It is the summer of 1940, and Lisbon is one of the only neutral ports left in Europe - a city filled with spies, crowned heads and refugees of every nationality, tipping back absinthe to while away the time until their escape. Awaiting safe passage to New York on the S. S. Manhattan, two couples meet: Pete and Julia Winters, expatriate Americans fleeing their sedate life in Paris; and Edward and Iris Freleng, elegant, independently wealthy, bohemian, and beset by the social and sexual anxieties of their class. Swept up in the tumult, the hidden currents of the lives of these four characters - Julia's status as a Jew, Pete and Edward's affair, Iris's increasingly desperate efforts to save her tenuous marriage - begin to come loose. This journey will change the four of them irrevocably, as Europe sinks into war.

This volume incorporates Darko Suvin's thinking on utopian horizons in fiction and on eutopian and dystopian readings of historical reality since the 1970s. While the focus is on the United States and the United Kingdom, the essays also draw on French, German and Russian sources. The book is composed of eighteen chapters, including four sets of poems. The chapters include heretic reflections on utopian fiction, science fiction and utopian studies, explorations of dystopias, and epistemological examinations of political standpoint. Throughout, plebeian history is the stance from which all the author's value judgements are made. The essays and poems engage with the empirical world and identify areas of hope. In a dark dystopian time, they reaffirm eutopia, the radically better place to be striven for in every here and now.

One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.

Doctors becoming ill, the shortcomings of opera, phoning Larkin from America, the peer with the Harold Wilson pin-up, the etiquette of poetry readings, this is Abse on the human race and, as his grandson corrects him, the egg-and-spoon race of life too. Witty, pointed, tender, gently self-mocking, Intermittent Journals is a stimulating, sometimes argumentative set of contemplations provoking both outright laughter and pause for serious thought.

This deluxe novel dives into the history and ancient conspiracy behind the world of Tomorrowland with an action-packed original story. It includes a 20-page full color comic insert, bringing to life a comic that plays an integral role in the plot. Written by the film's writers, Brad Bird (The Incredibles), Damon Lindelof (Lost), and Jeff Jensen (Entertainment Weekly), this book is perfect for fans of Tomorrowland and fans of science fiction and alternative history in general.

Ch. 7 (pp. 151-170), "Mark Twain's Vienna", is an expanded version of an article which appeared in "Commentary" 99 (May 1995). It was written as the introduction to a facsimile edition of Twain's "The Man That Corrupted Hadleyburg and Other Stories and Essays" (New York: Oxford University Press, 1996).

From Morocco to Libya, from Ostia to Surrentum - Caroline Lawrence has travelled widely to give the Roman Mysteries unrivalled authenticity among historical novels. Her research trips have yielded a dazzling array of insights that allow Caroline to vividly re-imagine the ancient world and to bring her characters and stories to life. This book gathers together anecdotes, factual information and advice for children and their families looking to explore exotic locations, as well as offering compelling background to the real world behind the bestselling Roman Mysteries novels.

When fourteen-year-old Debbie moves to a new town and Hebrew school following the death of her grandmother, she begins to be uncomfortable with the overly familiar behavior of the Rabbi principal.

Tight and clean. Hard cover with dust jacket. There is a little damage to bottom of spine. From non-smoking private collection. Ships out promptly.p

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Bernard Cooper recalls his 1960s adolescence in Los Angeles and the emotional rollercoaster of puberty in this painfully honest memoir. He recounts the schoolboy crushes, the family strife, and the ebb and flow of youthful desire, all with a "humor that animates just about every sentence" (New York Times Book Review).

In The Age of Wire and String, hailed by Robert Coover as "the most audacious literary debut in decades," Ben Marcus weilds together a new reality from the scrapheap of the past. Dogs, birds, horses, automobiles, and the weather are some of the recycled elements in Marcus's first collection—part fiction, part handbook—as familiar objects take on markedly unfamiliar meanings. Gradually, this makeshift world, in its defiance of the laws of physics and language, finds a foundation in its own implausibility, as Marcus produces new feelings and sensations—both comic and disturbing—in the definitive guide to an unpredictable yet exhilarating plane of existence.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"There is something about stupidity that is untrackable; it evades our cognitive scanners and turns up as the uncanny double of mastery or intelligence."

A mother and daughter of Puerto Rican and Jewish ancestry, the Moraleses express their radical and feminist views in diary-like poetry and prose that echo the rhetoric of the '60s. Yet the mixed origins of this pair lend an international, even universal feeling to the sentiments. They seem to speak for many women of many places and times. Titles of their pieces include "Concepts of Pollution," "Distress Signals," "Getting Out Alive," "Class Poem" and "I Am the Reasonable One." Both authors are literary, serious, socially concerned and passionate, and their anger is about injustices that plague them and other people. There is much vivid imagery and heartfelt emotion, and the reader may well long for causes that stir them as these women are stirred. Copyright 1986 Reed Business Information, Inc.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

When Harry begins to receive tormented letters from his childhood friend Agnes, a struggling sculptress, it reawakens his past. Harry begins to seek out Agnes, believing he can help her. After all he was the only one closest to understanding the mysterious source of her art. Ten years after her death, faced with a young, soulful girl reminiscent of Agnes, Harry feels trapped, threatened and chastened. Agnes' story encompasses his own youth, the horrors of the Holocaust, and the breadth of the American dream.