Teacher, artist, trade unionist, Jewish South African socialist and anti-Zionist in Palestine, partner of Tony Cliff and founding member of the International Socialist tradition: now in her nineties, Chanie Rosenberg remains an active, committed revolutionary. Rosenberg's memoir also includes her illustrated pamphlet on the great Russian modernist artist, 'Malevich & Revolution', first published by Redwords in 2008. With ten colour illustrations.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

""Seeking the Hiding God" by Arnold Eisen examines the elusive nature of God and the significance of divine encounters through the lens of Jewish rituals and traditions. The book explores the responsibilities of humans as God's partners and the personal and communal implications of faith and doubt"--

Unless the socialist societies of the East adapt their system to the scientific-technological revolution, as the West has done, they will remain caught in the twentieth century. This is the theme of Silviu Brucan's book on the crisis of world socialism. He contends that these countries are at the crossroads and must make some changes in their political ideology or they will perish. This insightful book written by a veteran communist living in the East, will interest anyone concerned with Soviet studies, Slavic studies, political economy, Marxism, Communism, political sociology, and East-West relations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Considered Antonio Lobo Antunes's masterpiece, The land at the end of the world -- now in a new and fully restored translation by acclaimed translator Margaret Jull Costa -- recounts the anguished tale of a Portuguese medic haunted by memories of war, who, like the Ancient Mariner, will tell his tale to anyone who listens. In the tradition of William Faulkner and Gabriel Garcia Marquez, one of the twentieth century's most original literary voices has delivered a haunting and heartrending meditation on the absurdities of love and war"--Back cover

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The struggle over Israel/Palestine is not just another contest by competing nationalisms or an instance of geopolitical competition. It is also about control of sacred territory that involves local Jews, Muslims, and Christians as well as worldwide faith communities, each with their own interests and stake in what transpires. This balanced introduction to a complex subject presents the multiple positions within the great monotheistic traditions. It demonstrates that the secular discourses in the public square concerning ownership privileges, historical precedence, political rights, and justice that have allegedly replaced religious claims actually coexist with, and often complement, the theological. It explores the century-long tangle of secular and theological debates about Israel's legitimacy. Whether readers support a Jewish state or are resolutely opposed, the serious and substantial scholarship of this well-reasoned and innovative book will contribute to a nuanced and better-informed understanding of this persistent issue that has entered its second century on the international agenda."--

Wolfgang Paalen was a central figure in internationalist surrealist circles in the late 1930s. Artist and intellectual, he was a European whose fascination with archaic cultures led him finally to Mexico, where he founded the influential magazine DYN in 1941. In the bold texts from DYN that make up Form and Sense, we encounter a unique artistic mind and an oracular voice. Paalen’s book is an intellectual delight with essays on cubism, surrealism, the universality of forms in architecture, and the relationships that exist between art and science. He weaves together the new ideas and archaic inspirations in twentieth-century painting and sculpture. His nuanced and original considerations of some key figures—Mondrian, Kandinsky, Picasso—marked Paalen in turn as a significant thinker in the world of modern art. This painter’s book, illustrated with carefully chosen examples of the art he examines, makes us not only understand but also experience the rich interplay between idea and image that informs the art of our own time. A new introduction by the scholar Martica Sawin examines Paalen’s career, particularly his influential writing on surrealism and abstraction.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The first book ever to describe real life cases of murder, and purported murder, using insulin as a weapon. Covers cases from the USA, UK, Europe, Japan and New Zealand, including the well known Claus von Bulow case, the first criminal trial to be broadcast in its entirety on US TV (later the subject of a Hollywood movie, Reversal of Fortune). Written by Vincent Marks, coauthor of the critically acclaimed book Panic Nation: Exposing the Lies We're Told About Food and Health (John Blake Publishing) and a world authority on insulin, and Caroline Richmond, a medical journalist and writer, this gripping account is intended for doctors and laypeople alike, especially those with an interest in forensic medicine or true life crime.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.