A lonely rabbit searches for others of his kind from summer through winter until spring arrives and he finds one special bunny.

Beauty pageant winner, homecoming queen--Lara has the world at her feet. Until she gets fat. Despite a strict diet and workout schedule, Lara is soon a nameless, faceless, 200-pound-plus teenage blimp. She's desperate to get her to-die-for body back--and to find an explanation for her rapid weight gain. When she's diagnosed with a mysterious metabolic disorder that has no known cure, Lara fears she'll spend the rest of her life trapped in a fat suit. Who will stand by her? Her image-conscious family? Her shallow friends? Her handsome boyfriend? Or will she be left alone in the land of the fat girls?

Who will lead America in the years to come? Letters from Young Activists introduces America's bold, exciting, new generation of activists. These diverse authors challenge the common misconception that today's young people are apathetic, shallow, and materialistic. Aged ten to thirty-one, these atheist, Christian, Jewish, Muslim, pagan, transgender, heterosexual, bisexual, metrosexual Americans are from every type of background and ethnicity, but are united by their struggle toward a common goal. They are the inheritors of their parents' legacy from the sixties, but also have the imagination and courage to embark on new paths and different directions. In letters addressed to their parents, to past generations, to each other, to the youth of tomorrow and to their future selves, each author articulates his or her vision for the world as they work towards racial, economic, gender, environmental and global justice. As the editors write in their introduction: "From globalization to the war on terrorism and beyond, our generation is compelled to action in the midst of a rapidly changing, and unique political moment Our challenge, and yours, is to live our lives in a way that does not make a mockery of our values."

In the annual war of a medieval fantasy society in upstate New York, Cassandra Dunreith, a Brooklyn comics writer, is to play a sword-wielding warrior. The play, however, turns into a real-life battle against a supernatural enemy.

One of the most challenging writers of '70s Marvel, Steve Gerber's Defenders ranks as a high-water mark of the era. Taking Marvel's famous non-team and mixing in his own unique brand of sharp social commentary, Gerber brought forth stories both action-packed and insightful! We begin with a classic four-part saga featuring the bigoted Sons of the Serpent that brings members past and present together to defend the defenseless. Then, the Guardians of the Galaxy hit the scene and take the Defenders to the year 3015 A.D.! It's an amazing adventure including the debut of Starhawk - and the Guardians of the Galaxy's first appearance too! COLLECTING: Defenders (1972) 22-30, Giant-Size Defenders 5, Marvel Super-Heroes (1967) 18

The thrilling conclusion to Chris Claremont's iconic 2000s X-Men run gets the omnibus treatment! Concluding Chris Claremont's most X-Treme series! Kitty Pryde has left super hero life behind, but the same bigotry that killed her loved ones continues to haunt her... and now a mechanical menace has targeted her for death! Meanwhile, when Reverend Stryker returns, the X-Treme team rushes to oppose his anti-mutant fanaticism - but with Lady Deathstrike in the mix, can they protect a strange new community? The X-Treme team faces off against a hostile X-Corp as Rogue and Gambit settle down in California, and Storm makes startling discoveries about herself when she endures brutal combat in a fight-or-die gladiator ring! But who is the mysterious telepath manipulating events from the shadows, and can the X-Treme X-Men rescue an unexpected old friend from his clutches? Collecting: Mekanix (2002) 1-6, X-Treme X-Men (2001) 25-46, X-Women (2010) 1, material from X-Men Unlimited (1993) 39

It's summer, 1991, post-MTV, pre-AOL. Jerome Shafir and Sylvie Green, two former New Yorkers who can no longer afford an East Village apartment, set off on a journey across the entire former Soviet Bloc with the specious aim of adopting a Romanian orphan. Nirvana's on the radio everywhere, and wars are erupting across Yugoslavia. Unhappily married to Jerome, a 53-year-old Columbia University professor who loathes academe, Sylvie thinks only of happiness. At 35, she dreams of stuffed bears and wonders why their lives lack the tremulous sincerity that pervades thirtysomething, that season's hot new TV show. There are only two things, Sylvie thinks, that will save them: a child of their own, and the success of The anthropology of unhappiness, her husband's long-postponed book on the Holocaust. But as they move forward toward impoverished Romania, Jerome's memories of his father's extermination at Auschwitz and his own childhood survival impede them.

