In this urgent new book, Noam Chomsky surveys the dangers and prospects of our early twenty-first century. Exploring challenges such as the growing gap between North and South, American exceptionalism (including under President Barack Obama), the fiascos of Iraq and Afghanistan, the U.S.-Israeli assault on Gaza, and the recent financial bailouts, he also sees hope for the future and a way to move forward - in the democratic wave in Latin America and in the global solidarity movements that suggest ''real progress toward freedom and justice.'' Hopes and Prospects is essential reading for anyone who is concerned about the primary challenges still facing the human race.

The Monteverde Cloud Forest Reserve has captured the worldwide attention of biologists, conservationists, and ecologists and has been the setting for extensive investigation over the past 30 years. Roughly 40,000 ecotourists visit the Cloud Forest each year, and it is often considered the archetypal high-altitude rain forest.This volume brings together some of the most prominent researchers of the region to provide a broad introduction to the biology of the Monteverde, and cloud forests in general. Collecting and synthesizing vital information about the ecosystem and its biota, the book also examines the positive and negative effects of human activity on both the forest and the surrounding communities. Ecologists, tropical biologists, and natural historians will find this volume an indispensable resource, as will all those who are fascinated by the magnificent wonders of the tropical forests.

Composer Michael Nyman?'s classic 1974 account of the postwar experimental tradition in music.

Michael Nyman's book is a first-hand account of experimental music from 1950 to 1970. First published in 1974, it has remained the classic text on a significant form of music making and composing that developed alongside, and partly in opposition to, the postwar modernist tradition of composers such as Boulez, Berio, or Stockhausen. The experimentalist par excellence was John Cage whose legendary 4' 33'' consists of four minutes and thirty three seconds of silence to be performed on any instrument. Such pieces have a conceptual rather than purely musical starting point and radically challenge conventional notions of the musical work. Nyman's book traces the revolutionary attitudes that were developed toward concepts of time, space, sound, and composer/performer responsibility. It was within the experimental tradition that the seeds of musical minimalism were sown and the book contains reference to the early works of Reich, Riley, Young, and Glass. This second edition contains a new Foreword, an updated discography, and a historical overview by the author.

Bloomingdale's has been the most celebrated store in the world--and its style has been copied throughout the world. As Bloomingdale's chairman for nearly 20 years, Traub played an essential role in this success. Here he tells the story of how the art of selling moved into the modern world--and how Bloomingdale's became a mecca of high style. 16 pages of photos.

English, French (translation)

"Sheds light on the fascinating life and interests of the Renaissance man who was our third president"--

Captures the opium experience with vivid descriptions.

A radically new view of the nature of the universe that suggests that the cosmosas a whole is best understood not as mechanical and clockwork, but as complete and evolving, more akin to a living entity than a machine. Comparable in its acope and ambition to Roger Penrose and Stephen Hawking, and readable than either.

“A remarkable encyclopedia.” — TV Guide “A must-browse for media freaks.” — USA Today “Irresistible and enthralling.” — Hartford Courant “Full of fool’s gold and genuine TV treasures.” — The New York Post The three hundred best and worst TV series ideas— known in the industry as “pilots”— that never made it to primetime. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg details the greatest shows you never saw.

THE BEST TV SHOWS THAT NEVER WERE"The Best Bathroom Reading EVER," - San Francisco Chronicle"A must-browse for media freaks." -USA Today"Irresistible and enthralling." -Hartford Courant"Full of fool's gold and genuine TV treasures." -The New York Post This lively and entertaining book looks at the three hundred best and worst TV series ideas-known in the industry as "pilots"-that never made it to primetime from 1955-1990. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg reveals the most astonishing, funny, and bizarre shows that never were. "You'll slap your head in disbelief-try not to hurt yourself-at the idea of John Denver as a singing FBI agent. You'll wonder whether Joe Penny as a samurai district attorney would have been funnier-unintentionally-that John Belushi's 'Saturday Night Live.' For tube-historians, this is a must see." - People MagazineThis book was previously published as "Unsold TV Pilots: The Greatest Shows You Never Saw" and "Unsold TV Pilots: The Almost Complete Guide To Everything You Never Saw on TV"

"Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new Jewish war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism"--Page 4 of cover.

A "lively" memoir by the Hollywood legend about the making of Spartacus , with a foreword by George Clooney ( Los Angeles Times ). One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus , Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood's moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus . Trumbo was one of the "Unfriendly Ten," men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas's source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era--but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.

