The Universal Jew analyzes literary images of the Jewish nation and the Jewish national subject at Zionism’s formative moment. In a series of original readings of late nineteenth-century texts—from George Eliot’s Daniel Deronda to Theodor Herzl’s Altneuland to the bildungsromane of Russian Hebrew and Yiddish writers—Mikhal Dekel demonstrates the aesthetic and political function of literary works in the making of early Zionist consciousness. More than half a century before the foundation of the State of Israel and prior to the establishment of the Zionist political movement, Zionism emerges as an imaginary concept in literary texts that create, facilitate, and naturalize the transition from Jewish-minority to Jewish-majority culture. The transition occurs, Dekel argues, mainly through the invention of male literary characters and narrators who come to represent "exemplary" persons or "man in general" for the emergent, still unformed national community. Such prototypical characters transform the symbol of the Jew from a racially or religiously defined minority subject to a "post-Jewish," particularuniversal, and fundamentally liberal majority subject. The Universal Jew situates the "Zionist moment" horizontally, within the various intellectual currents that make up the turn of the twentieth century: the discourse on modernity, the crisis in liberalism, Nietzsche’s critique of the Enlightenment, psychoanalysis, early feminism, and fin de siècle interrogation of sexual identities. The book examines the symbolic roles that Jews are assigned within these discourses and traces the ways in which Jewish literary citizens are shaped, both out of and in response to them. Beginning with an analysis of George Eliot’s construction of the character Deronda and its reception in Zionist circles, the Universal Jew ends with the self-fashioning of male citizens in fin de siècle and post-statehood Hebrew works, through the aesthetics oftragedy. Throughout her readings, Dekel analyzes the political meaning of these nascent images of citizens, uncovering in particular the gendered arrangements out of which they are born.

This is a collection of articles, reviews, interviews and essays by the 1990 Cartier Diamond Dagger award winner - critic and writer, Julian Symons. Following an introduction entitled The Crime Story Yesterday, Today, Tommorrow, this book offers a collection of Symons's writing on crime fiction from Britain, the United States and elsewhere, plus a section on real life stories, such as The Hiss Affair and the Yorkshire Ripper.

In this collection of literary portraits, Jules Chametzky shares his recollections of more than forty notable Jewish writers, from Alfred Kazin to Isaac Bashevis Singer, Grace Paley, Saul Bellow, Irving Howe, Cynthia Ozick, Leslie Fiedler, Tillie Olsen, Adrienne Rich, Allen Ginsberg, Joseph Brodsky, and Amos Oz-to name a few. Also included are cameo appearances by non-Jewish authors, such as James Baldwin, Amiri Baraka, and Jose Yglesias. Not only do these various writers emerge as interesting and often complicated human beings, but Chametzky reveals himself to be a warm and gracious storyteller. Book jacket.

Essays on American Writing. In stock

In this collection of interviews from 1978 to 1995 Paley elaborates on the many forces that have influenced her and her writing. In these conversations she reveals not only her triple lives as writer, mother, and political activist but also her perspectives which over the years have become precise and solid. With authority, distinctness, and relentless honesty she speaks out on contemporary issues. She discusses American conditions at large, particularly those that are being neglected or denied. With firm authority Paley discusses topics of wide range, many of which she describes as personal discoveries. She includes politics and environmentalism, the family and human relationships, the impact of background and education, the moral importance of community, feminism and women's liberation, the sexual self and role enforcement, America's need for communality and women's creative response to it, the art of teaching, and the importance of friendship. Paley's conversations, like her writings, are refreshingly candid and radically different from the contemporary American mainstream.

Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

'Although he was not one of the most prolific writers of his time, A.M. Klein has acquired through the excellence of his five books one of the highest literary reputation in North America. His influence on and encouragement of the younger Jewish writers of the United States and Canada is undeniable when we consider the works of such artists as Leonard Cohen, Irving Layton, Morecai Richler and numerous others. A.M. Klein's poetry draws heavily on the Jewish-North America experience. He knows the past and his traditions and expresses them with magnificence and density. His awareness of the urban-ethnic predicament and the incredible demands imposed by social difference and personal aspirations expresses itself in literary brilliance. His imagery is uniquely mythopoeic, his structures are truly elaborate ; his knowledge and understanding of the historical and the individual have remark scope and focus. The Collected poems of A.M. Klein is not only composite available collection of the poet's work, it is a testament to Klein's creative genius. He was a scholar, a politician, a social reformer, an artist, a craftsman, a dreamer....There have been very few writers like A.M. Klein.'- Publisher

A haunting consideration of the extraordinary mind of Saul Bellow's unjustly forgotten friend and literary rival and the extremes of the writing life Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.

Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Judith Merril was a pioneer of twentieth-century science fiction, a prolific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature. Better to Have Loved is illustrated with original art works, covers from classic science fiction magazines, period illustrations, and striking photography.

