A brilliantly original exploration of the interface between feminism, psychoanalysis, semiotics and film theory.-- Publisher description.

"In this book, Derrida extends his work on Levinas in previously unexplored directions via a radical rereading of Totality and Infinity and other texts, including the lesser known talmudic readings. He argues that Levinas, especially in Totality and Infinity, bequeaths to us an "immense treatise of hospitality," a meditation on the welcome offered to the other. The conjunction of au ethics of pure prescription with the idea of an infinite and absolute hospitality confronts us with the most pressing political, juridical, and institutional concerns of our time. What, then, is an ethics and what is a politics of hospitality? And what, if it ever is, would be a hospitality surpassing any ethics and any politics we know?"--Jacket

In this volume of recorded interviews, Bernard Stiegler discusses with Jacques Derrida the role of technology in modern societies. Derrida argues that communications technology should accommodate the rhythms of intellectuals.

"Between 1978 and 1979, Jacques Derrida delivered a seminar on the themes of "the gift" and "time" titled "Donner-le temps." The first part of that seminar was published in 1991. Given Time II is an archival discovery of the second installment that was promised but never came to fruition during Derrida's lifetime. The eight seminar sessions collected here represent Derrida's most advanced work on the problematic of the gift in Heidegger's thought, with deep dives into some of the richest and most difficult texts in the Heideggerian corpus, such as the essays "The Origin of the Work of Art," "The Thing," and "On Time and Being." Beyond Heidegger, Derrida skillfully engages Claude Lévi-Strauss, Marcel Mauss, Maurice Blanchot, Jacques Lacan, and others on the topic of the gift. The themes discussed include the act of giving and receiving gifts, the necessary link between time and the gift, being as some "thing" given that exceeds things and beings as such, the sacrificial gift, and others. Through these analyses, Derrida begins to identify the paradox of gift giving: For the gift to be received as a gift, it must not appear as such, since its mere appearance as gift puts it in the cycle of repayment and debt. Given Time II is a remarkable and uniquely Derridean treatment of an important subject in the work of Heidegger and beyond"-- Provided by publisher.

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chrétien are discussed, as are René Descartes, Diderot, Maine de Biran, Félix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida's deliberations makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy's essay "Deconstruction of Christianity," devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on "the flesh," as treated by Merleau-Ponty and others in his wake. Derrida's critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida's death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida's death, is an added feature.

In the three essays that make up this stimulating and often startling book, Jacques Derrida argues against the notion that the basic ideas of psychoanalysis have been thoroughly worked through, argued, and assimilated. The continuing interest in psychoanalysis is here examined in the various "resistances" to analysis - conceived not only as a phenomenon theorized at the heart of psychoanalysis, but as psychoanalysis's resistance to itself, an insusceptibility to analysis that has to do with the structure of analysis itself. These essays serve to clarify Derrida's thinking about the subjects of the essays - Freud, Lacan, and Foucault - a thinking that, especially with regard to the last two, has been greatly distorted and misunderstood.

"In this newest installment in Chicagos series of Jacques Derridas seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established - and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and postWorld War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an 'anesthesial logic,' which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history - especially in the United States, one of the last Christian-inspired democracies to resist abolition - The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derridas esteemed body of work"--Unedited summary from book jacket.

""Too Much Magic" is what Kunstler sees in the bright visions of a future world dreamed up by optimistic souls who believe technology will solve all our problems. In Too Much Magic, Kunstler articulates a number of issues relating to the unsustainability of our high-energy lifestyle, including: The pernicious cult of "Happy Motoring" and our desire to preserve an ailing and backwards automotive industry at all costs; The upcoming demise of suburbia and the mass migration and demographic shifts that will ensue; The inadequacy of both renewable energy sources and alternative fossil fuels such as biodiesel, tar sands, and shale oil and gas to make up the energy shortfall when our conventional sources of fuel dry; The effect of the continuing increase in global population even after resource shortfalls of oil and fossil fuels become acute; How the diminishing returns of technology collide with hypercomplexity to scuttle our wishes for an easy way out of our epochal predicaments. With vision and clarity of thought, and an antic, comic spirit, Kunstler argues that the time for magical thinking and hoping for miracles is over, and the time to begin preparing for the long emergency has begun."--Jacket.

Who was the inventor of the steamboat? James Thomas Flexner is frankly more interested in personalities than in mechanics. Exploring the fascinating byways of early America, he has packed his book with personal histories: John Fitch, the driven genius; Fulton, the brilliant schemer; Ramsey, the charming backwoods tavern-keeper, playing for Washington's political favor--and many others, no less alive and interesting. He tells their stories as a race for success, and he does not award the verdict until the last page. He completely satisfies those who want to know the mechanical facts; but his emphasis is on the nature of inventive genius, and its effect on the world of men.

