"Crisis? What crisis? How powerful corporations make a killing out of disaster Award-winning journalist Antony Loewenstein travels across the US, Britain, Afghanistan, Pakistan, Haiti, Papua New Guinea and Australia to witness the reality of Disaster Capitalism--the hidden world of privatized detention centers and militarized private security, formed to protect corporations as they profit from war zones. He visits Britain's immigration detention centers, tours the prison system in the United States, and digs into the underbelly of the companies making a fortune from them. Loewenstein reveals the dark history of how large multinational corporations have become more powerful than governments, supported by media and political elites"--

'Neighbors' - Jan Gross's Stunning account of the brutal mass murder of the Jews of Jedwabne by their Polish neighbors - was met with international critical acclaim and was a finalist for the National Book Award in the United States. It has also been, from the moment of its publication, the occasion of intense controversy and painful reckoning. This book captures some of the most important voices in the ensuing debate, including those of residents of Jedwabne itself as well as those of journalists, intellectuals, politicians, Catholic clergy, and historians both within and well beyond Poland's borders. Antony Polonsky and Joanna Michlic introduce the debate, focusing particularly on how 'Neighbors' rubbed against difficult old and new issues of Polish social memory and national identity. The editors then present a variety of Polish voices grappling with the role of the massacre and of Polish Jewish relations in Polish history. They include samples of the various strategies used by Polish Intellectuals and political elites as they have attempted to deal with their country's dark past, to overcome the legacy of the Holocaust, and to respond to Gross's book.

"Today's babies often make their debut on social media with the very first sonogram. They begin interacting with screens at around four months old. But is this good news or bad news? A wonderful opportunity to connect around the world? Or the first step in creating a generation of addled screen zombies? Many have been quick to declare this the dawn of a neurological and emotional crisis, but solid science on the subject is surprisingly hard to come by. In The Art of Screen Time, Anya Kamenetz--an expert on education and technology, as well as a mother of two young children--takes a refreshingly practical look at the subject. Surveying hundreds of fellow parents on their practices and ideas, and cutting through a thicket of inconclusive studies and overblown claims, she hones a simple message, a riff on Michael Pollan's well-known "food rules": Enjoy Screens. Not too much. Mostly with others. This brief but powerful dictum forms the backbone of a philosophy that will help parents moderate technology in their children's lives, curb their own anxiety, and create room for a happy, healthy family life with and without screens."--Amazon.com.

The definitive guide to the new American style of volleyball by the coach of the 1984 U.S. women's silver medal-winning team.

Rousseau and Revolution, " Volume 10 of Willand Ariel Durant's" Story of Civilization, " ranges over a Europe in ferment, but centers on the passionate rebel--philosopher Jean-Jacques Rousseau, the great exponent of the romantic impulse toward self-exploration and social revolt, who contended with the great rationalist, Voltaire, for the mind of Europe. Rousseau condemned civilization as a disease, glorified the noble savage, proclaimed to the world with equal intensity his own love affairs and the natural Rights of Man, and became the patron Saint of the Revolution and the worldwide social upheavals of two centuries.

In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences. Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while it tries to destroy what came before, and voraciously seeks out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the original imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas at the moment of conquest to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions--an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums--to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as "past" and making the repair of torn worlds the substance of politics.

The first full-scale account of Joseph Stalin's personal vendetta against Soviet Jews. Drawing on newly opened archives and on his own experiences in the USSR of the early 1950s, the investigative journalist-lawyer Arkady Vaksberg reveals the genesis and evolution of the Communist leader's malevolent campaign - and the extraordinary cunning and shrewdness of his tactics. He shows us Stalin prosecuting prominent Jews in the notorious trials of the 1930s while appointing Jews as commanders of eleven out of twelve Gulags. We see the "Man of Steel" awarding the Order of Lenin to a celebrated Jew every time he launches a new anti-Semitic assault - and choosing a Jew, the infinitely hypocritical and sadistic Lazar Kaganovich, as his protege and chief hatchet-man. All this, while thousands of innocent Jewish men and women across the Soviet Union are being stripped of their jobs and property . . . arbitrarily arrested . . . summarily shot. Vaksberg also tells of the trumped-up trial of Soviet Jewish diplomats that was ultimately abandoned after Hitler's invasion; the curious life, and death, of the Jewish Antifascist Committee; the state-ordered murder of the great actor-director Solomon Mikhoels; the plan to deport the entire Soviet Jewish population to Siberia; how Ilya Ehrenburg finally abandoned his role as a "house Jew" and dared to criticize Stalin's policies; and the infamous "Doctor's Plot" just before the dictator's death. A fascinating, richly documented, and profoundly shocking work of twentieth-century history.

