"These wonderful poems open a world of sensation and memory. But it is a world revealed by language, never just controlled. The voice that guides the action here is openhearted and open-minded--a lyric presence that never deserts the subject or the reader. Syntax, craft and cadence add to the gathering music from poem to poem with--to use a beautiful phrase from the book, 'each note tethering sound to meaning.'"--Eavan Boland Haunting, alarming, transformative, and elusive, these poems bridge together the gaps between development stages: from girl, to woman, and then mother. With the complexities that intertwine them, can you be all three at once? Who shapes our identity, and who is in control here? How do we recognize, acknowledge, and honor the changing of who we are? Little Soul Little soul--kind, wandering-- body's host and guest, look how you've lowered yourself, moving in a world of ice, washed of colour. My girl, what compelled you once is no more. Originally from Kingston, Jamaica, Shara McCallum is the author of four previous books of poetry. Recognition for her poetry includes a Witter Bynner Fellowship and a National Endowment for the Arts Poetry Fellowship. Her poems and personal essays have been published in literary magazines, anthologies, and textbooks in the United States, United Kingdom, Caribbean, Latin America, and Israel and have been translated into Spanish, French, and Romanian. Since 2003, McCallum has been the Director of the Stadler Center for Poetry and a Professor of creative writing and literature at Bucknell University.

Samuel Noah Kramer is the leading authority on the interpretation and reading of civilization's oldest literature. His life and life's work are so thoroughly intertwined that his autobiography is also the story of the recovery of the language and literature of the Sumerians. From young Talmudist to the patriarch of Sumerology, Kramer recountshis long and distinguished career. Writing for the non-specialist, he paints a panoramic view of Sumerian literature and provides thumbnail sketches of the individuals with whom he collaborated.

Roger Kahn is one of America's foremost sportswriters. After successful seasons as a newspaperman and magazine writer, he burst onto the national scene in 1972 with his memorable bestseller, The Boys of Summer, a work that went beyond sports and captured the minds and hearts of millions across the country. Now in his eighth decade, Kahn has again written a book for the hearts and minds of his readers. Chronicling his own life, Into My Own is Kahn's reflection on the eight people who shaped him as a man, a father, and a writer. In this poignant self-portrait, Kahn begins with his childhood in Brooklyn, reared on the verses of Homer, Shakespeare, Housman, and Millay---a curriculum set by his mother, and one that would influence his career with words. He combined his intellectual upbringing with his inherent passion for baseball, and began his sportswriting career under the legendary Stanley Woodward at the New York Herald Tribune . This lent Kahn the opportunity to interview and develop friendships with Pee Wee Reese and Jackie Robinson--men he knew and admired for reasons far beyond their baseball abilities. Kahn's writing is by no means limited to his sports coverage, and on the political front he devotes chapters to Eugene McCarthy and Barry Goldwater, whom he interviewed for the Saturday Evening Post ---two diverse men in a turbulent era who championed their distinct versions of idealism. The Post had earlier sent Kahn to interview poet Robert Frost at his home in Vermont, a rare opportunity for any journalist, and one that resulted in the development of a marked friendship between two men of words. Perhaps most touching is his account, straightforward but abrim with love, of the life and death---at twenty-three---of his scholar-athlete son, Roger Laurence Kahn. Into My Own is the touching memoir of an unassuming man, whose great love of baseball and literature led him into extraordinary experiences, opportunities, and friendships. Even amidst great family tragedy and personal difficulty, Kahn has prevailed---amongst poets, writers, politicians, and most of all, ballplayers. Praise for Roger Kahn: "As a kid, I loved sports first and writing second, and loved everything Roger Kahn wrote. As an adult, I love writing first and sports second, and love Roger Kahn even more." ---Pulitzer Prize winner, David Maraniss "He can epitomize a player with a single swing of the pen." --- Time magazine "Roger Kahn is the best baseball writer in the business." ---Stephen Jay Gould, New York Review of Books "A work of high moral purpose and great poetic accomplishment. The finest American book on sports." ---James Michener on The Boys of Summer "Kahn has the almost unfair gift of easy, graceful writing." --- Boston Herald

