Family Sayings is Natalia Ginzburg's masterpiece and a classic of contemporary Italian literature. Although it asks to be read as fiction, the author, one of Italy's finest twentieth-century writers, admits that it is highly autobiographical. The book spans the period from the rise of Fascism through World War II (in which her first husband perished at the hands of the Nazis) and its aftermath. Its subject is the other people in Ginzburg's family. Woven around the inconsequential, revealing remarks that are repeated in a family until they become its affectionate private code, rich in memory and association, this is one of the rare true evocations of a family in modern literature. Family Sayings is at the same time a living history that documents the life of the assimilated Jewish Ginzburg family and the culture to which they belonged. Winner of the Strega Prize-Italy's Pulitzer for literature-this intimate and candid portrait is no less relevant today than when it was first published in 1963. --

Philip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph.

The bestselling historical novel that exposes the less than honorable side of our Founding Fathers by the Pulitzer Prize-winning columnist. In this gripping and timely work, William Safire unveils the story behind the nation's first great political scandals. James Thomson Callender, the "scandalmonger" of the title, is an ambitious gossip-peddling editor secretly hired by Thomas Jefferson as a political weapon. After carefully damaging Alexander Hamilton's reputation, thereby paving the way for Jefferson's success, Callender is shunned by the very politicians on whose behalf he was jailed for sedition. Broke and betrayed, Callender seeks revenge by exposing an illicit affair between Jefferson and his slave Sally Hemmings, an accusation that ultimately cost Callender his career and would not be authenticated for two centuries. By using actual letters, records, and notes to re-create dialogue and events, Scandalmonger embodies historical fiction at its best, politics at its most intriguing, and our Founding Fathers at their most notorious. For those who think that Washington sex scandals and lurid journalism are recent developments, this novel will be a revelation, for Safire shows how media intrusiveness into private lives-and politicians' cool manipulation of the press-are practices as old as the Constitution.

William Safire was a speechwriter for Richard Nixon from 1968 to 1973. During that time, as a Washington insider, Safire was able to observe the thirty-seventh president in his entirety: as noble and mean-spirited; as good and bad; as a man desirous of greatness. Rarely has there been a White House memoir more intimate or revealing in its exploration of the great events that took place "before the fall" of Watergate. In this anecdotal history, Nixon and his associates come alive, not as caricatures, but as men with high and low purpose: Henry Kissinger, William Rogers, H. R. (Bob) Haldeman, John Ehrlichman, Charles Colson, and Arthur Burns struggle not just for power, but for ideals. As William Safire says in his Prologue: "In this memoir, which is neither a biography of [Nixon] nor an autobiography of me nor a narrative history of our times, there is an attempt to figure out what was good and bad about him, what he was trying to do and how well he succeeded, how he used and affected some of the people around him, and an effort not to lose sight of all that went right in examining what went wrong." The book is divided into ten sections, in which run three main themes: the President, the Partisan, and the Person. As a president, Safire discusses Nixon and the Vietnam War, foreign policy, economics, and race relations. As a partisan, he discusses Nixon's attempt to form an alignment across party lines, successful in many respects before the president tolerated the excesses that eventually corrupted his administration. And as a person, Safire finds that Nixon was a mixture of Woodrow Wilson, Machiavelli, Theodore Roosevelt, and Shakespeare's Cassius--an idealistic conniver evoking the strenuous life while he thinks too much. This paperback edition of a classic primary source for historians includes a new introduction by its author. Studded with direct quotations that put the reader in the room where history was being made, Before the Fall is a realistic, shades-of-gray study of the Nixon years. William Safire joined the New York Times in 1973 as a political columnist, where he also writes a Sunday column, "On Language," about grammar, usage, and etymology. The author of several books including Freedom , Full Disclosure , and Scandalmonger , he is the winner of the 1978 Pulitzer Prize for distinguished commentary and served nine years as a member of the Pulitzer Board.

(Boosey & Hawkes Scores/Books). Winner of the 2009 Pulitzer Prize. Includes a note from the composer and performance notes.

Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.

The complete memoirs of Neil Simon, the greatest—and most successful—American playwright of all time, the author of such iconic works as Lost in Yonkers , The Odd Couple , Biloxi Blues , and The Goodbye Girl , now with an insightful Introduction by Nathan Lane. This omnibus edition combines Neil Simon’s two memoirs, Rewrites and The Play Goes On , into one volume that spans his extraordinary five-decade career in theater, television, and film. Rewrites takes Simon through his first love, his first play, and his first brush with failure. There is the humor of growing up in Washington Heights (the inspiration for his play Brighton Beach Memoirs ) where, despite his parents’ rocky marriage and many separations, he learned to see the funny side of family drama, as when his mother thought she saw a body on the floor in their apartment—and it turned out to be the clothes his father discarded in the hallway after a night of carousing. He describes his marriage to his beloved wife, Joan, and writes lucidly about the pain of losing her to cancer. The Play Goes On adds to his life’s story, as he wins the Pulitzer Prize and reflects with humor and insight on his tumultuous life and meteoric career. “Neil Simon’s terrific memoirs are worth revisiting” ( New York Post ). Now, with the whole story in one place, he traces the history of modern entertainment over the last fifty years as seen through the eyes of a man who started life the son of a garment salesman and became the greatest—and most successful—American playwright of all time.

