Never Try to Teach a Pig to Sing documents the thriving folklore tradition that circulates in the workplace. Alan Dundes and Carl Pagter have collected more than two hundred and fifty "signs of the times"--the office memoranda, parodies, cartoons, and poems that daily make their way through copy machines, interoffice mail systems, and fax machines and are affixed to bulletin boards and water coolers. The rich vein of urban folklore tapped by this imaginative volume constitutes a great testament to one of the world's most prolific authors--anonymous. The popularity of the items featured in this timely book is apparent by their reproduction in mass or popular cultural form--as greeting cards, plaques, and bumper stickers--reminding us of the inevitable interplay between folklore and mass culture. Dundes and Pagter clearly demonstrate the existence of folklore in the modern urban technological world and refute the notion that folklore reflects only the past.

First published in English 1960. The historical value of Hertz's writings is that they are a representative example of the culmination of two centuries of development of sociological thought in France, from Montesquieu to Durkheim and his pupils. In the intervening years since publication, that development has grown into the systematic comparative study of primitive institutions, based on a great body of ethnographic facts from all over the world: in effect social anthropology.

Ten traditional Jewish folktales are retold, illustrated, and followed by questions for discussion

The nearly 300 stories in this lovely volume are from Sephardic oral literature and ethnic culture. They were told in their original language, Judeo-Spanish (Ladino), and documented over 21 years. From 17 countries, including the United States, they come together in this first-ever collection of Joha stories to appear in English.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer. Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

A skeptical visitor to the village of Nemirov finds out where its rabbi really goes during the Jewish New Year, when the villagers claim he goes to heaven to speak to God.

The only Freudian to have been originally trained in folklore and the first psychoanalytic anthropologist to carry out fieldwork, Gza Rcheim (1891-1953) contributed substantially to the worldwide study of cultures. Combining a global perspective with encyclopedic knowledge of ethnographic sources, this Hungarian analyst demonstrates the validity of Freudian theory in both Western and non-Western settings. These seventeen essays, written between 1922 and 1953, are among Rcheim's most significant published writings and are collected here for the first time to introduce a new generation of readers to his unique interpretations of myths, folktales, and legends. From Australian aboriginal mythology to Native American trickster tales, from the Grimm folktale canon to Hungarian folk belief, Rcheim explores a wide range of issues, such as the relationship of dreams to folklore and the primacy of infantile conditioning in the formation of adult fantasy. An introduction by folklorist Alan Dundes describes Rcheim's career, and each essay is prefaced by a brief consideration of its intellectual and bibliographical context.

This book helps us resolve some of the mysteries and contradictions that evolved during the Bible's pre-written legacy and that persist in the Great Book today. Most biblical scholars acknowledge that both the Old and New Testaments were orally transmitted for decades before appearing in written form. With great reverence for the Bible, Dundes offers a new and exciting way to understand its variant texts. He uses the analytical framework of folklore to unearth and contrast the multiple versions of nearly every major biblical event, including the creation of woman, the flood, the ten commandments (there were once as many as eleven or twelve), the names of the twelve tribes, the naming of the disciples, the Sermon on the Mount, the Lord's Prayer, and the words inscribed on the Cross, among many others.

Alan Dundes, in this casebook of an anti-Semitic legend, demonstrates the power of folklore to influence thought and history. According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah. Dundes has gathered here the work of leading scholars who examine the varied sources and elaborations of the legend. Collectively, their essays constitute a forceful statement against this false accusation. The legend is traced from the murder of William of Norwich in 1144, one of the first reported cases of ritualized murder attributed to Jews, through nineteenth-century Egyptian reports, Spanish examples, Catholic periodicals, modern English instances, and twentieth-century American cases. The essays deal not only with historical cases and surveys of blood libel in different locales, but also with literary renditions of the legend, including the ballad “Sir Hugh, or, the Jew’s Daughter” and Chaucer’s “The Prioress’s Tale.” These case studies provide a comprehensive view of the complex nature of the blood libel legend. The concluding section of the volume includes an analysis of the legend that focuses on Christian misunderstanding of the Jewish feast of Purim and the child abuse component of the legend and that attempts to bring psychoanalytic theory to bear on the content of the blood libel legend. The final essay by Alan Dundes takes a distinctly folkloristic approach, examining the legend as part of the belief system that Christians developed about Jews. This study of the blood libel legend will interest folklorists, scholars of Catholicism and Judaism, and many general readers, for it is both the literature and the history of anti-Semitism.

