A Soviet Jew describes her sixteen-year battle to leave the USSR and emigrate to Israel, detailing the frustration, imprisonment, exile, and hardships that she experienced during that struggle

"Scott Raab's big-hearted companion to his darkly comic "sports-jeremiad-slash-memoir" The Whore of Akron follows the first two years of LeBron James's return to Cleveland, where everybody just loves a good story of forgiveness--especially when you fulfill your promise and bring home an NBA Championship, the first major title for a Cleveland team since 1964. "If I had a chance to return to Cleveland, and those fans welcomed me back, that'd be a great story." --LeBron James in 2010, days after "The Decision" In 2010, when LeBron James announced to the world that he was leaving for Miami, he broke the collective heart of his native city and destroyed the hopes of an entire tortured generation. As LeBron headed south, unofficial spokesman Scott Raab sent him off with a middle-finger salute of his own--a deliciously obscene aria of sports fandom, Jewishness, and weight gain that became infamous as The Whore of Akron. Four years--and two NBA championships later--LeBron came home to the Rust Belt faithful who had vilified him mercilessly, none more so than Raab. You're Welcome, Cleveland is the story of both LeBron's and Scott's redemption as they pursue the one thing they crave more than anything in life--an NBA title for the city that made them men. LeBron is back. So is Scott Raab. It's a great story. You're Welcome, Cleveland"--

Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”

An autobiography and selected writings by the former Chief Judge of New York’s highest court, the Court of Appeals. In 1983, Judith S. Kaye (1938–2016) became the first woman appointed to the Court of Appeals, New York’s highest court. Ten years later, she became the first woman to be appointed chief judge of the court, and by the time she retired, in 2008, she was the longest-serving chief judge in the court’s history. During her long career, she distinguished herself as a lawyer, jurist, reformer, mentor, and colleague, as well as a wife and mother. Bringing together Kaye’s own autobiography, completed shortly before her death, as well as selected judicial opinions, articles, and speeches, Judith S. Kaye in Her Own Words makes clear why she left such an enduring mark upon the court, the nation, and all who knew her. The first section of the book, Kaye’s memoir, focuses primarily on her years on the Court of Appeals, the inner workings of the court, and the challenges she faced, as chief judge, in managing a court system populated by hundreds of judges and thousands of employees. The second section, a carefully chosen selection of her written opinions (and occasional dissents), reveals how she guided the law in New York State for almost a quarter century with uncommon vision and humanity. Her decisions cover every facet of New York and federal law and have often been quoted and followed nationally. The final section of the book includes selections from her numerous articles and speeches, which cover the field, from common law jurisprudence to commercial law to constitutional analysis, all with an eye to the future and, above all, how the law can best affect the everyday lives of people who come to court—willingly or unwillingly—including, not least, those most in need of the law. BACK FLAP “Judith Kaye was one of the most admired judges in the nation—and a wonderful, real, often funny person as well. This collection captures the full range of the judge and the woman, and it serves as a great reminder of her enduring legacy.” — Jeffrey Toobin “An extraordinary woman, jurist, and leader who had a striking impact on the law and the administration of justice in New York State and beyond. This collection is more than a simple record of a remarkable life. It is a treasure—not only for those of us who knew and admired Judith but for all who may seek to understand and appreciate the profound impact she had on the law, the legal profession, and the administration of justice.” — from the Foreword by Honorable Janet DiFiore

"An autobiography usually requires a justification. The great autobiographies-those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams-were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. He grew up in a petit-bourgeois, Midwestern milieu, and the city of Chicago looms large in his life. He drew a lucky ticket in the parent lottery and his was a happy boyhood spent on playgrounds and hanging around drug stores. At high school dances, he was the rhumba king and at drive-in movies he was never allowed to go as far with girls as he so ardently desired. At twenty-six, after two years in the army, he found himself married, the father or stepfather of four children, and living in New York on the meager salary of a magazine subeditor. He was ablaze with ambition and fettered by frustration. He broke out by moving to Little Rock, Arkansas, to direct the city's anti-poverty program at the height of the Civil Rights movement. His writing career blossomed, he began teaching at Northwestern University, and, for twenty-five years, edited one of great intellectual magazines. Never Say You've Had a Lucky Life is an intimate look at one life steeped in radical change: from a traditionally moral culture to a therapeutic one, from an era when the extended family was strong to its current diminished status, from print to digital life featuring the war of pixel on print, and on. But for all the seriousness of Epstein's themes, this book is memorable for its comic point of view and the constant reminder of how unpredictable, various, and wondrously rich life can be"--

