Four young people learn how to cope with difficult situations.

Stories from the forties present a social critique of America and reflect Goodman's interest in self-analysis

Original and effortlessly clever, the stories in I Know Who You Remind Me of capture the sensibility of a generation with no cultural inhibitions to overcome. Naomi K. Lewis's characters bear the battlescars of adolescence and early adulthood - scars left when one classmate impersonates another in Internet pornography; a lover donates his eyeball in the heat of passion; sibling rivalry escalates into a low orbit. For these characters, everything is straight-on, never coy, and often deliciously funny.

"In these loosely linked stories, characters succumb to magical thinking in their obsessive longing to direct the future, the present, and even the past. In the title story, a husband tries to convince his wife of the subtle beauty in the many shades of green in their garden, when all she wants are flowers. In other stories, characters stubbornly attempt to cheat death. A woman makes jam to resurrect a daughter killed in Iraq. A man throws a party to keep his dying wife alive. A woman believes she can rescue the past by holding onto everyday objects like pots and pans. Though these stories are filled with loss and echoing grief, they hold equal measures of gratitude and pride, resilience and joy."--Amazon.com.

Nine Chicago-based short stories combine wit and precision to probe the meaning of ambition by creating insightful characters with realistic struggles

Text: English, Hebrew (translation)

He was a young Texas power-broker. The wealthy scion of the state's most popular governor. And, in 1976, Price Daniel, Jr., shocked his social set by marrying Vickie Carroll, a waitress at the local Dairy Queen--a marriage with tragic consequences. Taking us step by step through the investigation and two trials, this is the behind-the-scenes account of a charmed life destroyed by money, politics, family discord, and sexual perversion. With all the drama of courtroom fiction, it retells the dark secrets of a troubled aristocrat--and the controversial, surprise verdict that will set your heart pounding.--Cover

Peter Ustinov's brilliant collection of short stories.

In Jews vs Zombies, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from BSFA Award winner Adam Roberts to best-selling author Sarah Lotz, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the Chosen People meet the Living Dead?

In Jews vs Aliens, editors Lavie Tidhar and Rebecca Levene have gathered together brand new stories from the light-hearted to the profound, with authors ranging from Orange Prize winner Naomi Alderman to Big Bang Theory writer/producer Eric Kaplan, all asking, for the first time, the question you didn't even know you wanted answered - what happens when the aliens arrive, only to encounter... Jews?

One of the most complex periods in American history is illuminated by the love stories of three couples and their fights for freedom from slavery.

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

Text: English (translation) Original Language: French

Straw Sandals is a collection of 23 stories, a play, and a poem by 16 Chinese writers selected to represent the radical literature produced in China between 1918 and 1933. It was assembled in Peking in 1934 by Harold R. Isaacs with the advice and guidance of Lu Hsün, China's foremost literary figure of this century, and Mao Tun, leading novelist of the younger group that had gathered around Lu Hsün in those tumultuous years. The first half of the collection, including several of Lu Hsün's most famous stories, typifies work that appeared in the first years of China's modern cultural renaissance—short stories written in vernacular Chinese that rejected surviving Chinese traditionalism with its philosophic and social outlooks, its rules of behavior for family life and relationships between men and women. The second group of stories represents the growing ideological and political turbulence of the 1920s and 1930s. Straw Sandals is introduced by Professor Isaacs, who describes the historical setting in which this short-lived and violence-ridden literary movement tried to make its way. He vividly presents the Shanghai of that period, where many of these writers struggled to pursue their craft and were caught between the pressures of Kuomintang repression (many were imprisoned and executed) and the demands for total conformity inside the Communist movement. His account adds an ironic perspective to the collection in light of all that has happened since that time—for the writers who survived Kuomintang repression and the war against Japan to see the Communist victory they had fought so hard and so long to bring about ultimately fell in their turn in the repeated purges that marked the Communist regime's imposition of total control over all art and literature. The English translations of a number of these stories first appeared in the China Forum, a journal that Professor Isaacs edited and published in Shanghai from 1932 to 1934. They were made by a distinguished Chinese language scholar, the late George A. Kennedy, while he was teaching in a Shanghai school. The rest of the collection was translated by several Chinese collaborators and then edited by Isaacs. The book includes updated biographical notes on the writers, many of which were originally supplied by the writers themselves, and an appendix, Mao Tun's "Notes on Chinese Left-wing Literary Magazines."

Ten short stories about "boyhood"--About boys who age but can't grow up, about boyhood in the messes adults make. They collect under Hemingway's rueful remark about American men: "It's that some of them stay little boys so long, sometimes all their lives. Their figures stay boyish when they're fifty. The great American boy-men. Damned strange people."--publisher description.

Rose Zwi's stories embrace people from different countries and cultures drawn together by a common humanity. Her characters range from a political activist who is house-arrested, to the child of immigrant parents caught between two cultures; from a city-educated woman returning to the arid homeland of her tribal grandfather, to a Rabbi and his wife in an East European shtetl; from a solitary dingo in a small Australian town, pursued to its inevitable end to a farmer obsessed with returning his land to its natural state.

'A brilliantly funny writer' Sunday Telegraph Swap a bomb for three ice-creams on a train ... bounce on a vampire's bed ... eat a pizza that makes you fearless ... read the secret diary of a dog ... unleash the awesome power of chips ... save ten lives with a paper clip ... surprise your mum with a chainsaw ... use a demolition ball to defeat a bully ... live in a house that gets wiped clean more often than a bottom ... and lots more! *Includes the stories from Give Peas A Chance , Pizza Cake and Snot Chocolate plus a BONUS new story ------------------ PRAISE FOR MORRIS GLEITZMAN 'Readers can't get enough of him.' The Independent 'A virtuoso demonstration of how you can make comedy out of the most unlikely subject' Sunday Times 'He is one of the finest examples of a writer who can make humour stem from the things that really matter in life.' The Guardian