'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly , starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

The story of the mother-and-daughter goddesses Demeter and Persephone has seized the imagination of people in every age, from ancient times to the present. Considered today by many to be the archetypal myth for women, it touches on timeless themes in every life, such as the male-female relationship, love between women, initiations into puberty and old age, the mother-daughter bond, death, and ecological renewal. Christine Downing has combined essays, prose, poetry, and even performance art with her own insightful commentary to shed new light on the myth's ancient meanings and to offer new insights in its implications for contemporary men and women.

Kathy Acker: Rich girl, street punk, scholar, stripper, victim, media-whore ... and cultural icon. The late Kathy Acker's legend and writings are wrapped in mythologies, many of them created by her. Twenty years after her untimely death aged just 50, Acker's legend has faded, but her writing has become clearer. A few years ago, the writer Chris Kraus, author of I Love Dick, found that her own experiences were becoming more and more like Kathy's. She began writing about Acker 'through the distance, but with this incredible frisson of feeling that often I could write "I" instead of "she."' This is 'literary friction': The first fully authorised biography of the avant-garde writer Kathy Acker, by the woman who arrived on the scene straight after her, who shared some of her boyfriends and friends, and her artistic ambitions Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus traces the woman behind the notorious novels, and places her at the centre of a kaleidoscopic artistic world.

One day a little girl said to her brother... Do you know what I'll do at the seashore? I'll bring you a shell to hold the sound of the sea. In a little girl's magical question-and-answer game, Charlotte Zolotow captures, with unerring childlike simplicity, a sister's special love for her little brother.

"Charlie Kaufman & Duke Johnson's Anomalisa is a stop-motion animated film about a man crippled by the mundanity of his life. Michael (voiced by David Thewlis), a motivational speaker, hears everyone having, quite literally, the same voice and having the same face. From the passengers on the airplane to the employees at the hotel to his ex girlfriend, each of the characters (all voiced by Tom Noonan) have the same voices and faces. Until he meets Lisa (Jennifer Jason Leigh), a mousy woman with poor self-image who sounds and looks completely different than everyone else in the world. Michael and Lisa's instant attraction and affair quickly turns from exciting to boring, though, when she, too, begins to look and sound like everyone else. As Lisa's uniqueness fades, Michael becomes disenchanted, and returns home to his family and friends, all of whom look and sound alike. A meditation on life, love, wants, needs, and perceptions of self and others, Anomalisa upholds the cinematic tradition of Eternal Sunshine of the Spotless Mind, Adaptation., Being John Malkovich, and the filmmaker's other films. The book contains screen grabs from the film, an abridged screenplay, as well as behind-the-scenes images, including shots of the puppets being built, construction of the miniature sets, and the crew painstakingly positioning, and re-positioning the puppets and cameras for each frame of film. The book also contains a foreword written in the style of Studs Terkel's 1975 book, Working, in which a hotel bellman tells his story. Undeniably Kafumanesque in its tone and manner, readers will see this book as a physical embodiment of Kaufman & Johnson's vision."--Publisher's website.

In their lyrical new translation of the Song of Songs, Ariel Bloch and Chana Bloch restore the sensuousness of the original in language that is rich, joyous, and passionate. Scrupulously faithful to the Hebrew text, the Blochs strip away the veils of mistranslation that have obscured this great love poem to reveal it in all its magical freshness. In her Introduction, Chana Bloch reflects on the centrality of women in the Song and on the role of King Solomon. She discusses the poem's authorship and date, as well as the tortuous (and often amusing) history of misinterpretation, and suggests how such an unabashedly secular work came to be included in the canon of Holy Scripture. Ariel Bloch's Commentary offers imaginative new readings of passages that have puzzled exegetes for centuries. In his Afterword, the biblical scholar Robert Alter surveys the newly revealed sensuousness of the poem's erotic landscape.

First published in 1941, No Bed for Bacon is a comic classic. Out of print since 1985, but much-discussed in the press following the release of the Oscar-showered film Shakespeare in Love, the novel fizzes with wit, warmth and the occasional custard pie. It is a festive celebration of 'The Great Bard' par excellence. Five o'clock and all's well in Merrie England. But not for long. Good Queen Bess is stirring in her four-poster and is feeling neither happy nor glorious. Down at the Globe, Will Shakespeare is chewing the end of his quill: something's amiss with Love's Labours Wunne. And Walter Raleigh, boiling his new potato in the depths of the regal kitchens, is getting very hot under the collar of his latest cloak - will his spud achieve the perfect fluffiness for The Royal Tasting? Heads are sure to roll before the day is out.

From the internationally renowned author of In a Different Voice, a remarkable debut novel: a love story that introduces an unforgettable character in modern fiction, Kyra, and a superb new fiction writer, Carol Gilligan. Kyra is an architect designing a new city, a woman of humor and courage living in a vibrant world of family, friends, and colleagues and determined to break out of old structures. When she meets Andreas, a director staging an innovative production of Tosca, neither wants to fall in love–and yet, inevitably, they do. Their story takes us from Cambridge and an island off the coast of Massachusetts to Vienna, Thailand, Cyprus, and Wales as Kyra seeks the deepest truths about herself, other people, loyalty, and love. This reaching leads her to commit singular acts that startle and shock, inspiring new freedom for others as well as for Kyra herself. Rich with Carol Gilligan’s signature gifts–emotional wisdom, subtle renderings of the intricacies of human relationship, conflict and choice, and lyrical prose–Kyra is a luminous, magnificent novel by a writer realizing the range of her powers.

Run away with me is a profoundly romantic YA novel about two teenage boys finding each other and falling in love over one summer in Rome.

