The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

As a kid, Noam Chomsky handed out the Daily Mirror at his uncle's newsstand on 72nd Street, inadvertently finding himself in a buzzing intellectual and political hub for European immigrants in New York. Iranian human rights Nobelist Shirin Ebadi and her husband signed their own legal contract, attempting to restore equality to their marriage after the Iranian Revolution effectively erased the legal rights of women. Elizabeth Warren set out to expose those frauds declaring bankruptcy and taking advantage of the system-only to discover, in her research, a very different story of hard-working middle-class families facing economic collapse in the absence of a social safety net. While studying at Oxford, a young Tariq Ali made a bet with a friend that he could work the Vietnam War into every single answer on his final exams. In this rousing, thoughtful, often funny, and always inspiring volume, a diverse and impressive group of thinkers reflect on those formative experiences that shaped their own political commitments. A fascinating new window into the revealing links between the personal and the political, Political Awakenings will engage readers across generations.

In the final days of World War II, a band of Jewish partisans makes its way from Russia to Italy, moving toward the ultimate goal of Palestine. Based on a true story, the novel chronicles their adventures as they wage a personal war of revenge against the Nazis: blowing up trains, rescuing the last victims of concentration camps, scoring victories in the face of unspeakable devastation. Primo Levi captures the landscape and the people of Eastern Europe in vivid detail, depicting as well the terrible bleakness of war-ridden Europe. But finally, what he gives us is a tribute to the strength and ingenuity of the human spirit.

The Nazis needed oil. The Arabs wanted the Jews and British out of Iraq. The Mufti of Jerusalem forged a far-ranging alliance with Hitler resulting in the June 1941 Farhud, a Nazi-style pogrom in Baghdad that set the stage for the devastation and expulsion of the Iraqi Jews and ultimately almost a million Jews across the Arab world. The Farhud was the beginning of what became a broad Nazi-Arab alliance in the Holocaust. --publisher.

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"The Holocaust in the Soviet Union is the most complete account to date of the Soviet Jews during World War II and the Holocaust (1941-45). Reports, records, documents, and research previously unavailable in English enable Yitzhak Arad to trace the Holocaust in the German-occupied territories of the Soviet Union through three separate periods in which German political and military goals in the occupied territories dictated the treatment of the Jews."--BOOK JACKET.

A rich and witty classic novel of love, community and home from the award-winning and best-loved Eva Ibbotson. Now reissued with a brand-new cover. Susanna Weber's dress shop stands in the picturesque Madensky Square, a quiet little world of its own, nestled in the heart of glittering pre-war Vienna.As the winter of 1910 unfurls into spring, Susanna starts a journal about life in the Square, about the buildings and their colourful inhabitants. There's Frau Schumacher, with six daughters and a baby on the way, Professor Starsky and his menagerie of sickly reptiles, an aging bookseller, a teenaged Anarchist, and little Sigi - an orphaned child prodigy forced to play the piano all day, every day.And then there's her dear friend Alice, the only person who has noticed the heartbreak that hides beneath Susanna's brisk kindness and brilliant talent.A whip-smart observation of the passions and tragedies behind daily life, Eva Ibbotson's Madensky Square is a classic snapshot of Viennese life before WWI.

"The historian John Lukacs offers a concise history of the twentieth century--its two world wars and cold war, its nations and leaders. The great themes woven through this spirited narrative are inseparable from the author's own intellectual preoccupations: the fading of liberalism, the rise of populism and nationalism, the achievements and dangers of technology, and the continuing democratization of the globe. The historical twentieth century began with the First World War in 1914 and ended seventy-five years later with the collapse of the Soviet Empire in 1989. The short century saw the end of European dominance and the rise of American power and influence throughout the world. The twentieth century was an American century--perhaps the American century. Lukacs explores in detail the phenomenon of national socialism (national socialist parties, he reminds us, have outlived the century), Hitler's sole responsibility for the Second World War, and the crucial roles played by his determined opponents Churchill and Roosevelt. Between 1939 and 1942 Germany came closer to winning than many people suppose. Lukacs casts a hard eye at the consequences of the Second World War--the often misunderstood Soviet-American cold war--and at the shifting social and political developments in the Far and Middle East and elsewhere. In an eloquent closing meditation on the passing of the twentieth century, he reflects on the advance of democracy throughout the world and the limitations of human knowledge" -- Publisher website

