This moving novel from Peretz Markish is a beautiful exploration of love and loss. Focusing on the character of Stam, readers will follow his journey as he navigates the tumultuous world of early twentieth-century Russia. A must-read for lovers of literary fiction and those interested in Eastern European history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

By what narrow path is the ineffable silence of Zen cleft by the scratch of a pen? The distilled insights of forty years, Norman Fischer's Experience: Thinking, Writing, Language, and Religion is a collection of essays by Zen master Fischer about experimental writing as a spiritual practice. Raised in a Conservative Jewish family, Fischer embraced the twin practices of Zen Buddhism and innovative poetics in San Francisco in the early 1970s. His work includes original poetry, descriptions of Buddhist practice, translations of the Hebrew psalms, and eclectic writings on a range of topics from Homer to Heidegger to Kabbalah. Both Buddhist priest and participant in avant-garde poetry's Language movement, Fischer has limned the fertile affinities and creative contradictions between Zen and writing, accumulating four decades of rich insights he shares in Experience. Fischer's work has been deeply enriched through his collaborations with leading rabbis, poets, artists, esteemed Zen Buddhist practitioners, Trappist monks, and renowned Buddhist leaders, among them the Dalai Lama. Alone and with others, he has carried on a deep and sustained investigation into the intersection of writing and consciousness as informed by meditation. The essays in this artfully curated collection range across divers, fascinating topics such as time, the Heart Sutra, God in the Hebrew psalms, the supreme "uselessness" of art making, "late work" as a category of poetic appreciation, and the subtle and dubious notion of "religious experience." From the theoretical to the revealingly personal, Fischer's essays, interviews, and notes point toward a dramatic expansion of the sense of religious feeling in writing. Readers who join Fischer on this path in Experience can discover how language is not a description of experience, but rather an experience itself: shifting, indefinite, and essential. -- Provided by publisher

"An all-access ticket to the celebrated and wholly original mind of Mark Leyner, "one of the smartest and funniest humans since Aristophanes" (Jay McInerney). Praised as "chaotic and vibrant" (Charles Yu), "visionary" (Sam Lipsyte), and "supremely original" (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner's extraordinary career in all of its bizarre and infatuating glory, with excerpts spanning from his groundbreaking early novels My Cousin, My Gastroenterologist (1990) and Et Tu, Babe (1992) to his modern masterpieces The Sugar-Frosted Nutsack (2012) and The Last Orgy of the Divine Hermit (2021). Appreciations from modern masters introduce each novel and the book includes original pieces in Leyner's irrepressible voice, including a timeline ("The Story So Far") and a new Afterword ("The Highlighted Passages"). This comprehensive volume is the perfect entry point for readers attracted to mind-expanding prose, and a bouquet of delights for those who have loved any of his past works"--

The Story of Variable Stars is a book written by Leon Campbell that explores the fascinating world of variable stars. The book provides a comprehensive overview of these stars, which are stars that change in brightness over time. The author delves into the history of variable star research, from the early observations made by ancient astronomers to the modern-day techniques used by astrophysicists.Campbell also explores the different types of variable stars, including pulsating stars, eclipsing binaries, and cataclysmic variables. He explains the physics behind these phenomena and how they can be used to study the properties of stars and the universe as a whole.The book is written in a clear and accessible style, making it suitable for both amateur and professional astronomers. It includes numerous illustrations and diagrams to help readers understand the concepts and phenomena discussed.Overall, The Story of Variable Stars is a fascinating and informative book that provides a comprehensive overview of this important area of astronomy. It is a must-read for anyone interested in the study of stars and the universe.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

“Cynthia†is a poignant novel by Leonard Merrick, showcasing his talent for crafting compelling narratives and memorable characters. Set against the backdrop of early 20th-century London, the story follows the intertwined lives of individuals navigating love, loss, and societal expectations. Merrick's elegant prose and keen observations create a rich tapestry of human experience, inviting readers to reflect on the complexities of relationships and the enduring power of the human spirit. This edition of “Cynthia†offers readers a chance to rediscover a classic work of British literature, celebrated for its insightful portrayal of human emotions and its timeless themes. Leonard Merrick's ability to capture the nuances of human interaction makes “Cynthia†a rewarding read for those who appreciate finely crafted literary fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w

