No detailed description available for "Magic and Rhetoric in Ancient Greece".

In 1967 the world of Milton studies was divided into two armed camps: one proclaiming (in the tradition of Blake and Shelley) that Milton was of the devil's party with or without knowing it, the other proclaiming (in the tradition of Addison and C. S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him. The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying. Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

"A breathtaking historical novel that recreates the intimate milieu around Germany's Kaiser Wilhelm from 1907 through the 1930s, a period of great human suffering and destruction and also of enormous freedom and creativity, a time when the remnants and artifices of the old word still mattered, and yet when art and the social sciences were pirouetting with successive revolutions in thought and style. Set in a time when many men in the upper classes in Europe were gay, but could not be so publicly, Jews Queers Germans revolves around three men: Prince Philipp von Eulenburg, Kaiser Wilhelm II's closest friend, who becomes the subject of a notorious 1907 trial for homosexuality; Magnus Hirschfeld, a famed, Jewish sexologist who gives testimony at the trial; and Count Harry Kessler, a leading proponent of modernism, and the keeper of a famous set of diaries which lay out in intimate detail the major social, artistic and political events of the day and allude as well to his own homosexuality. The central theme here is the gay life of a very upper crust intellectual milieu that had a real impact on the major political upheavals that would shape the modern world forever after"--

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.

Abstract: "In June 2012, an early manuscript by renowned art historian Erwin Panofsky was discovered in a vault in a government building in Munich. The manuscript was quickly identified as Panofsky's habilitationsschrift on Michelangelo, a long-missing and legendary document that certified Panofsky to lead university courses, and about which scholars had speculated for decades. The manuscript's origins date back to late spring of 1920 (and was completed when its author was twenty-eight), but in 1933, Panofsky was forced to flee Nazi Germany without being able to go through his office or papers. The manuscript disappeared in the years leading up to World War II and was thought destroyed in the fire-bombing of Hamburg. Following his emigration to the United States in 1934, Panofsky joined the faculty of the newly-formed Institute for Advanced Study, and went on to author a dozen books, including three with Princeton University Press.

Stalinism for All Seasons is the first comprehensive history of the Romanian Communist Party (RCP). It traces the origins of the once-tiny, clandestine revolutionary organization in the 1920s through the years of national power from 1944 to 1989 to the post-1989 metamorphoses of its members. Vladimir Tismaneanu uses documents that he discovered while working in the RCP archives in Bucharest in the mid-1990s and interviews with many of the party members from the Ceau_escu and Gheorghiu-Dej eras to tell the absorbing story of how RCP members came to power as exponents of Moscow and succeeded in turning themselves into champions of autonomy. Tismaneanu analyzes both the main events in Romanian communism and the role of significant personalities in the party’s history. Situating the rise and fall of Romanian communism within the world revolutionary movement, Stalinism for All Seasons shows that the history of communism in one country can illuminate the development of communism in the twentieth century. Tismaneanu discusses significant moments in the final six decades of world communism, including the Spanish Civil War, World War II, the Comintern, Stalin and the Bolshevization of the Eastern European communist parties, and de-Stalinization. He examines important events in international affairs during Nicolae Ceau_escu’s rule (1965-1989)―particularly Romania’s role in the Sino-Soviet conflict, the Middle East, European communism, and European security. Finally, Tismaneanu identifies the RCP’s descendants among Romania’s current political parties and personalities. Embracing a long and complex period, this book will interest readers of twentieth-century history and anyone curious about communism and postcommunism.

Only by understanding Central and Eastern Europe's turbulent history during the first half of the twentieth century can we hope to make sense of the conflicts and crises that have followed World War II and, after that, the collapse of Soviet-controlled state socialism. Ivan Berend looks closely at the fateful decades preceding World War II and at twelve countries whose absence from the roster of major players was enough in itself, he says, to precipitate much of the turmoil. As waves of modernization swept over Europe, the less developed countries on the periphery tried with little or no success to imitate Western capitalism and liberalism. Instead they remained, as Berend shows, rural, agrarian societies notable for the tenacious survival of feudal and aristocratic institutions. In that context of frustration and disappointment, rebellion was inevitable. Berend leads the reader skillfully through the maze of social, cultural, economic, and political changes in Hungary, Czechoslovakia, Yugoslavia, Poland, Romania, Bulgaria, Albania, Austria, Latvia, Lithuania, Estonia, and the Soviet Union, showing how every path ended in dictatorship and despotism by the start of World War II.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Focusing on the cultural invention of Zionism, Michael Berkowitz explores how and why the Jewish nationalist movement was embraced by assimilated Jews of Western Europe before World War I. He pays special attention to the symbolism, artistic representations, and mythology that attracted European Jews to Zionism, which coexisted equally with the nationalisms of their home countries. The book was originally published in 1993.

