The author, who served as presidential speechwriter, offers an insider's view of George W. Bush's first 600 days in office.

My octogenarian dad wanted to study Homer's epic and learn its lessons about life's journeys. First he took my class. Then we sailed for Ithaca. When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired computer scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months during which the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise--filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn's narrative comes to echo The Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home. Rich with literary and emotional insight, An Odyssey is a renowned author-scholar's most triumphant entwining yet of personal narrative and literary exploration.

Well, hello, Dolly! Carol Channing, one of America's most beloved and enduring theatrical legends, takes on her most challenging role yet: as the author of this funny, ribald, and moving memoir. Known across the nation for her portrayal of the irresistible Dolly Levi, the title character of the Broadway musical phenomenon, Hello, Dolly!, Carol Channing is perhaps the only living theatrical star whose name brings a smile to the face of people in virtually every city and town across America and Canada, to say nothing of London, Melbourne, and Sydney. Her performance as the droll and leggy Lorelei Lee in the Broadway version of Gentlemen Prefer Blondes made her a star and launched a career that has spanned over fifty years and has included a number of Broadway plays, many television appearances, and two movies, including Thoroughly Modern Millie, for which she was nominated for an Academy Award. Capping them all, of course, was her Tony award-winning signature performance as the irrepressible Dolly. Conversational in style, and written entirely by Miss Channing, this star-studded chronicle gives you the feeling that you are sitting down with this fascinating woman and having her delight you with tales from her long and amazing life, both personal and professional. You'll be invited behind the scenes for stories featuring an all-star cast of celebrities such as Marilyn Monroe, Barbra Streisand, Ethel Merman, Mary Martin, Tallulah Bankhead, Gower Champion, Clint Eastwood, Julie Andrews, Marlene Dietrich, David Merrick, Noël Coward, Al Pacino, and Yul Brynner. And you'll learn of the not-so-glamorous times, too, as Miss Channing reveals her theatrical triumphs, her heritage, and her winning battle with ovarian cancer. Through it all, Carol Channing -- the real star of this story -- demonstrates with wit and candor how she kept up her spirits and forged fearlessly ahead. From the first page to its triumphant conclusion -- and including many never-before-seen photographs -- Just Lucky I Guess is perhaps Miss Carol Channing's most engaging performance yet.

Winner of three Oscars® and the highest grossing film of its time, Jaws was a phenomenon, and this is the only book on how 26-year-old Steven Spielberg transformed Peter Benchley's #1 best-selling novel into the classic film it became. Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, an actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss. After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary year-long adventure in The Jaws Log, which was first published in 1975, generating 17 printings and selling more than 2 million copies. This new edition includes a photo section, a new introduction by Benchley, and a lengthy afterword by Gottlieb that updates the people and events involved in the film, ultimately providing a singular portrait of a famous movie and inspired moviemaking in process.

Autobiography of Lenny Bruce.

William Shatner and Leonard Nimoy first met as journeymen actors on the set of 'The Man from U.N.C.L.E.'. Little did they know that their next roles, in a new science-fiction television series, would shape their lives in ways no one could have anticipated. In seventy-nine television episodes and six feature films, they grew to know each other more than most friends could ever imagine. As much a biography of Nimoy as an autobiography of their friendship, this is a uniquely heartfelt book written by one legendary actor in celebration of another

The most haunting memoir of the twentieth century—written in exile, published after death, essential for our time. Stefan Zweig was born into the golden age of European civilization, a world that believed in progress, treasured culture above nationalism, and thought peace permanent. From his privileged position in Vienna—cultural capital of the Hapsburg Empire—he witnessed the last great flowering of cosmopolitan humanism. He knew Rilke and Freud, Hofmannsthal and Richard Strauss. He moved effortlessly between Paris, London, Berlin, and Rome. By the 1920s, he was one of the most translated authors in the world. Then, across three decades, he watched that entire civilization destroy itself. The World of Yesterday is Zweig's attempt to capture what was lost—the intellectual brilliance of pre-war Vienna, the madness of 1914's patriotic fever, the hyperinflation that destroyed Austria's middle class, the rise of Mussolini and Hitler, the nightmare of exile. Writing without access to his notes or library, relying purely on memory, Zweig creates something more valuable than conventional autobiography: a sustained meditation on civilization's fragility, written by a witness who understood exactly what was being destroyed and why it mattered. This is not simply historical testimony. It is warning and prophecy. Zweig describes how quickly democratic norms collapsed, how virulent antisemitism erupted in countries where Jews felt integrated, how cultural achievement proved defenseless against totalitarian barbarism. He chronicles the failure of intellectuals to resist, the transformation of neighbors into enemies, the speed with which cosmopolitan ideals gave way to tribal hatred. The memoir was completed in Brazil in February 1942, mailed to the publisher on February 21st. The next day, Zweig and his wife ended their lives. He could not survive the destruction of everything he valued. But he left us this book—eloquent, heartbroken, clear-eyed about both his generation's achievements and its catastrophic failures. For readers in our own uncertain era, The World of Yesterday speaks with uncomfortable urgency. The questions Zweig asks have become our questions. The dangers he witnessed have not disappeared. His testimony reminds us that civilization is never guaranteed—it must be defended, or it will be lost. A masterwork of witness and warning. The essential memoir of European catastrophe. Required reading for our age.