In this highly entertaining book, Lawrence Weschler chronicles the antics of J. S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money. "Lawrence Weschler, who evidently admires [Boggs]-something not difficult to do-has written what may be the most extraordinary biography imaginable: "weird," to use a favourite Boggs word. It does something towards changing our entire outlook on money and its uses. And the reader is left with an uneasy feeling that anything in this world can be created by drawing it." —Ruth Rendell, Daily Telegraph "As ideal a subject matter as money is for Boggs' genius, Boggs is as ideal a topic for Weschler's considerable talents. . . . A writer any less lucid than Weschler would smudge the lines, making of Boggs a counterculture caricature or a high-art huckster. And a writer any less confident would knock the balance, making academic mud pies of Boggs' enlightened chaos." —Jonathon Keats, San Francisco Chronicle Book Review "[A] witty and engaging chronicle. . . . Weschler's fascinating account of the artist as agent provocateur demonstrates both the significance of Boggs's art and his determination to continue his unusual critique of the idea of money." —Henry Wessells, Washington Post Book World "[A] witty, excellently written account of a bizarre and fascinating snippet of modern life." —Paul Ormerod, Times Higher Education Supplement "The book, like the artist, challenges people to pause and consider the extent to which the economic bedrock of everyday life is in part a confusing welter of artistic abstractions. It's a work that is at once informative, entertaining, and provocative-a reading experience, one might say, of rather good value." —Toby Lester, Atlantic Monthly "[A] fascinating tale, especially in these days of fluctuating currency rates, the euro, and inexplicable Net-stock valuations." —Paul Lukas, Fortune Lawrence Weschler, a recipient of the prestigious Lannan Literary Award for 1998, is the author of numerous books, including Calamities of Exile: Three Nonfiction Novellas , and Mr. Wilson's Cabinet of Wonder , which was a finalist for both the Pulitzer Prize and the National Book Critics Circle Award.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects. After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form. James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century. An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe. While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer. James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

The former Poet Laureate of the United States, Nemerov gives us a lucid and precise twist on the commonplaces of everyday life. The Collected Poems of Howard Nemerov won both the National Book Award and the Pulitzer Prize in 1978. "Howard Nemerov is a witty, urbane, thoughtful poet, grounded in the classics, a master of the craft. It is refreshing to read his work. . . . "— Minneapolis Tribune "The world causes in Nemerov a mingled revulsion and love, and a hopeless hope is the most attractive quality in his poems, which slowly turn obverse to reverse, seeing the permanence of change, the vices of virtue, the evanescence of solidities and the errors of truth."—Helen Vendler, New York Times Book Review

WINNER OF THE PULITZER PRIZE In the bustling streets of early 20th-century New York City, the stoop of a nondescript brownstone serves as the central stage for the intricate dramas and poignant narratives that unfold in Elmer Rice's seminal work, "Street Scene." Premiering in 1929 at the Playhouse Theatre in New York City, this evocative play offers a profound exploration of the human condition amidst the backdrop of a gritty urban landscape. At the heart of the narrative are the Maurrant family—Anna, Rose, and Frank—whose lives intertwine with those of their neighbors in profound and often tumultuous ways. Anna Maurrant, a woman grappling with issues of infidelity and disillusionment in her marriage, finds herself entangled in a web of secrets and desires. Her daughter, Rose, struggles to navigate the demands of her job and the oppressive presence of her father, Frank, whose domineering and sometimes abusive behavior casts a shadow over their household. Against this backdrop of familial strife, the character of Sam Kaplan emerges as a beacon of empathy and compassion. A Jewish neighbor deeply in love with Rose, Sam serves as both a confidant and a source of solace amidst the chaos of their urban existence. His unwavering devotion to Rose illuminates the complexities of love and longing in a world marked by social and economic divides. As the action unfolds entirely on the front stoop of the brownstone and in the adjacent streets, Rice skillfully captures the rhythm and pulse of city life, infusing each scene with a palpable sense of immediacy and authenticity. From the colorful array of neighbors and passersby to the bustling energy of the urban milieu, "Street Scene" paints a vivid portrait of a community teetering on the brink of despair yet resilient in the face of adversity. Recipient of the prestigious Pulitzer Prize for Drama in 1929, "Street Scene" remains a timeless testament to the enduring power of theater to illuminate the complexities of the human experience. Through its rich tapestry of characters and its evocative portrayal of urban life, Rice's play invites audiences to reflect on themes of love, longing, and the indomitable spirit of the human soul against the backdrop of a mean quarter of New York City.

From the editors of From One Experience to Another comes a new collection featuring celebrated writers for young adults. Contributors include Newbery Medal winners Jerry Spinelli and Betsty Byars, Paul Zindel, winner of the Pulitzer Prize for Drama, and Jon Scieszka, author of The Stinky Cheese Man & Other Fairly Stupid Tales, a New York Times "Notable Book of the Year." Other authors include T.A. Barron, Tamora Pearce, Mary Ann McGuigan, Lois Metzger, Mel Glenn, Joyce Hansen, Rich Wallace, Joan Abelove and Eleanora E. Tate.