Lesbian writers include some of the most innovative and adventurous writers of this century, but only recently have they been given their due attention in terms of critical study. This book is the first anthology to discuss the subject of lesbianism as it relates to the critical interaction among readers, writers, and literary critics. It explores lesbian texts in terms of identification, meaning, and interpretation, and examines the complex entanglements of identity, voice, intersubjectivity, textualities, and sexualities. "A wonderful exploration of the varieties of life choices lesbians can and do make. This book once again proves that telling the truth aboutyourself is a revolutionary act." — Rita Mae Brown "They will probably drum Karla Jay and Joanne Glasgow out of the academy for this one...A college text that is witty, literate, interesting, and can be read for fun. What's the world coming to? Lesbian Texts and Contexts : dry title, wonderful book." — Barbara Grier, Editor Naiad Press "To call this collection much-needed or eagerly awaited would be the understatement of the year. It's thrilling ot think of the new readings of classic texts, the new directions for theory, and—maybe best of all—the new range of literary encounters in the classroom, that will be enabled by this radical intervention on the critical scene." — Eve Kosofsky Sedgwick, Duke University "Excellent,...challenging, sexy,...never boring." — Outweek .

"The mid-1970s was England's darkest, dreariest hour. The UK was sliding deeper into unemployment, reeling from strike after strike, power cuts, the three-day work week, and IRA bombs. It was time for a new order and in London's restless streets a handful of snotty young men, feisty females, and first generation Jamaican musicians created the UK's punky revolution. They made it up as they went along and it touched every corner of the Disunited Kingdom. For a few glorious years the UK was the center of the cultural universe." --Vivien Goldman When punk first rocked, the rough and rugged style on the streets was a world away from the super-slick music videos and corporate stylists that were to follow. And photographer Janette Beckman was on the front line of that hyper-energized time, capturing "the look" of the musicians and kids who were loudly defining an era. Collected for the first time in Made in the UK , Beckman's powerful portraits celebrate the music and the attitude of Punk, Mod, Skinhead, 2 Tone, and Rockabilly culture in the UK. Made in the UK: The Music of Attitude, 1977-1983 documents a time when British music pushed every boundary. Beckman began her career working for Melody Maker , one of London's premier weekly music papers. She soon had extraordinary access to the musicians topping the UK charts--icons of an era when music had an agenda--including The Clash, The Sex Pistols, The Jam, The Undertones, The Specials, The Beat, The Police, The Ramones, The Rockats, The Raincoats (Kurt Cobain's inspiration), Billy Idol, and Echo and the Bunnymen. Among these groups, this generation still had the radical idea that each and every punk, skin, mod, rude boy, and ted was just as important as the bands. Janette Beckman's gritty aesthetic placed her on good footing among the kids on the street--and the portraits she made prove that attitude never dies.

"From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists-Miles Davis, John Coltrane, and Bill Evans-who came together to create the most famous and bestselling jazz album of all time, Kind of Blue The myth of the 60s depends on the 1950s being the before times of conformity, segregation, straightness-The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, the great indigenous art form, jazz, reached the height of its power and popularity, led there by a number of Black geniuses so iconic they go by one name-Monk, Mingus, Rollins, Coltrane, and above all, Miles. 1959 saw Miles, Coltrane, Bill Evans, and the other members of Miles's sextet come together to record what is widely considered the greatest jazz album of all time, and certainly the best-selling: Kind of Blue. 3 Shades of Blue is James Kaplan's magnificent account of the paths of the three giants Miles, Coltrane and Evans to the mountaintop of 1959 and their path on from there. It's a book about music, and business, and race, and heroin, and the towns that gave jazz its home, from New York and LA to Philadelphia, Chicago and Kansas City. It's an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. It's a book about the great forebears of this golden age, particularly Charlie Parker, and the people, like Ornette Coleman, who would take the music down strange new paths. And it's about why this period has never been replicated, why the world of jazz most people visit is a museum to it. But above all this is a book about three very different men-their struggles, their choices, their tragedies, their greatness. Bill Evans had a gruesome downward spiral, John Coltrane took the mystic's path into a space far away from mainstream concerns. Miles had three or four sea changes in him before the end. The tapestry of their lives is, in Kaplan's hands, an American Odyssey, with no direction home. It is also a masterpiece, a book about jazz that is as big as America"--

"Presented as a full-color hardcover companion to The White Stripes Complete Lyrics, this volume pairs the songs with never-before-published poems, essays, social posts, and personal notes, plus exclusive photographs and rare ephemera from the Third Man archives. Essays by Pulitzer Prize finalist Adrian Matejka, award-winning filmmaker and writer Dream Hampton, and Third Man Records co-founder Ben Blackwell add fresh perspective on White's craft, career, and the experiences that shaped him" --

In a timely, lucidly written, and highly accessible examination of America's position in the world today, Henry Kissinger delves into the traditional issues of U.S. relations with Russia, China, Europe, and other regions, as well as recently emerging concerns about globalization, free trade, U.S. military involvement abroad, and the endangered environment. Focusing on current and future policy choices, Kissinger presents an eye-opening perspective on the United States' role as the world's dominate power and outlines how it can be effectively reconciled with the urgent need to achieve a world order based on consensus in the twenty-first century. The new administration's approach to foreign policy has raised many questions about where the country is headed. In a proposal that is solidly grounded and brilliantly argued, Kissinger lays out a compelling and comprehensive vision of the direction America must take in the coming decades.