From finding JFK's single bullet to questioning Anita Hill to impeaching President Clinton, one of Washington's most respected senators offers shockingly candid insights into the major political controversies affecting the nation over the past 50 years. 16-page photo insert.

From the Preface: "The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few.

The Queen's conjurer, Doctor John Dee, is an Elizabethan mathematician, cryptographer, and mystic commissioned by Her Majesty's spymaster, Sir Francis Walsingham, to suss out a noble Count who governs an island in the English Channel. Dee's mission? Uncover treason, reveal terrorists, and unveil threats to The Crown. Embarking, Dr. Dee is accosted by an eager acolyte. The unknown teen playwright, William, has just endured his first flop-Prince Amleth. Will solicits the renowned scholar's mentorship. A winter tide sees these unlikely collaborators set sail for the Channel Islands to sleuth out sedition on Protestant England's strategic outpost. On Illyria, clues appear as Dee comes to rely on the surprising ingenuity of his young companion. Clandestine powers collide as Queen Elizabeth's spy tracks each slim lead. When Dee is brought to the brink of destruction, can his incipient discovery of Count Orsino's recusants and loyalists be thwarted?

Lyrical text explores how Blues have been part of everyday life throughout history, from its origins in the sounds of the earth, through slaves' voices singing of freedom, to today's greatest performers--and listeners.

The Biggest And Silliest Collection Of Side-Splitting Classic Jewish Jokes! *Money & Business * Law & Order * Food & Dining * *Parenting & Children *Education * The Pulpit * Travel The Funniest Jewish Joke Book Ever… The laughter will never stop with this ONCE-IN-A- LIFETIME collection of the side-splitting family-friendly humor, from the brilliant humorist Arnold Fine of The Jewish Press. Arnie's classic Jewish jokes, one-liners, and humorous observations will leave you - and everyone else - ROLLING ON THE FLOOR!

The second installment in the Ariel's Bible Commentary Series. In his action packed, culturally relevant exegesis of the Book of Judges, Dr. Fruchtenbaum opens a portal where formerly unfamiliar names and places come alive with meaning. Armies clash, heroes rise, and human affection for other gods multiplies with soul-numbing impact. We see in his exegesis of the Book of Ruth a contrasting, in-depth picture of life among the true believers living in Bethlehem during this ancient time. These two history books are set in the time when Israel was in the Land but not yet a unified nation. Although God continues to hear the cry of the children of Israel each time they fall away and face turmoil, they fall ever further into spiritual blindness because of their disobedience. Eventually, even the spiritual leaders become immune to their own glaring indifference to God s Word. In all, God sent twelve Judges to save the children of Israel. Seven of these Judges are treated in detail as Israel goes through each cycle of apostasy, oppression, repentance, and salvation by a Judge. The Book of Ruth, an appendix to the Book of Judges, presents enormously touching portraits of Naomi, Ruth, and Boaz. They are pictured as part of the faithful community of Messianic Jewish believers of their own time, worthy ancestors of King David and the promised King Messiah yet to be revealed.

A reissue of a classic that represents the culmination of over 40 years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes, he developed a manner of presentation in which "every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough". This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyzes in detail, with numerous illustrations, those particular sections in the works of the masters which relate to the compositional problem under discussion.

In Chess Praxis Nimzowitsch elaborates on the strategies first adumbrated in My System with a series of deeply annotated games, demonstrating how his principles operated in practice. This was very much a manifesto for the Hypermodern School of Chess which also numbered Hardinge Simpole authors Richard Reti and S.G. Tartakower amongst its ranks.

"ART BUCHWALD DOES IT AGAIN. . . . A GREAT READ." --Larry King, USA Today In 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it. Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER." --The New York Times Book Review "ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote." --The Baltimore Sun