It's the story no one would tell. On May 3, 1945, the Royal Air Force attacked a fleet of ships carrying more than seven thousand survivors of the Neuengamme concentration camp. The war was nearly over, and the survivors had endured one of history's most hellish ordeals, only to die at the hands of their allies. The bodies, in the striped white-and-black uniforms of camp prisoners, were soon washing ashore on the beach by the town of Timmendorf, near the Baltic port of Neustadt. Benjamin Jacobs, then twenty-five, survived by escaping the hold and clinging to wreckage. He was one of only 350 survivors, and one of the last of those. Days before, Jacobs had boarded the Cap Arcona, along with thousands of other prisoners. A commandeered luxury liner, the Cap Arcona was a dilapidated wreck. Nearby, the freighter Thielbek, in similar condition, was also attacked. There is reason to believe the Germans were intending to sink the Cap Arcona themselves. Though they claimed the prisoners were headed to Sweden, the ships may have been nonfunctional. The Royal Air Force believed the ships contained escaping SS officers. Tragically, British intelligence may have known who was on the ships, which may explain why the RAF has sealed the records until 2045. In The 100-Year Secret Benjamin Jacobs collaborates with writer Eugene Pool to describe his miraculous escape from a burning transport ship that was once one of the most glamorous ocean liners of the early twentieth century, and investigates why the incident, which will have its 60th anniversary in May, 2005, appears in no history books. The governments of Germany and Great Britain continue to refuse either to discuss it or to release pertinent records, The 100-Year Secret is the first complete account in English of this horrific and suppressed tragedy. It is also the first book-length description by an actual survivor. Furthermore, it contains new information about the incident, its participants, and its perpetrators not found in previous accounts. It is both the riveting personal story of a man who refused to give up, no matter what the circumstances, and an important revision of both Jewish and world history.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

An Intellectual History of Modern China covers modern China's intellectual development from the nineteenth to the end of the twentieth century. Merle Goldman and Leo Ou-fan Lee introduce and set the contemporary, scholarly context for this collection of essays, drawn from the later volumes (Volumes 12-15) of The Cambridge History of China. The chapters trace the transformation of Confucian ideas, the introduction of Western views, and the resulting, uniquely Chinese view of the world. By linking key intellectual developments and figures to emerging political movements, they explain the profound impact of changing ideas and values on Chinese politics and revolution. Merle Goldman brings the history up to date with a new, concluding chapter on the Deng Xiaoping era and China's intellectual scene at the end of the twentieth century.

"Tony Greenstein offers a comprehensive and incisive analysis of the indissoluble nexus between anti-Semitism and Zionism. This connection is exposed in its ugliest form during the Holocaust. You can trust a courageous and committed fighter against anti-Semitism, such as Tony, to guide us through this particular dark moment when Zionism and antiSemitism interacted in Europe's darkest hour to educate us about its historical manifestations and implications for our time." Ilan Pappe, Professor of Middle East History, Exeter University "This book is essential reading. Understanding the politics of the thirties and forties is essential if we are to ensure the horrors of World War Two never happen again. Tony Greenstein's detailed reference to original sources leads to conclusions that cannot be ignored." Ken Loach, socialist film maker "In this timely scholarly polemic Tony Greenstein authoritatively demystifies Zionism, convincingly depicting its long obscured and misunderstood connections with anti-Semitism, especially during its horrifying climax in the Holocaust. Essential reading for anyone that wants to understand Israel as a state built upon the premise of Jewish supremacy and sustained by a cruel apartheid regime to deny basic rights to the Palestinian people in their own country." Richard Falk, Professor of International Law Emeritus, Princeton University and Chair of Global Law, Queen Mary University London "The present book is about the entire history of this relationship between Zionism and anti-Semitism. Tony's encyclopaedic familiarity with the dispersed relevant publications and his achievement in arranging the vast material in a coherent account are second to none." Emeritus Professor Moshé Machover, King's College, London University "This is a work of remarkable historical scholarship and analysis, its subject matter is as telling and relevant today as it ever was." Dr Derek Summerfield, Honorary Senior Clinical Lecturer King's College, University of London "Greenstein's book, meticulously researched and liberally peppered with quotations from original sources, will make uncomfortable reading for anyone who feels a sneaking sympathy for Zionism". Dr. Susan Blackwell, Dept of Languages, Literature and Communication, University of Utrecht "The historical relationship of Zionism with antisemitic and racist regimes and movements has been an area long neglected by normative research, influenced as it is by Zionist assumptions; this is why Tony Greenstein's book is so crucial, further developing the pioneering work by Lenni Brenner. Greenstein work is epic in scope, shedding light on dark corners, covering an immense historical, geographic, political and discursive arena; It provides an updated, comprehensive account and evaluation of Zionism's complex interrelation with, as well as its uses and abuses of the Holocaust." Professor Haim Bresheeth, School of Oriental and African Studies, University of London "In this substantial, detailed and scrupulously referenced account, the history of Zionist policies and practices before, during and after the Nazi Holocaust is examined in all its awfulness. Greenstein will no doubt be vilified by predictable opponents, but he offers a powerful alternative to the way most people would think about Zionism, given its current status as beyond criticism, on pain of accusations of antiSemitism." Patrick Williams, Emeritus Professor, Nottingham Trent University

