The influential author of White Racism: A Psychohistory; The Age of Desire; History and Spirit; Red Hunting in the Promised Land; The Enemy of Natureand the controversial Overcoming Zionism, among others, offers a memoir of his first 80 years, from his early Jewish upbringing in Brooklyn, New York, his Yale and Columbia medical training, his years as a psychiatrist, Reichian psychoanalyst and subsequent academic career, to his embracing of Marxist political economy and commitment to radical ecosocialism. Highlights include his 1998 Green Party candidacy for the US Senate, his campaign in 2000 for the Green nomination for President of the United States, his work with the Nicaraguan Sandinistas, and his recent Christian spiritual conversion.

The changed situation of Western Jewry in the 19th-20th centuries caused Jews to revise their conceptions of Jewry as a community and of its place in the world. Six Judaic systems emerged. Discusses each one in detail. While the 19th-century trends (Orthodox, Reform, and Conservative) developed in response to the needs of integration with the non-Jewish world, the 20th-century Judaisms (Zionism, Jewish Socialism and Yiddishism, and the American Judaism of Holocaust and Redemption) were a response to aggressive antisemitism and to the crisis caused by the rapid social and economic restructuring of Central and Eastern Europe. The events of May-June 1967 in the Middle East brought about a new trend - Holocaust and Redemption Judaism, in the center of which are the Holocaust (mythicized and perceived as a metaphor for absolute evil) and the State of Israel (perceived as the redemption for the Holocaust). This Judaism contains a salvific myth and possesses all the traits of a religious system. The exposition is accompanied by excerpts from books and articles.

Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.

The name "Tito" has become legendary in the annals of our common struggle against Hitlerism. Yet less is known about him today than most men of equal renown. Howard Fast, that distinguished American author of "Citizen Tom Paine" fame, made a careful study of the facts and wrote this incredible account of a man and a people who refused to understand the meaning of the word "defeat."

A native of Vienna, Henry Koerner immigrated to the United States in 1938, a refugee from Hitler's persecution of the Jews. Upon his return to Vienna as an American soldier in 1946, he learned that his family had been deported and killed. This volume documents the painter's formation through his experience of loss, exploring his magical realism work of the period 1945-57.

These articles, written over a period of time from the end of World War II to the American invasion of Vietnam, expose the deception propagated by various administrations and their apologists. That deception was the claim that the United States Government was fighting for "freedom and democracy".

The renowned American composer George Rochberg (1918-2005) distilled a lifetime of insights about Western music across some three hundred years in A Dance of Polar Opposites: The Continuing Transformation of Our Musical Language . In A Dance of Polar Opposites: The Continuing Transformation of Our Musical Language , the renowned American composer George Rochberg distilled a lifetime of insights about Western music across some three hundred years. Rochberg describes how the asymmetrical tonal language of the late eighteenth century--the era of Haydn and Mozart--evolved through the gradual incursion of symmetry into a system based on the juxtaposition of tonal and atonal, asymmetrical and symmetrical--as seen in notable composers such as Webern, Prokofiev, and Rochberg himself. A Dance of Polar Opposites takes us inside the composer's studio, reveals how he assessed his and our musicalpast, and paints a picture of what he believed our musical future may be. George Rochberg (1918-2005), one of the most respected composers and writers about music in the second half of the twentieth century, was a finalist twice for the Pulitzer Prize and longtime professor at University of Pennsylvania. His writings include The Aesthetics of Survival: A Composer's View of Twentieth-Century Music (which won the ASCAP-Deems Taylor Award);the memoir Five Lines, Four Spaces ; and a volume of letters. Jeremy Gill was a student of George Rochberg and is a composer, conductor, and pianist.

The formally nuanced and wise epistolary poems in David Biespiel?s new collection are grounded in friendship, camaraderie, and the vulnerability and boldness that defines America. Roving from the old Confederacy of Biespiel's native South to Portland, Oregon, Charming Gardeners explores the wildness of the Northwest, the avenues of Washington, D.C., the coal fields of West Virginia, and an endless stretch of airplanes and hotel rooms from New York to Texas to California. These poems explore the ?insistent murmurs? of memory and the emotional connections between individuals and history, as well as the bonds of brotherhood, the ghosts of America?s wars, and the vibrancy of love, sex, and intimacy. We are offered poems addressed to family, friends, poets, and political rivals ? all in a masterful idiom Robert Pinsky has called Biespiel?s ?own original grand style.? I should stop back there And stand on both feet in the grazing sunlight And hear this chorus of America singing. But I am so afraid of the testament of the delivered. from ?TO __________ FROM THE JEWISH CEMETERY IN WILLIAMSON, WEST VIRGINIA

"This is a book of extraordinary quality and importance. In tracing the encounter of Jews (the chosen people) and America (the chosen nation) . . Eisen has given the American Jewish community a new understanding of itself." —American Jewish Archives ". . . one of the most significant books on American Jewish thought written in recent years." —Choice What does it mean to be a Jew in America? What opportunities and what threats does the great melting pot represent for a group that has traditionally defined itself as "a people that must dwell alone"? Although for centuries the notion of "The Chosen People" sustained Jewish identity, America, by offering Jewish immigrants an unprecedented degree of participation in the larger society, threatened to erode their Jewish identity and sense of separateness. Arnold M. Eisen charts the attempts of American Jewish thinkers to adapt the notion of chosenness to an American context. Through an examination of sermons, essays, debates, prayer-book revisions, and theological literature, Eisen traces the ways in which American rabbis and theologians—Reconstructionist, Conservative, and Orthodox thinkers—effected a compromise between exclusivity and participation that allowed Jews to adapt to American life while simultaneously enhancing Jewish tradition and identity.

In 2001, Ivan R. Dee began publication of the annual New Criterion Poetry Prize–winner with the appearance of Donald Petersen’s Early and Late. The New Criterion, which has published poetry since 1984, is recognized as one of the foremost contemporary venues for poetry with a regard for traditional meter and poetic form. The magazine was thus an early leader in that poetic renaissance that has come to be called the New Formalism. For 2002 The New Criterion Poetry Prize was awarded to Adam Kirsch. His first book of poems, The Thousand Wells, is now published. Combining a passionate lyricism with commanding technical skill, Mr. Kirsch offers a beguiling and memorable sequence of poems that are deeply alive to the enchantments of nature and the chastenings of history. This is a remarkable debut by a notable young poet.

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

[I]f the diffusion of American wealth is accentuated, can it be denied that the extremes are greater here than anywhere else, -that the army of the unemployed is swelling while the billion-dollar trusts are formed, that the richest men are richer than any European, while the slums of New York show a misery that is unknown in Berlin? -from "American Democracy" As a psychologist and an innovator of experimental psychology, Hugo Münsterberg was a powerful influence on thinking in both the medical and social arenas at the turn of the 20th century, developing practical applications of psychology to industry, medicine, education, the arts, and criminal investigation. Here, though, in this 1901 work, Münsterberg turns his scientific eye on American culture at large, offering the perspective of an educated and observant immigrant on the New World experience in the Gilded Age. From the delusions of American democracy to the condition of women, Münsterberg's commentary tells us much not just about the United States in the pre-World War I period, but also about the mind of a man whose work continues to impact today's philosophy of the mind and how it shapes human behavior. Also available from Cosimo Classics: Münsterberg's Psychology and Social Sanity, The Eternal Life, The War and America, and Psychotherapy OF INTEREST TO: readers of American history, students of cultural psychology German-American psychologist and philosopher HUGO MÜNSTERBERG (1863-1916) was professor of psychology at Harvard University from 1892 until his death. He was elected president of the American Psychological Association in 1898.