'Taking taxis in New York is usually an adventure and occasionally a risk,' says Christina Oxenberg. The hundred or so taxi stories she's collected from both sides of the partition window make that an understatement. 'All the drivers are crazy' seems nearer the mark, like the intellectual who drives in order to subsidize his search for the 'Negative' Scienza Nuova of Giamattista Vico or the immigrant who takes to the wheel because 'it requires no prior experience, no knowledge of English and no familiarity with the geography of New York'. Ms Oxenberg describes another driver as 'the living embodiment of urban paranoia', but judging by some of the celebrities' reactions to her request for stories the tag applies equally well to many passengers. Some of these will be interested to find the exact wording of their refusals here. Fairbanks Junior, Diana Vreeland, Quentin Crisp, Any Warhol and Catherine Oxenberg, whose driver, in a bid to pick her up, promised to get her a spot on Dynasty. This fully illustrated book is as redolent of New York City as the yellow taxi describes. The back of the cab serves as an arena for metaphysical discussion, copulation, homicide, drug abuse and literary quotation. Celebrities apart, the passengers include an incontinent lion cub and Franco Rossilini's puppy Gramophone, who gets slung into a shop window by a demented driver. More often it's your tip that gets slung in your face. As Ms Oxenberg dryly remarks, 'Taxi Driving is not a passive sport.' Sharp observation and a diligent disregard for contributors' requests for anonymity ensure that the place for this book is your bookshelf.

" Myths and Mysteries of Same-Sex Love makes a powerful statement about the realities of gay and lesbian psyche. A gay and lesbian psychic perspective may at first be startling, but once examined, it proves to be unforgettable." - The Advocate

In the thousand years before the rise of Islam, two radically diverse conceptions of what it means to say that a law is divine confronted one another with a force that reverberates to the present. What's Divine about Divine Law? untangles the classical and biblical roots of the Western idea of divine law and shows how early adherents to biblical tradition -- Hellenistic Jewish writers such as Philo, the community at Qumran, Paul, and the talmudic rabbis -- struggled to make sense of this conflicting legacy. Christine Hayes shows that for the ancient Greeks, divine law was divine by virtue of its inherent qualities of intrinsic rationality, truth, universality, and immutability, while for the biblical authors, divine law was divine because it was grounded in revelation with no presumption of rationality, conformity to truth, universality, or immutability. Hayes describes the collision of these opposing conceptions in the Hellenistic period, and details competing attempts to resolve the resulting cognitive dissonance. She shows how Second Temple and Hellenistic Jewish writers, from the author of 1 Enoch to Philo of Alexandria, were engaged in a common project of bridging the gulf between classical and biblical notions of divine law, while Paul, in his letters to the early Christian church, sought to widen it. Hayes then delves into the literature of classical rabbinic Judaism to reveal how the talmudic rabbis took a third and scandalous path, insisting on a construction of divine law intentionally at odds with the Greco-Roman and Pauline conceptions that would come to dominate the Christianized West. A stunning achievement in intellectual history, What's Divine about Divine Law? sheds critical light on an ancient debate that would shape foundational Western thought, and that continues to inform contemporary views about the nature and purpose of law and the nature and authority of Scripture

In the thousand years before the rise of Islam, two radically diverse conceptions of what it means to say that a law is divine confronted one another with a force that reverberates to the present. What's Divine about Divine Law? untangles the classical and biblical roots of the Western idea of divine law and shows how early adherents to biblical tradition -- Hellenistic Jewish writers such as Philo, the community at Qumran, Paul, and the talmudic rabbis -- struggled to make sense of this conflicting legacy. Christine Hayes shows that for the ancient Greeks, divine law was divine by virtue of its inherent qualities of intrinsic rationality, truth, universality, and immutability, while for the biblical authors, divine law was divine because it was grounded in revelation with no presumption of rationality, conformity to truth, universality, or immutability. Hayes describes the collision of these opposing conceptions in the Hellenistic period, and details competing attempts to resolve the resulting cognitive dissonance. She shows how Second Temple and Hellenistic Jewish writers, from the author of 1 Enoch to Philo of Alexandria, were engaged in a common project of bridging the gulf between classical and biblical notions of divine law, while Paul, in his letters to the early Christian church, sought to widen it. Hayes then delves into the literature of classical rabbinic Judaism to reveal how the talmudic rabbis took a third and scandalous path, insisting on a construction of divine law intentionally at odds with the Greco-Roman and Pauline conceptions that would come to dominate the Christianized West. A stunning achievement in intellectual history, What's Divine about Divine Law? sheds critical light on an ancient debate that would shape foundational Western thought, and that continues to inform contemporary views about the nature and purpose of law and the nature and authority of Scripture

After Lt. Shea fails a simulation test, she is given a second chance. She is to play pilot to a minimal-hassle scientific mission which turns out to be mankind's first contact with alien life.