In this candid and witty autobiography, Nobel laureate Herbert A. Simon looks at his distinguished and varied career, continually asking himself whether (and how) what he learned as a scientist helps to explain other aspects of his life. A brilliant polymath in an age of increasing specialization, Simon is one of those rare scholars whose work defines fields of inquiry. Crossing disciplinary lines in half a dozen fields, Simon's story encompasses an explosion in the information sciences, the transformation of psychology by the information-processing paradigm, and the use of computer simulation for modeling the behavior of highly complex systems. Simon's theory of bounded rationality led to a Nobel Prize in economics, and his work on building machines that think&-- based on the notion that human intelligence is the rule-governed manipulation of symbols&--laid conceptual foundations for the new cognitive science. Subsequently, contrasting metaphors of the maze (Simon's view) and of the mind (neural nets) have dominated the artificial intelligence debate. There is also a warm account of his successful marriage and of an unconsummated love affair, letters to his children, columns, a short story, and political and personal intrigue in academe.

This captivating autobiography by a Tibetan educator and former political prisoner is full of twists and turns. Born in 1929 in a Tibetan village, Tsering developed a strong dislike of his country's theocratic ruling elite. As a 13-year-old member of the Dalai Lama's personal dance troupe, he was frequently whipped or beaten by teachers for minor infractions. A heterosexual, he escaped by becoming a drombo, or homosexual passive partner and sex-toy, for a well-connected monk. After studying at the University of Washington, he returned to Chinese-occupied Tibet in 1964, convinced that Tibet could become a modernized society based on socialist, egalitarian principles only through cooperation with the Chinese. Denounced as a 'counterrevolutionary' during Mao's Cultural Revolution, he was arrested in 1967 and spent six years in prison or doing forced labor in China. Officially exonerated in 1978, Tsering became a professor of English at Tibet University in Lhasa. He now raises funds to build schools in Tibet's villages, emphasizing Tibetan language and culture.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Leopold Infeld was one of the nine eminent scientists who, together with Albert Einstein, signed Bertrand Russell's famous letter warning that in this nuclear age, only a ban on war itself could save this planet (July, 1955). Infeld was born in the Jewish ghetto of Cracow, Poland in 1898, and this autobiography contains a vivid description of this long-since-vanished world. He was assistant to and then a scientific collaborator with Albert Einstein at the Institute for Advanced Study, Princeton, NJ (1936-1938), and this collaboration continued for twelve years while Infeld was at the University of Toronto. In 1938 he wrote a book together with Albert Einstein that became a number one bestseller, The Evolution of Physics. Infeld was lecturer and then Professor of Applied Mathematics at the University of Toronto from 1938--1950. From 1945-1950 he gave many lectures all over Canada on the elementary physics of the atom bomb, warning that Russia would soon have the bomb and urging that the short period

Autobiography of growing up in a left-wing American family - a social documentary and personal statement.

The Education of Fanny Lewald is the autobiography of the most popular and prolific German woman writer of her period (1811-1889). The author of more than fifty books of fiction, travel memoirs, and articles about current events, Lewald was a friend or acquaintance of many of the prominent intellectual, artistic, and political figures of nineteenth-century Europe. Her autobiography is clearly and engagingly written. We see her developing from the bright, oldest child of a middle-class Jewish family in East Prussia into a successful writer and financially independent woman. And we see her struggles with a patriarchal society along the way.

"With the same candor that has characterized his life, Otto Preminger--actor, director, producer, and now writer--exposes himself (in writing) as well as an impressive line-up of show business folk in this engrossing memoir. As one of Hol1ywood's pre-eminent directors with 36 films and 32 stage productions to his credit, Preminger reveals the funny, outrageous, and often exasperating moments of his career, and his association with the eccentric, the gracious, the wealthy, the egomaniacal--'the stars.' Beginning his career as an apprentice of Max Reinhardt, Preminger became an instant success as an actor and then as a director. Hollywood called and he went there in 1935. His outspoken manner clashed with the autocratic studio moguls. He was forced to return to New York and find work directing plays on Broadway. He rebounded in 1944 to begin his stormy and remarkably creative period in Hollywood with Laura, his first all-out hit, starring Gene Tierney, Clifton Webb, and Dana Andrews. Preminger gives an inside glimpse at shooting such films as Daisy Kenyon with Joan Crawford (whom he considers a remarkable, independent, and generous woman); River of No Return, starring Marilyn Monroe; the all-black productions of Carmen Jones and Porgy and Bess, both accused of being racist; The Man With the Golden Arm, with Frank Sinatra and Kim Novak; plus such legendary films as Anatomy of a Murder (James Stewart, Lee Remick, and George C. Scott), Exodus (Paul Newman, Eva Marie Saint), Advise and Consent (Henry Fonda and Charles Laughton), The Cardinal (Tom Tryon, Romy Schneider), Hurry Sundown (Jane Fonda, Michael Caine, Diahann Carroll and Faye Dunaway), and In Harm's Way (John Wayne). Making no bones about naming enemies or exalting his friends, Preminger elaborates on the blacklisting during the fifties and includes his own critique of the critics. Preminger gives us a little more insight into his friend Tallulah Bankhead and her affinity for shocking behavior (with a few choice examples), as well as his opinion of Howard Hughes (a fascinating man, but not all that eccentric). He sets the record straight on a number of his love affairs and marriages, and divulges the story of his relationship with Gypsy Rose Lee and their child, who after Gypsy's death emerged as Erik Preminger. Leaving few stones unturned, this unique "Otto-biography" zooms in on Hollywood through the eyes of one of its most active and highly creative personalities--Preminger!"--Jacket.