Jane Leavy has always loved baseball. Her grandmother lived one long, loud foul ball away from Yankee Stadium--the same grandmother who took young Jane to Saks Fifth Avenue and bought her her first baseball glove. It's no coincidence that Leavy was covering the game she loved for the Washington Post by the late 1970s. As a pioneering female sportswriter, she eventually turned her talent to books, penning three of the all-time best baseball biographies about three of the all-time best players: Sandy Koufax, Mickey Mantle, and Babe Ruth. But when she went searching for a fourth biographical subject, she realized that baseball had faltered. The Moneyball era of the last two decades obsessed over data and slowed the game down to a crawl, often at the expense of thrills, skills, and surprise. Major League Baseball has begun to address issues too long ignored, yet the questions linger: how much have these efforts helped to improve the game and reassert its place in American culture? Leavy takes a whirlwind tour of the country seeking answers to these questions, talking with luminaries like Joe Torre, Dave Roberts, Jim Palmer, Dusty Baker, and more. What Leavy uncovers is not only what's wrong with baseball--and how to fix it--but also what's right with baseball, and how it illuminates characters, tells stories, and fires up the imagination of those who love it and everyone who could discover it anew.

Based on the antics of Jane Seymour and James Keach's own twin sons, this series about two adventurous kittens is full of laughter and love. Full-color illustrations.

While trying to escape with her family from the Nazis, a young Jewish French girl feels protected by angels.

She was quiet and fiercely private. She was bold and fiercely creative. And it wasn't until after her death that the world came to know her genius. In The Emily Sonnets, Jane Yolen's beautiful sonnets and insightful biographical notes spotlight Emily Dickinson's schooling, seclusion, and the slant rhymes for which she became famous, while Gary Kelley's captivating artwork portrays the poet's 19th-century Massachusetts world, including her family, faith, and fears.

Sharing an unspoken and forbidden love, Sarah and Abel, two young members of a Shaker community, begin to question their way of life and that of "The World."

"It is the waning days of the Russian monarchy. A reckless man rules the land and his dragons rule the sky. Though the Tsar aims his dragons at his enemies--Jews and Bolsheviks--his entire country is catching fire. Conspiracies suffuse the royal court: bureaucrats jostle one another for power, the mad monk Rasputin schemes for the Tsar's ear, and the desperate queen takes drastic measures to protect her family."-- Back cover.

Three silver buttons...three magic wishes Once there was Melinna, a mermaid who loved a prince. She shed her tail, walked painfully upon the land, and followed him up the hundred steps to his father's hall. There she gave him a coat with three silver buttons that had come from the depths of the sea. These three buttons had the power to grant wishes, but only if twisted in a special way, and always with consequences....The prince, too enamored of himself to return Melinna's love, took the coat, but did not listen to Melinna's words. And the secret of the Magic Three was lost. Now Melinna is Dread Mary, the sea witch who sings sailors down to their deaths in the cold, sunless sea. Her only passion is for the buttons that shine on dead men's coats--until her icy heart is melted by the plight of Sianna, a poor button maker's daughter. It is Sianna who discovers the power of the three wishes, Sianna who must choose whether to use them--and face the consequences....

While attempting to retrieve the king's kite, the young mandarin leaves the palace grounds for the first time in his life and sees the world outside as it reallyis.

In pond, river, and ocean, as a solid, liquid, or gas, water is everywhere. But what does it evoke? What emotions are brought forth when we hear the crash of surf, see the rush of a stream, or feel the tickle of soap bubbles on our skin? In thoughtful poems, renowned author Jane Yolen takes a fresh look at water in all its forms, using photographer Jason Stemple's breathtaking pictures as inspiration. Waterfalls, steams, lakes, ocean waves, even bath water take on new meaning as poet and photographer examine these liquid landscapes through careful words and a camera's lens.

Publication of Xanadu marks the beginning of an original anthology series that will include brand-new stories by some of the finest writers in the world. This volume opens with "The Poacher" by Ursula K. Le Guin, a fairytale in the grand tradition. Xanadu also includes "It Comes Lightly Out of the Sea, " a new poem by William Stafford, one of the best-known poets in America; "The Hound of Merlin" by Eleanor Arnason, who won both the Philip K. Dick Award and the Tiptree Award in 1992; "The Perfectly Round Bagel" by Robert Abel, who won the Flannery O'Connor Award for Short Fiction in 1989; "To Scale" by Nebula Award winner Nancy Kress; "Still Life with Woman and Apple" by Leslea Newman, author of Heather Has Two Mommies; "Unnalash" by Tanith Lee; "The Pale Thin God" by Hugo and Nebula award winner Mike Resnick; "Gravity" by Pat Schneider, poet and playwright; "Time Travel, The Artifact, and A Famous Historical Personage" by Minnesota Book Award-winner Will Shetterly; and a dozen other ventures into the realms of magic, including stories by Lisa Tuttle, Steven Brust, Anna Kirwan-Vogel, Gardner Dozois, and a new poem, "The Ring at Yarrow, " by Jane Yolen herself.

Argues that people seek to regain a lost state of perfection and discusses perversion, the development of the ego ideal, sublimation, the creative process, and reality testing