âeoeFor the sake of argument, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does it lies somewhere in between.âe

Hitchens has written a great deal of bracing good sense on politics & literature in the past decades. Much of it has been collected between the covers of this well-packed book. Since these pieces originally appeared in journals as wide-ranging as the TLS, Grand Street, Harper's, Mother Jones, The Nation & Spectator, only the most avid admirer would be likely to have come across them all. In addition to the predictable, eloquent Reagan-bashing, there are thoughtful essays on Paul Scott & his Raj Quartet, the contradictions of George Orwell, the Brideshead phenomenon, that very independent-minded Israeli Professor Israel Shahak, Conor Cruise O'Brien, even something as up-to-date as a perceptive review of Bonfire of the Vanities. Hitchens writes clearly, from a well-stocked mind, & is free of the cant that affects many political journalists. Why the kinds of views that he & his very kindred spirit Alexander Cockburn express so well never receive an airing on TV, where they'd reach a much wider audience, remains a source of shame to a supposedly free medium. In any case, book & magazine readers can feel fortunate that publishers suffer no such self-imposed restraints. -- Publishers Weekly

On the motion-picture front, no other publication of our age has achieved the stature, vitality, or magic of Vanity Fair. In its coverage of the film industry, the magazine prides itself on assigning the world's top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament. Now, for the first time, the most memorable renderings of this illustrious pantheon have been assembled in one volume: Garbo and Swanson, Fairbanks and Pickford, Gable and Grant, Tracy and Hepburn, Taylor and Burton -- along with today's cinematic giants, including Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Tom Hanks and Julia Roberts, and scores more. As this sweeping, lavish book makes clear, Vanity Fair's stable of photographers (Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, Bruce Weber, and many others represented here) have helped define modern portraiture. Likewise, Vanity Fair's Hollywood includes Vanity Fair contributors of the past (D.H. Lawrence, Clare Boothe Luce, Dorothy Parker, Carl Sandburg, Walter Winchell, and P.G. Wodehouse) and of the present.

The Five Biggest Lies Bush Told Us About Iraq is the comprehensive source on George Bush's campaign of disinformation before, during, and after the second Gulf War. From the careful linking of Saddam Hussein with Al Qaeda, to the WMD canard, to the September 2003 damage-control sideshow. AlterNet's Christopher Scheer and Lakshmi Chaudhry team up with renowned journalist Robert Scheer to tak

Great Britain in the 1970s appeared to be in terminal decline--ungovernable, an economic wreck, and rapidly headed for global irrelevance. Three decades later, it is the richest and most influential country in Europe, and Margaret Thatcher is the reason. The preternaturally determined Thatcher rose from nothing, seized control of Britain's Conservative party, and took a sledgehammer to the nation's postwar socialist consensus. She proved that socialism could be reversed, inspiring a global free-market revolution. Simultaneously exploiting every politically useful aspect of her femininity and defying every conventional expectation of women in power, Thatcher crushed her enemies with a calculated ruthlessness that stunned the British public and without doubt caused immense collateral damage. Ultimately, however, author Berlinski agrees with Thatcher: There was no alternative. Berlinski explains what Thatcher did, why it matters, and how she got away with it in this vivid portrait of one of the towering figures of the twentieth century.--From publisher description.

The author explores the ways in which games can be used to instruct and inform as well as provide pleasure. He uses innovative approaches to problem solving through individualized game techniques. Topics improving education with games; educational games for the physical and social sciences; games for the learning disadvantaged; games for occupational choice and training; games for planning and problem solving in government and industry; and the future of serious games. This book was originally published in 1970 by Viking Press.

"'Photons and Atoms: Introduction to Quantum Electrodynamics' provides the necessary background to understand the various physical processes associated wth photon-atom interactions. It starts with elementary quantum theory and classical electrodynamics and progresses to more advanced approaches. A critical comparison is made between these different, although equivalent, formulations of quantum electrodynamics. Using this format, the reader is offered a gradual, yet flexible introduction to quantum electrodynamics, avoiding formal discussions and excessive shortcuts. Complementing each chapter are numerous examples and exercises that can be used independently from the rest of the book to extend each chapter in many disciplines depending on the interests and needs of the reader" --