Italy, August 1944. A unit of German soldiers arrives at a villa near Florence. Villa Il Focardo is home to Robert Einstein, cousin to the most famous scientist in the world, Albert Einstein - a prominent enemy of the Nazi regime. Twelve hours after arriving, the soldiers have vanished - and a family is dead. This crime - and what happened next - still haunts those who survived. In The Einstein Vendetta , Thomas Harding recounts the story of an until-now untold true crime, one that unspools to reveal Italy's brutal wartime history - its fall to fascism, antisemitism and bitter partisanship - and a family's search for justice.

"Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern's critical role in it. The book chronicles Stern's formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers--Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern's voice comes through clearly in the text--he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past--he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present--and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s"--

Seventy years after it took place, the Holocaust committed against the Jews of Europe during World War II continues to cast a giant shadow over humankind. Man's inhumanity to man is not a thing of the past. Genocidal action is still commonplace around the globe. Has humankind learned the lessons of the past? Is the human race doomed to live in a perpetual state of war and self-destruction? Explaining the Holocaust shows how, given the right circumstances, human beings can lose their humanity. Does that mean that the ethical teachings of the major religions are wishful thinking? This book tackles two questions that continue to be asked by people everywhere: Why did a highly civilized nation like Germany, in the middle of the twentieth century, commit the most heinous crime in all of human history? And if indeed there is a loving God who made a covenant with the people of Israel, why were millions of innocent, peaceful Jews dehumanized, starved, tortured, and systematically murdered? Explaining the Holocaust spares no one in discussing the enormity of the evil. But it also shows how the divine spark in human beings did not die during those years of darkness, and why we still have a glimmer of hope. ""Explaining the Holocaust is balanced, graceful, and probing. Including both Jewish and Christian theological responses to the Holocaust, as well as voices from around the world, Rabbi Schreiber presents an historical overview of the Holocaust and Holocaust studies. His style is personal, engaging, and conversational, yet also reveals his extensive knowledge and erudition. An excellent book for small-group discussion."" --Alice Ogden Bellis, Professor of Old Testament, Howard University School of Divinity Mordecai Schreiber is the author of several books on the Bible and on the Holocaust. His latest book is Hearing the Voice of God (2013). He is the founder of Schreiber Translations and Schreiber Publishing. Now retired from both, he devotes his time to research and writing.

"In the elegant capital city of Warsaw, the editor Mieczyslaw Grydzewski would come with his two dachshunds to a caf� called Ziemianska." Thus begins the history of a generation of Polish literati born at the fin de si�cle . They sat in Caf� Ziemianska and believed that the world moved on what they said there. Caviar and Ashes tells the story of the young avant-gardists of the early 1920s who became the radical Marxists of the late 1920s. They made the choice for Marxism before Stalinism, before socialist realism, before Marxism meant the imposition of Soviet communism in Poland. It ended tragically. Marci Shore begins with this generation’s coming of age after the First World War and narrates a half-century-long journey through futurist manifestos and proletarian poetry, Stalinist terror and Nazi genocide, a journey from the literary caf�s to the cells of prisons and the corridors of power. Using newly available archival materials from Poland and Russia, as well as from Ukraine and Israel, Shore explores what it meant to live Marxism as a European, an East European, and a Jewish intellectual in the twentieth century.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.