'The best account of this episode in English.' TLS Napoleon was the hero of his age, a man who helped France become, briefly, a hugely impressive European power. In 1814, he was imprisoned on Elba, planning an escape and plotting his course of action once he had done so. From the time he landed back in France to his loss at Waterloo, one hundred days elapsed. Scholar Alan Schom, an expert in the history of the Napoleonic era, outlines the key personalities and events of those hundred days in 1815. Napoleon is a far cry from the heroic leader of the time before he was imprisoned in Elba, attempting to gather forces and convince his old friends to help him once again. Despite the difficulties he faced from his irresponsible brothers, and acting in opposition to the statesman Talleyrand, Napoleon was only a whisker away from a famous triumph, and only eventually defeated by the mobilised force of the Allies. It was the Duke of Wellington and Blücher who defeated Napoleon, who was prepared to take on England, Austria, Prussia and Russia. The book includes a brilliant account of the manoeuvres at Waterloo, and is a fantastic tale of daring that is a useful book exactly 200 years on from the 100 days. 'Undoubtedly the best account of this episode in English' - Richard Holmes, The Times Literary Supplement 'Alan Schom has written a racy account, backed by copious detail and an abundance of quotations...a good read' - Michael Carver, Sunday Telegraph 'A brisk, pacey account of the Hundred Days, written in a fluent and engaging manner...There are excellent sketches of Fouché, Talleyrand and Carnot and a most able analysis of the background...as well as fascinating material on espionage and intelligence' - Frank McLynn in the Literary Review 'A riveting narrative of events...a sparkling portrait gallery of the personalities who shaped those events' - Russell F. Weigely, author of The Age of Battles Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and Trafalgar . One Hundred Days was nominated for the 1992 Pulitzer Prize and for the 1992 US National Book Award.

A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.

(Boosey & Hawkes Scores/Books). New score of the 1971 work by Pulitzer Prize-winning composer Steve Reich, who celebrates his 75th birthday in October 2011.

Since 1949, when Pulitzer Prize-winning journalist Max Frankel began to write for The New York Times, readers have looked to his work as a lens through which they could witness America's role in a rapidly changing world. In this vivid and unforgettable memoir, Frankel chronicles the times of his extraordinary life as he experienced them...within the context of the news stories that defined an era. A quintessentially American story, The Times of My Life traces Frankel's riveting personal relationship with history...his harrowing escape from Nazi Germany...his life as an immigrant on the streets of New York...and his extraordinary half-century-long career at The Times. In a rich first-person account that moves from Hitler's Berlin to Cold War Moscow, from Castro's Havana to the newsroom of America's most influential newspaper, this powerful, compelling work interweaves Frankel's personal and professional lives with the era's greatest stories, from Sputnik to the Pentagon Papers to the collapse of the Berlin Wall. And it reveals Frankel's fascinating off-the-record encounters with Nikita Khrushchev, Henry Kissinger, John Kennedy, Richard Nixon, and a host of other history-makers who shaped their times--and ours. Guiding readers through Hitler's Berlin, Khrushchev's Moscow, Castro's Havana, and the Washington of Kennedy, Johnson, and Nixon, THE TIMES OF MY LIFE reevaluates the Cold War, and interweaves Frankel's personal and professional life with the greatest stories of the era. -->

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

Trial by jury is the mainstay of the accusatorial system of criminal justice. Here one of our most distinguished constitutional scholars, the Pulitzer Prize-winning Leonard Levy, brings his formidable skills to bear in tracing the development of what many great legal minds have called the Palladium of Justice. Recounting this history with his characteristic clarity, vigor, and elegance of expression, Mr. Levy has given us a brilliant and useful summary of one of our most cherished freedoms. Incisively, thoroughly, and thoughtfully—as always-Leonard Levy offers historical meaning and understanding to one of our most basic rights. —Stanley I. Kutler

What did "freedom of the press" really mean to the framers of the First Amendment and their contemporaries? This masterful book by a Pulitzer Prize–winning constitutional historian answers that question. In Emergence of a Free Press (a greatly revised and enlarged edition of his landmark Legacy of Suppression), Leonard W. Levy argues that the First Amendment was not designed to be the bulwark of a free press that many thought, nor had the amendment's framers intended to overturn the common law of seditious libel that was the principal means of stifling political dissent. Yet he notes how robust and rambunctious the early press was, and he takes that paradox into account in tracing the succession of cases and reforms that figured in the genesis of a free press. Mr. Levy's brilliant account offers a new generation of readers a penetrating look into the origins of one of America's most cherished freedoms.

'A fresh, unexpected, and revealing portrait of Russia' ANNE APPLEBAUM, Pulitzer Prize-winning author of Gulag and Red Famine 'A century of Russian history told through the women who lived it, shaped it, and survived it' NADYA TOLOKONNIKOVA, founder of Pussy Riot[Bokinfo]