The moment five years in the making is finally here! The first time Peter Parker and Miles Morales met ended with a question - who is the Miles Morales of the Marvel Universe?! Now that the Miles you know and love is with Peter in the Marvel Universe (Earth-616), you're finally going to get the answer to who the OTHER Miles Morales is! Collecting Spider-Men II #1-5.

In 2425 London, most of which is underwater, Rafe and Jule, members of warring Houses, must keep their love a secret to survive, but their lives become even more complicated when mysterious foreigners arrive on shore.

"This capstone novel in Library of America's Bernard Malamud edition brings together his three final novels: The Tenants, about the growing tension between two male writers--one Jewish, the other Black--who are the only inhabitants of a crumbling Manhattan tenement house; Dubin's Lives, a revealing study in the perils and promise of love in middle age thought to be Malamud's most autobiographical work; and God's Grace, a postapocalyptic tale of upended evolution in which redemption depends on the lone human survivor's ability to find common ground with a talking chimp. Edited by Malamud's definitive biographer, the volume is rounded out with thirteen masterful short stories and the memoir 'Long Work, Short Life' as well as a fascinating autobiographic sketch, 'A Lost Bar-Mitzvah,' published here for the first time."--Dust jacket.

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities- the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too- from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads- to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

"Growing up in Beverly Hills, Diller was neglected by his parents, abused by his brother, and overwhelmed by insecurity. Diller began his career in the mailroom of the William Morris Agency and had one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four. . . . Diller shares his provocative and at times counterintuitive insights about advancing in a company; becoming a manager and a leader; and the value of confrontation. He describes his relentless quest for good ideas along with what he learned from the bad ones. For the first time, Diller also tells the story of his unconventional and very private personal life, describing relationships with men and the woman he calls his 'unique and complete love,' designer Diane von Furstenberg. Diller writes, 'I would have secrets, but I would tell no lies'"--

"If they gave out Emmys for best book about an Emmy-award winning TV series, Executive Producer Barney Rosenzweig would have another to add to his huge collection. If you love Cagney & Lacey-as I do-this is a must read. Triple love it " -Rosie O'Donnell, comedian, actress, host of award-winning The Rosie O'Donnell Show , and co-host of The View " Cagney & Lacey ... and Me is terrific-a must-read for anyone interested in how the television business really works. From insecure stars with over-sized egos, to network executives blundering their way to success in spite of themselves, Barney Rosenzweig's chronicle of the rise and fall of the hit series Cagney & Lacey has it all: tempers, tears, greed, deceit, duplicity and sex-in short, more juicy melodrama than a daytime soap opera." -Steven Bochco, producer writer of award-winning series Hill Street Blues, LA Law and NYPD Blue "One of Hollywood's greatest producers is also a brilliant storyteller. Barney recounts tales from the front lines of network television battlefields-with candor, intelligence and inimitable wit. If you want to know how television really works, this is the book for you"-Linda Bloodworth and Harry Thomason, award-winning creators, writer, producers and director of Designing Women "Barney wrote a book?" -Peter Falk, Emmy-winning star of iconic television series, Columbo and twice nominated Academy Award star of motion pictures too numerous to mention "Just as William Goldman's Adventures in the Screen Trade is considered a bible for screenwriters, Rosenzweig's new memoir offers a Master Class for television producers."- Kevin Howell, Publisher's Weekly

(Piano/Vocal/Guitar Artist Songbook). Our matching folio to the 2001 release by this golden-voiced superstar Streisand's first Christmas record in three-and-a-half decades features emotional renditions of a dozen holiday favorites. Includes "I Remember," reworked for Barbra by composer Stephen Sondheim, and: Ave Maria * A Christmas Love Song * Christmas Lullaby * Christmas Mem'ries * Closer * Grown-Up Christmas List * I'll Be Home for Christmas * It Must Have Been the Mistletoe * One God * Snowbound * What Are You Doing New Year's Eve'. Includes photos and an introductory note from Barbra.

Contents: Far Away and Long Ago, The Erotic Motive in Primitive Religion; Primitive Man in Love and Faith; In the Foundry of the Gods, The Story of the Generative Divinities; Spirit of Love in God and Man, The Erotic Worship of the Generative Divinities; Love's Hidden Ways; In the Temple of the Gods; The Worship of the Generative Divinities; A Day with Baal; A Night with Aphrodite; At a Dionysian Mystery; Twilight with Moloch; The Dance of the Saktas; In the House of the Lord; The Erotic Motive in the Monotheistic Religions of Today; Love in the Synagogue; Romance in the Church; Marriage in the Mosque; Longing in the Dark; The Spirit of Revolt in Religion; The Sexual Motive in Sectarianism; Rebels in the Faith; Love the Force of Rebellion; Revolt Against Religion; Revolt Against God; Revolt Against Man; God's Way in Love.

THE STORY: A Man enters a small boutique, hoping to find a suitable gift for his young mistress, who is facing a grave operation. Unaccountably he quickly finds himself confiding in the Proprietress, speaking without hesitation of the pain he feels at having his telephone calls to his loved one unreturned, of his fear that her condition may be fatal. The Proprietress consoles him, suggesting that perhaps she wants to spare him, that she needs to face her ordeal alone and without added burden that his involvement would impose. As they speak specters of other deep-seated concerns arise: the difference in age between the Man and his mistress; his unfulfilling marriage; the emptiness of material success without love to enrich it; the void that might have been filled had there been the possibility of children; the frustration of being unable to make a true and total commitment to another person. It is almost as though the Proprietress might be-or has become-the absent mistress. As the play ends the Man and the Proprietress embrace, two strangers grateful for the small miracle which, if only for a brief moment, has let them share closeness always hoped for but seldom achieved.

Comic strips offer a surreal look at city life, death, television, alienation, art, tragedy, and love