"The early modern period was of great significance throughout Europe with respect to its gradual transition from a largely oral to a fundamentally literate society. On the one hand, the spoken word remained of the utmost importance to the dissemination of ideas, the communication of information and the transmission of the cultural repertoire. On the other hand, the proliferation of written documents of all kinds, the development of printing and the spread of popular literacy combined to transform the nature of communication. Studies previous to this have traditionally focused on individual countries or regions, and emphasised the contradictions between oral and literate culture. The essays in this fascinating collection depart from these approaches in several ways. By examining not only English, but also Scottish and Welsh oral culture, they provide the first pan-British study of the subject. The authors also emphasise the ways in which oral and literate culture continued to compliment and inform each other, rather than focusing exclusively on their incompatibility, or on the 'inevitable' triumph of the written word. The chronological focus, ranging from the sixteenth to the mid-nineteenth century, with glances ahead to the twentieth, set the problem against a longer chronological span than most other studies, providing a link between early modern and modern oral and literate cultures. This book it will be of interest to students and scholars of British history, Linguistics, Literary Studies and Folklore Studies"--Publisher's description.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Published by Random House. For Ages 3 and Up. This is brand new in its original shrink wrap and is titled, A Music Box Book (Tm) from Walt Disney, a vintage wind-up music box which plays music from the musical Cinderella. This item is in perfect condition and has never been used. It may now be a collectible item..

"Sepher Yosippon was written in Hebrew by a medieval historian noted by modern scholars for its eloquent style. This is the first known chronicle of Jewish history and legend from Adam to the destruction of the Second Temple, this is the first known text since the canonical histories written by Flavius Josephus in Greek and later translated by Christian scholars into Latin. Sepher Yosippon has been cited and referred to by scholars, poets, and authors as the authentic source for ancient Israel for over a millennium, until overshadowed by the twentieth-century Hebrew translations of Josephus. It is based on Pseudo Hegesippus’s fourth-century anti-Jewish summary of Josephus’s Jewish War. However, the anonymous author [a.k.a. Joseph ben Gurion Hacohen] also consulted with the Latin versions of Josephus’s works available to him. At the same time, he included a wealth of Second Temple literature as well as Roman and Christian sources. This book contains Steven Bowman’s translation of the complete text of David Flusser’s standard Hebrew edition of Sepher Yosippon, which includes the later medieval interpolations referring to Jesus. The present English edition also contains the translator’s introduction as well as a preface by the fifteenth-century publisher of the book. The anonymous author of this text remains unique for his approach to history, his use of sources, and his almost secular attitude, which challenges the modern picture of medieval Jews living in a religious age. In his influential novel, A Guest for the Night, the Nobel Laureate author Shmuel Yosef Agnon emphasized the importance of Sepher Yosippon as a valuable reading to understand human nature. Bowman’s translation of Flusser’s notes, as well as his own scholarship, offers a well-wrought story for scholars and students interested in Jewish legend and history in the medieval period, Jewish studies, medieval literature, and folklore studies." -- From publisher's website.

Incorporating both new and now-classic essays, this book sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers a complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Tchaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.--From publisher's description.

What has happened to the religious left? If there is a religious left, why don't we hear more about it? The academics and activists who write this rich volume, edited by Rebecca Alpert, argue passionately on topics that concern all of us. Quoting from the Bible, the Torah, the Qur'an, the teachings of Buddha, as well as Native American folklore, they make the voices of the religious left heard -- teaching lessons of peace and liberation. As this invaluable sourcebook shows, the religious left is committed to issues of human rights and dignity. Answering questions of identity and ideology, the essays included here stem from the "culture wars" that have divided orthodox and liberal believers. Responding to the needs of and raised by marginalized social groups, the writers discuss economic issues and religious politics as they champion equal rights, and promote the teaching of progressive vision. Containing insightful perspectives of adherents to many faiths, Voices of the Religious Left makes it clear that there is a group dedicated to instilling the values of justice and freedom. They are far from silent. All of the essays in this collection "...represent the power of the written word as a vehicle for advocacy and social change....It is my hope that the readers of these essays will themselves feel compelled to think more about the importance of taking a stand on issues from religious perspectives, and to act on something that compels them." --Rabbi Rebecca Alpert

As the Talmud says, God made people because God loves stories... The God Stories is a celebration of the spellbinding stories that some readers first meet, in part, in the Bible. Through her research of the Talmud and of folklore, Berg lyrically and successfully reclaims these stories for everyone, religious and irreligious, aged nine to ninety.

This volume explores the dynamics of cultural memory in a variety of contexts. How do we remember persons, objects, events? Memory seems so personal, but, at the same time, it is shaped by collective experience and public representations. Newspapers, television, and even celebrations and festivities mark for us not only who we are, but also who we were and how we lived. Cultural Memory and the Construction of Identity brings together scholars of folklore, literature, history, and communication to explore the dynamics of cultural memory in a variety of contexts. The authors show how memory is shaped and how it operates in uniting society and creating images that attain the value of truth even if they deviate from fact. They point to the relationship between this memory and our notion of "culture." They also discuss this cultural memory on the level of everyday life. Building on research in the field, their contributions clearly show that cultural memory has become the creative invention of the past in service of both the present and an imagined future.