Explore the rich tapestry of early 20th-century literature with “Works of Israel Zangwill, Volume 8.†This collection showcases the insightful and often poignant writings of Israel Zangwill, a prominent voice in Jewish literature and a keen observer of European society. Zangwillâ€(TM)s works delve into themes of identity, assimilation, and the immigrant experience, offering a compelling glimpse into a rapidly changing world. This volume promises to be a valuable addition to any literary collection, providing both historical context and timeless narratives that resonate with contemporary readers. Discover the enduring appeal of Zangwillâ€(TM)s storytelling and his contribution to the literary landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Time in Africa: Flying and Fun from 1963 to 1983 covers 20 amazing years of David Price’s life as a pilot, working primarily in Africa. Although filled with personal adventures and humorous anecdotes, Time in Africa is much more than an autobiography. It is also an amazing glimpse of a time in aviation before computerized flight controls and when some older planes were still made of plywood and canvas. Having flown planes such as a DC3, Dove, Comet 4, Viscount, B737 and B707, the author shares stories of near disaster, having to make mechanical repairs and adjustments while flying—including once with a fire ax, and landing and taking off in the desert without a runway. Adding further interest to these stories is the setting: Libya, Kenya, Tanzania, Uganda, Cameroon, Zambia, Guinea, and Nigeria in their early days of independence post colonization. A natural storyteller, David portrays what life was like in Africa—both for the privileged Whites and the native Blacks—along with providing insight into the politics and attitudes of the time. From starting an airplane with car batteries strapped to a baggage trolley to having to put out a charcoal fire started in the aisle of a plane to brew a cup of tea, it is clear that there were few dull moments during David’s time as a pilot in Africa. It is also evident that he enjoyed every minute there, as will his readers as he takes them back to an amazing place in an interesting time.

Few writers have inspired such affection ain their contemporaries, and in later generations of readers, as Robert Louis Stevenson. And yet, difficult though it is to resist the generous, enchanting personality tht shines out from his letters, it is even harder to define it. A descendant of Calvinists who spent his youth in a Bohemian milieu, a lover of his native Scotland who became committed to exile, a man whose humorous enjoyment of human foibles did not preclude an awareness of the nightmarish background against which some lives are lived - Stevenson was highly complex, with a deep sense of moral ambiguities which runs throughout his work. He could have no abler or more sympathetic biographer than David Daiches, Professor of English Studies at Sussex University, and author of an earlier book on the master (Robert Louis Stevenson: A Revaluation) as well as of biographies of Burns and Scott in this series. In a brilliant and absorbing text, Professor Daiches traces Stevenson's life, from his childhood and early manhood in Scotland (whose scenery and townscapes inspired his work throughout his life), through his visits to France and the United States, and on to his las years in Samoa. Professor Daiches also discusses Stevenson's writings, explaining how he harnessed the disparate elements in his nature so that they fertilized his imagination while he developed his gifts as a romancer, essayist, poet and historical novelist, from his early travel books and Treasure Island - the greatest of all adventure stories for boys - to the tragic conflict so superbly realised in Weir of Hermiston, the masterpiece which he did not live to complete.

Originally published in 1951, More About Psychiatry invites readers deeper into the evolving world of psychiatry. Writing with clarity, compassion, and a deep respect for the human mind, Binger demystifies the psychiatric profession for the general reader, offering insights into the emotional and psychological struggles that shaped people's lives at the time. Drawing on real-world cases and decades of clinical experience, Binger explores the roots of mental illness, the role of the psychiatrist, and the therapeutic relationship between doctor and patient. He addresses common misconceptions, the impact of early life experiences, and the growing importance of mental health in modern society. Today it can be read in its historical context. This book is a re-issue originally published in 1951. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.

