Rabbi Joseph B. Soloveitchik, born in 1903 and scion of a preeminent Lithuanian Orthodox family, was one of the most towering intellectual figures of American Orthodoxy in the twentieth century. After receiving rabbinic ordination and completing his studies toward a Ph.D., he immigrated to America where he served as the Rosh Yeshiva at the Rabbi Isaac Elchanan Theological Seminary of Yeshiva University. As the leader of centrist Orthodoxy in America for more than fifty years, his many accomplishments included his founding of the Maimonides School in Boston in 1937. Rabbi Soloveitchik served as the intellectual and spiritual force behind the Maimonides School from its founding and was responsible for its innovative curriculum. Synthesizing American educational methodologies and European Orthodox approaches to education, the Maimonides School became a prototype for an American Orthodox educational institution. Unique among contemporary Orthodox day schools, the coeducational nature of the classes at Maimonides, and to some extent the curriculum, was groundbreaking. Characterized by academic excellence in both Judaic studies and other subjects, the school offered boys and girls exactly the same education. Rabbi Soloveitchik’s school was particularly innovative by offering Talmud classes to girls on the same level as boys. The Maimonides School became a paradigm for the fledgling Orthodox Jewish day school movement nationwide. The character of the education there influenced later developments in the Orthodox community, such as the emphasis on higher level Torah study for women. By articulating a philosophy that advocated both traditional Orthodoxy as well as modernism and Americanism, the school gradually affected Boston’s Orthodox community, which came to be guided by its principles. As Seth Farber points out, the school, once rejected by the Jewish establishment in Boston, was eventually embraced by it. A community that saw no contradiction between democratic values and traditional Orthodox lifestyle emerged in Boston. This modern Orthodox community ultimately represented a significant voice in Boston’s Jewish and America's Orthodox cultures.

Tells the story of how wealthy businessman Julius Rosenwald came to financially support the building of 5,300 schools in rural African-American communities that desperately needed them over the course of twenty years.

Simpson shows how Dylan Thomas reminded American poets of the importance of the personal voice, the poetry of feelings and inner needs. He then moves to three American poets, examining how they responded to, and helped make the "revolution in taste."

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

A study of the life and times of Bishop S.I.J. Schereschewsky (1831-1906) and his translation of the Hebrew Old Testament into northern vernacular (Mandarin) Chinese. Based largely on archival materials, missionary records and letters, the book includes an analysis of the translated Chinese text together with Schereschewsky's explanatory notes. The book examines his Jewish youth in Eastern Europe, conversion, American seminary study, journey to Shanghai and Beijing, mission routine, the translating committee's work, his tasks as Episcopal bishop in Shanghai and the founding of St. John's University. Concluding chapters analyze the controversial "Term Question" (the Chinese term for God) and Schereschewsky's techniques of translating the Hebrew text. Included are useful discussions of the Old Testament's Chinese reception and the role of this translation for subsequent Bible translating efforts.

A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa . My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times ). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

A visual history of the American presidency as reflected by diplomatic entertaining events traces the early days of provincial dining in the capital through today's sumptuous White House state banquets.

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

Zum Zeitpunkt seines Todes im Jahr 1820 war Benjamin West der berühmteste Künstler der englischsprachigen Welt und wurde in ganz Europa gefeiert. Aus bescheidenen Verhältnissen in Pennsylvania stammend, hatte er als erster amerikanischer Künstler in Italien studiert und war innerhalb weniger Jahre nach seiner Ankunft in London maßgeblich an der Gründung der Royal Academy of Arts beteiligt und zum Historienmaler von König Georg III. ernannt worden. Wie der Autor in diesem Buch feststellt, gehörte West jedoch zur Avantgarde, die den Neoklassizismus und die Romantik schuf und zu den ersten Malern, die die inspirierenden Qualitäten zeitgenössischer Ereignisse darstellten. Vor allem sein bekanntestes Gemälde, Der Tod des General Wolfe, war ein revolutionäres Werk, das die Kunst nachhaltig veränderte. Es ist das erste Buch, das den Beitrag von West zu den Ideen der Moderne und der Erneuerung der Historienmalerei bewertet und es bietet spannende neue Einblicke in Wests berühmtestes Gemälde.

After World War II, German scientist Nikolaus Riehl and his family were held captive in the Soviet Union from 1945 to 1955. His story is uniquely interesting in part because of its historical content, in part because he was bilingual in German and Russian, having grown up in St. Petersburg as the son of a German father and a Russian mother, and as a result of his warm human interest in the Russian people. He tells his story in Ten Years in a Golden Cage. Frederick Seitz has written a detailed introduction that provides a historical context for his translation (from German) of Riehl's book.