[From the back of the book] “A one minute story by Örkény is an enigmatic something. It is not just short prose, it is a combination of many things, anecdote… short note, found object, tale, joke, parable, a little of everything.” / “Örkeny does not tell it, he comes out and says it. What he writes is philosophy, but it is not abstract. It is witty, but not convivial. Keen, unsparing, brutal – poetic. Wry, elegant, consistent – in short, Hungarian” / “From time to time, the one minute stories resemble post-Auschwitz poems that can’t be written” /// More One Minute Stories / Classic Hungarian Literature in English Language /// This is a great Christian product sourced from BIML- Bible In My Language, the leader in foreign language Bibles and outreach materials from Baltimore, Maryland in the USA. BIML stocks Bibles in more than 600 languages.

"There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part! You can't even passively take part! And you've got to put your bodies upon the gears and upon the wheels ... upon the levers, upon all the apparatus, and you've got to make it stop!" These fiery words of protest, spoken by Mario Savio during the Berkeley Free Speech Movement, became a call to action that helped galvanize an entire generation of radicals during the 1960s. Led by student politicized through the fight for Civil Rights, the movement would reshape the American left and influence a generation of protesters across the globe. In this rousing and insightful participant's account, Hal Draper recounts the now iconic events of the FSM. From the impromptu speak out atop a police car after the administration decided to clamp down on students "distributing communist literature," to the inspiring Student Strike that shut down the entire campus, Draper's narrative captures the energy and dynamism of each twist and turn in the struggle, and offers invaluable analysis along the way. Brimming with lessons still relevant for today's activists, Berkeley: The Student Revolt is a classic of on-the-ground historical reportage.

Utah Series in Middle East Studies In 1915, the Ottoman government, then run by the Young Turks, deported most of its Armenian citizens from their eastern Anatolian lands. According to reliable estimates, close to forty percent of the prewar population perished, many in brutal massacres. Armenians call it the first genocide of the twentieth century. Turks speak of an instance of intercommunal warfare and wartime relocation made necessary by the treasonous conduct of their Armenian minority. The voluminous literature on this tragic episode of World War I is characterized by acrimony and distortion in which both sides have simplified a complex historical reality and have resorted to partisan special pleading. The Armenian Massacres in Ottoman Turkey examines the rich historical evidence without political preconceptions. Relying on archival materials as well as eye-witness testimony, Guenter Lewy avoids the sterile “was-it-genocide-or-not” debate and presents a detailed account of what actually happened. The result is a book that will open a new chapter in this contentious controversy and may help achieve a long-overdue reconciliation of Armenians and Turks.

The author provides a narrative history of Surrealism and an analysis of the major works of Surrealist literature.

The Production And Distribution Of Knowledge In The United States is a comprehensive book written by Fritz Machlup that explores the ways in which knowledge is produced and disseminated in the United States. The book covers a wide range of topics related to knowledge production and distribution, including the role of universities, scientific research, and intellectual property rights. Machlup also examines the impact of technology on knowledge production and distribution, as well as the ways in which knowledge is used in various sectors of the economy. The book provides a detailed analysis of the complex processes involved in the creation and dissemination of knowledge, and offers insights into the challenges and opportunities facing knowledge-based industries in the United States. Overall, The Production And Distribution Of Knowledge In The United States is a valuable resource for anyone interested in understanding the dynamics of knowledge production and distribution in modern society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The awarding of the 1958 Nobel Prize for Literature to Boris Pasternak and the subsequent calumny of his fellow citizens in Soviet Russia focused unusual attention on Pasternak's great novel, Dr. Zhivago, and the small body of his other work. At the time, the latter was only available (in any language, as far as is known) in New Directions' Selected Writings of Pasternak, first published in 1949. The 1958 edition was issued with a new introduction by Babette Deutsch under the title of the book's main component, Pasternak's autobiography. Written when he was forty, Safe Conduct puzzled many readers in Russia and when it appeared in English, because its isolated sharp impressions and juxtapositions seem to deny chronology, but at least one critic recognized it as "the most original of autobiographies, employing a new technique of great important." Also included is a group of remarkable short stories, translated by Robert Payne, dealing with the mysteries of life and art, and a selection of the poems that have made Pasternak known, to the few at last, as the "outstanding Russian poet of the century." these are translated by the British Critic and poet C. M. Bowra, and by Miss Deutsch.

"Who is the greatest living essayist writing in English? Joseph Epstein would surely be at the top of anybody's list. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. Gallimaufry: A Collection of Essays, Reviews, Bits contains 58 essays on a wide variety of subjects, each a pure pleasure to read"--

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The storm of controversy over Helen Demidenko and her novel, 'The Hand that Signed the Paper,' raised huge cultural and political questions. Robert Manne, the influential historian and commentator, was a key participant in that debate. In 'The Culture of Forgetting, Manne tells the fascinating story of Demidenko's triumphal march into the honors list of Australian literature, the furious argument she provoked, and her astonishing unmasking as Helen Darville, the daughter of English immigrants. In his pursuit of the truth, Manne is driven by one inescapable question: what is the relationship between 'The Hand that Signed the Paper' and the greatest tragedy of twentieth-century Europe, the Holocaust? 'The Culture of Forgetting' is a powerful and moving book about fiction and free speech, a deeply personal response to the Demidenko puzzle, and a brilliant account of the history at the heat of the affair.