The game is an autobiography of the author, neil strauss, and explores his encounters with interesting members of a certain community. It is based on his real-life experiences over a span of two years. The novel talks about a romantically frustrated man who joins a boot camp and becomes a pickup artist. He masters the art of attracting and seducing women so well that soon he turns out to be a guru in the area, outshining the person from whom he learnt the art. The book has surprise elements in the form of the author’s encounters with some of the most popular hollywood stars like tom cruise, britney spears, paris hilton, and more. The author transforms himself from a regular guy into a man whom every woman would want to be with. His tone, his conversation skills, and his style is enough to charm any woman. The climax is ironical to the beliefs of the community of pickup artists. The game helps women in understanding the behaviour of such men, and is also suitable for men who want to c

Anarchist, journalist, drama critic, advocate of birth control and free love, Emma Goldman was the most famous—and notorious—woman in the early twentieth century. This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence. First time in Penguin Classics Condensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era

"William Barr's first tenure as attorney general under President George H.W. Bush was largely the result of chance, while his second tenure under President Donald Trump a deliberate and difficult choice. In this candid memoir, Barr takes readers behind the scenes during seminal moments of the 1990s, from the LA riots to Pan Am 103 and Iran Contra. Thirty years later, Barr faced an unrelenting barrage of issues, such as Russiagate, the COVID outbreak, civil unrest, the impeachments, and the 2020 election fallout"--

"The New York Times bestselling author and star of Little House on the Prairie returns with a new memoir -- both hilarious and heartfelt -- chronicling her journey from Hollywood to a ramshackle house in the Catskills during the COVID-19 pandemic. Known for her childhood role as Laura Ingalls Wilder on the classic NBC television show Little House on the Prairie, Melissa Gilbert has spent nearly her entire life in Hollywood. From Dancing with the Stars to a turn in politics, she has always been on the lookout for her next project. She just had no idea that her latest one would be completely life-changing. When her husband introduces her to the wilds of rural Michigan, Melissa begins to fall back in love with nature. And when work takes them to New York, they find a rustic cottage in the Catskills to call home. But 'rustic' is a generous description for the state of the house, which requires a lot of blood, sweat, and tears from the newlyweds to make it habitable. Then the coronavirus pandemic descends upon the world, further nudging Melissa out of the spotlight and into the woods. She trades Botox treatments for DIY projects, power-lunching for gardening and raising chickens, and soon her life is once again rediscovered, in her own little house in the mountains." --

"In The Great Debate Yuval Levin explores the origins of the familiar left/right divide in American politics by examining the views of the men who best represent each side of that debate: Edmund Burke and Thomas Paine. In a groundbreaking exploration of the origins of our political order, Levin shows that our political divide did not originate (as many historians argue) in the French Revolution, but rather in the Anglo-American debate about that revolution. Burke and Paine were both utterly fascinating figures--active in politics, versed in philosophy, and two of the best, most effective and powerful political writers and polemicists in the history of the English speaking world. Levin sets the work of these two men against the dramatic history of their era and shows how they mixed theory and practice to advance their very different notions of liberty, equality, nature, history, reason, revolution, and reform. Paine believed in radical change and saw the American and French Revolutions as catalysts for creating a new society; Burke believed in a significantly more gradual approach with each generation acting merely as part of a long chain of history. These differing approaches to revolution and reform created a division that continues to shape our current political discourse--including issues ranging from gun control and abortion to welfare and economic reform"--

People who have read my books, particularly "The War of Art" and its cousins, have a vague idea of the odyssey of a particular solitary guy, wracked by guilt and riven by self-doubt, as he struggles toward his destiny as a writer. But they have only the scantiest conception of the particulars of that journey. These particulars, I'm hoping, may be of use to others as they wrestle with their own version of that same odyssey. So let me try to strip it down. Let me tell the parts I normally leave out.

Stanislaw Lem's Highcastle is at once a remembrance and a meditation. Even as Lem gives an account of his childhood in Lvov in the years between the two world wars, he ponders the nature of memory, innocence, and the imagination. His recollections of growing up the son of a bourgeois doctor at Number 4 Brajerska Street are stunningly evocative, re-creating with acuity a boy's perception of the world around him: his gossipy French tutor; the magical window of Zalewski's Confectionery; his father's anatomy books and carefully hidden French pornography; a trip to Klaften's Toy Shop; an aborted visit to a tattooed lady at the Eastern Fair; the trams, organ grinders, and halvah stands of Lvov.