I strongly recommend this book to people working in the area of intellectual disabilities...It may open new vistas that are not always available in the traditional disability literature. It will especially challenge psychologists working in this field."-- Journal of Policy and Practice in Intellectual Disabilities For years, Robert Sternberg has produced renowned, groundbreaking work, and now some of it is captured in one volume: The Essential Sternberg ...Established scholars and novices to the field will find this book a useful addition to their libraries."-- Psychology of Aesthetics, Creativity, and the Arts [Sternberg] approaches the definition of intelligence from a very pragmatic perspective...Sternberg's focus on success in the real world is refreshing."-- Teacher's College Record Any follower of Sternberg and theories of intelligence will need this collection on their bookshelf. Robert J. Sternberg has argued that the conventional idea of intelligence is, at best, incomplete. Therefore, he has redefined the core concept of intelligence: Sternberg's groundbreaking, triarchic theory proposes that intelligence is measured not just by factual knowledge or "book smarts," but also by the integration of creative ability, practical know-how, and analytic reasoning. As the former President of the American Psychological Association, current Dean of Tufts University, and one of the top 100 psychologists of the 20th century, according to the APA Monitor on Psychology, Sternberg is listed as one of ISI's most highly cited authors (top .5%) in psychology. Sternberg has authored over 1,000 journal articles, book chapters, and books. This comprehensive collection compiles the best of Sternberg-his most influential, career-defining articles culled from over 30 years of research. Serving as an introduction to and summary of his most critical contributions to the field, this book: Presents articles that track the development and progression of Sternberg's theory of successful intelligence Includes his most influential articles, such as "The nature of creativity" and "The Rainbow Project: Enhancing the SAT" Features articles on educational policy and how Sternberg's intelligence models can be used to improve student performance and supplement traditional exams Contains new articles on Sternberg's most recent theory, the Wisdom, Intelligence, Creativity, Synthesized (WICS) model

Note to readers: The New Testament Code Companion only contains the newly revised endnotes; original pictures, genealogical charts, and maps from Robert Eisenman's classic work. This text is designed for those who wish a side-by-side comparative experience with the end materials as they read the original text. The New Testament Code Companion is only available in print. The material in this text is contained within the eBook edition of The New Testament Code. In The New Testament Code: The Cup of the Lord, the Damascus Covenant, and the Blood of Christ world-renowned scholar and bestselling author Robert Eisenman uncovers the Truth and unravels the real code behind New Testament allusions like "this is the Cup of the New Covenant in my blood" and connects them to "the New Covenant in the Land of Damascus" and "drinking the Cup of the Wrath of God" in the Dead Sea Scrolls. In doing so, Eisenman demonstrates the integral relationship of James the Brother of Jesus to the Righteous Teacher of the Dead Sea Scrolls, deciphers the way the picture of "Jesus" was put together in the Gospels, and clarifies the real history of Palestine in the first century and, as a consequence, what can be known about the real "Jesus." In paring away the traces of Greco-Roman anti-Semitism-which were deliberately introduced into "this picture" thereby tainting Western history ever since-The New Testament Code shows what happened in Palestine in that time, not what the enemies of those making war against Rome wanted people to think happened. In making these arguments and exposing these revisions, overwrites, and falsifications that were introduced into the New Testament, Eisenman also explains the esoteric meaning of many of the usages with which we are all so familiar in the Western World. In doing so, he identifies the Scrolls as the literature of 'the Messianic Movement in Palestine' and 'decodes' many well-known and beloved sayings in the Gospels such as, "Every Plant which My Heavenly Father has not planted shall be uprooted," "Do not throw Holy Things to dogs," "A man shall not be known by what goes into his mouth but, rather, by what comes out of it," and "These are the signs that the Lord did in Cana of Galilee." Offering a thorough and in-depth, point-by-point analysis of James' relationship to the Dead Sea Scrolls, he illumines such subjects as the "Pella Flight," "the Wilderness Camps," and Paul as an "Herodian," exposing Peter's true historical role as "a prototypical Essene," who was used in the Gospels and the Book of Acts as a mouthpiece for Anti-Semitism, and demonstrating how, once we have found the Historical James, we have found the Historical Jesus. He covers new archaeological discoveries along the Dead Sea, AMS radiocarbon dating of the Dead Sea Scrolls, and the controversial almost miraculous appearance of the "James Ossuary" (which he considers having been based on his book on James) and the reasons for its being considered a fraud. A crucial new point that emerges in The New Testament Code is the identification of the document known as the MMT as a Letter from James to someone early Church Fathers call the "Great King of the Peoples beyond the Euphrates." Readers will not be disappointed.

How can we understand India today, fifty years after Independence and only months after its nuclear tests outraged the world? The novelist Arundhati Roy has written, specially for this collection, a fierce denunciation of the Indian nuclear program, which serves as an introduction to nine essays on India, all originally published in The New York Review of Books . In this volume, seven distinguished writers offer penetrating insights into the complexities of the subcontinent. Roderick MacFarquhar reflects on the legacy of Empire and Partition, Ian Buruma considers secularism and Indian democracy, Pankaj Mishra remembers life in Benares, and Christopher de Bellaigue writes on a violent Bombay. But the volatile intersections of history, politics, and culture on which they focus haunt Indian literature too, as shown in essays by Nobel Prize-winner Amartya Sen on Rabindranath Tagore, Hilary Mantel on Rohinton Mistry, and Anita Desai on Indian women's writing.

