A brilliantly provocative history and analysis of Britain since World War II, identifying ten days that have influenced ten key aspects of our society

A funny and affecting portrait of Britain's love hate relationship with the railway with a new chapter for this paperback editionBritain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore - yet it is considered uncool to care about them. For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humour, capacity for suffering and even sexual repression. To uncover its mysteries, Engel has travelled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff. Along the way Engel ('half-John Betjeman, half-Victor Meldrew') finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railwayman, and - after a quest lasting decades - an Individual Pot of Strawberry Jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

Rumour and speculation in Iran have been rife for generations that the BBC has had a hand in every political upheaval in the country. In this vein the BBC has become a notable element in the complex and tortured narrative of Anglo-Iranian relations. The BBC Persian Service was initially developed in 1940 to prepare and broadcast British war-time propaganda. And it has since been seen by many in Iran as an integral part of British policy-making in the region. Thirty years ago, the Shah of Iran regarded the BBC Persian Service radio as his 'enemy number one' and held it responsible for promoting the revolution of 1979. Only a couple decades earlier, the BBC Persian Service was widely accused for having been complicit in the CIA-led 1953 coup against Prime Minister Mohammad Musaddiq. And a decade earlier, the BBC Persian Service was strongly linked to the British-planned removal of Reza Shah in 1941. The BBC Persian service has frequently been perceived as an entity which was not simply a vehicle to record the changes occurring in Iran and throughout the Middle East, but rather an active agent of change. In this book, Annabelle Sreberny and Massoumeh Torfeh track the history of the BBC Persian Service, critically analysing both the assumptions that the BBC is a standard bearer for objective reporting and representations of it as a simple tool of Western interests. Also examining the history of relations between the Foreign Office and the BBC Persian Service, they demonstrate that these have never been pre-defined or rigid. Instead, they explore how both institutions have moved from an interest in what can crudely be called state-orchestrated 'propaganda' to a more subtle advocacy of fair and balanced journalism as the best agent of British values and influence.

In this new edition of his landmark book, John Gross traces the shifting fortunes of the men who shaped literary opinion in England during the Victorian, Edwardian, and contemporary eras. He brings together famous or forgotten critics and editors-prophets, aesthetes, statesmen, dons, radicals, social climbers, idealists, gossipmongers, and literary lions-and explores not only their critical ideas but also their personalities, careers, social backgrounds, and politics. He looks at "the higher journalism;" the expansion of the reading public, the byways of British liberalism, and the rise of literature as an academic subject, and the impact of modernism. In all a remarkable survey, to which Mr. Gross has now added updates on several literary careers, the new style of critics who have evolved from the universities, and the dominant role of the media. "A brilliant account of English literary culture which is as engaging as it is illuminating"-Lionel Trilling. "Extremely readable.... The book is strewn with marvelous bits: deft aperçus, biographical portraits of great subtlety and force, wit, commonsensical intelligence everywhere. It is a book that no one who cares about the state of literature can afford to neglect."-Joseph Epstein.

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

This is the story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. Using a wide range of original sources--including private letters, portraits, verse, drama, and state papers--Susan Doran provides a vivid and often dramatic account of political life in Elizabethan England and the queen at its center, offering a deeper insight into Elizabeth's emotional and political conduct--and challenging many of the popular myths that have grown up around her.

This special book is a compilation of essays on a remarkable but little-known story that lasted over half a century of world-renown physicist, the late Sir Rudolf Peierls and his wife Genia Kannegiser. Peierls collected a lot of prestigious awards in his lifetime, and in the beginning of WW2, he and Otto Frisch were responsible for the inception of the Anglo-American nuclear program (1940). He was also one of the key contributors in the research at Los Alamos during those turbulent times. Most previous books on Peierls have focused on his scientific research, while the contents for this volume sheds light on his private life in dramatic circumstances. The extensive contributions were not only gathered from the relatives of Genia, the couple's daughters, Landau's students, and from Russian and English archives, but they also include the unique perspectives of the author who is a professional theoretical physicist and is also fluent in Russian, his native language. So, this fascinating story of love, friendship and physics between Rudolf and Genia is being told for the first time from a surprisingly new angle through correspondence between Genia and Rudolf, memoirs and other documents, interesting and informal excerpts from Peierls' private "diary" covering the years 1979-1994 that will take the reader on a journey through communism, world war, the trials and tribulations of the loving couple with distinctly very different personalities.

Labour has been on a wild ride over the past thirty years. New Labour argued that we had no choice but to accept a globalized free market economy in which the race was to the swift, the open and the flexible. Corbynism reacted against this with a jumble of old school statism and identity politics. Both ultimately failed. In this book, Maurice Glasman takes the axe to the soulless utilitarianism and 'progressive' intolerance of both Blair and Corbyn. Human beings, he contends, are not calculating machines, but faithful, relational beings who yearn for meaning and belonging. Rooted in their homes, families and traditions, they seek to resist the revolutionary upheaval of markets and states, which try to commodify and dominate their lives and homes, by the practice of democracy, mutuality and pluralism. This is the true Labour tradition, which is paradoxically both radical and conservative - and more relevant than ever in a post-COVID world. This crisp statement of the real politics of Blue Labour - rather than the absurd caricature of its detractors - is Glasman's love letter to the left-conservatism that provides Labour's best chance of moral - and indeed electoral - redemption.

This volume contains a collection of essays on the relationship between money, politics and status among the Victorian bourgeoisie through art, patronage, collections and exhibitions, particularly in northern England.

Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel principally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.

Traces the relationship between nationalist ideology and the normative manners, morals, and sexuality of modern Europe which emerged at the end of the 18th century. Discusses the view that "outsiders" - homosexual, insane, criminal, or Jewish - were abnormal, and the equation of racial degeneracy with sexual degeneracy. Some homosexuals, wishing to prove their masculinity, attacked Jews and embraced racism. In Weimar Germany, sexual decadence was blamed on the Jews. Ch. 7 (pp. 133-152) deals with the relationship between sexuality and antisemitism in Germany and in Nazi thought.

"An avowed republican investigates the unexpected durability and potential benefits of constitutional monarchies. When he was deposed in Egypt in 1952, King Farouk predicted that there would be five monarchs left at the end of the century- the kings of hearts, diamonds, clubs, spades, and of England. To date, his prediction has proved wrong, and while the twentieth century saw the collapse of monarchies across Europe, many democratic societies have remained monarchies. God Save the Queen is the first book to look at constitutional monarchies globally, and is particularly relevant given the pro-democracy movement in Thailand and recent scandals around the British and Spanish royal families. Is monarchy merely a feudal relic that should be abolished, or does the division between ceremonial and actual power act as a brake on authoritarian politicians? And what is the role of monarchy in the independent countries of the Commonwealth that have retained the Queen as head of state? This book suggests that monarchy deserves neither the adulation of the right nor the dismissal of the left. In an era of autocratic populism, does constitutional monarchy provide some safeguards against the megalomania of political leaders? Is a President Boris potentially more dangerous than a Prime Minister Boris?"--Publisher's description.

"At what point did the British develop their mania for interiors, wallpaper, furniture and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Richly illustrated, Household Gods chronicles one hundred years of British interiors, focusing on class, choice, shopping and possessions. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervour. Over the course of the Victorian era, consumerism shed the taint of sin to become the pre-eminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses"--OCLC

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