"Film and television director and notable raconteur Barry Sonnenfeld's outrageous and hilarious memoir, tracing his idiosyncratic upbringing in Washington Heights, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty and A Series of Unfortunate Events"--

During his long reign (1953-1999), King Hussein of Jordan was one of the most dominant figures in Middle Eastern politics and a consistent proponent of peace with Israel. This is the first major account of his life, written with access to his official documents and with the cooperation (but not approval) of his family and staff, and also extensive interviews with international policy makers. For more than forty years, Hussein walked a tightrope between the Palestinians and Arab radicals on the one hand and Israel on the other. Avi Shlaim reveals that, for the sake of dynastic and national survival, Hussein initiated a secret dialogue with Israel in 1963 that encompassed more than one thousand hours with Golda Meir, Shimon Peres, Yitzhak Shamir, Yitzhak Rabin, and countless others. Shlaim reconstructs this dialogue across battle lines from previously untapped Israeli records and the firsthand accounts of key participants, and makes clear that it was Israeli intransigence that was largely responsible for the failure to achieve a peaceful settlement between 1967 and 1994. At Hussein's memorial service at St. Paul's Cathedral, the Prince of Wales hailed him as "a man amongst men, a king amongst kings." 'Lion of Jordan' illuminates the triumphs and disappointments, the qualities and character of this extraordinary soldier and statesman, and significantly rewrites the history of the Middle East over the past fifty years.

The last quarter century has been an extraordinary and turbulent period in the art world. It was a time of creative intensity during which a handful of artists, like Julian Schnabel, Jeff Koons, Keith Haring, and Jean-Michel Basquiat, managed, in their different ways, to cross over from the rarefied world of high art into popular culture. It was also a time when other promising careers and even whole movements, like Graffiti, spurted to life and then just as suddenly disappeared. During the astonishing boom years of the 1980s, the newly vigorous art market transformed the role of dealers and collectors to give them unprecedented power as tastemakers and the dangerous glamour of Hollywood power agents. And then came the bust. Writer Anthony Haden-Guest has moved within the art world, known the players, and reported on the scene for this entire span of time. True Colors draws on two decades of reporting to deliver an authoritative and deliciously inside account of the contemporary art world that will be the most talked-about book on art since The Shock of the New. Haden-Guest gives vivid portraits of the art world's key players and dramatizes the pivotal moments in the always evolving scene. Skillfully conveying a sense of the intricate geography of the art world, he tells of its clashes of ambition, its intrigues, its power plays. This is how artists survive, or don't survive. True Colors is filled with telling anecdotes and expertly told stories that cohere to give a sense of how the art world works, its current state, and where it may be going.

Chronicles the life of Leo Castelli, a prominent American art dealer, describing his first New York City gallery and the success of his enterprise throughout the twentieth century, and discussing his Italian-Jewish heritage, personal relationships, and related topics.

"A memoir exploring the author's father's love of wine" --

"Following the great success of Pioneers of the Possible, Angella Nazarian returns with an extraordinary sequel, Visionary Women. Featuring a foreword by Melanne Verveer, the director of the Georgetown Institute for Women, Peace and Security, this new title highlights twenty more innovative and forward-thinking women. From Malala Yousafzai as the youngest Nobel Prize laureate and Carmen Amaya beginning her remarkable dance career at age four to swimmer Diana Nyad breaking a world record at sixty-four and Doris Lessing still penning stories into her nineties, this inspiring volume will compel readers to reconnect with their own dreams and envision new goals to challenge themselves at any stage of life"--Publisher's description.

"Radical feminist author Andrea Dworkin was a caricature of the manhater in the popular imagination as well as a polarizing figure within the women's movement, infamous for her antipornography stance in the 1970s and 1980s. Now, more than a decade after her death, this timely collection of her writing showcases the prescience of her analyses: of the genocidal character of sexual violence; of the devastating nihilism of white male supremacy, and of the toll it takes--especially on those who resist. This rediscovery of Dworkin's work will serve as a flashpoint for crucial feminist conversations today. Why is the cost of speaking out against abuse and inequality still so high? Why is the problematic work of brilliant women forced into oblivion, when that of flawed great men is embraced? What can we learn from the bitter divisions and discarded ideas of previous generations?"--Page 4 of cover.