Theodor Adorno is one of this century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical. Adorno’s insistence on the social character of aesthetic works will come as no surprise to those familiar with his writings, although many may be surprised by the volume’s somewhat colloquial tone. This colloquialism, in dialogue with Adorno’s unceasing rigor, stems from the occasional sources of many of the essays, mainly public lectures and radio addresses. As such, this volume represents an important and, for English-language readers, largely unfamiliar side to Adorno. His arguments move more quickly than in his more formal and extended musicological works, and the writing is much more accessible and generous than his usually dense and frequently opaque prose. This volume includes essays on prominent figures in music (Alban Berg, Anton von Webern, Arturo Toscanini), compositional technique (the prehistory of the twelve-tone row, the function of counterpoint in new music), and the larger questions of musical sociology for which Adorno is most famous, including the relation of interpretation to audience, the ideological function of opera, and the historical meaning of musical technique. The essay on the sociology of music, for example, represents an early statement of what would soon become trademark principles of his mode of musical analysis, serving as a catalyst for his famous study Introduction to the Sociology of Music. Some forty years after most of these essays were written, they remain fresh and relevant. In part, this is because Adorno’s method has only recently begun to make substantial inroads into Anglo-American musicology. And the interdisciplinary nature of his thought provides a precursor for today’s interdisciplinary studies.

"Pep: J. L. Wetcheek's American Song Book" is a brilliant collection of satirical verse by the renowned German novelist Lion Feuchtwanger, writing under the playful pseudonym J. L. Wetcheek. This work offers a sharp, outsider's perspective on the American landscape during the height of the 1920s. Through a series of rhythmic and biting poems, Feuchtwanger explores the themes of materialism, frantic energy, and the relentless pursuit of "pep"-the quintessential American quality of the era. The collection serves as a mirror to the Jazz Age, capturing the contradictions of a society defined by both its boundless optimism and its underlying spiritual hollows. From the urban hustle to the obsession with success, these poems dissect the cultural fabric of early 20th-century America with wit and irony. Written at a time when European intellectuals were both fascinated and repelled by American modernization, "Pep" remains a significant piece of social critique. It provides readers with an evocative look at how the American Dream was perceived from abroad, blending poetic craft with historical insight into the Roaring Twenties. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The essays in this collection investigate the ways in which the past was exploited to meet the concerns of the present in early modern England. The understanding of the past in this period was characterized by a deepening and more fully articulated conception of time and history, with its roots in impassioned religious and political controversies. The discourses that arose from this dialogue informed and drew together a daunting range of genres and activities: prose accounts, polemical tracts, poems, plays, romances, secret histories, novels. Although many of these genres are no longer recognized as history, early modern writers and readers treated them as such. In assessing the uses of the past, therefore, these essays consider “literary” and “factual” writings side by side, avoiding traditional chronological and disciplinary divisions and the artificial separation of secular from ecclesiastical history. Cumulatively, they supply the context and provide a vast array of evidence for the way in which the deployment of history for political, religious, moral, aesthetic, or commercial purposes shifted between the mid-sixteenth century and the late eighteenth. Contributors include Ian W. Archer, Eve Tavor Bannet, David Cressy, Richard Dutton, Martin Dzelzainis, Felicity Heal, Christopher Highley, John N. King, Mark Knights, Karen O’Brien, Paul Seaward, John Spurr, Andrew Starkie, Arthur H. Williamson, David Womersley, Daniel R. Woolf, and Blair Worden. Paulina Kewes is a fellow and tutor in English literature at Jesus College, Oxford, and a fellow of the Royal Historical Society. Her publications include Authorship and Appropriation: Writing for the Stage in England, 1660–1710 (1998), and a number of articles on Renaissance, Restoration, and eighteenth-century drama and politics. She has also edited a volume of essays, Plagiarism in Early Modern England (2003), and is completing a book on the staging of history in Elizabethan England.

Title: The Dead Sea: or, notes and observations made during a Journey to Palestine in 1856-7, on M. De Sauley's supposed discovery of the Cities of the Plain [published in his "Voyage autour de la Mer Morte, etc."] ... Illustrated with photographs.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Isaacs, Albert Augustus; Caignart de Saulcy, Louis F licien Joseph; 1857. 8 . 10075.d.9.

