This volume, first published in 1973, brings together a wide range of Professor Landau's work on recent Middle Eastern history and politics, reflecting the breadth of the author's concern and research. The first section deals with aspects of political organisation in the Middle East, largely Egypt, towards the end of the nineteenth century. A little-known plan of the Islamic reformer al-Afghani is discussed, showing him in a rather more political light than the religious haze which normally surrounds this pan-Islamic campaigner. The role of the influential secret societies in modern Egypt is outlined, and the politics behind the fluctuations in the degree of responsibility allowed to Egyptian ministers is examined. This section is concluded by a chapter on two proposals for the establishment of a Jewish homeland in the Sudan in the early days of Zionism, throwing interesting light on the differing aims of early Zionists and alternative historical paths that might have been taken. The second section of the book contains studies on the Jewish situation in nineteenth-century Egypt, focusing on their position within the larger Muslim society and on socio-economic factors, as well as on the career of James Sanua ('Abu Naddara'), an Egyptian Jew who played a prominent part in nationalist agitation. The two final parts of the book turn to recent and contemporary electoral politics in the Middle East, with special attention being paid to the political leadership and voting behaviour of the Arabs in Israel. Other studies deal with elections in Lebanon and Turkey, and the final chapter analyses the militant right-wing elements in the Turkish political spectrum.

Designed as a textbook for A-level students and lower level undergraduates, this study presents an interpretation of major trends in British domestic history since the beginning of the 18th century.

Consists of material published between 1966 and 2003. About half deals with the late Ottoman Empire and the other half with the Republic of Turkey and the territories of the newly independent ex- Soviet Turkic Republics in the Caucasus and Central Asia.

In 1818, with a single essay of vast scope and stunning detail, Leopold Zunz launched the turn to history in modern Judaism. Despite unending setbacks, he persevered for more than five decades to produce a body of enduring scholarship that would inspire young Jews streaming into German universities and alter forever the understanding of Judaism. By the time of his death in 1886, his vision and labor had given rise to a historical discourse and intellectual movement that devolved into vibrant sub-fields as it expanded to other geographic centers of Jewish life. Yet Zunz was a part-time scholar, at best, in search of employment that would leave him time to study. In addition to his pioneering scholarship, he was as deeply engaged in ending the political tutelage of German Christians as the civil disabilities of German Jews. And to his credit, these commitments did not come at the expense of his loyalty to the Jewish community, which he was ever ready to serve. Zunz once quipped that "those who have read my books are far from knowing me." To complement his books, Zunz left behind a treasure trove of notes, letters and papers, documents that the distinguished scholar of German Jewish culture, Ismar Schorsch, has zealously utilized to write this, the first full-fledged biography of a remarkable man

Set against the backdrop of the Dutch invasion of Bali just over a century ago, and the resulting "mass suicides" of the Balinese royalty, the moving story unfolds of the peasant Pak and his family and friends, and the tragedy that is their shared fate. Written within living memory of the bloody events called the puputan (the "ending"), Love and Death in Bali is the story of a passionate yet peaceful and deeply spiritual people who defy the Dutch imperial forces through an act that would bring them certain death—and certain rebirth. The looting of a Chinese trading ship gives the Dutch colonial forces the perfect excuse to intervene in island affairs, but they encounter astonishing resistance. In the battle of Badung, wave upon wave of Balinese clothed in white ceremonial garb charged into the blazing Dutch guns, kris daggers in hand, prepared to die. Who among them will survive, and how will their lives be forever changed? Love and Death in Bali , first published in German in 1937, is considered by many to be the finest novel ever written about this island paradise where everyone, regardless of caste or position, is woven into the fabric of an ancient culture, connected by customs and, above all, by strong religious beliefs. now reissued in a completely re-edited edition under its original title, with an introduction by anthropologist and award-winning author Nigel Barkley.

This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. The motivations and functioning of the American consuls in Jerusalem, and of the consular agents in Jaffa and Haifa, are analyzed as part of the US diplomatic and consular activity throughout the world, and of Western involvement in the Ottoman Empire and in Palestine during the century preceding World War I. The processes of cultural, demographic, economic, environmental, and settlement change and the contribution of the US consuls and American settlers to development of and modernization of Palestine are discussed. Based on primary archival sources such facets as the role of consuls regarding the use of extraterritorial privileges, Western religious and cultural penetration, control of land and land purchase, non-Muslim settlement, judicial systems, and technological innovations are considered from American, Ottoman, and local viewpoints.

