"The poem is perhaps the highest verbal form of communication. It illuminates and it conceals. It is as precise and as vague as a mirror. Two-Way Mirror is a classic book of poetics by Beat Generation poet David Meltzer. Written in short remarks, autobiographical anecdotes, and inspirational quotations drawn from philosophical, ethnographic, and literary sources, Two-Way Mirror is both a nondidactic guide to the art Meltzer has devoted his life to, and a literary pleasure in itself. Attractively bound and printed in a deluxe gift edition, and featuring Meltzer's collection of found artwork collaged from thrift-store grammar books, this new and expanded edition retains the charm of the original while updating it for the present day. Building upon the version he self-published in 1977, Meltzer has written additional material that considers the effect of technological developments since the book's publication, as well as an afterword in which he reflects on the history of the volume, its inception, and its usefulness. With its various writing prompts, Two-Way Mirror has proven to be both inspirational and practical, a teaching tool and a guide to creativity that makes the perfect gift for poets at any stage of development. Praise for Two-Way Mirror "David Meltzer had set out, when he was very young, to write a long poem called The History of Everything, an ambition that his later poetry brought ever closer to fulfillment. Here, in Two-Way Mirror, he shows us the underpinnings for such an enterprise: a brilliant & wise work as rich in insights & discoveries today as when it was first published in 1977. I know of no better amalgam of poetry & poetics & no better introduction to the ways in which poetry can emerge for us & lead us beyond ourselves & toward our own fulfillments. Meltzer's grace of mind & the life of poetry that surrounds it make the case complete."-Jerome Rothenberg "A great book of learning from a lifetime's thoughts of the poem. Ramble, scribble, tickle, lightbulb! Timely and highly worthwhile."--Clark Coolidge Praise for David Meltzer: "One of the greats of post-World War Two San Francisco poets and musicians. He brought music to poetry and poetry to music!"--Lawrence Ferlinghetti "David Meltzer is a hidden adept, one of the secret treasures on our planet. Great poet, musician, comic, mystic unsurpassed, performer with few peers. His ear and his erudiation are fine-tuned and precise. A kind of bop-perfection pervades his work."--Diane di Prima About the Author: David Meltzer is a poet, novelist, editor, and musician. He has edited many anthologies, including SF Beat: Talking with the Poets. His most recent book is When I Was a Poet, Number 60 in the City Lights Pocket Poets Series. Lawrence Ferlinghetti has called him "one of the greats of post-World-War-Two San Francisco poets and musicians." "--

A leading scholar of Jewish history's bracing and challenging case for the role of the historian today Why do we study history? What is the role of the historian in the contemporary world? These questions prompted David N. Myers's illuminating and poignant call for the relevance of historical research and writing. His inquiry identifies a number of key themes around which modern Jewish historians have wrapped their labors: liberation, consolation, and witnessing. Through these portraits, Myers revisits the chasm between history and memory, revealing the middle space occupied by modern Jewish historians as they work between the poles of empathic storytelling and the critical sifting of sources. History, properly applied, can both destroy ideologically rooted myths that breed group hatred and create new memories that are sustaining of life. Alive in these investigations is Myers's belief that the historian today can and should attend to questions of political and moral urgency. Historical knowledge is not a luxury to society but an essential requirement for informed civic engagement, as well as a vital tool in policy making, conflict resolution, and restorative justice.

"Established the way in which Christian cultures has been regarded as "threatened" by Judaism and describes how arts of representation legitimated themselves as Christian by defending themselves against this threat"--

David Ricardo [1772-1823] has been called ".the principle founder of what has been called the classical school of political economy" (Dictionary of National Biography) and "first 'scientific' economist" (Printing and the Mind of Man 277). Here McCulloch's authoritative Life and Writings of Mr. Ricardo prefaces this collection of Ricardo's pamphlets and other works, including his influential treatise on the distribution of wealth, The Principles of Political Economy and Taxation.

In elegant, readable language, and with a vibrant sense of shared experience, many of America's leading novelists, poets, and literary critics guide us through the Old Testament, opening a window on how writers today view the Book of Books and throwing light on both American and Jewish culture.

Focuses on authors: Nahman of Bratslav, Isaac Meir Dik, I.L. Peretz, Sholem Aleichem, Der Nister, Itzik Manger, and Isaac Bashevis Singer.

