The perfect graduation gift: a wry look at the pleasures and anxieties of leaving home, penned with Judith Viorst's trademark blend of insight and humor. Millions of young people grew up with Viorst's bestselling children's book "Alexander and the Terrible, Horrible, No Good, Very Bad Day." Now they can take her tongue-in-cheek advice for the next stage in their lives. Warm, funny, compassionate, and reassuring, "You're Officially a Grown-Up" describes -- in verse and illustrations -- all those terrifying but eagerly anticipated freedoms that go hand in hand with venturing out on your own and trying to make your way in the world. Ranging from the quandaries of giving up room, board, and the keys to the Ford to the thrills of playing by your own rules, Viorst will touch a nostalgic chord in those "official" grown-ups who have loved her other books about life's milestones. This special keepsake -- written from a loving parent's perspective -- is just the ticket high school and college graduates need for a one-way passage to adulthood.

"If the law is of such nature that it requires you to be an agent of injustice to another, then I say, break the law." In 1849, the young Henry David Thoreau, philosopher, poet, naturalist, penned these timeless words in his Civil Disobedience. Three years earlier Thoreau had refused to pay taxes to the government, which was engaged in the Mexican War. He condemned the war as unjust--a war never formally declared, begun without Congressional authorization, a savage and bloody war fought to assuage the United States' territorial ambitions. For his courageous and unprecedented act of protest, he was thrown in jail. Thoreau was a man of the future. Over the past century, his action has had worldwide repercussions. Tolstoy was influenced by his stand, and Gandhi based his passive resistance campaign on the words of the philosopher of Walden Pond. Now, Thoreau's action take on a new relevance. The Night Thoreau Spent In Jail is an essential work for today's world.

Voted Britain's favourite poem in 1996, 'Warning', written in 1961, is known and loved the world over. Its declaration of defiance, so vividly and cleverly expressed, appeals to the rebel in all of us as we secretly yearn to throw off the shackles of propriety and enjoy the gleeful freedom of cocking a snook at the rest of the world. In the poem's respectable middle-aged woman, as she indulges in her fantasy of the gabby old crone with her outrageous clothes and dotty behaviour, Jenny Joseph has created a character whose thoughts have been quoted at conferences and funerals, used to cheer up sick friends, remembered with pleasure by children and adults alike. Found in schoolbooks from Alaska to Singapore, the poem has been stitched, stamped, quilted, set to music, printed on cards, written on cakes and made into films. Now, for the first time, 'Warning' appears as an illustrated book with drawings by Pythia Ashton-Jewell specially designed to suit its unique character.

A family of dedicated birders presents an illustrated tribute to birds featuring a combination of scientific facts, folklore, poems, and songs.--

A new volume from Adrienne Rich, recipient of the National Book Foundation's 2006 Medal for Distinguished Contribution to American Letters. Telephone Ringing in the Labyrinth is one of Adrienne Rich's most unpredictable and evocative collections. In the folk/blues tradition behind "Rhyme," in the incantatory pattern of "Behind the Motel," in the voices from past and present in "Letters Censored, Shredded, Returned to Sender or Judged Unfit to Send," in the dystopic scenes and intimate encounters of "Draft # 2006," in the mysterious negotiations of the title poem, the tempos and moods of this book constantly vary. Here, Rich draws on the artistic means of a lifetime.

"Adam Mansbach--a young and mostly unknown jazz musician, rapper, poet, screenwriter, and novelist - had just had his first brush with fame from a most unlikely source: a book of rhyming couplets about putting his young daughter to sleep that had improbably sold millions of copies and shot to the top of bestseller lists. Just as his dreams of writing success were coming true - interviews on late-night and morning shows, standing-room only events, an audiobook read by Samuel L. Jackson and Werner Herzog (not all dreams make sense) - he received a call from his father, with news about his older brother, David. 'my father said david has taken his own life & i answered as if i didn't understand or hadn't heard. my reply was what? & he repeated it. there is plenty to regret & perhaps this is insignificant but i wish i had not made him say it to me twice.' This epic poem tells the story of a young man grappling with the death of his beloved and troubled older brother - but more than that, trying to understand the nature of love, family, and mortality itself. In his Go the Fuck to Sleep, Mansbach deftly captured for millions of readers the comic tension betweeen the love we have for our newborn children and the ways they drive us crazy; here, he uses that same sensitivity and ability to find a fresh language for common human experience to illuminate the search for meaning within grief at the other end of life. Mansbach finds himself facing a sudden void where once he brother stood without any way to make sense of the loss. This poem turns into his ritual of grief, his way of redeeming and understanding loss - and moving on"--

During the 20th Century, France was home to many of the world’s greatest poets. This collection highlights some of the very best verse that came out of a country and century defined by war and liberation. • “Indispensable . . . a book that everyone interested in modern poetry should have close to hand, a source of renewable delights and discoveries, a book that will long claim our attention.”—Peter Brooks, The New York Times Book Review “One of the freshest and most exciting books of poetry to appear in a long while . . . Paul Auster has provided the best possible point of entry into this century's most influential body of poetry.”—Geoffrey O'Brien, The Village Voice

This collection redefines the great canon of American poetry from its origins in the 17th century right up to the present. It features the work of more than 200 poets, almost three times as many as the 1976 edition. The book includes not only writers born since the previous edition, but also many fine poets overlooked in earlier editions or little known in the past but highly deserving of attention. Many more women and African-American poets are represented, and unexpected figures such as the musicians Bob Dylan, Patti Smith and Robert Johnson have a place.--From publisher description.

"An "astounding" (Terrance Hayes) debut collection of poems - Winner of the 2016 National Poetry Series Competition In this ­­­powerful debut collection,sam sax explores and explodes the linkages between desire, addiction, and the history of mental health. These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet's personal and family histories as mental health patients and practitioners. Ultimately,Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax's innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it"--

"One of the most promising young poet-critics in America" ( Los Angeles Times ) examines a revolutionary generation of poets. Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as "confessional." But partly as a result of their openness, they have become better known for their tumultuous lives—afflicted by mental illness, alcoholism, and suicide—than for their work. This book reclaims their achievement by offering critical "biographies of the poetry"—tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. An ideal introduction for readers coming to these major American poets for the first time, it will also help veteran readers to appreciate their work in a new light.

"A Part of Speech contains poems from the years 1965-1978, translated by various hands"--OCLC

Love poems by the Israeli poet evoke rich images while employing a colloquial approach and a terseness of language

"A humorous satirical field guide for identifying and defeating a Trump when discovered in the wilds of a presidential election"--

Louise Glück interweaves in this book-length sequence an account of the dissolution of a contemporary marriage with the story of Homer's Odyssey. Myth and modern life have a lot to teach each other in terms of irony and clarification. Penelope, Circe, the son Telemachus and Odysseus himself emerge compellingly real and quite distinct from the dusty figures they sometimes seem to be. Glück's poems are by turns bracingly comic, expansive, tolerant and, finally, heartbreaking. The trivia of daily life break across underlying dramas which the dialogues disclose. Dream and actuality, choice and compulsion, collide. She also explores the notion of the nostos, the homecoming, source of the momentum of Homer's poem. 'We look at the world once, in childhood./The rest is memory.'

Cassette contains readings from the book.

From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.