Mill workers of the Northeast talk about industrial development, working conditions, and trade unions

"All is true," realist writers would say of their work, to which critics now respond: All is art and artifice. Offering a new approach to reading nineteenth-century realist fiction, Lilian R. Furst seeks to reconcile these contradictory claims. In doing so, she clarifies the deceptions, appropriations, intentions, and ultimately the power of literary realism.In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists’ claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text—which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.

"With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cezanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire"--

Is there a sharp dividing line that separates Europe into "East" and "West"? This volume brings together prominent scholars from the United States, Canada, France, Poland, and Russia to examine the evolution of the concept of Europe in the two centuries between the French Revolution and the collapse of the Soviet Union. Inspired by the ideas of Martin Malia, the contributors take a flexible view of the "cultural gradient"-the emergence, interaction, and reception of ideas across Europe. The essays address three dimensions of the gradient-the history of ideas, regimes and political practices, and the contemporary political and intellectual scene. In exploring the movement of ideas throughout Europe, The Cultural Gradient brings a new historical perspective to the field of European studies.

Lacing tea with poison and slipping arsenic in to soup, this is what comes to mind we talk of murderesses of the Victorian age. Fuelled by a rumor-driven press and cases of notorious killers like Marry Ann Cotton, the 'Angel of Death', or Christiana Edmunds, the 'Chocolate Cream Killer', death by poisoning was a great anxiety of Victorian Britain. But what about those women who were wrongly convicted? What about the suspects who fell victim of a biased jury and unrelenting press? In Misjudged Murderesses , Stephen Jakobi takes a forensic approach to examine the trials of six women falsely sentenced for crimes they didn't commit. With the aid of primary sources, and in two cases the ready assistance of descendants and local journalists, the validity of their convictions is questioned. Highlighting common factors in poisoning cases that led to ostensible miscarriages of justice, Jakobi shines a light on a flawed and inconsistent legal system.

(Applause Books). Jacob Adler, with his performances in the Yiddish King Lear , Uriel Acosta and Shylock in The Merchant of Venice , became first a megastar of the exploding Yiddish theatre, and then all of Broadway. His memoirs, originally written and published in Yiddish and now translated (by his granddaughter) into English provides not only a compelling portrait of one of America's greatest actors but a fascinating social history of his time.

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

It is 1833 and the British Navy is engaged in surveying the coastline of the Arabian Peninsula. Young and ambitious, Lieutenant James Wellsted is determined that his Navy career will be a path to glory. His plans go awry when two of his shipmates go missing while gathering intelligence and Wellsted must mount a daring rescue. Slavery is still rife throughout Arabia. Zena, a headstrong Abyssinian beauty, torn from her village, is now being offered for sale in the market of Muscat. However, her fortunes change when she finds herself the property of the Lieutenant. She must accompany him on his hazardous mission, little knowing the fate that awaits them. Each will be forced to make a choice - one that will change their lives forever.

If a nineteenth century lady had neither a husband to support her nor money of her own, almost her only recourse was to live in someone else's household and educate their children - in particula- r, their daughters. Marooned within the confines of other people's lives, neither servants nor family members, governesses occupied an uncomfortable social limbo. And being poor and insignificant, their papers were mostly lost. But a few journals and letters have come down to us, giving a vivid record of what it was to be a lone professional woman at a time when such a creature officially did not exist. Features the Brontes and Anna Leonowens, whose memoirs inspired The King and I.

A complete period tailoring system in "Salisbury's System of Actual Measurement and Drafting" (1865). Broad coverage in this volume includes patterns and instructions for: military and civilian dress, men's and boys' coats, vests, pants, shirts and important accessories. Also photos of soldiers, additional illustrations of clothing, excerpts from the Army uniform regulations for 1861 and a section on the 7th Regiments New York National Guard.

The life stories of eight working-class militants railroaded to prison or the gallows for the 1886 Haymarket bombing in Chicago. Written from prison, these accounts present a living portrait of the labor movement of the time, as well as the lives and ideas of these fighters for workers' rights.

This is the first paperback edition of a moving appraisal of the infamous Haymarket bombing (May 1886) and the trial that followed it--a trial that was a cause célèbre in the 1880s and that has since been recognized as one of the most unjust in the annals of American jurisprudence. Paul Avrich shows how eight anarchists who were blamed for the bombing at a workers' meeting near Chicago's Haymarket Square became the focus of a variety of passionately waged struggles.

In the nineteenth century, the reading public expanded to embrace new categories of consumers, especially of cheap fiction. These new lower-class and female readers frightened liberals, Catholics and republicans alike. The study focuses on workers, women and peasants, and the ways in which their reading was constructed as a social and political problem, to analyse the fear of reading in nineteenth century France. The author presents a series of case-studies of actual readers, to examine their choices and their practices, and to evaluate how far they responded to (or subverted) attempts at cultural domination.