Robert Dallek's brilliant two-volume biography of Lyndon Johnson has received an avalanche of praise. Michael Beschloss, in The Los Angeles Times, said that it "succeeds brilliantly." The New York Times called it "rock solid" and The Washington Post hailed it as "invaluable." And Sidney Blumenthal in The Boston Globe wrote that it was "dense with astonishing incidents." Now Dallek has condensed his two-volume masterpiece into what is surely the finest one-volume biography of Johnson available. Based on years of research in over 450 manuscript collections and oral histories, as well as numerous personal interviews, this biography follows Johnson, the "human dynamo," from the Texas hill country to the White House. We see LBJ, in the House and the Senate, whirl his way through sixteen- and eighteen-hour days, talking, urging, demanding, reaching for influence and power, in an uncommonly successful congressional career. Then, in the White House, we see Johnson as the visionary leader who worked his will on Congress like no president before or since, enacting a range of crucial legislation, from Medicare and environmental protection to the most significant advances in civil rights for black Americans ever achieved. And we see the depth of Johnson's private anguish as he became increasingly ensnared in Vietnam. In these pages Johnson emerges as a man of towering intensity and anguished insecurity, of grandiose ambition and grave self-doubt, a man who was brilliant, crude, intimidating, compassionate, overbearing, driven: "A tornado in pants." Gracefully written and delicately balanced, this singular biography reveals both the greatness and the tangled complexities of one of the most extravagant characters ever to step onto the presidential stage.

Survival in Auschwitz: If This Is a Man is a book written by the Italian author, Primo Levi. It describes his arrest as a member of the Italian anti-fascist resistance during the Second World War, and his incarceration in the Auschwitz concentration camp from February 1944 until the camp was liberated on 27 January 1945. Levi, then a 25-year-old chemist, spent 10 months in Auschwitz before the camp was liberated by the Red Army. Of the 650 Italian Jews in his shipment, Levi was one of only twenty who left the camps alive. The average life expectancy of a new entrant was three months. This truly amazing story offers a revealing glimpse into the realities of the Holocaust and its effects on our world.

From the Publisher: Twenty years ago Natalie Goldberg's classic, Writing Down the Bones, broke new ground in its approach to writing as a practice. Now, Old Friend from Far Away-her first book since Writing Down the Bones to focus solely on writing-reaffirms Goldberg's status as a foremost teacher of writing, and completely transforms the practice of writing memoir. To write memoir, we must first know how to remember. Through timed, associative, and meditative exercises, Old Friend from Far Away guides you to the attentive state of thought in which you discover and open forgotten doors of memory. At once a beautifully written celebration of the memoir form, an innovative course full of practical teachings, and a deeply affecting meditation on consciousness, love, life, and death, Old Friend welcomes aspiring writers of all levels and encourages them to find their unique voice to tell their stories. Goldberg's enormously popular workshops have given countless students the ability to heed the call to write. Old Friend from Far Away recreates her trademark workshop style with its terse, demanding writing "sprints" that train the hand and mind to quicken their pace and give up conscious control. These exercises divert the eye from the obvious and redirect it to the tactile details we miss, the embarrassments we pass over, and the complications we overlook in the blur of everyday living. Goldberg writes, "No one says it, but writing induces the state of love." Old Friend from Far Away guides us into that state of love, where heightened attention and a rhythm of focus allow the patterns and details of the past to emerge on the page. Millions of Americans want to write about their lives. With Old Friend as the road map for getting started and following through, writers and readers will gain a deeper understanding of their own minds, learn to connect with their senses in order to find the detail and truth that give their written words power and authenticity, and unfold the natural structure of the stories they carry within. An absolute joy to read, it is a profound affirmation of the capacity of the written word to remember the past, free us from it, and forever transform the way we think about ourselves and our lives. Like Writing Down the Bones, it will become an old friend to which readers return again and again.

Finalist for the Pulitzer Prize (Biography) A New York Times bestseller, this “epic and elegant” biography ( Wall Street Journal ) profoundly recasts our understanding of the Vietnam War. Praised as a “superb scholarly achievement” ( Foreign Policy ), The Road Not Taken confirms Max Boot’s role as a “master chronicler” ( Washington Times ) of American military affairs. Through dozens of interviews and never-before-seen documents, Boot rescues Edward Lansdale (1908–1987) from historical ignominy to “restore a sense of proportion” to this “political Svengali, or ‘Lawrence of Asia’ ”( The New Yorker ). Boot demonstrates how Lansdale, the man said to be the fictional model for Graham Greene’s The Quiet American , pioneered a “hearts and minds” diplomacy, first in the Philippines and then in Vietnam. Bringing a tragic complexity to Lansdale and a nuanced analysis to his visionary foreign policy, Boot suggests Vietnam could have been different had we only listened. With contemporary reverberations in Iraq, Afghanistan, and Syria, The Road Not Taken is a “judicious and absorbing” ( New York Times Book Review ) biography of lasting historical consequence.