Among the significant projects of the last year of his life, Richard Avedon completed Woman in the Mirror, a book of his photographs of women from 1945 to 2004. Always transcending categorization, Avedon is considered one of the world's most influential fashion photographers and has been called the "poet of portraiture." He was interested in seeing how elemental facets of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries?Avedon created an unparalleled view of women in his time, a tumultuous half century of rapidly changing social mores, cultural ideals, popular styles, and high fashion. As an artist, he was deeply responsive to nuances of expression, gesture, and comportment. His photographs unfailingly opened a window to the interior lives of his subjects, who ranged from celebrities (Marilyn Monroe, Janis Joplin, Maria Callas, Isak Dinesen), to legendary models (Suzy Parker, Twiggy, Kate Moss), to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. --

A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.

Both as a biblical prophet and a folklore hero, Elijah is one of the most popular and beloved figures in Jewish literature. In these intriguing tales, we see Elijah as the master of miracles, employing numerous disguises to fulfill his mission: to offer guidance and hope, reward goodness and punish wrongdoing, rescue Jewish communities and individuals, and signal the coming of the Messiah.

This is a book of aspirations fulfilled, those of the author and his colleagues. It tells us what it is to be a mathematician and to do mathematics. It will be read with interest and enjoyment by those in mathematics and by those who might want to know what mathematicians and mathematical careers are like. Halmos, mathematician and expositor, has contributed much to ergodic theory, algebraic logic, operator theory, and the mathematical literature in general.

Paul Cantor provides a new and clearly structured introduction to Shakespeare's most famous tragedy. Hamlet's status as tragic hero and the central enigma of the delayed revenge are seen in the light of the play's historical place in the Renaissance at the crossroads of the Christian and the classical traditions. The dramatic and poetic techniques used in the play are discussed, and a final chapter deals with the uniquely varied reception of Hamlet on the stage and in literature generally, from the seventeenth century to the present day.

"In this useful guide, Paul Cantor provides a structured introduction to Shakespeare's most famous tragedy. Cantor examines Hamlet's status as tragic hero and the central enigma of his delayed revenge in light of the play's Renaissance context. He offers students a discussion of the dramatic and poetic techniques used in the play. In the final chapter he deals with the varied reception of Hamlet on the stage and in literature generally from the seventeenth century to the present day."--BOOK JACKET

In recent years there has been a massive upsurge in academic, professional and lay interest in mortality. This is reflected in academic and professional literature, in the popular media and in the proliferation of professional roles and training courses associated with aspects of death and dying. Until now the majority of reference material on death and dying has been designed for particular disciplinary audiences and has addressed only specific academic or professional concerns. There has been an urgent need for an authoritative but accessible reference work reflecting the multidisciplina

This book provides a framework for thinking about economic institutions such as firms. The basic idea is that institutions arise in situations where people write incomplete contracts and where the allocation of power or control is therefore important. Power and control are not standard concepts in economic theory. The book begins by pointing out that traditional approaches cannot explain on the one hand why all transactions do not take place in one huge firm and on the other hand why firms matter at all. An incomplete contracting or property rights approach is then developed. It is argued that this approach can throw light on the boundaries of firms and on the meaning of asset ownership. In the remainder of the book, incomplete contracting ideas are applied to understand firms' financial decisions, in particular, the nature of debt and equity (why equity has votes and creditors have foreclosure rights); the capital structure decisions of public companies; bankruptcy procedure; and the allocation of voting rights across a company's shares. The book is written in a fairly non-technical style and includes many examples. It is aimed at advanced undergraduate and graduate students, academic and business economists, and lawyers, as well as those with an interest in corporate finance, privatization and regulation, and the transition from socialism to capitalism. Little background knowledge is required, since the concepts are developed as the book progresses and the existing literature is fully reviewed.

