1930. With portraits. Profiles of Michael Angelo, Rembrandt and Beethoven. From the Preface: Even in their destinies the three masters are comparable, for their characters were essentially akin and so drew down on each a similar fate. They were all, throughout life, misanthropical, enigmatic, distrustful; and at certain periods each approached the borderland of madness. Despite their prodigious successes, all three had been perpetually in conflict with the world; Michael Angelo strove for power, Rembrandt for luxury, Beethoven for love; but each attained his desire only by fits and starts, and always at the cost of bitter experiences. All three lost the few men and women whom they loved. See other titles by this author available from Kessinger Publishing.

Emily Benedek, the author of two highly regarded books on the traditions and conflicts of Native Americans of the Southwest, suddenly found herself in the mid-1990s grappling with certain traditions and conflicts of her own. Stricken with a case of temporary blindness, she had an experience— unprecedented in her life—which she was able to understand only as an apprehension of the divine. Stirred and confused, Benedek took herself to a humble storefront synagogue in Dallas, where she was then living. Among the welcoming congregants she began a spiritual journey that gradually led her back to Jewish practice and belief. As we accompany Benedek on her journey, we come to know the wise and imaginative psychoanalyst who served as one of her guides... an Orthodox family in Rockland County whose lives are devoted entirely to Torah yet who are open to Benedek's questioning and probing, particularly on the subject of the differing roles of men and women in Orthodoxy... Texans, Israelis, and Brooklynites, teachers and students, and the vibrant Conservative Congregation B'nai Jeshurun on Manhattan's Upper West Side, where Benedek eventually finds her most comfortable spiritual home. And ultimately, of course, we come to know Emily Benedek, an independent and principled modern woman who has found a path through T. S. Eliot's "unknown, remembered gate" in the Jewish life and identity that connect her to her rich and powerful heritage. Curious, sensitive, perceptive, and questing, she gives us in this compelling memoir a beautiful story, beautifully told.

This Elibron Classics title is a reprint of the original edition published by Mother Earth Publishing Association in New York, 1917.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

After Yair Berman left her and shattered all her dreams, the devastated Shlomtzion Drore escaped as far as possible from him and her intensely religious life in Jerusalem, becoming an interior designer in secular Tel-Aviv. Twenty-one years later, her daughter has become engaged to his son, and Shlomtzion is forced to visit the controversial settlement in which Yair lives, not only to plan the wedding but to confront her former love and the mistakes of her life. Set in Israel between the Six Day War and the assassination of Yitzhak Rabin, If You Awaken Love is the intensely moving story of a stormy and spiritual young girl and her love-hate relationships with her childhood sweetheart, with her father, and with God. Translated by David Hazony.

This first book to comprehensively consider ODA’s range in architecture, from apartment to building to neighborhood. Projects underline a humanistic philosophy seeking community engagement, social connectivity, and above all to inform and uplift. Founded in 2007 by Eran Chen, ODA seeks to reconcile the conditions of vertical urban living with quality of life and has established a reputation for mold-breaking designs. Seeking to reorder urban architectural priorities by putting people first, ODA challenges conventional perspectives of dwelling that will, over time, influence life in our cities. Full of setbacks, cutouts, and terraces, an ODA building invariably has an exciting profile, tending to be sculptural where important to be visually exciting, up in the sky, and plainer where more important to be straightforward, at street level. Building shapes catch the eye but forms are never arbitrary or excessive. Some, like 15 Renwick in Manhattan, as observed by Goldberger, “are … well-behaved, and defer to the street more than show off their shape; others, like Bevel in Long Island City, Queens, … are more striking … but they never come off as excessive, as form for form’s sake.” With chapters moving from Apartment to Building to Block to Neighborhood and a gatefold that reveals an exciting new project destined to enliven the New York skyline, the book’s message underlines ODA’s fundamental understanding that nothing exists in isolation, and the goal of architecture is not just the making of comfortable and visually pleasing places in which to live, but the making of community.

A Montreal Childhood is a recently discovered memoir by Eric Berne about growing up and coming of age in Montreal in the first decades of the 20th century. The first new book by the well-known psychotherapist and author since his death in 1970, it offers an affectionate and revealing portrait of the city's immigrant community on lively Ste. Famille St. during and after WWI. The evocative and humorous depictions of the many social and cultural differences which reigned in Montreal at the time are among the books most memorable passages, as are the anecdotes recounting just how the children of Ste. Famille St. often painfully learned to cope with these differences. "So there was I, a direct descendant of Adam and Eve, facing the world at seventeen. I had few material things and no spending money, but I had lots of relatives, a card admitting me to college, a job and a girlfriend. The most important things I owned were in my head. First, all the things that had been put there by my parents and teachers, by books and by friends: freedoms and duties, aspirations and prohibitions. Second, all the knowledge of the world and its ways, and of the things it had to offer and could take away. Third, all the memories and desires that had grown in me since birth, all the hopes and ideals and strivings and creations that welled up from my youthful soul. So I could stride down the street, head up, swinging my arms straight and firm like a free British subject, and feel myself a part of the world, with all its trees and birds and beasts and people that pulsated and strove on the earth and above it, and yes, the questing roots below its surface as well" Eric Berne.

For gays and their friends, this book confronts the social and personal issue of suicide with compassion and hope.

Percy, the pampered pug, and his nemesis, Meeko, the rambunctious raccoon, are the ideal duo to illustrate what opposites are. Based on characters from the animated film Pocahontas, this humorous and colorful look at ups and downs and ins and outs is the perfect stage for the contrasting pair. Children are certain to be attracted to these opposites. Full color.