Remorse, Rehabilitation, Redemption, and the Re-Creation of a Life We remember Amy Fisher as the forever femme fatale of tabloid journalism - the perennial sixteen-year-old "Long Island Lolita" who shot her lover's wife. But for Amy herself, life hasn't stood still in the last decade and a half. She has grown into a contemplative and confident 30-year-old woman, an award-winning newspaper columnist, and a devoted wife and mother. "I am the person I always should have been," says Amy, "except for a brief but total, unfathomable lapse of judgment in my youth." In this deeply personal account, Amy takes us beyond the scandal and into her real life. She finally addresses the many highly sensationalized, often completely false depictions of who she was, what she did, and who she is now; she takes full responsibility for her impulsive, terrible crime; she shares her thoughts on keeping handguns away from minors and ending domestic violence and the abuse of women in prison; and she writes candidly about her childhood, her relationship with Joey Buttafuoco, the shooting, her years in prison, parole, and how she has pieced her life back together again. Hers is both a chillingly cautionary tale and a truly inspirational story about beginning again and making a life matter.

The first book in English to profile the man who has led the Palestinian movement for the last twelve years.

"Allen Shawn is afraid of heights, water, fields, parking lots, tunnels, and unknown roads. He avoids subways, elevators, and bridges. He is afraid of both closed and open spaces and of any form of isolation--yet this is a memoir of enormous bravery. He is the son of New Yorker editor William Shawn and brother to playwright/actor Wallace Shawn. His twin sister is autistic. His father led a double life that introduced strict taboos to his household. Shawn examines these influences, his father's and mother's phobias, and his own struggle with agoraphobia with generosity, wit, and insight, interwoven with both Freudian psychology and cutting-edge brain research, attempting to decipher the psychological and biological puzzles that have plagued him for so long

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

Also has brief case studies of Pablo Picasso, Kathe Kollwitz, Buster Keaton, and Chaim Soutine.

Double Trouble exposes the bullies of Capitol Hill...You won't find anybody who is more vehemently partisan than Senate Minority Leader Tom Daschle of South Dakota and House Minority Leader Dick Gephardt of Missouri, two men who publicly preach cooperation and bipartisanship but do not practice what they preach. Authors Alan Gottlieb and Dave Workman went on a quest for facts and came away with verification that Dascle and Gephardt are firmly inbedded career politicians who are skilled at building road blocks, deflecting critics and who define cooperation as give us what we want, or else.

"This is not going to be a tell-all book. My few dark secrets I'm taking to my grave", Alan King, ne Irwin Alan Kniberg, assures us. Instead, this is the story of how a son of Russian immigrants - who came to this country in steerage - grew up to live in a mansion that had been built for Oscar Hammerstein. Dropping names whenever possible, he tells terrific stories about Marlon Brando, Frank Sinatra, Charlie Chaplin, Judy Garland, Billy Crystal, the Kennedys, and dozens of other friends famous and not so famous. His life in comedy and show business takes us on a glorious journey from the Borscht Belt to early success at the Palace Theater and all the way thorough to the recent Martin Scorsese film Casino. Along the way we learn a great deal about a man who still thinks of himself as two people, Alan King and Irwin Kniberg, who wins our hearts because that kid Irwin is, as he confesses, "still inside there, desperate to do something, to be somebody".

A biography of the outspoken New York politician who became the first black person to the elected to Congress from Brooklyn and the first black Congresswoman in history.

When the Rogue Warrior discovers that the Chinese are preparing -- with Washington's blessing -- to turn the U.S. into a third-world country and a fifth-rate power, his patriotic fever heats up. Teaming up with SEAL Force Alpha, Marcinko is ready to neutralize a global maze of political deceit -- and he's out for blood.

Divided into three parts, this book addresses all aspects of Puccinni's life and work. Part I, The Man, gives the facts of the composer's somewhat stormy life, quoting extensively from his own letters. Part II, The Artist, calls on the resources of modern psychology in assessing his personality and its curious limitations, and the unconscious springs of his creative processes. Part III, The Work, is a detailed guide to each opera, both music and libretto, with a synopsis of opera plots.

George Washington was said to be "First in War, First in Peace." In The Making of the President 1789, humorist Marvin Kitman argues that our first president was also the first American leader to ride his personal foibles to political greatness. Kitman lampoons the modern "campaign insider" books, asking: "How is it possible that a man with no military experience becomes a general? He loses more battles than he wins and becomes a war hero? He has absolutely no political opinions in the most sophisticated intellectual period of our history? He has no ambitions, and he wins?" Through careful research, Kitman exposes Washington's weaknesses for social climbing and high-stakes whist and his relationships with the Founding Girlfriends.