"Jacob Neusner (born 1932) is one of the most important figures in the shaping of modern American Judaism. He was pivotal in transforming the study of Judaism from an insular project only conducted by--and of interest to--religious adherents to one which now flourishes in the secular setting of the university. He is also one of the most colorful, creative, and difficult figures in the American academy. But even those who disagree with Neusner's academic approach to ancient rabbinic texts have to engage with his pioneering methods. In this comprehensive biography, Aaron Hughes shows Neusner to be much more than a scholar of rabbinics. He is a social commentator, a post-Holocaust theologian, and was an outspoken political figure during the height of the cultural wars of the 1980s. Neusner's life reflects the story of what happened as Jews migrated to the suburbs in the late 1940s, daring to imagine new lives for themselves as they successfully integrated into the fabric of American society. It is also the story of how American Jews tried to make sense of the world in the aftermath of the extermination of European Jewry and the subsequent creation of the State of Israel in 1948, and how they sought to define what it meant to be an American Jew. Unlike other great American Jewish thinkers, Neusner was born in the U.S., and his Judaism was informed by an American ethos. His Judaism is open, informed by and informing the world. It is an American Judaism, one that has enabled American Jews--the freest in history--to be fully American and fully Jewish."--Publisher's description

The story of "an idealistic young American who freely cast his lot with the Chinese revolution only to be struck down by that revolution at the floodtide of its success."--Leonard Woodcock, first American Ambassador to China

Seven essays on science fiction: Introduction Robert Silverberg: sounding brass, tinkling cymbal Alfred Bester: my affair with science fiction Harry Harrison: the beginning of the affair Damon Knight: Knight piece Frederick Pohl: ragged claws Brian Aldiss: magic & bare boards Appendices: how we work, selected bibliographies

She Took A Village tears the lid off the secrets of Hillary Rodham Clinton in a probing investigation of America's power-grabbing First Lady. This unauthorized biography reveals a life-time of ruthless determination, skillful manipulation and artful denial unmatched in the long history of American presidential wives. She Took A Village puts it all together in a fast-paced, absorbing story you won't want to miss. With his latest book, Alan Gottlieb lobs another political grenade into the fray over public policy. Long recognized as a leading gun rights advocate and successful direct mail fund raiser for conservative causes, he has emerged as a media mogul through his chairmanship of the Talk America Radio Networks, which boast over 500 affiliate stations from coast to coast. Alan Gottlieb has achieved that most enviable position among writers, the insider status that lets him see the whole picture from the top of the pyramid. You get the advantage of his many years behind the Washington scenes and the crisp, informative, right-to-the-point style that made his earlier books best-sellers.

On June 27, 1868, Hole in the Day (Bagonegiizhig) the Younger left Crow Wing, Minnesota, for Washington, DC, to fight the planned removal of the Mississippi Ojibwe to a reservation at White Earth. Several miles from his home, the self-styled leader of all the Ojibwe was stopped by at least twelve Ojibwe men and fatally shot. Hole in the Day's death was national news, and rumors of its cause were many: personal jealousy, retribution for his claiming to be head chief of the Ojibwe, retaliation for the attacks he fomented in 1862, or retribution for his attempts to keep mixed-blood Ojibwe off the White Earth Reservation. Still later, investigators found evidence of a more disturbing plot involving some of his closest colleagues: the business elite at Crow Wing. While most historians concentrate on the Ojibwe relationship with whites to explain this story, Anton Treuer focuses on interactions with other tribes, the role of Ojibwe culture and tradition, and interviews with more than fifty elders to further explain the events leading up to the death of Hole in the Day. The Assassination of Hole in the Day is not only the biography of a powerful leader but an extraordinarily insightful analysis of a pivotal time in the history of the Ojibwe people. " An essential study of nineteenth-century Ojibwe leadership and an important contribution to the field of American Indian Studies by an author of extraordinary knowledge and talent. Treuer's work is infused with a powerful command over Ojibwe culture and linguistics." --Ned Blackhawk, author of Violence Over the Land: Indians and Empires in the Early American West "The Assassination of Hole in the Day is a masterful history, and more. Anton Treuer illuminates the character of a controversial and charismatic Ojibwe leader from within Ojibwe culture, and tells a powerful story of loss that reverberates in the present." --Louise Erdrich "This is more than a murder mystery. It provides insights into the evolution of clan structure, tribal governance and relations with the Dakota and other tribes since the time a century and a half ago when white pressure, the declining fur trade and other factors led to the cession of great tracts of land and the people's removal to reservations." --Star Tribune "This highly recommended work provides insights into the challenges faced by native peoples during an era when they were under intense pressure by the federal government to move to reservations." --Library Journal "Treuer explores the life and death of this brash young leader, and delves into tribal history and the intricate machinations of Ojibwa politics." --Booklist Anton Treuer, professor of Ojibwe at Bemidji State University, is the author of Ojibwe in Minnesota and several books on the Ojibwe language. He is also the editor of Oshkaabewis Native Journal, the only academic journal of the Ojibwe language.