A reissue of Eric H. Cline's highly regarded study of trade in the Late Bronze Age Aegean, first published in 1994 and out-of-print since 2000. The monograph is composed of three principal parts: 1) an analytical section discussing the trade and contacts which occurred between the Aegean, Italy, Egypt, and the Near East during the latter half of the second millennium BC, and the social, economic and cultural implications of such contacts; 2) first, a catalogue of literary and pictorial references to the LBA Aegean found in outside areas - primarily Egypt and the Near East - with transliterations and translations of the appropriate texts, and second, a compilation of the references to, and loanwords from, other areas of the Mediterranean found in the Linear B texts in the Aegean; and 3) a catalogue, by object type, of all the Orientalia and Occidentalia found in LBA contexts within the Aegean area. The monograph utilizes the catalogues in combination with previously published works by a variety of scholars to provide a detailed analysis of the trade and contacts between the LBA Aegean, Italy, Egypt and the Near East. The work is divided into six sections, each consisting of a series of interlinked essays. Section One provides an introduction to the topic, a brief overview of the previous scholarship in this area, and a discussion of the chronological problems involved. Section Two consists of an initial chapter discussing LBA trade and contact between the Aegean, Italy, Egypt and the Near East by centuries, followed by chapters discussing trade between the LBA Aegean and individual Mediterranean countries. Section Three contains discussions of the trade mechanisms involved, the trade routes, merchant nationalities, goods, motivations, and partnerships, plus a brief look at the Ulu Burun (Kas) and Cape Gelidonya shipwrecks. Section Four presents an overview of the conclusions reached by this study and reiterates that the current work presents much raw data and some preliminary observations but is only the tip of the iceberg in terms of tapping the wealth of information which may be extracted from the accompanying catalogues.

Does modern art, as the art of the past always did, "express the times, " or is it a series of willful aberrations? Do we have any way of judging its success or failure? Bypassing art criticism and art theory, Britain's foremost social historian approaches the question from an entirely new angle. Professor Hobsbawm's thesis is that, unlike writers and composers, who have to come to terms with mass production and the technology of infinite repetition, painters still cling to the unique art-object, the product of the artist's own hands. The result has been a succession of increasingly desperate "avant-gardes, " attempts to find relevance and meaning that -- irrespective of the individual artist's talent -- are doomed to failure. Eric Hobsbawm is Emeritus Professor of Economics and Social History at the University of London. An unrepentant Marxist, he has succeeded in uniting original scholarship with popular appeal, and his most recent book, The Age of Extremes, is influential in shaping the way the century is seen by both professional historians and the wider educated public.

Book by Hobsbawm, E. J.

We learn and remember information by modifying synaptic connections in the neuronal networks of our brain. Depending on the type of information being stored, these changes occur in different regions and different circuits of the brain. The underlying circuit mechanisms are beginning to be understood. These mechanisms are capable of storing or reconstructing memories for periods ranging up to a lifetime, but they are also error-prone, as memories can be distorted or lost. Written and edited by experts in the field, this collection from Cold Spring Harbor Perspectives in Biology examines important aspects of the neurobiology of learning and memory. Contributors review the various types of memory and the anatomical architectures and specialized cells involved. The induction of synaptic and cell-wide changes during memory encoding, the transcriptional and translational programs required for memory stabilization, the molecular signals that actively maintain memories, and the activation of neural ensembles during memory retrieval are comprehensively covered. The authors also discuss the model organisms and state-of-the-art technologies used to elucidate these processes. This volume will serve as a valuable reference for all neurobiologists and biomedical scientists as well as for cognitive and computational neuroscientists wishing to explore the remarkable phenomena of learning and memory.

TEACCH (Treatment and Education of Autistic and related Communication-handicapped Children) has grown over the past three decades from a small clinic for children to an internationally recognized treatment and support modality for individuals of all ages with autism spectrum disorders. In The TEACCH Approach to Autism Spectrum Disorders, the program’s founders and their colleagues explain its methods and philosophy based on an understanding and respect for "the culture of autism." The TEACCH program focuses on persons with autism and the development of instruction and supports based on each individual’s skills, interests, and needs. It draws from the research literature in psychology and neuropsychology to create activities and environments that are organized to emphasize meaningfulness—an approach that has proved crucial to an autistic individual’s ability to learn, comprehend, and apply learning across situations. The TEACCH Approach to Autism Spectrum Disorders explains how: - TEACCH targets critical areas in executive functioning, engagement, communication, and social skills. - Strategies can be tailored to an individual’s unique developmental and functional level. - Parents become involved in all phases of intervention as collaborators, cotherapists, and advocates. - The program can be introduced and adapted for individuals of all ages, from preschool children to adults. - Professionals can be trained in the program and its methods. This progressive program offers individuals with autism, their families, teachers, and therapists both optimism and useful strategies, without minimizing the condition or its effects. All clinicians working with people with autism will find The TEACCH Approach to Autistic Spectrum Disorders a valuable resource.

An essential collection of poetry--the best of her creative body of work by the internationally celebrated and bestselling author of Fear of Flying and Any Woman's Blues.

Seducing the Demon has introduced Erica Jong to readers who hadn't been born when Fear of Flying was published in 1973. Now one of her finest works of nonfiction -and a New York Times bestseller-is back in print with a new afterword. In Fear of Fifty , a New York Times bestseller when first published in 1994, Erica Jong looks to the second half of her life and "goes right to the jugular of the women who lived wildly and vicariously through Fear of Flying" ( Publishers Weekly ), delivering highly entertaining stories and provocative insights on sex, marriage, aging, feminism, and motherhood. "What Jong calls a midlife memoir is a slice of autobiography that ranks in honesty, self-perception and wisdom with [works by] Simone de Beauvoir and Mary McCarthy," wrote the Sunday Times (U.K.). "Although Jong's memoir of a Jewish American princess is wittier than either."