Blessed Is The Daughter is a book written by Meyer Waxman. The book is a captivating and inspiring memoir that tells the story of a young Jewish girl growing up in a traditional family in Eastern Europe. The story follows the life of the protagonist, who is the daughter of a rabbi. The book is set against the backdrop of the turbulent times in Eastern Europe during the early 20th century, including World War I and the rise of the Soviet Union.Despite the challenges and hardships that she faces, the protagonist remains steadfast in her faith and finds strength in her family and community. She is a model of resilience and perseverance, and her story serves as an inspiration to readers of all ages and backgrounds.The book is beautifully written and is a testament to the power of faith, family, and community. It is a must-read for anyone who is looking for inspiration and guidance on how to navigate the challenges of life with grace and dignity. Whether you are Jewish or not, this book will touch your heart and leave you feeling uplifted and inspired.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"The Nazi Holocaust & the Exile of Yiddish is a history of the Algemeyne Entsiklopedye (General Encyclopedia, Berlin, Paris, & New York, 1932-1966), the only attempt to publish a comprehensive encyclopedia of universal knowledge in the Yiddish language. In the decade after World War I, the potential for Yiddish was seemingly limitless.The global number of speakers of Yiddish was estimated at between nine and ten million, with major communities in Poland, the Soviet Union, and the United States. But by the early 1930s, as Jews were becoming invested in their host states, a dramatic rise in antisemitism from the political right threatened their new status. Extreme nationalists sought to undo Jewish participation in civic life, limit Jewish migration and settlement, and contain - or even purge - Jews' political, economic, cultural, and racial influence. This combination of factors led many within the Yiddishist camp both to reassert their commitment to the language and to a distinct Jewish national identity, increasing the urgency for the Entsiklopedye's architects to embark upon their project. Uncertainty over the Jewish future began to be reflected in the Entsiklopedye itself. The volumes of 1936 and 1937 contain otherwise out-of-place monograph-length entries on the specifically Jewish topics of "Antisemitism" and "Land of Israel," presaging a shift away from general subjects and toward more specifically Jewish content. In September 1939, the German invasion of Poland cut the Entsiklopedye off from its major source of readers and trapped many of its contributors who were based there. Just as the second Yidn volume was being sent to subscribers in Spring 1940, Germany invaded France. Making matters even worse, the copies of the second Yidn volume were sent to the United States, and but most copies were lost at sea. A few volumes that had been sent via the regular mail arrived safely in New York, however. The encyclopedia's editors themselves fled and, after making a harrowing escape via Spain and Portugal, arrived in New York by late summer / early autumn 1940. With the end of World War II and as the enormity of the Nazi Holocaust was becoming understood, the editors decided that the Entsiklopedye should continue. The post-war Yidn volumes contain descriptive essays on Jewish life on the eve of the Holocaust, a study of Jewish life in the Americas, and the last two volumes (1964 and 1966) are historical overviews of the Holocaust. By the release of the final volume in 1966, few of the original editors of The Algemeyne Entsiklopedye were still alive. Many of the great Jewish scholars who contributed to the project had also passed. In the Foreword, the administrator of the Entsiklopedye Iser Goldberg outlined the task of future Jewish scholarship as one of creating a new corpus of work dedicated to the Holocaust. He declared that this project that once was to guide millions of Yiddish readers into the modern world was now dedicated to "the thousands of readers and subscribers in Jewish communities" with the much more modest goal of making "an important contribution to the growing khurbn [Holocaust] literature." By bringing this neglected and unique work of Jewish scholarship back into studies of modern Jewish history, Trachtenberg makes a significant contribution to current historiographical debates on the content and boundaries of Jewish knowledge in the tumultuous middle decades of the twentieth-century. In large measure because of the lack of researchers able to work in the Yiddish language, the significance and history of the Algemeyne Entsiklopedye has been overlooked, despite the fact that it was one of the great (and few) collaborative projects involving the twentieth century's most influential Jewish scholars. This monograph will inform recent scholarly discussions on the function of Yiddish before, during, and after World War II, on the extent to which Eastern European Jews turned away from Diaspora Nationalism on the eve of war, and to what degree Jews in the United States were "silent" in the decades following the Nazi Holocaust"--

