed tapes, a stunning revelation into the infamous Nixon White House and how far the administration went to cover up the abuse of power. Richard Nixon said he wanted his administration to be "the best chronicled in history." But when Alexander Butterfield disclosed the existence of a voice-activated taping system to a Senate committee in July 1973, Nixon's White House and its recordings quickly became the most infamous in American history. But only sixty hours were actually made public in the 1970s. Thousands of hours remained secret and in Nixon's hands, and he fought fiercely to keep them that way right up to his death. Finally, thanks to a lawsuit brought by historian Stanley I. Kutler, the Nixon estate and the National Archives have brought over three thousand hours of tapes to light. The tapes reveal an extensive cover-up beyond what was previously understood. The recordings, ranging from campaign tactics to controversial discussions, redefine the meaning of power abuse within Nixon's administration and his ultimate demise. A spy planted in Ted Kennedy's Secret Service detail, Nixon's continual insistence on paying the burglars, and talks about a substantial campaign fund showcase the true depth of the cover-up efforts. Packed with revelations on almost every page, Abuse of Power offers a spellbinding portrait of raw power and a Shakespearean depiction of a king and his court. Never have the personalities of Haldeman, Ehrlichman, Colson, Haig, Kissinger, Dean, and Mitchell been so vividly captured. And never has an American President offered such a revealing record of his darkest self.

"This is a collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike." "Intertwined with the literary essays, The Norman Podhoretz Reader offers some of the best and most influential political essays written by anyone in our time. Through such classics as "My Negro Problem - and Ours," his famous reassessments in Why We Were in Vietnam, and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career."--Jacket.

"This is a collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike." "Intertwined with the literary essays, The Norman Podhoretz Reader offers some of the best and most influential political essays written by anyone in our time. Through such classics as "My Negro Problem - and Ours," his famous reassessments in Why We Were in Vietnam, and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career."--Jacket.

As Turtledove's brilliant series The Great War came to its end, the United States of America, in alliance with Germany, had defeated Great Britain, France and the Confederate States of America in a bloody conflict known as the first World War. As the 1920s begin, though, the seeds of a new conflict have alredy been sown. The United States, led by Theodore Roosevelt, swings wildly towards socialism. In Canada - now a US colony - nationalist s strike against the new American oppressors. But it is in the Confederacy, trapped in a ruinous economic depression, where fascism begins to spread, and the fires are fanned by a charismatic leader who may again plunge the world into war. 'The wizard of If.' Chicago Sun-Times 'The standard-bearer for alternate history.' USA Today

Leaders in War present unique first-person perspectives across the spectrum of American combat operations during the 1991 Persian Gulf War. From division commanders to platoon leaders, the authors deliver an insider's view of tough leadership challenges, tragic failures, and triumphant victories. Leaders in War captures the essence of the post-Cold War US Army: how an all-volunteer army, equipped with new weapons systems and adjusting to new battle doctrine, mounted one of history's most successful military campaigns. Described here are the details of the tremendous logistical challenges, innovations in intelligence, ground combat operations from platoon to division, and a wide range of combat support operations. Leaders in War focuses not just on the successes, but on the failures as well, in operations ranging from violent tank battles against the vaunted Iraqi Republican Guard to train-and-fill operations thousands of miles away. Leaders in War illustrates how US Army leaders adapted to the psychological strains of combat, the fog of war, unforeseeable challenges, and the fury of tank warfare during the Persian Gulf War.

Fiorello LaGuardia is known best as the tempestuous mayor of New York City in the days when Franklin Delano Roosevelt sat in the White House. There had been, however, an earlier time, which matched his mayoralty years in sheer drama and perhaps surpassed them in lasting achievement-LaGuardia's years in Congress. He served in the House of Representative almost continuously from 1917 to 1933, representing two ethnically diverse congressional districts: the Fourteenth (Greenwich Village), from 1917 to 1919, and the Twentieth (East Harlem), from 1923 to 1933. Although barred from important committee posts because of his political independence and thus denied from playing a direct role in lawmaking, he was a tireless and vocal champion of Progressive causes, from allowing more immigration and removing U.S. troops from Nicaragua to speaking up for the rights and livelihoods of striking miners, impoverished farmers, oppressed minorities, and struggling families. A goad to the era's plutocrats and their enablers in government, LaGuardia fought for progressive income taxes, greater government oversight of Wall Street, and national employment insurance for workers idled by the Great Depression. In this book, first published by Cornell University Press in 1959, Howard Zinn establishes LaGuardia's tenure in Congress as a vital link between the Progressive and New Deal eras, offering a lively and informative account of his many legislative battles, his political philosophy, and the distinctly urban (specifically, New York City) sensibilities he brought to the Progressive movement.

The author analyzes the ongoing debate between exclusivists such as Richard Meier, Charles Gwathmey, and Peter Eisenman and inclusivists whom he sees as representatives of the first generation of post-moderist architects in America.

One of the most imaginative figures to emerge from the science fiction field. Olaf Stapledon left an indelible mark on many other writers, from Arthur C. Clarke to Saul Bellows, but never won a mass following himself. This study by a renowned American literary critic provides a long-needed introduction to the life and work of the man Brian Aldiss called "the great classical example, the cold pitch of perfection as he turns scientific concepts into ontological epic prose poems, the ultimate science fiction writer." Probing the recurrent themes and images of Stapledon's novels -- which include Last and First Men, Odd John, Star Maker, and Sirius -- Leslie A. Fiedler brilliantly illuminates the complexity and richness that underlie Stapledon's fiction. As Fiedler demonstrates, Stapledon was very much a product of the 1930s, embracing a set of leftist attitudes that were common to many other "Oxbridge-educated sons of the English upper classes." But, as Fiedler further shows, there is much more to Stapleton's books than their superficial ideological content: his works are unique in their awe-inspiring vision of the breadth of the physical universe and the depths of the human psyche. "Certainly since encountering him," Fielder writes, "I have never been able to stare up at thee night sky with the same secure faith that either God exists or he does not; anymore than I have been able between sleeping and waking to be sure that the nighttime "I" preparing to dream is identical with or totally different from the conscious "I" about to surrender its dominion."