Unusual book

Artur Schnabel's Music, Wit, and Wisdom is an expanded and revised version of the twelve lectures he delivered at the University of Chicago in 1945. Often regarded as his autobiographical statement, the book combines memoir, musical philosophy, cultural criticism, and reflections on the role of the artist in society.

"Rav Abraham Isaac Kook (1865-1935) was one of the most influential--and controversial--rabbis of the twentieth century. A visionary writer and outstanding rabbinic leader, Kook was a philosopher, mystic, poet, jurist, communal leader, and veritable saint. The first chief rabbi of Jewish Palestine and the founding theologian of religious Zionism, he struggled to understand and shape his revolutionary times. His life and writings resonate with the defining tensions of Jewish life and thought.A powerfully original thinker, Rav Kook combined strict traditionalism and an embrace of modernity, Orthodoxy and tolerance, piety and audacity, scholasticism and ecstasy, and passionate nationalism with profound universalism. Though little known in the English-speaking world, his life and teachings are essential to understanding current Israeli politics, contemporary Jewish spirituality, and modern Jewish thought. This biography, the first in English in more than half a century, offers a rich and insightful portrait of the man and his complex legacy. Yehudah Mirsky clears away widespread misunderstandings of Kook's ideas and provides fresh insights into his personality and worldview. Mirsky demonstrates how Kook's richly erudite, dazzlingly poetic writings convey a breathtaking vision in which "the old will become new, and the new will become holy.""--

Growing up, Robert Lipsyte was the smart-aleck fat kid, the bully magnet who went to the library instead of the ballpark. As the perpetual outsider, even into adulthood, his alienation from Jock Culture made him a rarity in the press box: the sportswriter who wasn't a sports fan. This feeling of otherness has colored Lipsyte's sports writing for fifty years, much of it spent as a columnist for the New York Times. He didn't follow particular athletes or teams; he wasn't awed by the access afforded by his press pass or his familiarity with the players in the locker room. The experience and insight earned over a half-century infuse An Accidental Sportswriter . Going beyond the usual memoir, Lipsyte has written "a memory loop, a circular search for lost or forgotten pieces in the puzzle of a life." In telling his own story, Lipsyte grapples with American sports and society—from Mickey Mantle to Bill Simmons—arguing that Jock Culture has seeped into our business, politics, and family life, and its definitions have become the standard to measure value. Full of wisdom and an understanding of American sports that contextualizes rather than celebrates athletes, An Accidental Sportswriter is the crowning achievement of a rich career and a book that will speak to us for years to come.

"This tale of great achievements and great disappointments offers a fresh perspective on the interplay between scholarship and political sentiment in the late nineteenth and early twentieth centuries. Lazăr Șăineanu (1859-1934), linguist and folklorist, was a pioneer in his native Romania, seeking out the popular elements in culture along with high literary ones. He was the first to publish a study of Yiddish as a genuine language, and he uncovered Turkish features in Romanian language and customs. He also made an index of hundreds of Romanian folktales. Yet when he sought Romanian citizenship and a professorship, he was blocked by powerful figures who thought Jews could not be Romanians and who fancied the origins of Romanian culture to be wholly Latin. Faced with anti-Semitism, some of his friends turned to Zionism. Instead he tried baptism, which brought him only mockery and shame. Hoping to find a polity to which he could belong, Șăineanu moved with his family to Paris in 1900 and became Lazare Sainéan. There he made innovative studies of French popular speech and slang, culminating in his great work on the origins of that language. Once again, he was contributing to the development of a national tongue. Even then, while welcomed by literary scholars, Sainéan was unable to get a permanent university post. Though a naturalized citizen of France, he felt himself a foreigner, an "intruder," into his old age"--