Jane's Career: A Story of Jamaica (1913) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Jane's Career: A Story of Jamaica , the first West Indian novel to feature a Black protagonist, de Lisser captures the hope and struggle of a young woman leaving home for the first time. "'Jane,' he continued impressively after a pause, 'Kingston is a very big an' wicked city, an' a young girl like you, who de Lord has blessed wid a good figure an' a face, must be careful not to keep bad company.'" Preparing to send young Jane off to the Jamaican capital, village elder Daddy Buckram attempts to offer her advice on how to keep herself safe from Satan and sinners alike. Despite his serious tone and gloomy portrait of urban life, all Jane can think of is the wonder and excitement waiting for her in Kingston. Raised in the countryside, brought up in a conservative Christian family, Jane sees her new job as a means of achieving independence and establishing her own identity as a proud black woman, of forging her own path in a new, modern Jamaica. In spite of her dreams, however, Jane finds herself subjected to the cruelties of her employer Mrs. Mason, who threatens to send a letter to her parents alleging all sorts of imagined misdeeds. Through it all, she tries to maintain a sense of pride, hopeful that hard work--and even romance--will set her free. This edition of H. G. de Lisser's Jane's Career: A Story of Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Six days you shall labor and do all your work, but the seventh day is Shabbos..." (Exodus 20;9-10) The sages explain that each and every day's labor has a special connection to the upcoming Shabbos. My Jewish Days of the Week is a fun-filled journey toward the best day of all. It begins with a family Sunday spent in the garden, a busy Monday spent at school, and ends with Thursday grocery shopping and Friday cooking and cleaning. All week long, the characters prepare for the experience of ushering in and observing Shabbos. The catchy rhymes and old-world illustrations portray everyday life as a joyous adventure for toddlers. Naturally, Shabbos itself is given top billing as: a go-to-shul and walking day a story-telling, talking day a friend and neighbor meeting day a yummy challah-eating day! The text is set in a large clear font, and a glossary explains any words that may be unfamiliar to some of the readers. As an added bonus, a beautiful chart at the end of the book reviews all the days of the week in both English and Hebrew.

Feminist Foremothers in Women's Studies, Psychology, and Mental Health is by and about the more recent wave of feminist foremothers; those who were awakened in the 1960s and '70s to the realization that something was terribly wrong. These are the women who created the fields of feminist therapy, feminist psychology, and women's mental health as they exist today. The 48 women share their life stories in the hope that they will inspire and encourage readers to take their own risks and their own journeys to the outer edges of human possibility. Authors write about what led up to their achievements, what their accomplishments were, and how their lives were consequently changed. They describe their personal stages of development in becoming feminists, from unawareness to activism to action. Some women focus on the painful barriers to success, fame, and social change; others focus on the surprise they experience at how well they, and the women's movement, have done. Some well-known feminist foremothers featured include: Phyllis Chesler Gloria Steinem Kate Millett Starhawk Judy Chicago Zsuszanna Emese Budapest Andrea Dworkin Jean Baker Miller Carol Gilligan In Feminist Foremothers in Women's Studies, Psychology, and Mental Health, many of the women see in hindsight how prior projects and ideas and even dreams were the forerunners to their most important work. They note the importance of sisterhood and the presence of other women and the loneliness and isolation experienced when they don't exist. They note the validation they have received from grassroots feminists in contrast to disbelief from professionals. Although these women have been and continue to be looked up to as foremothers, they realize how little recognition they've been given from society-at-large and how much better off their male counterparts are. Some foremothers write about the feeling of being different, not meshing with the culture of the time and about challenging the system as an outsider, not an insider. These are women who had few mentors, who had to forge their own way, "hit the ground running." Their stories will challenge readers to press on, to continue the work these foremothers so courageously started.Throughout the pages of Feminist Foremothers in Women's Studies, Psychology, and Mental Health runs a sense of excitement and vibrancy of lives lived well, of being there during the early years of the women's movement, of making sacrifices, of taking risks and living to see enormous changes result. Throughout these pages, too, sounds a call not to take these changes for granted but to recognize that feminists, rather than arguing over picayune issues or splitting politically correct hairs, are battling for the very soul of the world.

"The Silver Slipper: A Musical Comedy" transports readers back to the Edwardian era with its lively score and witty libretto. Penned by Leslie Stuart, Owen Hall, and WH Risque, this theatrical work captures the spirit of a bygone age with its charming melodies and engaging storyline. Ideal for enthusiasts of musical theatre, historians of popular culture, and musicians seeking to explore the repertoire of early 20th-century stage productions, "The Silver Slipper" offers a delightful glimpse into the world of musical comedy at the turn of the century. Its enduring appeal lies in its ability to evoke the glamour and exuberance of a vibrant theatrical tradition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.