This wide-ranging book is an intellectual history of how informed readers read their Bibles over the past four hundred years, from the first translations in the sixteenth century to the emergence of fundamentalism in the twentieth century. In an astonishing display of erudition, David Katz recreates the response of readers from different eras by examining the 'horizon of expectations' that provided the lens through which they read. In the Renaissance, says Katz, learned men rushed to apply the tools of textual analysis to the Testaments, fully confident that God's Word would open up and reveal shades of further truth. During the English Civil War, there was a symbiotic relationship between politics and religion, as the practical application of the biblical message was hammered out. Science - Newtonian and Darwinian, as well as the emerging disciplines of anthropology, archaeology and geology - also had great impact on how the Bible was received. The rise of the novel and the development of a concept of authorial copyright were other factors that alerted readers' experience. Katz discusses all of these and more, concluding with the growth of fundamentalism in America, which brought biblical interpretation back to the Lutheran certainty of a demonstrable authority. 'This is a wonderfully learned, very clever, artfully constructed and engagingly written book.' Peter Lake, Princeton University David S. Katz holds the Abraham Horodisch Chair for the History of Books at Tel Aviv University. He is the author of 'The Jews in the History of England, 1485-1850' and, with Richard H. Popkin, 'Messianic Revolution: Radical Religious Politics to the End of the Second Millennium'.

"If Graham Greene's thrillers fascinate you, if Brighton Rock gives you mental fever blisters, don't miss this book. In a desolate underworld setting, Kabbalah generates continuous suspense and a haunting religious intensity. Like Greene, David Scott Milton uses people in danger to illuminate the interior drama of souls in jeopardy. And he goes further than Greene in one way. He ends the book with a vision of redemption which may be uniquely Jewish and is surely ecstatic."- West Coast Review of Books "Will be read by a devoted audience long after other novels have been discarded!"- Chronicles of Culture

From award-winning comedian, director, writer, and producer David Steinberg comes the totally original, utterly blasphemous, and hysterically funny memoir of a young man who emerged from a traditional Jewish childhood to become an international star—all because, it seems, he kept God in stitches. David Steinberg was raised in Winnipeg, Canada, by parents who expected little from him. And no wonder. Instead of studying Talmud in order to become a rabbi, he chose to major in Martin and Lewis with a minor in basketball. As David imagines the story of his life (since his success otherwise makes no sense), God one day spotted him on the playground and decided that this young man with no ambition could go far with His help. Sure enough, God soon had David on network TV and Broadway, and selling out nightclubs across the country—as well as being pursued by hot starlets. The Book of David is David Steinberg's hilarious trip down memory lane, assuming that the lane has a biblical address. This wild riff on the Old Testament is guaranteed laughter.

Winner of a Venice Bienniale Golden Lion Award, Looking at Giacometti is a compelling mixture of biography and criticism, including an extraordinary interview with Giacometti. Written over a period of forty years, Looking at Giacometti is a profound response to the art of one of modernism’s greatest sculptors. It takes students from world-renowned art critic David Sylvester’s first visits to Giacometti’s studio in the late 1940s to the author’s prolonged sitting for the artist’s portrait of him in the 1960 and reflections on his complete oeuvre after Giacometti’s death. A compelling mixture of biography and criticism, and including a sixteen-page insert of black and white photographs by Patricia Matisse, this book sheds new light on twentieth-century art and thought.

A searing thriller about the legacy of Stalin, from Booker-Prize shortlisted David Szalay It is 1948 in Russia and Aleksandr, a major in the MGB (the forerunner of the KGB) is sent to an isolated psychiatric clinic to investigate one of the patients there. The patient is a man long presumed dead - a now severely incapacitated veteran of the Second World War, who seems unable to remember any of his past. Twenty-four years later, Aleksandr is haunted by the case. With his Stalinist faith under threat as the Cold War recedes, he interrogates his memories and the effect the case had on himself and on those he loved most. 'Psychologically intricate, flawlessly researched' The Times 'Impressive' The Sunday Times 'David Szalay... has created an extraordinary character, a KGB man you can imagine knowing or even being' Observer

In 1948, Aleksandr, a major in the MGB - forerunner of the KGB - is sent to a psychiatric clinic in the Ural mountains to investigate a patient, Second World War veteran Anatoly Yudin - a man long presumed dead... It's 1972, the year of Nixon's visit to Moscow; the Munich Olympics and their hostage crisis - the Cold War is entering detente, and the values that shaped Aleksandr's life become uncertain. Haunted by the past, his Stalinist faith again under threat, he interrogates his memories of the Yudin case, and tries to trace its effects on himself, and on those he loved most.