Beginning with the first Jewish settler, Moses David, the important role that Windsor Jews played in the development of Ontario's south is mirrored in this 200-year chronicle. the founding pioneer families transformed their Eastern European shtetl into a North American settlement; many individuals were involved in establishing synagogues, schools, and an organized communal structure in spite of divergent religious, political, and economic interests. Modernity and the growing influences of Zionism and Conservative/Reform Judaism challenged the traditional and leftist leanings of the community's founders. From the outset, Jews were represented in city council, actively involved in communal organizations, and appointed to judicial posts. While its Jewish population was small, Windsor boasted Canada's first Jewish Cabinet members, provincially and federally, in David Croll and Herb Gray. As the new millennium approached, jews faced shrinking numbers, forcing major consolidations in order to ensure their survival.

Stories, Ideas, Controversies, questions and Surprises that will stimulate discussion about jobs, fairness, democracy, justice, war, progress, the American Dream, and the meaning of life.

Stavans (Latin American and Latino culture, Amherst College, Massachusetts) offers an extended essay on Mexican poet and intellectual Paz (1914-98). Earlier versions have been published in a variety of periodicals and anthologies. Annotation copyrighted by Book News, Inc., Portland, OR

The Decade anthologies present the eighty-year history of science fiction in the most relevant way - by collecting the stories which have gone to make it up. Each volume, complete in itself, takes from a single decade the tales which are best, not only as history, but as entertainment.

Praise for Harold Norse's WILLIAM CARLOS "I believe in your intellectual honesty and in what you are doing with the American idiom of which you are an intrinsic genius." CHARLES "He can't write a bad line. I've never seen one. . . . He is one of the great ones of our rather strange times." JAMES If light ever enters the hearts of men, Harold Norse will be one of the writers who will have helped to set it there." ALLEN "I was kept amazed by your sense of reality, by your awareness of the thing in these poems."

Elias Canetti originally intended Party in the Blitz to capture an image of his time in post-war London. Well known throughout Europe, Canetti scorned British intellectuals who weren't familiar with his work. By force of will alone he accumulated English followers, but not before being christened "the godmonster of Hampstead." Canetti's memories of various people in his social circle are brief and scathing brimstone sketches. T.S. Eliot, Iris Murdoch, Wittgenstein, Herbert Read, Bertrand Russell-Canetti rakes them all over the coals. To Canetti, T.S. Eliot was nothing more than an American emigrant trying desperately to act British, and Canetti's portrayal of Iris Murdoch, with whom he had an affair, is nothing short of brutal. Michael Hofmann's translation pulls no punches, delivering the goods on Canetti's searing injection: "when you write down your life, every page should contain something no one has ever heard about."

""Our Nuclear Future: Facts, Dangers And Opportunities"" is a book written by Edward Teller, a renowned physicist and one of the key figures in the development of the atomic bomb. The book provides a comprehensive overview of the current state of nuclear energy, its potential benefits and risks, and the challenges that lie ahead.Teller explores the history of nuclear energy, from its origins in the Manhattan Project to the present day. He discusses the various uses of nuclear energy, including power generation, medical applications, and military uses, and examines the pros and cons of each.The book also delves into the dangers of nuclear energy, including accidents and the potential for nuclear weapons proliferation. Teller examines the safety measures that are in place to prevent accidents, as well as the challenges that arise from the disposal of nuclear waste.Despite these risks, Teller argues that nuclear energy has the potential to provide a safe, reliable, and sustainable source of power for the future. He explores the various technologies that are being developed to make nuclear energy safer and more efficient, including advanced reactors and fusion energy.""Our Nuclear Future"" is a thought-provoking and informative book that provides a balanced and insightful look at the complex issues surrounding nuclear energy. It is a must-read for anyone interested in the future of energy and the role that nuclear energy will play in it.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God , A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities. Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities. "

Recently declassified documents and new scholarship have prompted this reassessment of the collusion between Israel, France and England which drove the 1956 War. The book opens with the international aspects of the war, deals with regional issues and concludes with a fresh look at Israeli involvement. Issues such as the plot which paved the way to the eruption of hostilities, Egyptian losses and gains, and Soviet and American opposition come under scrutiny.--Publisher description.