"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

"The hauntingly beautiful epistolary novel from 'a glowing light of modern Italian literature' (New York Times Book Review). At the heart of Happiness As Such is an absence, an abyss that draws everyone nearer to its edge, created by the departure of a family's wayward only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes to him too; so does Mara, his former lover, who gave birth to a child who could be his own. Left to clean up Michele's mess, his family and friends complain and commiserate, making mistakes and missteps, attempting to cope in the only ways that they know how. With a few brushstrokes, Natalia Ginzburg can flesh out an entire existence and all its pitfalls and disappointments with unmatched clarity. One of Natalia Ginzburg's finest achievements, Happiness As Such is an experimental, wise, raw, comic novel, written in powerful prose that cuts to the bone with surgical precision"--

"Who cares about details? As Naomi Schor explains in her highly influential book, we do-but it has not always been so. The interest in detail--in art, in literature, and as an aesthetic category--is the product of the decline of classicism and the rise of realism. But the story of the detail is as political as it is aesthetic. Secularization, the disciplining of society, the rise of consumerism, the invention of the quotidian, have all brought detail to the fore. In this classic work of aesthetic and feminist theory, now available in a new paperback edition, Schor provides ways of thinking about details and ornament in literature, art, and architecture, and uncovering the unspoken but powerful ideologies that attached gender to details."--

Explores how Latino gang culture mirrors the most destructive aspects of the American Dream through a look at novels and memoirs "There's a place for us / Somewhere a place for us." With the emergence of a rich body of literature chronicling the experiences of Latino and Latina gang members, popular understanding of this outlaw culture has advanced far beyond West Side Story. However, the diverse works discussed in this important book--ranging from the breakthrough 1967 memoir Down These Mean Streets and the crime novel Carlito's Way to the play Zoot Suit and the World War II-era historical novel Don't Spit on My Corner, to more recent works such as Always Running/La Vida Loca: Gang Days in L.A. and Chicana gang narratives like Locas and Two Badges--all share with the award-winning musical a crucial discourse on nationality, citizenship, and belonging. In Gang Nation, Monica Brown offers a sophisticated analysis of these narratives produced by former gang members and by "outside" observers writing within the Latino community. She examines the ubiquity of language and behavior within this literature that reveal the frustrated longings within gangs for greater participation in America's national culture and the desire of members to craft an alternative environment in which they are welcome. Through literature and memoirs written from within the culture, Brown illustrates how these youth mimic the rhetoric and rituals of American nationalism's most destructive aspects--intense territoriality, justification of violence, and cultural chauvinism--to assert their citizenship in an alternative nation. Before now, studies of gang culture have centered on either the choices of individual members or the social forces that inspire their unfocused rage. But through Latino and Chicano gang literature, Brown provides a more nuanced portrait of that culture, one that raises broader concerns about dominant nationalism, civil rights, the criminalization of urban youth of color, and the often unfulfilled sense of communal identity and acceptance among American youth.

"Although Jewish participation in German society increased after World War I, Jews did not completely assimilate into that society. In fact, says Michael Brenner in this intriguing book, the Jewish population of Welmar Germany became more aware of its Jewishness and created new forms of German-Jewish culture in literature, music, fine arts, education , and scholarship. Brenner presents the first in-depth study of this culture, drawing a fascinating portrait of people in the midst of redefining themselves." "The Weimar Jews chose neither a radical break with the past nor a return to the past but instead dressed Jewish traditions in the garb of modern forms of cultural expression. Brenner describes, for example, how modern translations made classic Jewish texts accessible, Jewish museums displayed ceremonial artifacts in a secular framework, musical arrangements transformed synagogue liturgy for concert audiences, and popular novels recalled aspects of the Jewish past. Brenner's work, while bringing this significant historical period to life, illuminates contemporary and even enhancement of Jewish distinctiveness, combined with the seemingly successful participation of Jews in a secular, non-Jewish society, offer fresh insight into modern questions of Jewish existence, identity, and integration into other cultures."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In modern China, literature has been regarded as a vehicle of political and idea logical dissent, a concept that has persisted under communism. This study exhaustively analyzes the conflict between the Chinese Communist party and the intellectuals, particularly the writers, in the crucial decades of the 1940's and 1950's. By singling out individual writers as egregious examples, party leaders, through a series of thought-control campaigns, have tried to mold intellectuals along orthodox doctrinal lines. But these same leaders, holding to the paradoxical conviction that personal initiative and creativity are necessary catalysts in the effort to construct a Communist state, have not wanted to stifle these qualities altogether. The result has been a pattern of permissiveness and pressure, as illustrated by the ill-fated "Hundred Flowers" movement and the subsequent return to a policy of harsh regimentation. In depicting the views, feelings, frustrations, and tragic fates of many individual intellectuals in the confrontation with an oppressive party bureaucracy, the author reveals, in an unprecedented way, the nature of the authoritarian society that has evolved in Communist China. Her study convincingly demonstrates that totalitarian rule has not guaranteed the subservience of the Chinese intelligentsia and, even more important, that the alienated, critical intellectual remains a significant and vital force.