"The Conservative Party has been in power for 47 of the 65 years since the end of World War II. During that time the division within the party over Europe has been the enduring drama of British politics--from Churchill's decision not to join the original European Coal and Steel Community in 1951 to Cameron's decision to hold the Brexit referendum in 2016. Other leaders came and went, but the issue was always there--sometimes center-stage, at others behind the scenes--destabilizing foreign policy, corroding the body politic, and destroying several of the party's leaders. These questions, and how they panned out, created a deep, grumbling discontent--the worm in the apple--that, over time, turned the Conservative Party and, by extension, a significant section of the electorate, against British membership of the EU. By telling the story of the arguments and divisions within the Conservative Party, The Worm in the Apple helps to explain why Britain voted to leave the European Union in 2016."--Amazon

The Scientific Revolution Revisited brings Mikulás Teich back to the great movement of thought and action that transformed European science and society in the seventeenth century. Drawing on a lifetime of scholarly experience in six penetrating chapters, Teich examines the ways of investigating and understanding nature that matured during the late Middle Ages and the Renaissance, charting their progress towards science as we now know it and insisting on the essential interpenetration of such inquiry with its changing social environment. The Scientific Revolution was marked by the global expansion of trade by European powers and by interstate rivalries for a stake in the developing world market, in which advanced medieval China, remarkably, did not participate. It is in the wake of these happenings, in Teich's original retelling, that the Thirty Years War and the Scientific Revolution emerge as products of and factors in an uneven transition in European and world history: from natural philosophy to modern science, feudalism to capitalism, the late medieval to the early modern period. With a narrative that moves from pre-classical thought to the European institutionalisation of science - and a scope that embraces figures both lionised and neglected, such as Nicole Oresme, Francis Bacon, Thomas Hobbes, Isaac Newton, René Descartes, Thaddeus Hagecius, Johann Joachim Becher - The Scientific Revolution Revisited illuminates the social and intellectual sea changes that shaped the modern world. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Von Kommenden Dingen Walther Rathenau S. Fischer, 1922 History; Military; World War I; History / Military / World War I; History / Social History; Social history

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Friedensgericht; Europäische Bücher Andreas Latzko Max Rascher verlag, 1918 History; Military; World War I; History / Military / World War I; World War, 1914-1918; World war, 1914-1918

The magnum opus of one of Europe's greatest living writers. “When telling one’s life story to someone else one manufactures not chronicles but legends for oneself,” Péter Nádas writes in his fiction masterpiece, Parallel Stories . Now, in his illuminating memoir, Shimmering Details , the renowned author investigates what it means to reconstruct a life without recourse to the techniques and embellishments of traditional storytelling. Taking his firmly embedded memories—the “shimmering details” that give this work its title—as his starting point, Nádas dissects them using a method inspired by Freudian dream interpretation. Sounds, scenes, smells, feelings—all are probed for details that might allow him to reconstruct what happened, and when and where. To avoid conscious or unconscious distortions, he deconstructs the stories of others, too—moving in concentric circles toward cause and effect, until their meaning and significance come to light. In Shimmering Details, Volume I , Nádas probes the history of his family from the late nineteenth century to his birth in 1942 and beyond. In a work that encompasses World War II and the Hungarian Revolution, Nádas traces the hidden connections between the seemingly random events of a life and assembles them into a memoir like no other.

Dive into the rich history of chess with "The Chess-monthly, Volume 8", a fascinating glimpse into the world of 19th-century chess strategy and culture. Authored by chess masters Leopold Hoffer and Johannes Hermann Zukertort, this volume offers a wealth of insights into the games, players, and controversies that shaped the era. Originally published as a periodical, "The Chess-monthly" provided enthusiasts with detailed game analyses, tournament reports, and biographical sketches of prominent chess figures. This particular volume captures a pivotal moment in chess history, showcasing the evolution of tactics and the growing popularity of the game across Europe. Whether you're a seasoned chess player, a history buff, or simply curious about the intellectual pursuits of the past, "The Chess-monthly, Volume 8" offers a captivating and informative journey into the world of chess. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book by Halevy, Elie

"Yashka: My Life as Peasant, Exile and Soldier," by Maria Botchkareva and Isaac Don Levine, offers a rare and compelling first-hand account of World War I from the Eastern Front. This remarkable autobiography details the extraordinary life of Maria Botchkareva, a Russian peasant who defied convention to become one of the first women soldiers. Experience her journey from humble beginnings to exile, and ultimately to the battlefield, where she fought with unmatched bravery and resilience. This is more than just a war story; it's a powerful human document of courage, perseverance, and the fight for equality during a time of immense upheaval. A crucial historical text, "Yashka" provides invaluable insight into the personal experiences of those who lived through the Great War and offers a unique perspective on the role of women in the military. This carefully prepared print edition ensures the enduring legacy of Botchkareva's unforgettable story. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.