David Lasser stands as one of the least-known but extraordinary pioneers of spaceflight. In 1930 he founded the American Interplanetary Society (AIAA) -- the same year he wrote this book -- the first book ever written in the English language to address the notion of spaceflight as a serious possibility. The book has not been in print since 1931 and yet it still stands up to scrutiny. The lucid style with which Lasser explains the basic concepts of rocketry make it a delight for anyone to read.

"Over the course of ten years, poet and critic David Biespiel published a brief, dazzling essay on poetry every month in what became the longest-running newspaper column on poetry in the United States. Collected here for the first time, these enormously popular essays, many of which have been revised and expanded, offer a fresh and refreshing approach to the reading and writing of poetry. With passion, wit, and common sense, they articulate a profound and entertaining statement about the mysteries of poetry and about poetry's essential role in our civic and cultural lives. A Long High Whistle discusses the work of nearly a hundred poets from ancient times to the present, in English and in translation--among them Catullus, Ovid, John Keats, Walt Whitman, Emily Dickinson, W. B. Yeats, Osip Mandelstam, Robert Hayden, Muriel Rukeyser, Pablo Neruda, Elizabeth Bishop, Seamus Heaney, Tomas Tranströmer, Inger Christensen, Natasha Trethewey, and many others. This collection will provide anyone, from the beginning poet to the mature writer to the lover of literature, with insights into what inspires poets, how poems are written and read, and how poetry situates itself in American life."--

Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the 'Saturday Evening Post'. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations who were in touch with many who left to help organize the armies of South American countries, and in the USA there were the Friends of the New Germany. German consulates sprang up and aircraft would make unusual detours to observe interesting parts of foreign countries. News agencies and various associations dedicated to maintaining contacts with particular countries were encouraged to supply information. Film studios would send large crews abroad to shoot documentaries as well as perform acts of espionage. Foreign nationals were bribed or blackmailed; and pro-fascist groups in foreign countries were supported via the Auslandsorganization. All Germans living abroad were encouraged to report their observations to the authorities, particular attention was being focused on engineers, technicians, scientists and people in other professions who were particularly likely to obtain valuable information; however, other Germans abroad were also used, even cabaret singers, waiters, language teachers, as well as Germans traveling abroad as tourists. Germans living abroad were exempt from mobilization because of their value as spies. Foreigners were given opportunity to study in Germany, and connections with them were kept in the hope that they would one day provide useful information. All of this was Goebbels' 'Total Espionage'.

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

Anka Muhlstein's lively biography, translated by Teresa Waugh, introduces American readers to Astolphe de Custine, a passionate literary figure, a poet, playwright, essayist, traveler, aristocrat and homosexual adventurer. Against the fascinating background of early-19th-century France, Anka Muhlstein presents the gifted if at times deplorable Custine with vivacity, elegance, and insight. It is a splendid introduction to the Marquis and his world and to his famous 1839 tour of autocratic Russia -- Daniel Aaron. Briliant, visionary, beautiful Astolphe -- man of letters and man of society -- finally gets his biography . . . -- French elle Magazine ... -- Amazon

In The Unveiling of the National Icons, Albert Boime analyses the creation and reception of several American national monuments as a means of understanding the politics of memory and national icons. In engaging, 'behind the scenes' accounts of several highly visible symbols, such as the American flag, the Statue of Liberty, and Mount Rushmore, among others, he demonstrates how these icons have been manipulated for patriotic purposes. Boime also shows how these monuments express individual and collective needs and how they are subject to contested readings, despite their origins in the creative imaginations of conservatives and privileged members of America. Examining these symbols as a group for the first time, this book is also the first serious investigation of visual artifacts that are too often taken for granted.

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

This collection of essays probes the values in a variety of authors who have had in common the fact of popularity and erstwhile reputation. Why were they esteemed? Who esteemed them? And what has become of their reputations, to readers, to the critic himself? No writer here has been asked to justify the work of his subject, and reports and conclusions about this wide variety of creative writers vary, sometimes emphasizing what the critic believes to be enduring qualities in the subject, in several cases finding limitations in what that writer has to offer us today.

A collection of nine speeches that address the need for books and the role books have played and should continue to play in the lives of children.

The First collection of essays to address issues concerning lesbian and gay studies in the undergraduate classroom, Professions of Desire will challenge teachers and students of literature with new materials, new approaches, and new ideas. Professions of Desire includes examples of lesbian and gay critical analysis and thoughtful discussions about what it means to be lesbian, gay, or queer in the classroom